Knowledge (XXG)

Battleship Potemkin

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517:. Vakulinchuk's body is taken ashore and displayed publicly by his companions in a tent with a sign on his chest that says "For a spoonful of borscht" (Изъ-за ложки борща). The citizens of Odessa, saddened yet empowered by Vakulinchuk's sacrifice, are soon whipped into a frenzy against the Tsar and his government by sympathizers. A man allied with the government tries to turn the citizens' fury against the Jews, but he is quickly shouted down and beaten by the people. The sailors gather to make a final farewell and praise Vakulinchuk as a hero. The people of Odessa welcome the sailors, but they attract the police as they mobilize against the government. 480:
says, "Comrades! The time has come when we too must speak out. Why wait? All of Russia has risen! Are we to be the last?" The scene cuts to morning, where sailors are remarking on the poor quality of the meat. The meat appears to be rotten and covered in maggots, and the sailors say that "even a dog wouldn't eat this!" The ship's doctor, Smirnov, is called over to inspect the meat by the captain. Rather than maggots, the doctor says that they are insects, and they can be washed off before cooking. The sailors further complain about the poor quality of the rations, but the doctor declares the meat edible and ends the discussion. Senior officer
1643:- Museum fur Film und Fernsehen, commissioned a re-recording of the original Edmund Meisel score, performed by the Babelsberg Orchestra, conducted by Helmut Imig. In 2011 the most recent restoration was completed with an entirely new soundtrack by members of the Apskaft group. Contributing members were AER20-200, awaycaboose, Ditzky, Drn Drn, Foucault V, fydhws, Hox Vox, Lurholm, mexicanvader, Quendus, Res Band, -Soundso- and speculativism. The entire film was digitally restored to a sharper image by Gianluca Missero (who records under the name Hox Vox). The new version is available at the 1437:. He was a politician and friend of Vladimir Lenin who once hid Lenin in his home before the Revolution. Mayakovsky presented Shvedchikov with a hard demand that the film would be distributed abroad, and intimidated Shvedchikov with the fate of becoming a villain in history books. Mayakovsky's closing sentence was "Shvedchikovs come and go, but art remains. Remember that!" Besides Mayakovsky many others also persuaded Shvedchikov to spread the film around the world and after constant pressure from Sovkino he eventually sent the film to Berlin. There 3369: 1051: 992: 1546:. A salon orchestra performed the Berlin premiere in 1926. The instruments were flute/piccolo, trumpet, trombone, harmonium, percussion and strings without viola. Meisel wrote the score in twelve days because of the late approval of film censors. As time was so short Meisel repeated sections of the score. Composer/conductor Mark-Andreas Schlingensiepen has reorchestrated the original piano score to fit the version of the film available today. 1004: 501:
in response to Vakulinchuk's pleas the sailors in the firing squad lower their rifles and the uprising begins. The sailors overwhelm the outnumbered officers and take control of the ship. The officers are thrown overboard, the ship's priest is dragged out of hiding, and finally the doctor is thrown into the ocean as 'food for the worms'. The mutiny is successful but Vakulinchuk, the charismatic leader of the rebels, is killed.
687:, city at night and the strike crackdown on Sadovaya Street. Further shooting was prevented by deteriorating weather, with fog setting in. At the same time, the director faced tight time constraints: the film needed to be finished by the end of the year, although the script was approved only on 4 June. Eisenstein decided to give up the original script consisting of eight episodes, to focus on just one, the uprising on the 1016: 1560:. The music was commissioned by the organizers, who wanted to commemorate the 60th anniversary of the film's German premiere. The score was played only at this premiere and has not been released on CD or DVD. Contemporary reviews were largely positive apart from negative comment because the music was electronic. Allaman also wrote an opera about Battleship Potemkin, which is musically separate from the film score. 1035: 6927: 729: 538:
down the stairs, ignoring the people's pleas. Meanwhile, government cavalry attack the fleeing crowd at the bottom of the steps as well, cutting down many of those who survived the dismounted assault. Brief sequences show individuals among the people fleeing or falling, a baby carriage rolling down the steps, a woman shot in the face, broken glasses, and the high boots of the soldiers moving in unison.
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members from attending screenings, as he deemed the movie inappropriate for the troops. The film was eventually banned in some countries, including the United States and France for a time, as well as in its native Soviet Union. The film was banned in the United Kingdom longer than was any other film
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All those who refuse the meat are judged guilty of insubordination and are brought to the fore-deck where they receive religious last rites. The sailors are obliged to kneel and a canvas cover is thrown over them as a firing squad marches onto the deck. The First Officer gives the order to fire, but
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then taking place within Russia. After their watch, they and other off-duty sailors are sleeping. As an officer inspects the quarters, he stumbles and takes out his aggression on a sleeping sailor. The ruckus causes Vakulinchuk to awake, and he gives a speech to the men as they come to. Vakulinchuk
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essentially recycled and extended the script. In addition, during the progress of making the film, some episodes were added that had existed neither in Agadzhanova's script nor in Eisenstein's scenic sketches, such as the storm scene with which the film begins. As a result, the content of the film
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form battle lines at the top of the steps and march toward a crowd of unarmed civilians including women and children, and begin firing and advancing with fixed bayonets. Every now and again, the soldiers halt to fire a volley into the crowd before continuing their impersonal, machine-like assault
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decided to stage a number of performances dedicated to the revolutionary events of 1905. As part of the celebrations, it was suggested that a "... grand film shown in a special program, with an oratory introduction, musical (solo and orchestral) and a dramatic accompaniment based on a specially
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failed to attract masses of viewers", but the film was also released in a number of international venues, where audiences responded positively. In both the Soviet Union and overseas, the film shocked audiences, but not so much for its political statements as for its use of violence, which was
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was released internationally in a different version from that originally intended. The attempted execution of sailors was moved from the beginning to the end of the film. Later it was subjected to censorship, and in the USSR some frames and intermediate titles were removed. The words of
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black-and-white film stock of the period made the color red look black, so a white flag was used instead. Eisenstein hand-tinted the flag in red in 108 frames for the premiere at the Grand Theatre, which was greeted with thunderous applause by the Bolshevik audience.
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writes, "That there was, in fact, no tsarist massacre on the Odessa Steps scarcely diminishes the power of the scene ... It is ironic that did it so well that today, the bloodshed on the Odessa steps is often referred to as if it really happened."
