Knowledge (XXG)

Beacham Theatre

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reunion every time you walked through the doors. This was in the era where PLUR (Peace, Love, Unity, Respect) was still the main player at these sort of events. This was back in the day before distractions like cell phones and digital cameras were in everyone's hands and it was just you, the crowd, and the DJ. The time when music connected people in a way that very few will ever understand. People came from all over the state to attend the famed AAHZ events. This was a place where you could go and totally let loose without fear of judgment by others. People came to AAHZ for the music and the vibe. The way the DJ's were able to use their turntables to emotionally connect so many different people through their music could not be duplicated anywhere. They quite literally had the mood of the entire room in their hands behind the decks. People thrived off of this new underground culture that was being introduced to Orlando through these AAHZ events. AAHZ was in a league of its own in the Orlando club scene, hosting international talents like Sasha and John Digweed, but, little did anyone know what AAHZ would do for its resident DJ's Kimball Collins and Dave Cannalate. Both have become international superstars and a slew of other AAHZ regular customers like Andy Hughes and DJ Icey were not too far behind them. There is no doubt that AAHZ and its DJ's helped put Orlando on the map and in the forefront of the entire Electronic Dance Music movement across the United States. There really is no way to adequately convey the true meaning or raw emotion of what AAHZ was, or why so many people considered it to be "home." ... Unfortunately, AAHZ came to an end in 1992, and with that came the end of an era for the Orlando club scene and Orlando Electronic Dance Music as a whole. The days of AAHZ may never be able to be totally recreated as it once was, however, AAHZ holds their reunion in Downtown Orlando every year, where they make sure that old school vibe is still in full effect. People who were involved in it during its peak fly in from all around the country just to attend and reclaim their little piece of perfect that used to reside in the heart of Downtown Orlando.
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got it." That party Digweed was speaking of took place at Aahz Nightclub in Orlando, Florida's Beacham Theater, a nightclub that was actually a functioning theater during its normal operating hours. However, at 3:00am on Saturday nights, Aahz would open its doors to the then hugely popular, and extremely underground, Rave scene of the early 1990s. Orlando was Florida's epicenter for the burgeoning scene at the time and Aahz nightclub was the undisputed king of that dance culture in the early to mid nineties. No other club in Florida's history can lay hold of the kind of acclaim that Aahz nightclub can. It's resident DJ, Kimball Collins, along with opener Dave Cannalte were a few of the undisputed heavyweights of the early nineties in Central Florida... it's Aahz that was most responsible for putting and keeping Florida on the map in regards to underground dance music culture in the early nineties...
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to integrate the Beacham Theater in downtown Orlando. Joining a group of black kids, Poston stood in line for tickets, was refused, got back in line and continued the routine until the last ticket was sold. Their courteous protest drew the attention of young white segregationists who threatened the black teens. Orlando police arrived and arrested the eight black students for "disturbing the peace." Police later said the blacks were taken into protective custody to prevent violence against them. All were released because they were underage – except 18-year-old Sandra Poston, who called her mother from jail. "I thought, 'Here it goes again,' " her mother said. That charge and all the charges against the kids arrested at Stroud's were eventually dismissed...1963: Beacham Theater agrees to allow limited numbers of blacks at designated showings.
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club culture. 1992: AAHZ at the Beacham comes to an end, after struggling to compete with newer dance clubs, like the Abyss and Club Firestone. 1993: The Orange County Convention Center is home to a massive rave called Infinite, which would return to the venue for three consecutive years. 1993: DJ Kimball Collins introduces a new night called Reunion at a club called Dekko's. 1993: The Dust Brothers (later known as the Chemical Brothers) headline a massive rave at the Edge Nightclub in downtown Orlando, giving birth to an electronic dance music scene that would eventually sweep the nation. 1994: A female patron of a dance party called Reunion collapses and dies; Reunion is canceled for good three weeks later
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people to come experience it here," Collins says of the Beacham. "This is like our Studio 54; there's just something about this room." Between roughly 1989 and 1992, AAHZ blossomed into a weekly all-night Saturday dance party that attracted devoted fans who would travel from across the state to dance until daylight. "There's a scene in the movie '54,' when one of the characters walks into the club for the first time and everything just slows down and it's sensory overload,"... That philosophy yielded AAHZ, a concept eternally beloved by its fans and those who created it..."It still has some sort of energy in here for them," Collins says, looking around the room. "We feel it."
