Knowledge (XXG)

Batuque (Brazil)

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In this game, two players stand in a circle. The defender stands in the center in a defensive position, with inward-rotated legs to protect his genitals and root himself. The attacker, often after feinting, made one decisive attempt to knock down the defender with his hips, upper legs, or feet. If
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Many zungu houses in 19th century Rio often organized communal dances or batuques, where Africans organized themselves into distinct groups or nations to perform together. In the Rio suburbs, these dances drew up to two thousand Africans who danced in separate circles based on their nations. These
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In spite of all this, however, they take place. At the risk of being cruelly beaten, the Negroes go on at night, when the whites are asleep, to dance on the beach in the moonlight. They assemble in groups of the same nationality, either Congo or Mozambique, or Minas; then, in dancing they forget
60:, or drumming ceremonies were an important cultural activity among the African population. These performance circles were a regular occurrence on Sunday evenings and holidays, drawing large crowds of enslaved Africans. Laws introduced in 316:
Batuque was a combat game of predominantly Angolan origins. In the 1930s the Angolans in Brazil were the champions in batuque, with one of the most renowned practitioners being Angolinha (little Angola).
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Africans devised tactics to safeguard the batuques. They would scatter when the police approached and reconvene elsewhere to resume. In some cases, they responded to police repression with violence.
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the defender fell, a new player took their place; if not, they became the attacker, and the game continued. A range of techniques was used in batuque to unbalance the opponent:
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intensifying or slowing down the rhythm. Further on, I see another wild dance, with provocative eyes, swaying waists, and agile thighs. This captivating undulation is known as
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is a type of war dance, accompanied by the powerful, militant rhythm of the Congo drum. Then there is the Batuque with its sensual movements, with the
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Spix and Martius' reported that by the end of the colonial period, not only improvised songs but also the emerging Brazilian
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It does not seem very prudent, politically speaking, to tolerate crowds of negroes of both sexes performing their barbarous
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The practice of these dances continued throughout the 19th century. Adèle Toussaint-Samson, a Parisian in Brazil, wrote in
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spirits who "inhabit the tangible world" and mostly come from Brazil, although there are foreigners in their rank). "
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Umbanda and Batuque in the Southern Cone: Transnationalization as Cross-Border Religious Flow and as Social Field
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nations had distinct dances, but they came together for common dances, including batuque, lundu, and capoeira.
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their ills and servitude, and only remember their native country and the time that they were free.
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in the early part of the twentieth century by African slaves, but now extinct. A similar game,