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Today the film is widely available in various DVD editions. In 2004, a three-year restoration of the film was completed. Many excised scenes of violence were restored, as well as the original written introduction by Trotsky. The previous English
6954: 1402:" titled "Confessions of a Fellow Citizen" shows a very similar scene in a mall. Here many are slaughtered by a being known as a Proxy, who also knocks a baby carriage down a flight of stairs, taking the life of the mother and baby. 2525:"What Eisenstein created was the action sequence, which is absolutely vital to any modern film. ... Eisenstein's editing techniques have been used in any film made since that features any type of action sequence at all." from " 488:, although he too questions the quality of the meat. The crew refuses to eat the borscht, instead choosing bread, water, and canned goods. While cleaning dishes, one of the sailors sees an inscription on a plate which reads " 420: 865:"One against all" (Встреча с эскадрой), in which the squadron tasked with intercepting the Potemkin instead declines to engage; lowering their guns, its sailors cheer on the rebellious battleship and join the mutiny. 545:
use the guns of the battleship to fire on the city opera house, where Tsarist military leaders are convening a meeting. Meanwhile, there is news that a squadron of loyal warships is coming to quell the revolt of the
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The film was shown in an edited form in Germany, with some scenes of extreme violence edited out by German distributors. A written introduction by Trotsky was cut from Soviet prints after he ran afoul of
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The massacre on the steps, although it did not take place in daylight or as portrayed, was based on the fact that there were widespread riots in other parts of the city, sparked off by the arrival of the
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along with the signal "Join us". Just when battle seems inevitable, the sailors of the Tsarist squadron refuse to open fire, cheering and shouting to show solidarity with the mutineers and allowing the
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on audiences, and Eisenstein attempted to edit the film in such a way as to produce the greatest emotional response, so that the viewer would feel sympathy for the rebellious sailors of the Battleship
1356:(1909–1992). Eisenstein's images profoundly influenced Bacon, particularly the Odessa Steps shot of the nurse's broken glasses and open-mouthed scream. The open mouth image appeared first in Bacon's 422: 1635:
has also re-scored the film, and performed live accompanying the film with a score by Richard Marriott, conducted by Deirdre McClure. For the 2005 restoration of the film, under the direction of
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after seeing the film." He was even interested in getting Germans to make a similar film. Eisenstein did not like the idea and wrote an indignant letter to Goebbels in which he stated that
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as the fourth-greatest film of all time; it was voted within the top ten in the magazine's five subsequent decennial polls, dropping to number 11 in the 2012 poll and number 54 in 2022.
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In commercial format, on DVD for example, the film is usually accompanied by classical music added for the "50th anniversary edition" released in 1975. Three symphonies from
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To retain its relevance as a propaganda film for each new generation, Eisenstein hoped the score would be rewritten every 20 years. The original score was composed by
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considered graphic by the standards of the time. The film's potential to influence political thought through emotional response was noted by Nazi propaganda minister
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was used to show her at sea, and stock footage of the French fleet depicted the waiting Russian Black Sea fleet. Anachronistic footage of triple-gun-turret Russian
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was first performed live in Naples at Cinema Astra for Scarlatti Contemporanea Festival on 25 October 2017 and published on DVD in 5.1 surround sound by
761: 2327: 1831: 1468:. The film was banned in the United Kingdom (until 1954; it was then X-rated until 1987), France, Japan, and other countries for its revolutionary zeal. 1425:
After its first screening, the film was not distributed in the Soviet Union and there was a danger that it would be lost among other productions. Poet
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has often been cited as one of the finest propaganda films ever made, and is considered one of the greatest films of all time. The film was named the
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magazine gave the film a five-star review, stating: "...nearly 90 years on, Eisenstein's masterpiece is still guaranteed to get the pulse racing".
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The first screening of the film took place on 21 December 1925 at a ceremonial meeting dedicated to the anniversary of the 1905 revolution at the
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critics' poll in 2022, it was voted the fifty-fourth-greatest film of all time, and it had been placed in the top 10 in many previous editions.
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composed a new score in 1950 for the 25th anniversary. In 1985, Chris Jarrett composed a solo piano accompaniment for the movie. In 1986
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In 2007, Del Rey & The Sun Kings also recorded this soundtrack. In an attempt to make the film relevant to the 21st century,
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The silent film received a voice dubbing in 1930, was restored in 1950 (composer Nikolai Kryukov) and reissued in 1976 (composer
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The scene is perhaps the best example of Eisenstein's theory on montage, and many films pay homage to the scene, including
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Shooting began on 31 March 1925. Eisenstein began filming in Leningrad and had time to shoot the railway strike episode,
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Eisenstein hired many non-professional actors for the film; he sought people of specific types instead of famous stars.
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is Soviet cinema at its finest, and its montage editing techniques remain influential to this day." Since its release
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had connection to Russia's defeat in the Russo-Japanese War of 1904-05-Russian Navy morale was severely damaged.
2229: 1433:, had participated in the making of the film's intertitles. Mayakovsky's opposing party was Sovkino's president 7074: 5659: 5205: 4506: 2335: 1843: 808: 67: 4298: 2978:"Prima esecuzione assoluta della sonorizzazione dal vivo de " La corazzata Potëmkin" - Associazione Scarlatti" 2711: 2633: 2760: 7069: 6792: 6678: 5861: 5757: 4396: 4319: 3702: 3551: 3291: 2020: 1755: 1667: 1610:) composed a soundtrack in 2004 with the Dresden Symphonic Orchestra. Their soundtrack, released in 2005 as 1353: 1106: 674: 642: 476: 345: 2283: 1670:" series, along with a second audio track with a recording of the Meisel's score conducted by Helmut Imig. 889:, the characterization is simple, so that the audience could clearly see with whom they should sympathize. 7054: 6919: 6876: 6727: 5805: 5086: 4518: 4422: 3587: 1928: 1738: 1434: 1039: 844:"Drama on the Deck" (Драма на тендре), in which the sailors mutiny and their leader Vakulinchuk is killed. 706:, at that time a center of film production where it was possible to find a suitable warship for shooting. 6855: 6778: 6075: 4968: 4807: 4228: 4152: 3949: 870: 484:
forces the sailors still looking over the rotten meat to leave the area, and the cook begins to prepare
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In the original script, the film was to highlight a number of episodes from the 1905 revolution: the
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decide to take the battleship out from the port of Odessa to face the fleet of the Tsar, flying the
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Eisenstein wrote the film as revolutionary propaganda, but also used it to test his theories of
3008: 713:. The premiere was held in Moscow on 18 January 1926, in the 1st Goskinoteatre (now called the 6664: 6567: 6304: 6256: 6228: 6135: 6096: 6061: 5970: 5907: 5891: 5359: 5331: 5191: 4884: 4800: 4702: 4667: 4434: 4214: 4180: 4061: 3580: 3487: 3475: 3374: 3353: 3152: 3137: 3068: 2854: 2741: 2715: 2638: 2596: 2567: 2378: 2194: 2137: 2127: 2084: 1810: 1726: 1445: 1179: 655: 437:
The film is set in June 1905; the protagonists of the film are the members of the crew of the
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has a soundtrack that also makes heavy use of the symphonies of Shostakovich, including his
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Motion Pictures, Art of; pages 499 & 525, Vol 12, Encyclopaedia Britannica Macropaedia
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charges the crowd at the bottom of the stairs. The victims include an older woman wearing
939: 898: 859: 710: 608: 590: 530: 448: 404: 5526: 5345: 5121: 4625: 3977: 2903:"Case Study: Battleship Potemkin, Students' British Board of Film Classification website" 2902: 1142: 841:"Men and Maggots" (Люди и черви), in which the sailors protest having to eat rotten meat. 3368: 694:, which involved just a few pages (41 frames) from Agadzhanova's script. Eisenstein and 6841: 6771: 6764: 6706: 6650: 6620: 6483: 6395: 6325: 6270: 6249: 6172: 6165: 6158: 6019: 5977: 5963: 5949: 5900: 5645: 5638: 5617: 5610: 5561: 5540: 5533: 5457: 5296: 5114: 5107: 5100: 5079: 5063: 4996: 4982: 4870: 4779: 4709: 4688: 4681: 4604: 4590: 4576: 4458: 4389: 4326: 4270: 4207: 4187: 4166: 4103: 3963: 3733: 3358: 3043: 3033: 2589: 2508: 2404:"Heinrich Himmler: Order from Top SS Commander (Himmler) about Russian Propaganda Film" 1226: 1220: 1082: 969: 825: 807:
remained completely above water until 1930. Interior scenes were filmed on the cruiser
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was asked to write the script and direction of the picture was assigned to 27-year-old
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to witness the happenings and cheer on the rebels. Suddenly a detachment of dismounted
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reported that troops fired on the rioters; deaths were reportedly in the hundreds.