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World War III, Egypt)...Collins explains that this is...a celebration of an era when Orlando was ground zero for a new type of dance music, and a survey of how that music has changed over the years: "Florida, and Central Florida in particular, gravitated heavily to all types of genres that relied on a type of break-beat from electro, techno, freestyle, Miami bass to straight-up U.K. rave breaks. Those influences went on to develop what would soon become the signature 'Florida break-beat sound.' That explains love of breaks and why we...celebrat...this style
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between progress and preservation has played in old theaters throughout the South, and sometimes preservation has won. But for every theater saved, two more meet the wrecking ball. The Beacham soon may join the fallen theaters. Juarez, a developer and political consultant, has applied for permission to tear down the building at 46 N. Orange Ave., and the Beacham lacks key elements that saved movie palaces in Tampa, Atlanta and Lakeland. Impressive architecture is one of those elements.
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up around the weekend acid-house nights at the Beacham Theatre presided over by Collins and Dave Cannalte, and nurtured by Beacham promoter StaceBass...only New York, San Francisco and L.A. had similar scenes, and they were characterized by warehouse parties. Orlando had a headquarters in the heart of its downtown district...From then on the crowds would refer to the Beacham as "Aahz" no matter what the owners called it.
1858: 1845: 1832: 1819: 1484:, and themed decor that at times included original paintings by local artist Rollo. The popularity of dancing throughout the night at the Beacham Theatre initially caught on slowly and many free passes were given out. Soon, the entry queue for "Late Night" snaked around the block. The transition from handyman special to underground hotspot was attributed to the Belleto's planning, dedication, and vision. 3110: 3096: 3068: 1050:. The rush from the city to the suburbs affected nearly all of the city's businesses. As an effect of the exodus, each of Downtown Orlando's movie theaters closed. Dick Gabel and John Prine were serving as projectionists at several of the theaters. Following a decline in attendance, by 1974 the Beacham Theatre and Florida State Theaters in general were primarily showing 1725: 551:. Historians reason that the purpose of the tunnels may have been either for vaudeville performers to enter the theater from their hotels without being mobbed by crowds, or the tunnels could have been used for the storage and transportation of alcoholic beverages during prohibition as has been discovered at some of the other theaters in the Central Florida area. 3152: 2013: 1802: 3124: 2185: 5641:...the former site of the county jail where hangings once were conducted – and built the Beacham Theater...Air conditioning was installed in the '30s...It later was home to Laser World; then to Moulin Orange, a Las Vegas-style cabaret that lasted four months in 1983–84; and then to Valentyne's Celebrity Dinner Theatre, which opened in 1987. 3627:...the former site of the county jail where hangings once were conducted – and built the Beacham Theater...Air conditioning was installed in the '30s...It later was home to Laser World; then to Moulin Orange, a Las Vegas-style cabaret that lasted four months in 1983–84; and then to Valentyne's Celebrity Dinner Theatre, which opened in 1987. 3138: 1713:
tour events and even for the Beacham Theatre itself. "Lift" night soon commenced in the Beacham Building's north-most unit, then called Barbarella's. The Beacham Building's north-most corner unit was once called Beach Club where Kimball Collins was resident DJ in the mid-1980s. "Late Night" in the Beacham Theatre returned when
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building on Orange Avenue. Casscells, 32, said she has owned the Beacham building since May 1989. She said it was acquired from Oscar Juarez, a well-known Orlando businessman and Republican party activist, for about $ 1.8 million. Casscells said she and her husband, Frank Hamby, manage their family-owned property
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its doors last September (to make way for Dekkos), Orange Avenue was packed until late Sunday morning with loyal patrons paying tribute to their favorite dance house. Other clubs followed in the footsteps of Aahz, including The Edge in downtown Orlando, The Coliseum in Daytona Beach and Marz in Cocoa Beach.