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There are efforts to resurrect Batuque (and leg wrestling in general) as a modern sport.
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Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World
280: 83: 125:, Luís dos Santos Vilhena, a teacher in Salvador, complained on the slaves performing 1428: 1300: 575:, Religions of the World, Cham: Springer International Publishing, pp. 164–170, 516:
The Hidden History of Capoeira: A Collision of Cultures in the Brazilian Battle Dance
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Batuque was a common dance among Africans in Brazil during the 19th century. In
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gatherings, there were specific groups dedicated to a combat game known as
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Secrets, Gossip, and Gods: The Transformation of Brazilian Candomblé
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through the city streets and squares to the beat of many horrible
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Capoeira: The Jogo de Angola from Luanda to Cyberspace, Volumen 2
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Pinn, Anthony B.; Finley, Stephen C.; Alexander, Torin (2009).
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visiting Brazil described the Afro-Brazilian dances he saw:
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Neto, Edgar Rodrigues Barbosa (2019), Gooren, Henri (ed.),
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In Bahia, the batuque dance evolved into various forms of
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Encyclopedia of Religious Rites, Rituals, and Festivals
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Capoeira: The History of an Afro-Brazilian Martial Art
336:, incorporated numerous batuque techniques. Moreover, 105:, while the combat game was gradually absorbed by the 1344: 1291: 1199: 1078: 1036: 998: 936:Salamone, Frank A. (2004). Levinson, David (ed.). 513: 539:. Columbia: University of South Carolina Press. 457:. Oxford and New York: Oxford University Press. 902:"Ceremonial Drinking in an Afro-Brazilian Cult" 747: 711: 699: 407:, who are mostly thought to come in two types: 348:and one of the last ones to preserve this art. 206: 182: 131: 976: 8: 983: 969: 961: 34:(drumming) was a general term for various 777: 735: 723: 649: 637: 608: 38:practices in the 19th century, including 800: 687: 666: 573:Encyclopedia of Latin American Religions 358:introduced by Bimba came from batuque. 758: 756: 620: 559: 495:Capoeira: Roots of the Dance-Fight-Game 320:Many capoeiras also practiced batuque. 827:What Is Candomblé? Beliefs and History 931: 929: 927: 340:'s father was a champion of batuque. 223:were already being sung at batuques. 7: 313:, tambourine, scraper, and singing. 876:African American Religious Cultures 838:Frigerio, Alejandro (2013-01-01). 472:Assunção, Matthias Röhrig (2002). 453:Johnson, Paul Christopher (2002). 14: 1409: 1408: 535:Desch-Obi, M. Thomas J. (2008). 309:wrote that it was played to the 879:. ABC-CLIO. pp. 104–107. 512:Talmon-Chvaicer, Maya (2008). 1: 1450:African diaspora martial arts 581:10.1007/978-3-319-27078-4_537 520:. University of Texas Press. 403:includes spirits rather than 64:allowed police to shut down 384:Batuque is an old name for 1466: 427:are...integral to Batuque 373: 1406: 850:10.1163/9789004246034_008 493:Capoeira, Nestor (2002). 176:, the French journalist 27:, between 1822 and 1825. 906:American Anthropologist 393:Afro-Brazilian religion 1445:Afro-Brazilian culture 900:Leacock, Seth (1964). 395:, practiced mainly in 283:about the same time. 264: 242: 217: 214:Adèle Toussaint-Samson 198: 165: 143: 28: 25:Johann Moritz Rugendas 391:Today, batuque is an 332:, the founder of the 271:-like game played in 248: 234: 148: 109:. In the province of 19: 1393:Knocking and kicking 1246:Meia lua de compasso 790:Mestres & Famous 748:Talmon-Chvaicer 2008 712:Talmon-Chvaicer 2008 700:Talmon-Chvaicer 2008 497:. Blue Snake Books. 