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One of the most celebrated scenes in the film is the massacre of civilians on the
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was used instead, but she was a very different design of vessel from that of the
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In 1925, after sale of the film's negatives to Germany and reediting by director
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named it one of the Top 10 DVDs of the year, ranking it at #5. It ranked #3 in
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Closely Watched Films: An Introduction to the Art of Narrative Film Technique
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was inspired by and paid tribute to the Odessa Steps sequence in his series
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The 2011 October Revolution parade in Moscow featured a homage to the film.
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Eisenstein's experiment was a mixed success; he "... was disappointed when
3240:"Fun Fridays – Director's Favourite Films – Paul Greengrass - Film Doctor" 4695: 4562: 3931: 3920: 3881: 3865: 3851: 3742: 2253:"Battleship Potemkin, Strike, October by Sergei Eisenstein: Appreciation" 1286: 913:
realism did not have either truth or realism. The film was not banned in
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In 2007, a two-disc, restored version of the film was released on DVD.
1698: 1514: in this section. Unsourced material may be challenged and removed. 1331: 947: 862:" (Одесская лестница), in which imperial soldiers massacre the Odesans. 725: 485: 451:. Eisenstein divided the plot into five acts, each with its own title: 391: 369: 259: 248: 2822: 1681:
has received acclaim from modern critics. On review aggregate website
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Films originally rejected by the British Board of Film Classification
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wrote an electronic score for a showing that took place at the 1986
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In the film, the rebels raise a red flag on the battleship, but the
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in collaboration with Anna Bohn, released on DVD and Blu-ray, the
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became a huge success, and the film was again screened in Moscow.
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and the Museum of S.M. Eisenstein under the artistic direction of
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Protzman, Ferdinand. "Landscape. Photographs of Time and Place".
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The citizenry of Odessa take to their boats, sailing out to the
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s "The 100 Best Films Of World Cinema" in 2010. In April 2011,
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The boots of the soldiers shown marching down the Odessa Steps
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to support the sailors, while a crowd of others gather at the
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school of filmmaking were experimenting with the effect of
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visited Moscow in July 1926, they were full of praise for
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The Film Factory: Russian and Soviet Cinema in Documents
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The Film Factory: Russian and Soviet Cinema in Documents
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20 Influential Silent Films Every Movie Buff Should See
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a 1996 episode of the American adult animated sitcom,
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and hatred for their overlords. In the manner of most
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paid tribute to the Odessa Steps shot in his series
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was far removed from Agadzhanova's original script.
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A Sunday Afternoon on the Island of La Grande Jatte
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List of films with a 100% rating on Rotten Tomatoes
308: 298: 288: 265: 255: 239: 229: 205: 184: 160: 152: 118: 108: 86: 3385:is available for free viewing and download at the 2588: 2328:"What's the Big Deal?: Battleship Potemkin (1925)" 1832:"What's the Big Deal?: Battleship Potemkin (1925)" 1807:Historical Dictionary of Russian and Soviet Cinema 1737:was re-released in UK cinemas, distributed by the 1348:Artists and others influenced by the work include 1305:An American Tail: The Mystery of the Night Monster 1009:A baby in a carriage falling down the Odessa Steps 2861:. Riant Chateau TERRITET Switzerland. p. 31. 1809:. US: Rowman & Littlefield. pp. 93–94. 752:in the prologue were replaced with a quote from 605:I. Bobrov as Young sailor flogged while sleeping 2655:. Den of Geek. 16 November 2011. Archived from 2365:. Archived from the original on 25 January 2018 1392:, started in 2000, is named after the sequence. 1021:A wide shot of the massacre on the Odessa Steps 3430:Monument in Odessa, explanation of the mutiny. 3389:(version reworked in the USSR as described in 3288:Kino: A History of the Russian and Soviet Film 2808:Kino: A History of the Russian and Soviet Film 2016:Kino: A History of the Russian and Soviet Film 1766:on their list of favorite films, and director 1373:The Soviet Union-born photographer and artist 1325:Non-film shows that parody the scene include 793:, and the film footage matches the battleship 3703: 3588: 3459: 2984:(in Italian). 