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John SanFelippo and George Maltezos, co-owners of Tabu ... have partnered with Gerard Mitchell and Michael McRaney, co-owners of The Social, in opening the newly named venue at 46 N. Orange Ave. The Social and The Beacham are next-door neighbors. Fans of Tabu need not fret because the weekend lineup
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Do you think with what you and John did in Twilo, you had a taste of that in inspiring America? Maybe. I think the scene was already really going, developing. I think probably what we did in Orlando a few years before, even though we didn't have a regular club there, but just the fact we were going
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Some of the youths worked with the Rev. Nelson Pinder, a young Episcopalian minister of the streets. Others, such as those arrested in March 1962, were members of the NAACP Youth Council, a local chapter started in 1959...Two months after being released from jail, Poston was arrested again for trying
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Behind the theater's backstage is a trap door to a tunnel that runs underneath Orange Avenue to the 11-story brick building that was once the grand Angebilt Hotel. The tunnel was built, he says, so that vaudeville stars appearing at the Beacham in the 1920s, '30s and '40s could slip back to the hotel
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was moved to the right side of the lobby exterior and rebuilt. An entirely new stucco sheeting was installed over the facade, a wide screen was installed, and new decorations and push-back seats were added with additional alterations to the floor plan and seating areas. Capacity was reduced to 650.
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In 2011 leases for the Beacham Theatre were renewed by John SanFelippo and George Maltezos, along with Gerard Mitchell and Michael McRaney, who leased the adjacent unit. Their partnership is named 46/54 North Orange Ave, LLC, and both units are leased from building owners Margaret Casscells and Frank
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Despite the new recognition for the theater by the City of Orlando, Mr. Juarez saw the building as a liability with many pleasant memories surrounding it, but with little economic potential. Citing maintaining the building and rehabilitation of the area, he first announced plans to raze the building
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equipment at the Beacham was the latest testimony to the faith in the future of Downtown Orlando" and that, "The Beacham had long been seen as a bellwether of the health of the center city." Upon further reflection, he lamented, "that the Beacham is simply a microcosm of modern downtown realities."
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The Orlando rave scene can trace its roots back almost five years to the old Beacham Theatre in downtown Orlando, also known as Aahz. With an atmosphere all its own multilevel dance floor, theater set-up and hypnotizing light shows Aahz became such a monument to late-night raves that when it closed
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The Beacham – which closed as a movie house in 1975 – has stood empty off and on for years, between incarnations as the Great Southern Music Hall, Celebrity Dinner Theater and a number of shorter-lived enterprises. As Celebrity Dinner Theater, the building was used from February 1985 to January 1986
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During the summer months of 2016 the crumbling arched molding was removed from the facade. The facade was then repaired and repainted and new red and blue neon lighting was installed. As of 2019, the theater's ornate plaster ceilings are in a state of disrepair with the decorative ceiling concealed
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The final all-night Aahz-themed events (The Return of Aahz) were held at the Beacham between September 7, 1991, and July 4, 1992, and lasted until Dekko's opened. However, "Aahz" was the theme that really stuck with patrons and among participants is still used as a nickname for "Late Night" reunion
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during 1907. In 1917 Beacham paid approximately $ 17,500–$ 20,000 for the property one block southwest of his stately residence on Jefferson Street after Orlando's citizens voted to pave the road to the cemetery instead of purchasing the old jail. The property he purchased had formerly served as the
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The AAHZ days, though absolutely foundational, were an elementary phase in the late '80s and early '90s that heavily featured European house sounds. But the breaks – a breakbeat subgenre braided of hip-hop, Miami bass and electro – was the Orlando sound, our original chapter and contribution to the
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1988: According to a 1988 story in Orlando Weekly, DJ Kimball Collins discovers an acid-house night happening at the old Beacham Theater in Orlando and before long, he morphs it into AAHZ, the house-music dance party that attracts people from all over Florida and turns Orlando into an epicenter for
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AAHZ: Unanimously cited as the mother of the movement, this seminal dance night at the Beacham Theater cultivated the late-night dance soil in the early '80s that made the massive '90s explosion possible. With an emphasis on the then-nascent European acid house sound, AAHZ vaulted the international
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Collins could not be aware of it at the time, but those Saturday nights – eventually known as "Aahz"-- would kick-start an underground culture and spawn countless DJ careers. Orlando would never be the same...By 1991–1992, Orlando experienced its own "summer of love" through the culture that sprang
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As a result of the suit the lease was not renewed and Beacham's theater again became Orlando's only independent cinema. In the same year, the theater was soon leased Florida State Theaters. Harry Vincent was named manager of the reopened theater in 1933; however, soon after, Vernon D. Hunter became
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In the earlier death, 20-year-old Teresa Schwartz of Melbourne collapsed May 1 outside of Dekko's Night Club on Orange Avenue downtown. Her purse contained canisters of nitrous oxide, a widely available anesthetic gas. The exact cause of Schwartz's death won't be known until laboratory tests are
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certifies us is that we weren't just an army of followers, but innovators with our own original sound that caught fire and inspired a whole generation of nu-skool breaks across the pond. And AAHZ's "These Are the Breaks" reunion party at the Beacham was a prime nostalgic capsule of that golden era.