150:Batuque in São Paulo 1440:History of capoeira 352:believes that many 1352:In popular culture 1258:Meia lua de frente 380:Batuque (religion) 362:Batuque in present 265: 243: 178:Charles Ribeyrolls 166: 29: 1422: 1421: 1123:Camafeu de Oxóssi 886:978-1-57607-470-1 859:978-90-04-24603-4 590:978-3-319-27078-4 546:978-1-57003-718-4 527:978-0-292-71723-7 504:978-1-58394-637-4 485:978-0-7146-8086-6 421:Spirit possession 342:Mestre Tiburcinho 326:Anibal Burlamaqui 279:, was popular in 257:Alexis de Gabriac 1457: 1412: 1411: 985: 978: 971: 962: 956: 955: 933: 922: 921: 897: 891: 890: 870: 864: 863: 835: 829: 824: 818: 817: 810: 804: 798: 792: 787: 781: 775: 766: 760: 751: 745: 739: 733: 727: 721: 715: 709: 703: 697: 691: 685: 670: 664: 653: 647: 641: 635: 624: 618: 612: 606: 600: 599: 598: 597: 564: 550: 531: 519: 508: 489: 468: 324:innovators like 227:As a combat game 215: 1465: 1464: 1460: 1459: 1458: 1456: 1455: 1454: 1425: 1424: 1423: 1418: 1402: 1340: 1336:Capoeira Brasil 1293: 1287: 1236:Chapa de costas 1231:Chapa de frente 1195: 1074: 1032: 994: 989: 959: 952: 935: 934: 925: 899: 898: 894: 887: 872: 871: 867: 860: 837: 836: 832: 825: 821: 812: 811: 807: 803:, pp. 196. 799: 795: 788: 784: 780:, pp. 186. 776: 769: 762:Gerard Taylor, 761: 754: 746: 742: 738:, pp. 155. 734: 730: 726:, pp. 153. 722: 718: 710: 706: 698: 694: 686: 673: 665: 656: 652:, pp. 185. 648: 644: 640:, pp. 167. 636: 627: 619: 615: 611:, pp. 154. 607: 603: 595: 593: 591: 566: 565: 561: 557: 547: 534: 528: 511: 505: 492: 486: 471: 465: 452: 449: 437: 417:anthropomorphic 409:Catholic saints 382: 374:Main articles: 372: 364: 350:Nestor Capoeira 307:Edison Carneiro 229: 216: 213: 160: and  119: 12: 11: 5: 1463: 1461: 1453: 1452: 1447: 1442: 1437: 1435:Sport in Bahia 1427: 1426: 1420: 1419: 1407: 1404: 1403: 1401: 1400: 1395: 1390: 1385: 1380: 1375: 1368: 1365:Jogo de dentro 1361: 1354: 1348: 1346: 1342: 1341: 1339: 1338: 1333: 1328: 1326:Cordão de Ouro 1323: 1318: 1313: 1308: 1303: 1297: 1295: 1289: 1288: 1286: 1285: 1280: 1275: 1270: 1265: 1260: 1255: 1254: 1253: 1248: 1241:Rabo de arraia 1238: 1233: 1228: 1227: 1226: 1216: 1211: 1205: 1203: 1197: 1196: 1194: 1193: 1188: 1183: 1178: 1173: 1168: 1163: 1158: 1153: 1148: 1143: 1140: 1135: 1130: 1125: 1120: 1118:Cobrinha Verde 1115: 1110: 1105: 1100: 1095: 1090: 1084: 1082: 1076: 1075: 1073: 1072: 1067: 1060: 1055: 1050: 1042: 1040: 1034: 1033: 1031: 1030: 1025: 1020: 1015: 1010: 1004: 1002: 996: 995: 990: 988: 987: 980: 973: 965: 958: 957: 950: 944:. p. 19. 923: 912:(2): 344–354. 892: 885: 865: 858: 830: 819: 805: 793: 782: 778:Desch-Obi 2008 767: 752: 750:, pp. 12. 740: 736:Desch-Obi 2008 728: 724:Desch-Obi 2008 716: 714:, pp. 35. 704: 692: 690:, pp. 66. 671: 669:, pp. 41. 654: 650:Desch-Obi 2008 642: 638:Desch-Obi 2008 625: 613: 609:Desch-Obi 2008 601: 589: 558: 556: 553: 552: 551: 545: 532: 526: 509: 503: 490: 484: 469: 463: 448: 445: 444: 443: 436: 433: 399:. The Batuque 371: 368: 363: 360: 334:regional style 281:Rio de Janeiro 267:Batuque was a 228: 225: 211: 118: 115: 36:Afro-Brazilian 13: 10: 9: 6: 4: 3: 2: 1462: 1451: 1448: 1446: 1443: 1441: 1438: 1436: 1433: 1432: 1430: 1417: 1416: 1405: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1379: 1376: 1374: 1373: 1369: 1367: 1366: 1362: 1360: 1359: 1355: 1353: 1350: 1349: 1347: 1343: 1337: 1334: 1332: 1329: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1302: 1299: 1298: 1296: 1290: 1284: 1281: 1279: 1276: 1274: 1271: 1269: 1266: 1264: 1261: 1259: 1256: 1252: 1249: 1247: 1244: 1243: 1242: 1239: 1237: 1234: 1232: 1229: 1225: 1222: 1221: 1220: 1217: 1215: 1212: 1210: 1207: 1206: 1204: 1202: 1198: 1192: 