17 October 2017. Archived from 1388:The popular culture periodical (and website) 1381:(1991–1993), shot near the subway station in 873:. The revolutionary Soviet filmmakers of the 338: 8: 6618: 6607: 3808: 3797: 3751: 3740: 2544:How 'Battleship Potemkin' reshaped Hollywood 1100:Star Wars: Episode III – Revenge of the Sith 3879: 2953:"Apskaft Presents: The Battleship Potemkin" 2157: 2155: 2153: 1863: 1861: 762:Russian State Archive of Literature and Art 380:that occurred in 1905 when the crew of the 7025:Films about the Russian Revolution of 1905 5887: 4542: 3936: 3710: 3696: 3688: 3595: 3581: 3573: 3466: 3452: 3444: 3367: 3297:Richard Taylor, Ian Christie, ed. (1994). 2126:Richard Taylor, Ian Christie, ed. (1994). 1344:(see, Season 3, Episode 5, 37 minutes in). 467:, discussing the need for the crew of the 92: 83: 6980:Soviet avant-garde and experimental films 2680:"Films influenced by Battleship Potemkin" 2398: 2396: 2394: 1770:named it as his all-time favourite film. 1530:Learn how and when to remove this message 1429:intervened because his good friend, poet 7040:Films set in 20th-century Russian Empire 2933:. New York City. 13 July 1928. p. 6 2811:. George Allen & Unwin. p. 205. 2321: 2319: 1407:Distribution, censorship and restoration 1054:Soviet Union-born American photographer 2755: 2753: 2005: 2003: 2001: 1999: 1964:Наум И. Клейман; К. Б. Левина (eds.). 1797: 1366:, and other works including his famous 987: 837:The film is composed of five episodes: 647:All-Russian Central Executive Committee 7015:Seafaring films based on actual events 3512:October: Ten Days That Shook the World 3009:"Libri, DVD & Gadgets - Cinestore" 2376: 2312:. New York: I.B. Tauris & Co. Ltd. 2218:Martorell, Jordi (14 September 2004). 1968:. Шедевры советского кино. p. 24. 938:Steps (also known as the Primorsky or 671:revolutionary events in St. Petersburg 645:, the commemorative commission of the 626:Konstantin Feldman as Student agitator 471:, which is anchored off the island of 6975:Soviet revolutionary propaganda films 6544:Six Characters in Search of an Author 3308:. Riant Chateau TERRITET Switzerland. 3276:. Foreign Languages Publishing House. 667:Armenian–Tatar massacres of 1905–1907 376:, it presents a dramatization of the 7: 2881:British Board of Film Classification 2832:British Board of Film Classification 2484:British Board of Film Classification 2251:Hoskisson, Mark (22 February 2008). 1512:adding citations to reliable sources 7060:Films directed by Sergei Eisenstein 2708:Francis Bacon: Anatomy of an Enigma 2061:. Gorodskie Novosti. Archived from 1211:Several films spoof it, including 803:had been scuttled in 1920, but her 541:In retaliation, the sailors of the 459:The scene begins with two sailors, 5746:Nude Descending a Staircase, No. 2 3186:. 23 November 2012. Archived from 2595:. University of California Press. 2490:from the original on 12 April 2023 2205:Foreign Languages Publishing House 2095:Foreign Languages Publishing House 1787:, a film review aggregator website 1558:Berlin International Film Festival 614:Aleksandr Levshin as Petty Officer 14: 3281:Sergei M. Eisenstein: a biography 3246:. 18 October 2013. Archived from 2784:Sergei M. Eisenstein: a biography 2566:. Houghton Mifflin. p. 352. 2461:Sergei M. Eisenstein: a biography 2428:Winston, Brian (1 January 1997). 2040:Sergei M. Eisenstein: a biography 1985:Sergei M. Eisenstein: a biography 1830:Snider, Eric (23 November 2010). 1780:List of films considered the best 1398:Episode 2 of Japanese animation " 1335:, entitled "The Longest Weekend"; 851:body is mourned by the people of 387:rebelled against their officers. 6926: 6925: 3091:"Sight and Sound Historic Polls" 1924:"The Greatest Films of All Time" 1488: 1046:image a "catalyst" for his work. 1014: 1002: 990: 623:Lyrkean Makeon as the Masked Man 490:give us this day our daily bread 398:is widely considered one of the 47: 3390: 3216:. 20 April 2012. Archived from 2587:Fabe, Marilyn (1 August 2004). 1499:needs additional citations for 1358:Abstraction from the Human Form 1192:We All Loved Each Other So Much 1030:Treatment in other works of art 921:issued a directive prohibiting 641:On the 20th anniversary of the 632:as Woman with the baby carriage 390:In 1958, the film was voted on 6693:Grosvenor School of Modern Art 6686:Fourth dimension in literature 3434:Russo-Japanese War Connections 3306:Film Problems Of Soviet Russia 3013:cinestore.cinetecadibologna.it 2859:Film Problems Of Soviet Russia 2678:Xan Brooks (1 February 2008). 2177:""Потемкин" после реставрации" 1631:The avant-garde jazz ensemble 1302:The 1999 direct-to-video film 728:with the participation of the 98:Original Soviet release poster 16:1925 film by Sergei Eisenstein 1: 7085:Films scored by Edmund Meisel 6995:Soviet historical drama films 1701:in 1958. Similarly, in 1952, 571:to pass between their ships. 505:Act III: A Dead Man Calls Out 394:list at the 1958 World Expo. 372:. Directed and co-written by 7010:Soviet black-and-white films 6960:1920s historical drama films 3338:Resources in other libraries 3034:"Battleship Potemkin (1925)" 1234:Zucker, Abrahams, and Zucker 617:N. Poltavseva as Woman with 59:Battleship Potemkin (poster) 6985:Soviet silent feature films 6786:List of avant-garde artists 5770:The Cabinet of Dr. Caligari 3677:List of Russian battleships 3436:Rebellion or Mutiny on the 3405:site with English subtitles 1318:Il secondo tragico Fantozzi 1287:Mr. Bill Goes to Washington 773:Kniaz Potemkin Tarritcheski 351: 56:It has been suggested that 7106: 6644:Classical Hollywood cinema 3410:"Potemkin sailor monument" 3272:Sergei Eisenstein (1959). 2706:Peppiatt, Michael (1996). 2436:. Vol. 47, no. 1 400:greatest films of all time 274:21 December 1925 18: 6907: 5722:Les Demoiselles d'Avignon 3672: 3647: 3612: 3482: 3333:Resources in your library 2712:Weidenfeld & Nicolson 2383:: CS1 maint: unfit URL ( 2363:Directory of World Cinema 2165:. rg.ru. 5 December 2013. 