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Digweed came to the United States through Orlando, FL and had this to say about that night, "It wasn't until 1993, when I did a big party in Orlando, that it kicked things off for Sasha and I. The kids there were really into it, whereas you could have gone to any other state and they wouldn't have
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DJ Joe Ed was one of the founding fathers of Aahz (Orlando) with Stace-Bass and Steve McClure until he handed the reigns off to Dave Cannalte and Kimball Collins who made Aahz what we remember to this day! ... He was also the house DJ and co-founder with Stace-Bass of club "World War III" which he
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As the Beacham was renovated to become Dekkos's in 1992, it was discovered that the stucco sheeting that was installed during a modernization in 1954 could not be economically removed without severely damaging the original facade underneath. Restoration plans for the facade had to be modified. An
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The incident along with those at other venues in Orlando, shocked the underground dance club scene in Central Florida and were followed by a dramatic decrease in attendance. "Late Night's" organizers made the responsible decision to end Reunion at Dekko's after their pleas for young club-goers to
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during the week. John Lawson was the acting projectionist and served as stage director for concerts. As The Great Southern Music Hall, only about seven music shows were unprofitable. Nevertheless, Orlando's Great Southern Music Hall closed in 1981 due to the rising costs of hosting concerts for
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against Orlando Enterprises over nonpayment of the lease for the building that had been originally negotiated with the senior Braxton Beacham in 1924, the theater was closed for almost three weeks. $ 8000 in back taxes on Beacham's building was due. Beacham Jr. claimed the closure was deliberate
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But one era of our history that deserves to be acknowledged on a regular basis is that period of time back in the early '90s when our collective finger was on the pulse of the future of dance music. Predating the current trap and EDM boom by decades, the mix of Miami bass, hip-hop and house that
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Jimmy started mixing in early 1992. He started off by doing guest spots at The Beacham Theater for Kimball Collins and Dave Cannalte. After The Beacham closed, he took a 1½ year residency with Kimball at Barbarella's "Lift" night. The Beacham reopened for the Reunion Parties, he began doing guest
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The last thing on DJ and Orlando dance music linchpin Kimball Collins' mind back during the fabled Orlando Summer of Love in the early 1990s was that he would someday be responsible for preserving the legacy of Florida Breaks...pull from the many different eras and incarnations of AAHZ (Pure NRG,
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But when preservationists look, they see a landmark. Square columns adorned with feathered capitals climb gracefully to a high ceiling decorated with rectangles of intricate plasterwork. An orchestra pit and the gentle slope of the auditorium floor wait, covered by modern alterations. The debate
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Downtown's notorious venue has entertained Orlando for almost 100 years, with a diverse history from vaudeville, to cinema and epic concert events. This building has encountered countless celebrities and their greatest projects. In the last four decades, various superstars have graced this Orange
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EDM is a major worldwide player in music again, but shockingly few realize that Orlando was both epicenter and forefront of the original American dance boom of the '90s. We were up there with the usual hotbeds like NYC, London, Chicago and LA with our legendary parties and clubs. But what really
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Gazing upward at the high ceiling inside The Beacham, DJ Kimball Collins reflects on the role that the building itself had on the mystique of AAHZ, the progressive house-music parties that put Orlando on the international map as a hotbed of electronic music in the early 1990s..."We always wanted
