Knowledge (XXG)

Beach Party

Source πŸ“

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heartbroken, Frankie becomes angry, and brings his friends with him to confront Sutwell. They discover Sutwell's notes that he has been taking as he studies them, and are infuriated at being the subjects of his research. Sutwell escapes to the very restaurant where Ava works, but is discovered there by Frankie, Dolores, and all the other surfers. Frankie accuses Sutwell of playing with Dolores's heart. Sutwell then declares that Dolores was only using him in the same way that Frankie was using Ava, merely as a scheme to make the other jealous. Dolores, catching on to Sutwell's ruse, agrees.
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again remains oblivious to Dolores's romantic advances, instead focusing on his research. Von Zipper and his gang plot to bring down Sutwell, but accidentally sneak into Dolores's room where she is home alone. By chance, Sutwell hears Dolores screaming and again disables Von Zipper. He hugs Dolores to console her, only to be confronted by the surfing teenagers who were also running in to check on the screaming Dolores. They, like his assistant Marianne, assume that there has been sexual contact between Sutwell and Dolores.
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romantic way. Ava develops sincere feelings for Frankie, who is merely using her to make Dolores jealous. Frankie tires of the games, and decides to confess his love to Dolores, who accepts and kisses him; however, when Ava intervenes and says that Frankie also told her that he loves her, Dolores breaks things off with him. Meanwhile, Sutwell's assistant Marianne also has romantic interest in the Professor, who is oblivious to her hints.
658:. "It was about young guys on a beach with their girls," Avalon says. "The next thing I knew, they cast this girl on loan from Disney called Annette Funicello. The director was Bill Asher. I had worked with Bill when he was doing a lot of specials for television. We talked about the project, and sooner or later we were on the set doing it. And it just worked." 679:
We all had to wear body make up because nobody had a tan. One day Frankie and I had some dialogue to do on our way to the water with our surfboards. It was colder than hell that day and the water was freezing. We had our backs to the camera and Frankie said, "Man, can you believe us? Two thirty year
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In the summer of 1962 Samuel Arkoff and Jim Nicholson were watching films in Italy with a view to purchasing some for release in the US. They saw one about a middle-aged man who falls in love with a young woman who spends all her time at a beach resort. They did not like the movie but were attracted
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Dolores introduces Sutwell to her friends, who tease him and mock him but also inadvertently help him learn to surf. One evening, Frankie goes off alone with Ava, but refuses her physical advances. Meanwhile, Sutwell shaves his beard off at Dolores's request in an attempt to appear younger, and once
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wrote "Bob Cummings and Dorothy Malone, in particular, underplay with a nice relaxed edge, and the teenagers are slightly less awful than usual. But perhaps the film's main virtue lies in its friendly, lightly satirical tone; there is no heavy moralising, the potential violence of Eric von Zipper's
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Just as a peace is being made, Eric and his biker gang enter and attack Sutwell. The surfers protect him, and a large-scale fight breaks out. After the surfers win, Sutwell offers to take Marianne with him to study in the North Pacific, and Frankie and Dolores reaffirm their love for one another.
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After returning to his office, Sutwell finally realizes the feelings that Dolores has for him and realizes both that Marianne has feelings for him and that he in turn has feelings for her. He kisses Marianne just as Dolores visits him, ending Dolores's attraction to him. After Dolores storms off,
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Dolores develops a crush on the professor. Frankie becomes jealous and escalates the flirting with Ava. Sutwell attempts to develop a professional relationship with Dolores to help him understand the culture of the young surfers; she in turn interprets his professional interest in a sexual and
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Frankie and Dolores are two young lovebirds heading to the beach for what Frankie assumes is a private romantic getaway. However, dissatisfied with her relationship and unwilling to be alone with Frankie, Dolores has invited several of the couple's friends to stay at the beach house with them.
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We had thirty pages of material. Disney had to approve it. Not having all the material, he was concerned about Annette's image. I told him that there wouldn't be anything that would offend, that it wasn't that type of a picture. They were a little wary because it was
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was written specifically for the film and directed by Kaylen Mandry and featured a score that picked up several cues from the songs used – a common move for most musicals, but a rarity for a B-grade studio teen film filled with pop songs – even today.