1695:greatest film of all time 1363:Fragment of a Crucifixion 1263:the Soviet-Polish comedy 1256:(though also a parody of 1131:Chandrashekhar Narvekar's 968:and the resident British 930:The Odessa Steps sequence 496:Act II: Drama on the Deck 355:), sometimes rendered as 339: 103: 91: 73:Proposed since July 2024. 4507:The Master and Margarita 3292:George Allen & Unwin 3274:Notes of a Film Director 2308:Neuberger, Joan (2003). 2200:Notes of a film director 2115:. Iskusstvo. p. 98. 2090:Notes of a film director 2021:George Allen & Unwin 1965: 1654:was composed in 2011 by 1293:The German–Turkish film 962:in Odessa Harbour. Both 643:first Russian revolution 521:Act IV: The Odessa Steps 134:Intertitles; uncredited: 19:For the battleship, see 6793:List of modernist poets 6679:Fourth dimension in art 5862:Meshes of the Afternoon 2634:The Battleship Potemkin 2514:Encyclopædia Britannica 1899:"Top Films of All-Time" 1805:Peter Rollberg (2016). 1352:The Irish-born painter 1062:(St. Petersburg, 1991). 982:"Odessa Steps" sequence 513:arrives at the port of 7090:1920s historical films 7080:Silent adventure films 7000:Soviet war drama films 6877:Second Viennese School 6619: 6608: 4519:The Sound and the Fury 4423:In Search of Lost Time 3880: 3809: 3798: 3752: 3741: 2982:Associazione Scarlatti 2562:Bascomb, Neal (2008). 2408:Germania International 2059:"Шедевр за два месяца" 1966:Броненосец "Потемкин." 1929:British Film Institute 1739:British Film Institute 1435:Konstantin Shvedchikov 1422: 1338:and a 2014 episode of 1063: 1047: 833:Film style and content 554:Act V: One Against All 455:Act I: Men and Maggots 443:, a battleship of the 434: 104:Бронено́сец «Потёмкин» 33:. For the poster, see 7005:Soviet thriller films 6965:1920s war drama films 6856:Reactionary modernism 6779:List of art movements 3153:"Battleship Potemkin" 3093:. BFI. Archived from 3065:"Battleship Potemkin" 2620:, 30 June 1905, p. 5. 2546:" by Andrew O'Hehir, 2480:"Battleship Potemkin" 2430:"Triumph of the Will" 2359:"Battleship Potemkin" 2357:Corney, Frederick C. 2284:"Battleship Potemkin" 1873:"Battleship Potemkin" 1741:. On its re-release, 1699:Brussels World's Fair 1567:have been used, with 1414: 1390:Odessa Steps Magazine 1053: 1037: 702:The film was shot in 445:Imperial Russian Navy 429: 402:. In the most recent 352:Bronenosets Potyomkin 340:Броненосец «Потёмкин» 26:. For the album, see 7065:Black Sea in fiction 7020:Films about mutinies 6970:1920s thriller films 6700:Hanshinkan Modernism 6556:The Threepenny Opera 6472:Pelléas et Mélisande 3528:Romance sentimentale 3420:on 28 September 2007 3279:Marie Seton (1960). 2288:Famous Library Films 2263:on 24 September 2015 2257:Permanent Revolution 1668:L'Immagine Ritrovata 1508:improve this article 926:in British history. 911:National Socialistic 730:USSR State Film Fund 593:as Commander Golikov 358:Battleship Potyomkin 66:into this article. ( 7050:Films shot in Odesa 6758:International Style 6508:Afternoon of a Faun 5794:Battleship Potemkin 5698:Mont Sainte-Victoir 3637:Battleship Potemkin 3504:Battleship Potemkin 3398:Battleship Potemkin 3382:Battleship Potemkin 3377:on Russian Film Hub 3375:Battleship Potemkin 3360:Battleship Potemkin 3349:Battleship Potemkin 3324:Battleship Potemkin 3220:on 19 February 2016 3190:on 20 November 2015 2875:BATTLESHIP POTEMKIN 2835:. 30 September 1926 2737:National Geographic 2529:" by Dylan Rambow, 2509:Battleship Potemkin 2468:. pp. 326–327. 2183:. 19 December 2008. 2023:. pp. 193–199. 1879:on 22 November 2010 1764:Battleship Potemkin 1735:Battleship Potemkin 1709:Battleship Potemkin 1691:Battleship Potemkin 1687:Battleship Potemkin 1679:Battleship Potemkin 1664:Cineteca di Bologna 1652:Battleship Potemkin 1641:Deutsche Kinemathek 1633:Club Foot Orchestra 1626:Newcastle upon Tyne 1613:Battleship Potemkin 1565:Dmitri Shostakovich 1454:Battleship Potemkin 1439:Battleship Potemkin 1427:Vladimir Mayakovsky 1419:Battleship Potemkin 1160:The Magic Christian 1044:Battleship Potemkin 821:was also included. 813:. Stock footage of 786:Dvenadsat Apostolov 758:Deutsche Kinemathek 745:Battleship Potemkin 722:Dmitri Shostakovich 696:Grigori Aleksandrov 597:Grigori Aleksandrov 585:Grigory Vakulinchuk 558:The sailors of the 431:Battleship Potemkin 396:Battleship Potemkin 382:Russian battleship 361:, is a 1925 Soviet 334:Battleship Potemkin 221:Grigori Aleksandrov 176:Grigori Aleksandrov 87:Battleship Potemkin 36:Battleship Potemkin 29:Battleship Potemkin 21:Russian battleship 7045:Films set on ships 7035:Films set in Odesa 6637:Buddhist modernism 6594:American modernism 6520:The Rite of Spring 4495:The Sun Also Rises 4471:The Magic Mountain 3474:Films directed by 3286:Jay Leyda (1960). 3250:on 16 October 2017 3097:on 22 January 2011 2988:on 7 November 2017 2486:. 14 August 2020. 2232:on 10 October 2012 1423: 1253:: The Final Insult 1168:The Children Thief 1064: 1048: 799:more closely. The 663:Russo-Japanese War 611:as Militant sailor 587:(Bolshevik sailor) 435: 7030:Films set in 1905 6990:Soviet epic films 6937: 6936: 6665:Experimental film 6581: 6580: 6568:Waiting for Godot 5875: 5874: 4532: 4531: 4435:The Metamorphosis 3685: 3684: 3630:Borets za Svobodu 3570: 3569: 3560:Ivan the Terrible 3536:¡Que viva México! 3476:Sergei Eisenstein 3391:§ Production 3319:Library resources 2639:Chicago Sun-Times 2573:978-0-547-05352-3 2552:, 12 January 2011 2310:Ivan the Terrible 2207:. pp. 18–23. 2195:Sergei Eisenstein 2085:Sergei Eisenstein 2047:. pp. 79–82. 