421:
These long takes, combined with the close-up shots allow for the development of intimacy not only between Masha and Iya, but also with the audience. The bond between the two characters is further intensified through their actions rather than their words. These two strategies enable the viewers to gain a better appreciation for the impact of war through facial expressions and emotion rather than the physical destruction of buildings and cities. Another aspect of intimacy that is shown in the movie is the loss of youth. During the time period of the war, when men and women enlisted, they were about 18 years old and often younger. As they returned home with PTSD or other life-long injuries, they often tried recreate their youth through games, music, dancing or other hobbies. One example of this within the film is when Masha begins to twirl in her new dress. While she looks clumsy at first, this is ultimately a sign of her regaining confidence in her youth. However she continues to dance and ultimately reaches the point where she starts to cry, realizing she will never gain back the happiness of her previous youth ever again.
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Ivanovich. Through things such as Iya's episodes and Masha's inability to have children, the film explores how people react and recover from devastating events. Each character represents a different facet of human nature in their dealings with suffering. For example, Dr. Ivanovich reacts to the trauma of the injured soldiers by trying to ease their pain even if this results in willfully euthanizing them. Iya seems to feel guilty about her trauma, especially the trauma of accidentally suffocating Pashka, and aims to make up for it by pleasing Masha. Meanwhile Masha is consumed by her sufferings both during the war and after the death of Pashka and reacts with more anger and hostility than either of the two aforementioned characters. Each person's experience and actions serves to show how differently the human mind deals with negative situations and the various outcomes that can occur from this.
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wears a green dress and is seen painting the walls a similar color; this signifies her dreams of a better future and the prospect of a new beginning with a new child. A dueling perspective to this theme of hope as green is the use of red in the movie. The color red hints at the suffering and emotional decay experienced by the characters in the film. Masha has nosebleeds when stressed, seen during her encounter with Sasha as she has sex with him knowing she cannot get pregnant. This color scheme is briefly interrupted in Masha's visit to Sasha's home with his parents. The palette switches to more blues highlighting the fact that Russia's upper class does not share the same traumatic experiences as those more directly affected by the war.
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saying that she lived temporarily with different soldiers, who were capable of providing for and protecting her. Masha "reveals" that her abdominal scar was not caused by a combat shrapnel injury as she had earlier described to the doctor, but by many abortions. Her comment was a stereotype of what civilians thought of fighting women during the war not respecting those women's sacrifice and heroism. She says what those people could believe in, instead of the truth. She asserts that Sasha loves her, and they will have a child, given to them from her friend. The mother warns Masha that Sasha would becomes bored with her and discard her. Sasha, enraged, storms out of the room, and Masha rides the tram home alone.
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share the same experiences. Masha and Sasha's mother have a stand off in which it is made clear the two women could not be more dissimilar. The sequence at the mansion serves to highlight that the struggles of those around the hospital are seen by wealthier members of society such as Sasha but not understood or necessarily moved by. This is resonated by the mother's belief Sasha will quickly leave Masha once the experience is no longer new, serving to further her trauma and emotional dissonance.
302:, Iya Sergeyevna, a tall woman nicknamed "Beanpole" (Дылда), works as a nurse in a Leningrad hospital under Dr. Nikolai Ivanovich. Iya sometimes has fits where she is temporarily immobile, just slightly trembling. She lives in a communal apartment with Pashka, a diminutive three-year-old boy. One day, Iya accidentally smothers the child to death while suffering an episode. Days later, Masha arrives at Iya's room, returning in uniform from the front, and asks where her son Pashka is.
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off but Iya suffers episode, during which Masha kisses her strongly in return. Later, after an argument in which Iya orders Sasha to stop coming to their apartment with food, but Sasha invites Masha to meet his parents. Iya walks to Dr. Ivanovich's house and tearfully asks him to impregnate her. He declines, but invites her to come with him and leave the city tomorrow.
313:, but Iya was discharged after suffering a traumatic head injury, while Masha continued serving in the army. Shortly afterwards, the wife of Stepan, a paralyzed soldier, arrives at the hospital to find her husband alive, despite having already told her children that he was killed at war. Stepan cannot bear the idea of returning to his children as a
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Masha continues to see Sasha afterwards, frustrating Iya, who is confused and jealous. Iya finds out she is not pregnant. While trying on a dress for their seamstress neighbor, Masha twirls frantically and frenetically over and over and over. Iya calms Masha by kissing her. Masha initially fights her
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Intimacy is another theme that is portrayed throughout the film using different strategic approaches. One strategy the director uses is through the application of long takes. By doing so, the audience is able to understand the emotions and suffering the characters endure without them even speaking.