672:"We were constantly filming," says Avalon. "We were doing 28 setups a day. I would say to Bill Asher ... 'I don't think my character Frankie would say this.' And he'd say, 'What are you talking about? Just say the line. Let's have fun with it.'" 906:
wrote "The real trouble is that almost the entire cast emerges as the dullest bunch ever, with the old folks even sillier than the kidsβ€”a nice looking lot, too. We suspect that the youngsters in the audience may find it all pretty laughable."
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who agreed to make the movie if it became more of a musical comedy about teenagers having a good time and not getting in trouble. Arkoff and Nicholson agreed so Asher rewrote the script with Robert Dillon. He was asked not to take credit by
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described the film as "a bouncy bit of lightweight fluff" with "the kind of direct, simple-minded cheeriness which should prove well nigh irresistible to those teenagers who have no desire to escape the emptiness of their lives."
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wrote two songs for Funicello featured in the film: "Treat Him Nicely", which Funicello performs while harmonizing with herself; and "Promise Me Anything (But Give Me Love)" performed off-screen and presented as
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Funicello says she had constant pressure during the film to show her navel. She refused and later argued she felt audiences responded positively to her character because they could sense her determination.
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features a parody of 1960s beach movies. In the film, the fictional singing group called The Wonders star as "Cap'n Geech and The Shrimpshack Shooters." The movie within the movie is titled
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wrote three songs that appear in the film: the title track, performed by Avalon and Funicello; and "Swingin' and a-Surfin'" and "Secret Surfing Spot", both performed by
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called it "a rather harmless little effort, really, which may amuse the stomp set which it is about, while the older folks do a sit-along that isn't too painful."
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he noticed the actor "had changed". Asher attributed this later to Cummings' addiction to methamphetamine (although he was unaware of this during the shoot.)
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William Asher later said that "the key to these pictures is lots of flesh but no sex. It's all good clean fun. No hearts are broken and virginity prevails."
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to write a film set at the beach. The film was announced in July 1962. It was part of AIP's policy of "mass entertainment on a frankly escapist level."
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Dr. Feelgood: the shocking story of the doctor who may have changed history by treating and drugging JFK, Marilyn, Elvis, and other prominent figures
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waitress at the local restaurant. Upset by his flirting, Dolores accidentally stumbles into the lap of Eric Von Zipper, the leader of the local
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The I Was a Teenage Juvenile Delinquent Rock 'n' Roll Horror Beach Party Movie Book – A Complete Guide to the Teen Exploitation Film: 1954–1969
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Many of the same cast – and much of the same crew – were involved in the AIP films that followed. Sometimes character names changed (like in
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Burns, Walter (Fall 2003). "Song of the Beach: AIP is the Studio Responsible for the Only Successful Musical Series Ever Made in Hollywood".
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Rusoff's script was apparently more in line with AIP's traditional fare of children getting in trouble with their parents. It was shown to
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Scheuer, Philip K. (January 22, 1965) "Christus Portrayal No Longer 'Types': Own Career Cited by Hunter; Happy Days for Freelancers"
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gang is turned into farce (rather messy, this, with an over-abundance of custard pies) and the pop numbers are pleasantly handled."
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appealed to him," she later wrote. She says Disney told her the film was "good, clean fun" but asked her not to expose her navel.
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for AIP and was friendly with Lou Rousoff. He says they would talk about doing a picture about young people, then Rousoff wrote
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Frankie is intensely upset at finding other people at the beach house and feels betrayed that Dolores misled him. Meanwhile, an
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was the highest-grossing film AIP had made to that date, earning more during its opening weekend than any of its competition.
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was cast instead. In July 1962 it was announced Avalon would play the lead with Funicello "probably" appearing alongside him.
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was Bob Cummings' stunt surfer for long-shots, Cummings was already a competent surfer himself by the time he starred in