1934:Sight & Sound 1704:Sight & Sound 1674:Critical response 1540: 1539: 1532: 1446:Douglas Fairbanks 781:Boretz Za Svobodu 656:Sergei Eisenstein 599:as Chief Officer 581:Aleksandr Antonov 475:, to support the 427: 374:Sergei Eisenstein 349: 330: 329: 217:Sergei Eisenstein 168:Aleksandr Antonov 130:Sergei Eisenstein 113:Sergei Eisenstein 80: 79: 75: 7097: 6929: 6928: 6900: 6898:Vulgar modernism 6893: 6891:Underground film 6886: 6879: 6872: 6865: 6858: 6851: 6844: 6837: 6830: 6823: 6816: 6809: 6802: 6795: 6788: 6781: 6774: 6767: 6760: 6753: 6744: 6737: 6730: 6723: 6716: 6714:Hippie modernism 6709: 6702: 6695: 6688: 6681: 6674: 6667: 6660: 6653: 6646: 6639: 6632: 6630:Bloomsbury Group 6625: 6624: 6614: 6613: 6603: 6596: 6574: 6573: 6562: 6561: 6550: 6549: 6538: 6537: 6526: 6525: 6514: 6513: 6502: 6501: 6490: 6489: 6478: 6477: 6466: 6465: 6454: 6453: 6442: 6441: 6419: 6412: 6405: 6398: 6391: 6384: 6377: 6370: 6363: 6356: 6349: 6342: 6335: 6328: 6321: 6314: 6307: 6287: 6280: 6273: 6266: 6259: 6252: 6245: 6238: 6231: 6224: 6217: 6210: 6203: 6196: 6189: 6182: 6175: 6168: 6161: 6154: 6147: 6127: 6120: 6113: 6106: 6099: 6092: 6085: 6078: 6071: 6064: 6057: 6050: 6043: 6036: 6029: 6022: 6015: 6008: 6001: 5994: 5987: 5980: 5973: 5966: 5959: 5952: 5945: 5938: 5931: 5924: 5917: 5910: 5903: 5888: 5868: 5867: 5856: 5855: 5844: 5843: 5834: 5833: 5824: 5823: 5818:Un Chien Andalou 5812: 5811: 5800: 5799: 5788: 5787: 5782:Ballet Mécanique 5776: 5775: 5764: 5763: 5752: 5751: 5740: 5739: 5728: 5727: 5716: 5715: 5710:The Starry Night 5704: 5703: 5692: 5691: 5669: 5662: 5655: 5648: 5641: 5634: 5627: 5620: 5613: 5606: 5599: 5592: 5585: 5578: 5571: 5564: 5557: 5550: 5543: 5536: 5529: 5522: 5515: 5495: 5488: 5481: 5474: 5467: 5460: 5453: 5446: 5439: 5432: 5425: 5418: 5411: 5404: 5397: 5390: 5383: 5376: 5369: 5362: 5355: 5348: 5341: 5334: 5327: 5320: 5313: 5306: 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5215: 5208: 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5117: 5110: 5103: 5096: 5089: 5082: 5075: 5055: 5048: 5041: 5039:Toulouse-Lautrec 5034: 5027: 5020: 5013: 5006: 4999: 4992: 4985: 4978: 4971: 4964: 4957: 4950: 4943: 4936: 4929: 4922: 4915: 4908: 4901: 4894: 4887: 4880: 4873: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4586: 4579: 4572: 4565: 4558: 4543: 4525: 4524: 4513: 4512: 4501: 4500: 4489: 4488: 4477: 4476: 4465: 4464: 4453: 4452: 4441: 4440: 4429: 4428: 4406: 4399: 4392: 4385: 4378: 4371: 4364: 4357: 4350: 4343: 4336: 4329: 4322: 4315: 4308: 4301: 4294: 4287: 4280: 4273: 4266: 4259: 4252: 4245: 4238: 4231: 4224: 4217: 4210: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4141: 4134: 4127: 4120: 4113: 4106: 4099: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3937: 3923: 3916: 3909: 3902: 3895: 3886: 3885: 3875: 3868: 3861: 3854: 3845: 3838: 3831: 3822: 3815: 3814: 3804: 3803: 3800:Der Blaue Reiter 3793: 3786: 3779: 3772: 3765: 3758: 3757: 3747: 3746: 3736: 3712: 3705: 3698: 3689: 3597: 3590: 3583: 3574: 3552:Alexander Nevsky 3520:The General Line 3468: 3461: 3454: 3445: 3429: 3427: 3425: 3416:. Archived from 3387:Internet Archive 3371: 3260: 3259: 3257: 3255: 3236: 3230: 3229: 3227: 3225: 3206: 3200: 3199: 3197: 3195: 3176: 3170: 3169: 3167: 3165: 3149: 3143: 3142: 3129: 3123: 3116:Corliss, Richard 3113: 3107: 3106: 3104: 3102: 3087: 3081: 3080: 3078: 3076: 3071:on 26 March 2011 3067:. 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Archived from 2215: 2209: 2208: 2191: 2185: 2184: 2173: 2167: 2166: 2159: 2148: 2147: 2123: 2117: 2116: 2113:My Life — Cinema 2105: 2099: 2098: 2081: 2075: 2074: 2072: 2070: 2065:on 8 August 2014 2055: 2049: 2048: 2031: 2025: 2024: 2007: 1994: 1993: 1976: 1970: 1969: 1961: 1955: 1952: 1946: 1945: 1943: 1941: 1920: 1914: 1913: 1911: 1909: 1895: 1889: 1888: 1886: 1884: 1875:. Archived from 1865: 1856: 1855: 1853: 1851: 1842:. Archived from 1827: 1821: 1820: 1802: 1732: 1650:A new score for 1645:Internet Archive 1618:Trafalgar Square 1573:Internet Archive 1535: 1528: 1524: 1521: 1515: 1492: 1484: 1458:Biltmore Theatre 1383:Saint Petersburg 1375:Alexey Titarenko 1311:and the Italian 1296:Kebab Connection 1258:The Untouchables 1252: 1251: 1247: 1244: 1199:Denis Villeneuve 1119:Laurel and Hardy 1088:The Untouchables 1056:Alexey Titarenko 1038:British painter 1018: 1006: 994: 919:Heinrich Himmler 775:, later renamed 734:Sergei Yutkevich 652:Nina Agadzhanova 630:Beatrice Vitoldi 428: 354: 344: 342: 341: 281: 279: 144:Sergei Tretyakov 126:Nina Agadzhanova 96: 84: 71: 51: 50: 43: 7105: 7104: 7100: 7099: 7098: 7096: 7095: 7094: 7075:Potemkin mutiny 6940: 6939: 6938: 6933: 6924: 6916: 6903: 6896: 6889: 6884:Structural film 6882: 6875: 6868: 6861: 6854: 6847: 6840: 6835:New Objectivity 6833: 6826: 6821:Neo-romanticism 6819: 6814:Neo-primitivism 6812: 6805: 6798: 6791: 6784: 6777: 6770: 6763: 6756: 6749: 6740: 6733: 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Tomatoes 3032: 3031: 3027: 3017: 3015: 3006: 3005: 3001: 2991: 2989: 2976: 2975: 2971: 2961: 2959: 2951: 2950: 2946: 2936: 2934: 2923: 2922: 2918: 2908: 2906: 2901: 2900: 2896: 2886: 2884: 2871: 2870: 2866: 2853: 2852: 2848: 2838: 2836: 2821: 2820: 2816: 2801: 2800: 2796: 2777: 2776: 2772: 2759: 2758: 2751: 2733: 2729: 2722: 2705: 2704: 2700: 2690: 2688: 2677: 2676: 2672: 2662: 2660: 2651: 2650: 2646: 2628: 2624: 2615: 2611: 2603: 2586: 2585: 2581: 2574: 2561: 2560: 2556: 2541: 2537: 2533:, 25 April 2015 2531:Taste of Cinema 2524: 2520: 2507: 2503: 2493: 2491: 2478: 2477: 2473: 2454: 2453: 2449: 2439: 2437: 2427: 2426: 2422: 2412: 2410: 2402: 2401: 2392: 2375: 2368: 2366: 2356: 2355: 2351: 2341: 2339: 2325: 2324: 2317: 2307: 2306: 2302: 2292: 2290: 2281: 2280: 2276: 2266: 2264: 2250: 2249: 2245: 2235: 2233: 2217: 2216: 2212: 2193: 2192: 2188: 2175: 2174: 2170: 2161: 2160: 2151: 2144: 2136:. p. 137. 2125: 2124: 2120: 2107: 2106: 2102: 2083: 2082: 2078: 2068: 2066: 2057: 2056: 2052: 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December 2022 1922: 1921: 1917: 1907: 1905: 1897: 1896: 1892: 1882: 1880: 1867: 1866: 1859: 1849: 1847: 1829: 1828: 1824: 1817: 1804: 1803: 1799: 1794: 1776: 1760:Paul Greengrass 1730: 1722:Richard Corliss 1707:magazine cited 1683:Rotten Tomatoes 1676: 1550:Nikolai Kryukov 1536: 1525: 1519: 1516: 1505: 1493: 1482: 1409: 1379:City Of Shadows 1284:The short film 1249: 1245: 1242: 1240: 1060:City Of Shadows 1032: 1027: 1026: 1025: 1022: 1019: 1010: 1007: 998: 995: 984: 983: 940:Potemkin Stairs 932: 899:Joseph Goebbels 835: 771:The battleship 715:Khudozhestvenny 711:Bolshoi Theatre 675:Moscow uprising 650:written text". 