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On the way home, Masha's tram hits a tall woman. Masha is unable to recognize the woman dead underneath the tram, and runs home to find Iya having an episode. Iya reveals she is not actually pregnant. Masha begins hitting her, but stops. Masha promises Iya that Sasha won't be coming around any more,
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Masha ask Iya to bear a child that would be Masha's. When Iya vehemently refuses, Masha reminds her that she "owes" her a child after she let Pashka die in her care. At a party, Masha asks Dr. Ivanovich to impregnate Iya, he refuses, but she blackmails him, threatening to make public the euthanasia.
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A second theme present is the use of color to represent different emotions and ideas during the movie. The film is uniquely portrayed in tints of green and red. The color green is frequently shown throughout the film, usually in circumstances highlighting the potential for hope and new life. Masha
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A major theme present throughout the film is the focus on trauma. Much of the conflict in the movie is a result of the suffering both Iya and Masha encountered prior to and during the film. Many of the supporting characters also deal with trauma; this is seen with both the injured soldiers and Dr.
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him. Nikolai is at first extremely opposed to the idea, but eventually relents, asking Iya to do the task and indicating it will be the "last time". Iya hesitantly agrees and during one night injects Stepan. Masha, on night watch and lying down due to suffering from fatigue due to the war, watches
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Bitter about his death, yet seemingly unfazed, Masha invites Iya out dancing. They accept the invitation to go with a man Sasha and his friend in their car. Masha orders Iya out of the car to go on a "walk" with Sasha's friend so Masha can have sex with the very bashful Sasha. Iya attacks Sasha's
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A fourth theme briefly explored by the film is the class disparity of the post World War II Soviet Union people. Masha, Iya, and even Dr. Ivanovich are all active participants of the war and feel its effects in all that they do. When Masha visits Sasha and his family it is clear that they do not
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Masha visits Sasha's parents at their large, posh estate, where Sasha introduces her as his girlfriend, soon to be wife, but Masha receives a very cold response. The mother judges Masha for having served as an "army base wife" (Походно-полевая жена). Masha intentionally misled Sasha's mother by
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friend when he attempts to seduce her, and beats Sasha over the head when she finds him having sex with Masha. The next day while at a communal bath, Iya notices Masha's abdominal scar, and Masha tells her that she wants to have a child to heal herself.
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and that they will be together from now on, will have a good life and raise a healthy child together, who will resemble both mothers, and will cure them from all pain they have carried until now. The two weep together in an embrace.
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476:, the film holds an approval rating of 93% based on 107 reviews, with an average rating of 7.8/10. The website's critical consensus reads, "Filmed with impressive skill and brought to life by unforgettable performances,
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Masha says she doesn't care if Iya is also exposed. Later at their room, Iya insists Masha lie against her in bed, while the doctor penetrates Iya. Iya cries and is distraught.
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grossed $ 196,258 in the United States and Canada and $ 1.8 million in other territories for a worldwide total of $ 2 million.
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950:"'Beanpole' Team Talks Female-Led Post-WWII Drama & Challenges Of Filmmaking In Today's Russia – Cannes Studio"
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839:"2019 Cannes Film Festival Lineup: Terrence Malick, Xavier Dolan, Almodóvar Compete for Palme d'Or"
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Masha begins work at the hospital, telling Dr. Ivanovich that she and Iya served together in an
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for Best Film in the Un
Certain Regard section. It was selected as the Russian entry for the
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782:"Top 150 Most Anticipated Foreign Films of 2019: #43. The Beanpole – Kantemir Balagov"
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List of
Russian submissions for the Academy Award for Best International Feature Film
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Iya and Stepan. Afterward Dr. Ivanovich examines Masha and confirms her infertility.
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870:"Brazil's 'Invisible Life of Eurídice Gusmão' Wins Cannes Un Certain Regard Award"
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List of submissions to the 92nd
Academy Awards for Best International Feature Film
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1000:"How Research Prompted 'Beanpole' Director Kantemir Balagov to Shoot in Color"
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1220:"Korean Filmmaker wins Best Feature Film at 13th Asia Pacific Screen Awards"
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267:. At Cannes, Balagov won the Un Certain Regard Best Director Award and the
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Los
Angeles Film Critics Association Award for Best Foreign Language Film
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takes a heartbreakingly empathetic look at lives shattered by war." On
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976:"'Beanpole' Review: War and Peace, From a Female Perspective"
924:"10 Films Make Shortlist for Oscars' Best International Film"
898:"Cannes: 'It Must Be Heaven' Takes FIPRESCI Critics' Prize"
1190:"2020 Austin Film Critics Association Award Nominations"
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317:. Alongside his wife, they beg Nikolai Ivanovich to
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348:Viktoria Miroshnichenko as Iya Sergeyevna
1159:"EFA Nominations - European Film Awards"
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393:Anastasiya Khmelinina as Nurse Leonova
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740:from the original on 31 December 2019
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948:Tartaglione, Nancy (21 May 2019).