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Gavin's tour includes tales of a sensational murder across the street from the Angebilt in the vanished San Juan Hotel and of a secret tunnel connecting the Angebilt to the old Beacham Theater (now the Tabu night spot at 46 N. Orange). Which brings us to the ghost stories. Ghosts, it seems, are
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By 1975 the theater was no longer being used as a feature cinema. For the 1976 opening of the Great Southern Music Hall, the theater's interior and stage were remodeled, the proscenium was rebuilt, balcony seating was added. The facade was repainted with Art Deco graphics and a large mural was
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the nightclub. By the Summer of 1989, Lisa was expecting her first child and still resident DJ. Only two months before the birth of her son she invited Kimball Collins, who was the DJ in the Beacham Buildings northern unit, to replace her and hired him as Aahz's resident Late Night DJ. Joseph
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since about 1873. With a $ 200,000 investment, the former jail building was torn down in 1919 and Beacham developed a series of connected building units along the west side of Orange Avenue between Washington Street and Oak Street (now Wall Street). The new building was then known as "Beacham's
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A Longwood businesswoman who owns the historic Beacham Theatre building in which the nightclub was located said she hopes to see some kind of similar club operation continue. "We want something in there that Orlando can be proud of," said Missy Casscells, a property manager who owns the Beacham
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Late in 1988 the lease for the Beacham's theater was secured by the Bellettos under Entertainment Investments International. Several of Lisa's cousins relocated to Orlando to help out with the task of preparing the Beacham for its opening and Brad's mother Bev tended the bar through the entire
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of Braxton Beacham, Mrs. Bray, refused to sell the theater by itself without also selling the rest of the building as a package. An extensive $ 250,000 remodeling and restoration followed that included multi-colored Art Deco revival style graphics painted over the facade and a large multi-story
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If you're from Hawaii "Ohana" means family, if you lived in Orlando in the 90s "AAHZ" meant and still means family. AAHZ was a late night event that was held at The Beacham nightclub back in the late 80s/early 90s. It was so much more than just a night at a club though. It was more of a family
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Chris's long 15 year trajectory as a highly successful label and record pool owner, DJ, producer, and remixer has all influenced the impact of dance music in America. His roots can be traced to the early 1990s in Orlando, Florida, where he was spotted by DJ Icey and quickly heralded by Kimball
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The 1990s was formative in the electronic dance music awakening of America, and that fire-catching cultural momentum would vault Orlando to the vanguard of it all. As one of the premier global epicenters of the rave big bang, the city found itself on equal footing with not just New York or Los
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In October 2019 Orlando's Historic Preservation Board approved a major makeover for the entire Beacham block was announced. The construction effort is planned to last one year with a completion date near the centennial anniversary of the building. The theaters facade will be reconstructed with
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The '90s was a formative time for American rave culture, as the scene was already booming in the UK. It found its way to New York, Los Angeles and San Francisco, but it was in that Southeastern tourist trap known as Orlando, Florida, where American rave culture took off in a big way. AAHZ, a
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Concerts were coordinated by Mary Ann D'Arpino of Mary Ann Productions, who had an office at the Beacham; Island Productions; Harry Tiyler of Fat Harry Productions, and Cellar Door Productions. Several prominent musical act concerts of nearly every genre were staged during this time.