639: 609:Mikhail Gomorov 591:Vladimir Barsky 577: 556: 523: 507: 498: 457: 449:Black Sea Fleet 416: 414: 405:Sight and Sound 326: 291: 284: 277: 275: 268: 251: 244: 242: 225: 201: 197: 180: 172:Vladimir Barksy 148: 99: 76: 52: 48: 41: 17: 12: 11: 5: 7103: 7101: 7093: 7092: 7087: 7082: 7077: 7072: 7070:Censored films 7067: 7062: 7057: 7052: 7047: 7042: 7037: 7032: 7027: 7022: 7017: 7012: 7007: 7002: 6997: 6992: 6987: 6982: 6977: 6972: 6967: 6962: 6957: 6952: 6942: 6941: 6935: 6934: 6917: 6909: 6908: 6905: 6904: 6902: 6901: 6894: 6887: 6880: 6873: 6866: 6859: 6852: 6845: 6842:Poetic realism 6838: 6831: 6824: 6817: 6810: 6803: 6796: 6789: 6782: 6775: 6772:Late modernity 6768: 6765:Late modernism 6761: 6754: 6747: 6746: 6745: 6738: 6731: 6717: 6710: 6707:High modernism 6703: 6696: 6689: 6682: 6675: 6668: 6661: 6654: 6651:Degenerate art 6647: 6640: 6633: 6626: 6621:Ballets Russes 6615: 6604: 6597: 6589: 6587: 6583: 6582: 6579: 6578: 6576: 6575: 6563: 6551: 6539: 6527: 6515: 6503: 6491: 6479: 6467: 6455: 6443: 6430: 6428: 6424: 6423: 6421: 6420: 6413: 6406: 6399: 6392: 6385: 6378: 6371: 6364: 6357: 6350: 6343: 6336: 6329: 6322: 6315: 6308: 6300: 6298: 6292: 6291: 6289: 6288: 6281: 6274: 6267: 6260: 6253: 6246: 6239: 6232: 6225: 6218: 6211: 6204: 6197: 6190: 6183: 6176: 6169: 6162: 6155: 6148: 6140: 6138: 6132: 6131: 6129: 6128: 6121: 6114: 6107: 6100: 6093: 6086: 6079: 6072: 6065: 6058: 6051: 6044: 6037: 6030: 6023: 6016: 6009: 6002: 5995: 5988: 5981: 5974: 5967: 5960: 5953: 5946: 5939: 5932: 5925: 5918: 5911: 5904: 5896: 5894: 5885: 5877: 5876: 5873: 5872: 5870: 5869: 5857: 5845: 5835: 5825: 5813: 5801: 5789: 5777: 5765: 5753: 5741: 5729: 5717: 5705: 5693: 5680: 5678: 5674: 5673: 5671: 5670: 5663: 5656: 5649: 5642: 5635: 5628: 5621: 5614: 5607: 5600: 5593: 5586: 5579: 5572: 5565: 5558: 5551: 5544: 5537: 5530: 5523: 5516: 5508: 5506: 5500: 5499: 5497: 5496: 5489: 5482: 5475: 5468: 5461: 5454: 5447: 5440: 5433: 5426: 5419: 5412: 5405: 5398: 5391: 5384: 5377: 5374:Ray (Satyajit) 5370: 5367:Ray (Nicholas) 5363: 5356: 5349: 5342: 5335: 5328: 5321: 5314: 5307: 5300: 5293: 5286: 5279: 5272: 5265: 5258: 5251: 5244: 5237: 5230: 5223: 5216: 5209: 5202: 5195: 5188: 5181: 5174: 5167: 5160: 5153: 5146: 5139: 5132: 5125: 5118: 5111: 5104: 5097: 5090: 5083: 5076: 5068: 5066: 5060: 5059: 5057: 5056: 5049: 5042: 5035: 5028: 5021: 5014: 5007: 5000: 4993: 4986: 4979: 4972: 4965: 4958: 4951: 4944: 4937: 4930: 4923: 4916: 4909: 4902: 4895: 4888: 4881: 4874: 4867: 4860: 4853: 4846: 4839: 4832: 4825: 4818: 4811: 4804: 4797: 4790: 4783: 4776: 4769: 4762: 4755: 4748: 4741: 4734: 4727: 4720: 4713: 4706: 4699: 4692: 4685: 4678: 4671: 4664: 4657: 4650: 4643: 4636: 4629: 4622: 4615: 4608: 4601: 4594: 4587: 4580: 4573: 4566: 4559: 4551: 4549: 4540: 4534: 4533: 4530: 4529: 4527: 4526: 4514: 4502: 4490: 4478: 4466: 4459:The Waste Land 4454: 4442: 4430: 4417: 4415: 4411: 4410: 4408: 4407: 4400: 4393: 4386: 4379: 4372: 4365: 4358: 4351: 4344: 4337: 4330: 4323: 4316: 4309: 4302: 4295: 4288: 4281: 4274: 4267: 4260: 4253: 4246: 4239: 4232: 4225: 4218: 4211: 4203: 4201: 4195: 4194: 4192: 4191: 4184: 4177: 4170: 4163: 4156: 4149: 4142: 4135: 4128: 4121: 4114: 4107: 4100: 4093: 4086: 4079: 4072: 4065: 4058: 4051: 4044: 4037: 4030: 4023: 4016: 4009: 4002: 3995: 3988: 3981: 3974: 3967: 3960: 3953: 3945: 3943: 3934: 3928: 3927: 3925: 3924: 3917: 3910: 3903: 3896: 3889: 3888: 3887: 3869: 3862: 3855: 3848: 3847: 3846: 3832: 3825: 3824: 3823: 3816: 3805: 3787: 3780: 3773: 3770:Constructivism 3766: 3759: 3748: 3737: 3729: 3727: 3723: 3722: 3717: 3715: 3714: 3707: 3700: 3692: 3683: 3682: 3680: 3679: 3673: 3670: 3669: 3667: 3666: 3658: 3648: 3645: 3644: 3642: 3641: 3633: 3613: 3610: 3609: 3602: 3600: 3599: 3592: 3585: 3577: 3568: 3567: 3565: 3564: 3556: 3548: 3540: 3532: 3524: 3516: 3508: 3500: 3492: 3488:Glumov's Diary 3483: 3480: 3479: 3473: 3471: 3470: 3463: 3456: 3448: 3442: 3441: 3431: 3406: 3394: 3378: 3372: 3356: 3341: 3340: 3335: 3329: 3328: 3317: 3316: 3314: 3313:External links 3311: 3310: 3309: 3302: 3295: 3284: 3283:. Grove Press. 3277: 3268: 3265: 3262: 3261: 3231: 3201: 3171: 3144: 3124: 3108: 3082: 3056: 3044:Fandango Media 3025: 2999: 2969: 2944: 2916: 2894: 2864: 2846: 2814: 2794: 2770: 2767:. 18 May 2012. 2765:Squire Artists 2749: 2727: 2720: 2698: 2670: 2644: 2642:, 19 July 1998 2622: 2609: 2601: 2579: 2572: 2554: 2535: 2518: 2501: 2471: 2447: 2420: 2390: 2349: 2326:Snider, Eric. 2315: 2300: 2274: 2243: 2210: 2186: 2168: 2149: 2142: 2118: 2100: 2097:. p. 140. 2076: 2050: 2026: 1995: 1971: 1956: 1947: 1915: 1890: 1857: 1846:on 23 May 2019 1822: 1816:978-1442268425 1815: 1796: 1795: 1793: 1790: 1789: 1788: 1782: 1775: 1772: 1675: 1672: 1538: 1537: 1496: 1494: 1487: 1481: 1478: 1408: 1405: 1404: 1403: 1396: 1393: 1386: 1371: 1346: 1345: 1336: 1323: 1322: 1309: 1300: 1291: 1282: 1270: 1261: 1231: 1227:Love and Death 1209: 1208: 1196: 1184: 1172: 1164: 1152: 1140: 1128: 1116: 1104: 1092: 1083:Brian De Palma 1080: 1031: 1028: 1024: 1023: 1020: 1013: 1011: 1008: 1001: 999: 996: 989: 986: 985: 981: 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London: 2691:10 October 2663:15 October 2564:Red Mutiny 2494:8 November 2109:Esfir Shub 2069:5 February 1940:8 December 1792:References 1750:Directors 1744:Total Film 1604:Chris Lowe 1417:poster of 1400:Ergo Proxy 1239:Naked Gun 1175:Johnnie To 1148:Ergo Proxy 887:propaganda 741:Phil Jutzi 637:Production 477:revolution 294:74 minutes 278:1925-12-21 241:Production 119:Written by 6849:Pulp noir 6807:Modernity 6672:Film noir 6396:St. Denis 6319:Diaghilev 6055:Schaeffer 5978:Hindemith 5957:Dutilleux 5929:Boulanger 5734:The Dance 5430:Tarkovsky 5423:Sternberg 5255:Hitchcock 5171:Dovzhenko 5087:Antonioni 5032:Stieglitz 4871:Metzinger 4822:Kokoschka 4801:Kandinsky 4215:Aldington 4208:Akhmatova 4125:Marinetti 4118:Mansfield 4069:Hemingway 3907:Symbolism 3726:Movements 3719:Modernism 3563:(1944-46) 3424:22 August 2909:5 October 2803:Jay Leyda 2618:The Times 2134:Routledge 2011:Jay Leyda 1628:in 2006. 