528:FIPRESCI Prize - Un Certain Regard
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780:Bell, Nicholas (7 January 2019).
545:Best Director - Un Certain Regard
399:Vladimir Verzhbitskiy as Petrenko
354:Andrey Bykov as Nikolay Ivanovich
279:, making the December shortlist.
1988:The Romanovs: An Imperial Family
1188:Partridge, Jon (12 March 2021).
1050:. Nash Information Services, LLC
998:Tangcay, Jazz (5 January 2020).
433:In April 2019, it was announced
381:Denis Kozinets as Sasha's father
369:Alyona Kuchkova as Stepan's wife
1195:Austin Film Critics Association
974:Fear, David (4 February 2020).
273:Best International Feature Film
2216:2010s LGBT-related drama films
651:Achievement in Cinematography
375:Veniamin Kac as Sasha's friend
360:Konstantin Balakirev as Stepan
1:
1363:That Obscure Object of Desire
837:Sharf, Zack (18 April 2019).
812:"The 2019 Official Selection"
16:2019 film by Kantemir Balagov
2196:2010s Russian-language films
1687:4 Months, 3 Weeks and 2 Days
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504:Recipient(s) and nominee(s)
378:Olga Dragunova as seamstress
351:Vasilisa Perelygina as Masha
1490:Distant Voices, Still Lives
697:"The Screenings Guide 2019"
629:Asian Pacific Screen Awards
613:Best Foreign Language Film
402:Vladimir Morozov as Sadikov
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2201:Russian LGBT-related films
1912:Best Foreign Language Film
1747:Blue Is the Warmest Colour
1516:The Beautiful Troublemaker
1224:Asia Pacific Screen Awards
868:Lodge, Guy (24 May 2019).
396:Viktor Chuprov as Ryazanov
390:Lyudmila Motornaya as Olga
2191:Russian independent films
1948:Prisoner of the Mountains
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1163:www.europeanfilmawards.eu
1138:"Queer Palm 2019 Nominee"
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443:2019 Cannes Film Festival
387:Dmitry Belkin as Shepelev
372:Timofey Glazkov as Pashka
282:The film was inspired by
265:2019 Cannes Film Festival
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1020:"Beanpole (2019) - IMDb"
593:Viktoria Miroshnichenko
2221:2019 LGBT-related films
1657:House of Flying Daggers
760:"BEANPOLE - Wild Bunch"
93:Viktoria Miroshnichenko
2181:2019 independent films
1787:BPM (Beats per Minute)
1727:City of Life and Death
902:The Hollywood Reporter
569:Prix Un Certain Regard
384:Alisa Oleynik as Katya
357:Igor Shirokov as Sasha
311:anti-aircraft gun crew
259:. It premiered in the
2211:Lesbian-related films
2148:Unclenching the Fists
1964:The Barber of Siberia
1536:Farewell My Concubine
171:16 May 2019
1647:The Man on the Train
1566:A Judgement in Stone
1506:Life and Nothing But
518:Cannes Film Festival
288:War's Unwomanly Face
251:) is a 2019 Russian
105:Konstantin Balakirev
72:Alexander Rodnyansky
2186:Russian drama films
1677:The Lives of Others
1637:And Your Mother Too
1596:All About My Mother
1428:Fanny and Alexander
581:European Film Award
437:would debut in the
284:Svetlana Alexievich
277:92nd Academy Awards
146:Non-Stop Production
96:Vasilisa Perelygina
2068:Burnt by the Sun 2
1904:Russian submission
1546:Three Colours: Red
1444:The Official Story
1226:. 21 November 2019
1169:on 9 November 2019
928:The New York Times
366:as Lyubov Petrovna
298:At the end of the
57:Alexander Terekhov
2206:Films set in 1945
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1859:Anatomy of a Fall
1470:Goodbye, Children
1383:Soldier of Orange
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471:review aggregator
465:Critical response
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261:Un Certain Regard
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1932:Burnt by the Sun
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364:Kseniya Kutepova
300:Second World War
257:Kantemir Balagov
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54:Kantemir Balagov
42:Kantemir Balagov
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1839:Petite Maman
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1618:2001–present