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Another Orlando historian, Joy Wallace Dickinson, raises an intriguing possibility about the Beacham. Recently she toured some historic buildings in Tampa and learned that during renovation, crews came across subterranean spaces about 3 feet high that were used to hide booze during
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The Aahz nightclub concept was born after Lisa saw the name at a shop in Los Angeles. The Bellettos and Shayni Howen then created and developed the Aahz concept for the Beacham. Shayni and her team created Aahz's iconic décor which included a painted yellow brick road and a giant
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fell through at the last moment due to poor timing. Additional parking could have contributed to a revitalized downtown area, but the market for office space in Downtown Orlando was nearly saturated in the late 1980s and there was a general lack of interest from prospective future
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Beacham's Building is divided into seven rental units using wood frame, brick walls, different facades, and paint. The theater is the south-most unit. The two-story Beacham Theatre was constructed in 1921 in a simple 20th Century Commercial Style. The structure is constructed of
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came to be known as "Florida Breaks" was prescient, even if it all eventually imploded once concerned parents and politicians started to take notice. This week's AAHZ reunion hearkens back to those days with a lineup that looks like it's straight off of a flyer from 1993:
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Collins as resident at the Aahz nightclub. These nights served as a platform to bring Sasha and John Digweed to America for the first time, and establish the early "progressive" sound that would become synonymous with clubbers and DJs alike for years to come
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Eventually the combined tasks of simultaneously playing all of the music and operating the lights became overwhelming for Lisa and as a result Shayni's sister, "Late night" veteran Stacey "StaceBass" Howen, was brought in to operate the computerized
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in 1929 by a majority of only 59 votes. Movie theaters and other businesses in Orlando were then permitted to operate seven days a week. All of Orlando's theaters, including the Beacham, celebrated by showing free films until late into the night.
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Jilbert (DJ Jo-Edd), Steve McClure (DJ Monk) and Paul Campbell (DJ Stylus) had brief stints as DJ at "Late Night" when they were hired to fill in for Lisa or Kimball Collins. Dave Cannalte was quickly brought in as "Late Night's" co-resident DJ.
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for the Beacham in 1925 says, "Don't talk about the hot weather. Beat the heat in a Beacham seat. 'Kum Keep Kumfy Kool at the Beacham' is known to many and you won't enjoy yourself until you too get into the line that leads to comfort."
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to Orlando every two or three months and doing these massive parties there. I went out first and then a while later John came out and then the Chemical Brothers. We were some of the first ones to go out there and then it really opened up.
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The sit-down dinner is the brainchild of Brad and Lisa Belletto, whose Entertainment Investments company operates the theater and jazz club...Belletto said he patterned the dinner after a similar theater event he was involved with in New
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The Beacham Theater has served as a city hall, vaudeville playhouse and movie theater. In 1975, it closed as a movie theater and reopened a year later as the Great Southern Music Hall. It finally closed as the Celebrity Dinner Theater in
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It was 1992 when Orlando Attorney Mark NeJame leased the Beacham Theatre with the option to match the purchase price of any prospective buyers. The Beacham underwent restoration at a cost of in excess of $ 1,000,000. NeJame then opened
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The Beacham Theatre was granted local historic landmark status on September 21, 1987, for its historical significance to the community. Between each new identity for the theater and the occasional concert, the Beacham Theatre sat
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that covered the plaster walls. The draperies had "mild tan figures delicately woven into the broad white field with an occasional soft blue figure" that were selected by Mrs. Roberta Holland Beacham, wife of Braxton Beacham Sr.
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The Aahz Reunion Tour launched in 1998 and as of 2019, reunions of Aahz "Late Night" occur nearly biannually and are frequently held in the Beacham Theatre. "Late Night" reunions, however, now end promptly before 2:30 a.m.
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duration of the lease. The Bellettos also hosted an annual full-service Christmas dinner for hundreds of the city's homeless population at the Beacham Theatre with food donated by Orlando's high-end restaurants and businesses.
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that was unique in Florida extended toward the street and featured an electric changeable sign that flashed the daily program. Two Powers 6B type "E" projectors were supplied by the N Power company of New York. The Midas Gold
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was played during Orlando's normal bar operating hours from 10 p.m. until just after 2 am. Upon an announcement at around 2:30 a.m. (or an opening at 3 am.) that said simply, "Welcome to Late Night," mixed
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Orlando club kids first encountered the style in the late '80s at the old Beacham Theatre ... on Orange Avenue where DJs such as Kimball Collins, Dave Cannalte, Chris Fortier and Andy Hughes got their start at Aahz dance
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was given away. Vaudeville acts continued touring at the Beacham for several more years until approximately 1933. Homer Fuller served as manager of the Beacham during the end of the eras of silent films and vaudeville.
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for sharks. On February 22, 1995, NeJame entered a new partnership with George Maltezos, John SanFelippo and brother, Joseph SanFelippo. Zuma Beach was often described by NeJame as "the cheesiest club in America."