1189: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1126: 1124: 1121: 1119: 1116: 1114: 1111: 1109: 1106: 1104: 1101: 1099: 1096: 1094: 1091: 1089: 1086: 1085: 1083: 1081: 1077: 1071: 1068: 1066: 1065: 1061: 1059: 1056: 1054: 1051: 1049: 1048: 1044: 1043: 1041: 1039: 1035: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1005: 1003: 1001: 997: 993: 986: 981: 979: 974: 972: 967: 966: 963: 953: 951:0-415-94180-6 947: 943: 939: 932: 930: 928: 924: 919: 915: 911: 907: 903: 896: 893: 888: 882: 878: 877: 869: 866: 861: 855: 851: 847: 843: 842: 834: 831: 828: 823: 820: 815: 809: 806: 802: 801:Capoeira 2002 797: 794: 791: 786: 783: 779: 774: 772: 768: 765: 759: 757: 753: 749: 744: 741: 737: 732: 729: 725: 720: 717: 713: 708: 705: 702:, pp. 8. 701: 696: 693: 689: 688:Assunção 2002 684: 682: 680: 678: 676: 672: 668: 667:Assunção 2002 663: 661: 659: 655: 651: 646: 643: 639: 634: 632: 630: 626: 623:, p. 74. 622: 617: 614: 610: 605: 602: 592: 586: 582: 578: 574: 570: 563: 560: 554: 548: 542: 538: 533: 529: 523: 518: 517: 510: 506: 500: 496: 491: 487: 481: 478:. Routledge. 477: 476: 470: 466: 464:9780195150582 460: 456: 451: 450: 446: 442: 439: 438: 434: 432: 430: 426: 422: 418: 414: 410: 406: 402: 398: 394: 389: 387: 381: 377: 370:As a religion 369: 367: 361: 359: 357: 356: 351: 347: 343: 339: 335: 331: 327: 323: 318: 314: 312: 308: 304: 302: 298: 294: 290: 284: 282: 278: 274: 270: 262: 258: 254: 253: 252:Nueva Granada 247: 241: 237: 236:Harro Harring 233: 226: 224: 222: 210: 205: 203: 197: 195: 191: 187: 181: 179: 175: 170: 163: 159: 155: 151: 147: 142: 140: 136: 130: 128: 124: 116: 114: 112: 108: 104: 99: 97: 93: 89: 85: 81: 77: 72: 69: 67: 63: 59: 55: 53: 49: 45: 41: 37: 33: 26: 22: 18: 1413: 1377: 1370: 1363: 1356: 1186:Pé de Chumbo 1171:Jelon Vieira 1133:João Pequeno 1062: 1045: 1028:Contemporary 940:. 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Brill. 814:"batuque" 569:"Batuque" 386:Candomblé 376:Candomblé 355:rasteiras 269:wrestling 154:Nachtmann 139:atabaques 1415:Category 1388:Maculelê 1372:Batizado 1345:See also 1331:Candeias 1283:Headbutt 1278:Rasteira 1268:Queixada 1251:Scorpion 1214:Negativa 1161:Acordeon 1156:Suassuna 1128:Waldemar 1088:Pastinha 1058:Berimbau 1053:Atabaque 1023:Regional 992:Capoeira 441:Capoeira 435:See also 401:pantheon 322:Capoeira 311:berimbau 221:modinhas 212:—  190:Urucungo 186:Capoeira 135:batuques 127:batuques 107:capoeira 96:Salvador 76:batuques 66:batuques 58:Batuques 52:religion 1378:Batuque 1301:Senzala 1273:Martelo 1113:Noronha 1093:Besouro 1080:Mestres 1047:Bateria 1018:Carioca 1000:History 429:worship 277:pernada 164:, 1820s 162:Martius 156:,  88:batuque 80:pernada 32:Batuque 21:Batuque 1263:Armada 1181:Barrão 1166:Moraes 1064:Toques 1013:Angola 1008:Engolo 948:  916:  883:  856:  587:  543:  524:  501:  482:  461:  397:Brazil 184:Here, 1398:Ladja 1383:Samba 1321:Abadá 1209:Ginga 1108:Bimba 1070:Songs 1038:Music 273:Bahia 255:, by 194:Lundu 152:, by 103:samba 44:dance 40:music 1358:Roda 1316:GCAP 1311:FICA 1103:Zuma 946:ISBN 914:ISSN 881:ISBN 854:ISBN 585:ISBN 541:ISBN 522:ISBN 499:ISBN 480:ISBN 459:ISBN 423:and 411:and 405:gods 378:and 289:rapa 261:1868 202:1891 174:1859 158:Spix 123:1802 86:and 62:1822 50:and 1306:Axé 846:doi 577:doi 431:." 293:baú 204:: 172:In 129:: 98:. 94:in 90:or 84:Rio 82:in 23:by 1431:: 1219:Aú 926:^ 910:66 908:. 904:. 852:. 770:^ 755:^ 674:^ 657:^ 628:^ 583:, 571:, 303:. 299:, 295:, 291:, 238:, 54:. 46:, 42:, 984:e 977:t 970:v 954:. 920:. 889:. 862:. 848:: 816:. 579:: 549:. 530:. 507:. 488:. 467:. 415:( 263:) 259:( 196:.

Index


Johann Moritz Rugendas
Afro-Brazilian
music
dance
combat game
religion
1822
Rio
Salvador
samba
capoeira
Rio Grande
1802
atabaques

Nachtmann
Spix
Martius
1859
Charles Ribeyrolls
Capoeira
Urucungo
Lundu
1891
modinhas

Harro Harring

Nueva Granada

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