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1398:The Tin Drum
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1353:Face to Face
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1228:. Retrieved
1223:
1199:. Retrieved
1193:
1183:
1171:. Retrieved
1167:the original
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1141:. Retrieved
1132:
1120:. Retrieved
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699:. 9 May 2019
691:
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589:Best Actress
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315:quadriplegic
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255:directed by
227:
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192:Running time
164:Release date
99:Andrey Bykov
18:
2076:White Tiger
2020:The Italian
2012:Night Watch
1809:Shoplifters
1767:Son of Saul
1737:Holy Motors
1576:The Promise
1373:Madame Rosa
1173:11 November
1048:The Numbers
933:17 December
523:25 May 2019
220:$ 2 million
196:130 minutes
65:Produced by
38:Directed by
2171:2019 films
2165:Categories
2084:Stalingrad
2052:Ward No. 6
2004:The Return
1697:Still Life
1556:Wild Reeds
1113:Metacritic
1089:10 October
683:References
621:Nominated
596:Nominated
573:Nominated
561:Nominated
557:Queer Palm
482:Metacritic
454:Box office
253:drama film
217:Box office
175:2019-05-16
138:Production
48:Written by
2100:Sunstroke
2092:Leviathan
1956:The Thief
1418:Mad Max 2
1334:1975–2000
844:IndieWire
501:Category
488:Accolades
449:Reception
319:euthanize
242:romanized
121:Edited by
2132:Beanpole
2116:Loveless
2108:Paradise
2060:The Edge
1940:A Moslem
1829:Beanpole
1793:Loveless
1460:Vagabond
1286:AllMovie
1281:Beanpole
1264:Beanpole
1109:Reviews"
1107:Beanpole
1084:Fandango
1072:Beanpole
954:Deadline
850:18 April
822:18 April
791:18 April
765:18 April
738:Archived
724:Beanpole
666:See also
640:Beanpole
617:Beanpole
478:Beanpole
459:Beanpole
445:in May.
435:Beanpole
286:'s book
228:Beanpole
209:Language
129:Music by
87:Starring
24:Beanpole
2124:Sobibor
2044:Mermaid
1803:Burning
1122:11 June
1074:(2019)"
1054:11 June
1044:(2019)"
1005:Variety
959:16 June
874:Variety
744:11 June
726:(2019)"
507:Result
429:Release
275:at the
244::
233:Russian
212:Russian
201:Country
173: (
140:company
2151:(2021)
2143:(2020)
2135:(2019)
2127:(2018)
2119:(2017)
2111:(2016)
2103:(2015)
2095:(2014)
2087:(2013)
2079:(2012)
2071:(2011)
2063:(2010)
2055:(2009)
2047:(2008)
2039:(2007)
2031:(2006)
2023:(2005)
2015:(2004)
2007:(2003)
1999:(2002)
1991:(2001)
1983:(2000)
1975:(1999)
1972:Moloch
1967:(1998)
1959:(1997)
1951:(1996)
1943:(1995)
1935:(1994)
1927:(1992)
1862:(2023)
1852:(2022)
1842:(2021)
1832:(2020)
1822:(2019)
1812:(2018)
1796:(2017)
1780:(2016)
1770:(2015)
1760:(2014)
1750:(2013)
1740:(2012)
1730:(2011)
1720:(2010)
1717:Carlos
1710:(2009)
1700:(2008)
1690:(2007)
1680:(2006)
1670:(2005)
1667:Hidden
1660:(2004)
1650:(2003)
1640:(2002)
1630:(2001)
1609:(2000)
1599:(1999)
1589:(1998)
1579:(1997)
1569:(1996)
1559:(1995)
1549:(1994)
1539:(1993)
1529:(1992)
1519:(1991)
1509:(1990)
1499:(1989)
1483:(1988)
1473:(1987)
1463:(1986)
1453:(1985)
1437:(1984)
1421:(1983)
1411:(1982)
1408:Pixote
1401:(1981)
1386:(1979)
1376:(1978)
1366:(1977)
1356:(1976)
1346:(1975)
1271:
1230:31 May
1201:19 May
1143:7 June
908:25 May
879:24 May
816:Cannes
511:Ref(s)
495:Award
408:Themes
204:Russia
181:Cannes
179: (
1606:Yi Yi
1042:Dylda
703:9 May
633:2019
248:Dylda
237:Дылда
1910:for
1906:for
1269:IMDb
1232:2022
1203:2021
1175:2019
1145:2019
1124:2020
1091:2021
1056:2020
1025:IMDb
961:2022
935:2019
910:2019
881:2019
852:2019
824:2019
793:2019
767:2019
746:2020
734:IMDb
705:2019
657:Won
644:Won
549:Won
537:Won
342:Cast
294:Plot
157:MUBI
1757:Ida
1450:Ran
1284:at
1267:at
469:On
2167::
2036:12
1849:EO
1806:/
1790:/
1493:/
1447:/
1431:/
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1211:^
1192:.
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713:^
290:.
239:,
235::
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231:(
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