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for an unspecified mix-use purpose and later to redevelop the former Beacham Block with a new skyscraper that would be used as a combination office building and hotel. In 1988 Juarez received two successive approval
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and a small restroom for the projectionist were installed in a newly built downstairs projection booth under the balcony that required the removal of two aisles and several seats. Following the Beacham's upgrade to
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late-'80s mid-week party at the old Beacham Theater, served as the precursor to the Florida rave scene. But it was really the summer of 1993, at a club called the Edge, where a series of underground music events...
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projection room under the balcony had been removed and the air conditioning repaired. Opera boxes were installed on the second floor of either side of the stage and the DJ booth was relocated shortly thereafter.
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that were occurring in other Florida cities. Rev. Pinder organized the church's Liberal Religious Youth group. Rev. Pinder's youth group protests were often joined by local members of the Youth Council of the
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At least two potential solutions to the drug problems at Orlando's all-night parties emerged Thursday at the first meeting of the city's Rave Review Task Force...Orlando has the biggest rave scene in Florida
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A 20-year-old Melbourne woman died and an 18-year-old Lake Mary woman is in critical condition after both collapsed from what Orlando police think were drug overdoses at a downtown nightclub Sunday morning.
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Means editorialized, by 1982 "The present state of the Beacham was the latest testament to decay," and, "In the way of dying enterprises, the Beacham's reincarnations became increasingly more short-lived."
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that contributed to Florida's crackdown on after-hours nightclubs. Central Florida's crackdown led to the eventual passage of an "anti-rave" law in Florida that ultimately led to the signing of national
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On Monday, the Orlando general assembly upheld the state bill to axe raves, after-hour dance parties, voting to force venues that serve alcohol to shut their doors at 3 a.m., one hour after last call.
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from the projectors and recorded sound equipment, the auditorium was carpeted with a floral pattern and the plaster walls were covered with an Ozite material. Vernon Hunter oversaw the modernization.
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from the theater stage trap ran into the basements of two nearby hotels. The tunnels had low ceilings and were sealed during new construction in the early 1980s. The tunnels extended south into the
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and malicious and sued for $ 100,000. Two separate judgments were entered against Orlando Enterprises Inc. for $ 2291.67 each and a payment agreement was reached. Litigation was then withdrawn.
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behind a black cloth barrier that can retain any pieces of plaster that might fall. Two skyboxes were added in 2019. Further restoration in the near future is in a discussion and planning stage.
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Beacham outfitted his theater with innovative state-of-the art equipment from the Southern Theater Equipment Company of Atlanta. The Beacham's box office in the lobby featured both an automatic
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DJ Sasha, two female revelers who were attending a Reunion event at the Beacham Theatre collapsed just before sunrise. The women were carried outside to Orange Avenue in front of Dekko's where
1350:. They found the Beacham Theatre and immediately fell in love with it. At that time, the Beacham was being subleased to Clark J, a local record producer, and a brief partnership was formed. 5779: 4153: 964: 5054:
spots there with DJ's like Sasha, John Digweed, and Dave Seaman. In mid 1994, The Beacham Theater had closed for good. Jimmy then started taking guest spots up and down the East Coast.
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that had a progressive dance music format with Lisa Belletto as resident DJ and lighting control operator and Brad Belletto as operating director. Initially the club was to be called "
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DJ careers of residents Kimball Collins, Dave Cannalte and Chris Fortier. It also debuted stars like Sasha, Digweed, Cosmic Baby and Dave Seaman in Florida before closing in 1992.
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with DJ Robby Clark Kimball Collins, Dave Cannalte, StaceBass and friends. However, the City of Orlando subsequently created a "Rave Review Task Force" in 1997 and later passed a
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EDM world. And when the breaks surged in the mid '90s, it was the Orlando dance scene at its apex, when we weren't just playing the leading sounds but making and exporting them.
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nightclubs that followed it. In doing so, "Late Night" at the Beacham Theatre inspired the genesis of the internationally recognized "Orlando Sound" genre that is also known as
1110:
that hosted approximately 180 prominent national and regional acts at the Beacham. The Great Southern Music Hall was occasionally still used as a movie theater that presented
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But there was a time when a much smaller city dominated domestic EDM and influenced the global emergence of the DJ as a superstar performer. That place was Orlando, Florida...