1520:June 2020 1145:'s anime 1112:Deathline 965:The Times 952:pince-nez 907:Bolshevik 810:Komintern 801:Rostislav 796:Rostislav 779:and then 619:pince-nez 366:epic film 346:romanized 309:Languages 206:Edited by 6931:Category 6532:Fountain 6436:Don Juan 6375:Nijinsky 6271:Wedekind 6250:Piscator 6145:Anderson 6069:Scriabin 5985:Honegger 5646:Sullivan 5632:Saarinen 5625:Rietveld 5618:Niemeyer 5590:Melnikov 5520:Bunshaft 5451:Truffaut 5416:Sjöström 5360:Pudovkin 5332:Minnelli 5297:Kurosawa 5290:Kuleshov 5220:Flaherty 5046:Vuillard 5025:Steichen 4983:Rousseau 4948:Pissarro 4927:O'Keeffe 4892:Mondrian 4843:Malevich 4836:Magritte 4808:Kirchner 4752:van Gogh 4703:Doesburg 4682:Delaunay 4675:Delaunay 4598:Brâncuși 4584:Boccioni 4547:Painting 4397:Williams 4320:Mallarmé 4236:Cendrars 4146:Platonov 4104:Lawrence 4097:Koestler 4034:Flaubert 4027:Faulkner 3992:Bulgakov 3921:Tonalism 3882:De Stijl 3866:Lettrism 3852:Futurism 3743:Art Deco 3663:Retvizan 3654:Peresvet 3618:Potemkin 3605:Potemkin 3438:Potemkin 3049:13 April 2937:17 March 2857:(1922). 2825:POTEMKIN 2805:(1960). 2781:(1960). 2740:, 2003, 2488:Archived 2458:(1960). 2379:cite web 2342:10 March 2332:MTV News 2197:(1959). 2111:(1972). 2087:(1959). 2037:(1960). 2013:(1960). 1982:(1960). 1903:Filmsite 1836:MTV News 1774:See also 1666:in the " 1606:(of the 1593:Eleventh 1415:Another 1313:Fantozzi 960:Potemkin 948:Cossacks 903:Potemkin 894:Potemkin 883:Potemkin 875:Kuleshov 815:Potemkin 791:Potemkin 691:Potemkin 685:horsecar 673:and the 569:Potemkin 564:red flag 560:Potemkin 548:Potemkin 543:Potemkin 535:Cossacks 527:Potemkin 511:Potemkin 469:Potemkin 440:Potemkin 384:Potemkin 230:Music by 161:Starring 38:(poster) 23:Potemkin 6586:Related 6448:Ubu Roi 6403:Tamiris 6389:Sokolow 6368:Massine 6236:Osborne 6229:O'Neill 6222:O'Casey 6180:Chekhov 6166:Beckett 6152:Anouilh 6136:Theatre 6083:Strauss 6041:Russolo 6020:Milhaud 5999:Janáček 5971:Górecki 5964:Feldman 5950:Debussy 5943:Copland 5901:Antheil 5639:Steiner 5562:Johnson 5541:Guimard 5534:Gropius 5381:Resnais 5283:Kubrick 5213:Fellini 5199:Epstein 5185:Edwards 5150:Cocteau 5136:Chaplin 5108:Bresson 5101:Bergman 5080:Aldrich 5073:Akerman 5018:Soutine 4990:Schiele 4941:Picasso 4934:Picabia 4864:Matisse 4738:Gauguin 4710:Duchamp 4668:Kooning 4647:Claudel 4640:Chirico 4633:Chagall 4626:Cézanne 4619:Cassatt 4591:Bonnard 4577:Bellows 4570:Balthus 4447:Ulysses 4369:Stevens 4362:Seferis 4181:Unamuno 4020:Forster 3999:Chekhov 3964:Beckett 3893:Orphism 3859:Imagism 3843:Bauhaus 3829:Fauvism 3734:Acmeism 3403:Mosfilm 2930:Variety 2440:30 July 1762:placed 1697:at the 1370:series. 1332:Duckman 1266:Deja Vu 1248:⁄ 1221:Bananas 871:montage 726:Mosfilm 486:borscht 370:Mosfilm 321:Russian 299:Country 276: ( 260:Goskino 249:Mosfilm 243:company 68:Discuss 31:(album) 6572:(1953) 6560:(1928) 6548:(1921) 6536:(1917) 6524:(1913) 6512:(1912) 6500:(1910) 6488:(1905) 6484:Salome 6476:(1902) 6464:(1899) 6452:(1896) 6440:(1888) 6417:Wigman 6347:Graham 6340:Fuller 6333:Fokine 6326:Duncan 6278:Wilder 6264:Toller 6201:Kaiser 6173:Brecht 6159:Artaud 6118:Webern 6104:Varèse 6034:Partch 6006:Ligeti 5936:Boulez 5908:Bartók 5866:(1943) 5854:(1941) 5842:(1936) 5832:(1931) 5822:(1929) 5810:(1927) 5798:(1925) 5786:(1923) 5774:(1920) 5762:(1915) 5750:(1912) 5726:(1907) 5714:(1889) 5702:(1887) 5690:(1886) 5667:Wright 5653:Tatlin 5611:Neutra 5513:Breuer 5479:Welles 5465:Vertov 5388:Renoir 5339:Murnau 5325:Marker 5318:Lupino 5276:Keaton 5262:Hubley 5248:Godard 5234:Fuller 5178:Dreyer 5157:Dassin 5115:Buñuel 5011:Sisley 5004:Signac 4997:Seurat 4969:Renoir 4787:Hopper 4689:Demuth 4612:Calder 4605:Braque 4556:Albers 4523:(1929) 4499:(1926) 4487:(1925) 4475:(1924) 4463:(1922) 4451:(1922) 4439:(1915) 4390:Valéry 4376:Thomas 4341:Pessoa 4285:George 4278:Elytis 4271:Éluard 4257:Desnos 4229:Cavafy 4199:Poetry 4160:Proust 4153:Porter 4055:Hamsun 4013:Döblin 4006:Conrad 3978:Breton 3957:Barnes 3777:Cubism 3640:(film) 3555:(1938) 3547:(1937) 3539:(1937) 3531:(1930) 3523:(1929) 3515:(1928) 3507:(1925) 3499:(1925) 3496:Strike 3491:(1923) 3393:above) 3321:about 3138:Empire 2855:Bryher 2827:(N/A)" 2761:"News" 2744:  2718:  2599:  2570:  2181:Pravda 2140:  1908:23 May 1850:23 May 1813:  1727:Empire 1591:, and 1585:Eighth 1577:Fourth 1466:Stalin 1136:Tezaab 1076:Brazil 970:Consul 936:Odessa 853:Odessa 704:Odessa 515:Odessa 473:Tendra 433:(1925) 378:mutiny 363:silent 64:merged 6742:Post- 6728:Music 6427:Works 6382:Shawn 6361:Laban 6296:Dance 6194:Jarry 6187:Ibsen 6125:Weill 6048:Satie 5922:Berio 5892:Music 5677:Works 5604:Nervi 5548:Horta 5527:Gaudí 5486:Wiene 5458:Varda 5444:Trnka 5353:Pabst 5311:Losey 5269:Jones 5241:Gance 5164:Deren 5143:Clair 5122:Carné 5094:Avery 4976:Rodin 4962:Redon 4920:Nolde 4913:Munch 4906:Moore 4899:Monet 4850:Manet 4829:Léger 4794:Kahlo 4773:Grosz 4731:Ernst 4724:Ensor 4661:Degas 4414:Works 4404:Yeats 4383:Tzara 4355:Rilke 4348:Pound 4327:Moore 4299:Lorca 4292:Jacob 4264:Eliot 4243:Crane 4222:Auden 4188:Woolf 4174:Svevo 4167:Stein 4132:Musil 4090:Kafka 4083:Joyce 4076:Hesse 4062:Hašek 3985:Broch 3820:Music 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Index

Russian battleship Potemkin
Battleship Potemkin (album)
Battleship Potemkin (poster)
Battleship Potemkin (poster)
merged
Discuss

Sergei Eisenstein
Nina Agadzhanova
Nikolai Aseyev
Sergei Tretyakov
Aleksandr Antonov
Grigori Aleksandrov
Eduard Tisse
Grigori Aleksandrov
Edmund Meisel
Mosfilm
Goskino
Soviet Union
Silent film
Russian
romanized
silent
epic film
Mosfilm
Sergei Eisenstein
mutiny
Russian battleship Potemkin
Brussels 12
greatest films of all time

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