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The film was shot over three weeks starting in March 1963. Locations included Newport, Balboa, Laguna and Malibu Beach.
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was always first choice for the female lead, although Asher says they were worried because she was under contract to
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Thompson, Howard (July 14, 1962) "Montreal Lists 13 Lands' Films: Festival in August to Show Shorts and Features"]
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he estimated the film would gross between $ 3-4 million for a cost under $ 800,000, double any previous AIP film.
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John Ashley had made a number of movies for American International and was cast to play Avalon's best friend.
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Funicello says other producers had tried to hire her before but Disney had said no. However "something about
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television show feature a muscular young Bob cruising along comfortably on an old style long board.
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was dying of brain cancer. Asher agreed and Rusoff has sole credit; he died in June 1963.
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Faster and Furiouser: The Revised and Fattened Fable of American International Pictures
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Scheuer, Philip K. (September 12, 1963). "'Beach Party' Youths Ride on 'New Wave'".
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William Asher had directed Robert Cummings earlier in his career but says during
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Flying through Hollywood by the Seat of My Pants: From the Man Who Brought You
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The film earned an estimated $ 1.2 milliion by the end of 1963. Nicholson told
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Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom
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Staff (September 5, 1963) "Surfing Thrills to Be Exploited in 'Beach Party'"
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Frankie, on the advice of his friends, decides to begin flirting with Ava, a
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composed this score, as well as most of the films that followed, including
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This article is about the 1963 film. For the genre of film it spawned, see
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teenagers who hang out at the beach and speak in strange surfing jargon.
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in a haunted house), but the basic elements and tone remained the same:
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It's Party Time: A Musical Appreciation of the Beach Party Film Genre
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Funicello says this film was her personal favorite of the series.
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for appearing as Big Daddy – the title reads "Soon to be seen in
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as the ungainly Professor. Films of him surfing in Hawaii on the
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Thompson, Howard (September 26, 1963). "Screen: 'Beach Party'".
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In 1987, Avalon and Funicello starred in the sequel/parody film
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and Russ Faith wrote "Don't Stop Now", performed by Avalon.
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Staff (July 3, 1962) "'Beach Party' Fifth on API Schedule"
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Bart, Peter (December 13, 1964) "Hollywood Beach Bonanza"
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Hollywood Surf and Beach Movies: The First Wave, 1959–1969
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audience. This film is often credited with creating the
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Funicello, Annette; Bashe, Patricia Romanowski (1994).
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Staff (January 8, 1964) "Top Rental Features of 1963",
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Warshaw, Matt, ed. (2003). "Hollywood and Surfing".
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Big Daddy's club in this film (and Cappy's Place in
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Riverside, California, USA: PTB Productions. 1805:Chidester, Brian & Priore, Domenic (2008). 1546:Lertzman, Richard A; Birnes, William J (2013). 1291:The American International Pictures Video Guide 677: 619: 297:is a 1963 American film and the first of seven 2176: 2007: 8: 2405:Films shot in Los Angeles County, California 1826:A dream is a wish your heart makes: my story 680:old guys in body make up playing teenagers." 1301: 1299: 2183: 2169: 2161: 2014: 2000: 1992: 1918: 1442: 1440: 1166:. Funicello appeared in every film except 36: 27: 2140:I Dream of Jeannie... Fifteen Years Later 1325: 1323: 945:The Golden Laurel for Sleeper of the Year 1414: 1412: 1313: 1311: 1211: 1398: 1396: 1380: 1378: 1346: 1344: 1264:(Volume 2 No. 5 ed.). p. 26. 829:"Treat Him Nicely" – Annette Funicello 710:In one of the first instances of film 2370:American International Pictures films 1835:"The Music of the Beach Party Movies" 1238: 1236: 1234: 1190:TV series but this never came about. 1158:Avalon appeared in every film except 7: 1962:Annette Funicello – Treat Him Nicely 2292:Dr. Goldfoot and the Bikini Machine 1877:. Harcourt, Inc. pp. 270–271. 1118:Dr. Goldfoot and the Bikini Machine 768:Dr. Goldfoot and the Bikini Machine 1459:from the original on March 6, 2016 1160:The Ghost in the Invisible Bikini, 943:from 1958 to 1971, gave this film 823:"Swingin' and Surfin'" – Dick Dale 633:Arkoff says that AIP tried to get 14: 2257:The Ghost in the Invisible Bikini 1186:At one point there was talk of a 1172:The Ghost in the Invisible Bikini 1126:The Ghost in the Invisible Bikini 1042:), and not all were beach-based ( 826:"Don't Stop Now" – Frankie Avalon 820:"Secret Surfin' Spot" – Dick Dale 582:by the setting, and commissioned 561:(uncredited) as Blonde Yoga Girl 2360:Films directed by William Asher 2124:Butcher, Baker, Nightmare Maker 1554:. Skyhorse Publishing. p.  1478:Vagg, Stephen (December 2019). 1447:King, Susan (January 7, 2003). 303:American International Pictures 218:American International Pictures 1854:McParland, Stephen J. (1994). 1622:. October 9, 1963. p. 17. 1604:. January 8, 1964. p. 71. 1200:List of American films of 1963 1: 1598:"Top Rental Features of 1963" 1357:, Birch Lane Press, pp.127-34 1258:"The John Ashley Filmography" 1048:Ghost in the Invisible Bikini 519:Laura Nicholson as Beach girl 510:Luree Nicholson as Beach girl 2410:1960s English-language films 1973:Annette Funicello – Promises 1955:AFI Catalog of Feature Films 1353:& Turbo, Richard (1992) 1289:Smith, Gary A. Smith (2009) 1226:AFI Catalog of Feature Films 675:John Ashley later recalled: 1875:The Encyclopedia of Surfing 1693:(368): 133. September 1964. 1657:. July 17, 1963. p. 6. 1649:"Film Reviews: Beach Party" 789:Dick Dale and the Del Tones 504:Lorie Summers as Beach girl 2431: 2400:Films scored by Les Baxter 2395:American teen comedy films 2249:How to Stuff a Wild Bikini 2108:How to Stuff a Wild Bikini 1102:How to Stuff a Wild Bikini 18: 16:1963 film by William Asher 2030: 1686:The Monthly Film Bulletin 975:For Those Who Think Young 926:The Monthly Film Bulletin 917:Philip K. Scheuer of the 555:(uncredited) as Beach Boy 549:(uncredited) as Beach Boy 35: 2052:The Shadow on the Window 1751:I Was a Teenage Werewolf 1520:Staff (August 25, 1963) 940:Motion Picture Exhibitor 735:The Pit and the Pendulum 507:Roger Bacon as Beach boy 286:$ 2,300,000 (US/ Canada) 233:August 7, 1963 2390:Films set in California 2385:1960s teen comedy films 1527:April 30, 2016, at the 1422:, Bear Manor 2013 p 208 845:is largely a parody of 528:Donna Russell as Surfer 501:John Beach as Beach boy 446:The Ratz and The Mice: 348:Advertisement from 1963 2375:American surfing films 1773:Betrock, Alan (1986). 1406:, McFarland, pp.221-27 1246:, McFarlandd. pp.71-80 698:Ken Murray's Hollywood 682: 651:Panic in the Year Zero 624: 567:(uncredited) as Surfer 531:Eddie Garner as Surfer 349: 339:outlaw motorcycle club 278:$ 300,000 or $ 200,000 208:Alta Vista Productions 2148:Return to Green Acres 1987:Turner Classic Movies 1449:"The reluctant Angel" 1256:Lamont, John (1990). 1009:Weekend at Party Pier 483:Pam Colbert as Surfer 468:David Landfield as Ed 347: 2415:1960s American films 2132:Movers & Shakers 1758:. Birch Lane Press. 1747:Arkoff, Sam (1992). 1533:St. Petersburg Times 1242:Lisanti, Tom (2005) 377:as Professor Sutwell 42:Original film poster 2241:Beach Blanket Bingo 2100:Beach Blanket Bingo 1616:"Poe & Bikinis" 1484:Diabolique Magazine 1402:McGee, Mark (1996) 1086:Beach Blanket Bingo 1026:Films in the series 995:It's a Bikini World 837:Cultural references 598:who told them that 492:John Fain as Surfer 328:Southern California 2217:Muscle Beach Party 2084:Muscle Beach Party 2022:Films directed by 1943:TCM Movie Database 1755:Muscle Beach Party 1715:The New York Times 1635:The New York Times 1387:The New York Times 1338:Warshaw, pp.270-71 1329:Betrock, pp.100-05 1062:Muscle Beach Party 1046:in the mountains, 1004:That Thing You Do! 969:Ride the Wild Surf 904:The New York Times 861:Muscle Beach Party 720:Edgar Allan Poe's 407:as Eric Von Zipper 350: 96:James H. Nicholson 2380:1963 comedy films 2365:Beach party films 2342: 2341: 2334:Beach party films 2316:Back to the Beach 2284:Sergeant Deadhead 2158: 2157: 1841:on April 26, 2010 1816:978-1-59580-035-0 1730:Los Angeles Times 1670:Los Angeles Times 1565:978-1-62087-589-6 1499:Los Angeles Times 1453:Los Angeles Times 1369:Los Angeles Times 1351:Arkoff, Samuel Z. 1180:Back to the Beach 1168:Sergeant Deadhead 1110:Sergeant Deadhead 1040:Sergeant Deadhead 1017:Annette Funicello 980:A Swingin' Summer 978:(all from 1964), 919:Los Angeles Times 866:Cafe Frankenstein 762:Sergeant Deadhead 611:Annette Funicello 393:Annette Funicello 305:(AIP) aimed at a 299:beach party films 290: 289: 130:Annette Funicello 2422: 2185: 2178: 2171: 2162: 2016: 2009: 2002: 1993: 1983:Original trailer 1974: 1963: 1922: 1888: 1869: 1850: 1848: 1846: 1837:. Archived from 1829: 1820: 1801: 1788: 1769: 1734: 1725: 1719: 1710: 1704: 1701: 1695: 1694: 1680: 1674: 1673:. 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Index

Beach party film

William Asher
Lou Rusoff
James H. Nicholson
Bob Cummings
Dorothy Malone
Frankie Avalon
Annette Funicello
Harvey Lembeck
Jody McCrea
John Ashley
Morey Amsterdam
Eva Six
Dick Dale
The Del Tones
Les Baxter
American International Pictures
beach party films
American International Pictures
teen
beach party film
anthropologist
Southern California
Hungarian
outlaw motorcycle club

Bob Cummings
Dorothy Malone
Frankie Avalon

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