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later joined the duo of Kimball and Dave Cannalte as an Aahz resident DJ. As it evolved, "Late Night" boosted the careers of numerous DJs and producers such as Andy Hughes,
906:. Vernon D. Hunter retired after 20 years as manager of the Beacham Theater. Walter Colby became the executive director of several Orlando theaters including the Beacham. 5720: 2418:
ceiling moldings, facade, and marquee. In addition, the sloping theater floor was made level and the stage was elevated. The original Beacham Theatre sign is awaiting
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franchise, a five-year lease of the theater was granted to Theatre Management Corporation of Orlando consisting of actor Tom McKinney and Rick Allen, a producer of the
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sound and lighting company. The Bellettos, intent on overhauling the music scene in Orlando, were looking for a new venue following operation of a successful club in
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Angeles but also with the trailblazing U.K. scene (English breaks DJ-producer Nick Newton named his 1996 record Orlando), even siring its own sound (Florida breaks).
1982:
reported the May 1, 1994, passing of 20-year-old Teresa Schwartz and that the other young woman was briefly in critical condition. However, she promptly recovered.
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The degraded ceiling plasterwork was repaired and repainted, the roof was replaced and wiring were upgraded in 1988. External air conditioning was being pumped in.
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The Live Entertainment era currently continues on stages at both The Beacham and partner The Social. Prominent national and international musical acts perform with
5751: 1218:. Studio 46 did not come to fruition but the primordial description of Orlando's very own "Studio 54" at the Beacham Theater was soon realized a few years later. 967:. Each night, activist members of the youth groups quietly stood-in near the Beacham's ticket booth until the theater stopped selling tickets. On May 24, 1962, 1065:
Florida State Theaters, made the decision that The Beacham Theatre would cease operating as a first-run movie cinema. After showing a Sunday double-feature of
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and, under other management, again for the first several months of 1987. Since then it has been used occasionally for concerts but has fallen into disrepair.
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and remodeled into Dekko's. While the Beacham itself was cleaned up, the overall "vibe" of Orlando's scene seemed to darken somewhat just as the quality of
5104: 2053:." Concerts were no longer being held in the auditorium during this time period and the Beacham Theatre was used exclusively as night club through 2010. 1487:
The conceptual themes for "Late Night" were frequently alternated (sometimes weekly) and occasionally repeated. The various themes subsequently included
5201: 5916: 1203:, purchased the building for $ 1.5 million. Soon after the purchase, a plan was announced to lease it to open a bar and French restaurant "with a 6096: 6086: 6081: 5591: 5267: 1428:
Brad and Lisa Belletto with other Beacham DJs scoured sources across the U.S. and Europe and traveled frequently for new and rare records. During the
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the Beacham at the same time as the Liberal Religious Youth group. Orlando police arrested eight teen protestors. The teens were kept in so-called
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to the countless shows by numerous acts that have previously held performances in the Beacham Theatre from the mid-1970s through the early-1990s.
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were played simultaneously in case the needle skipped during a film. Output could be easily switched so that the film's sound could remain in
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especially attracted to theaters, and Gavin's tour includes mentions of apparitions both at the Beacham and in several other theatrical venues
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Sasha and Digweed began crossing the Atlantic in order to DJ in clubs in the U.S. Their first stop was Aahz, a seminal club in Orlando, Fla.
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Robinson, Wendall (February 5, 1982). "Interview of Wendall O. Robinson (projectionist)" (Interview). Interviewed by B.T. Sherwood. Orlando.
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photographs that were projected onto a large viewing screen from behind. Laser World closed in 1982. Other short-lasting entities followed.
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Saturday, the Beacham Theatre will host DJ Unity for the World, a dance party featuring the talents of Central Florida club deejays Jerry
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held open forum meetings at the Beacham Theatre on Sundays during the winter months of 1971–1973 under the direction of W. F. Blackman.
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Inside "Late Night" at the Beacham was always very dark and the auditorium was absolutely filthy. In contrast, initially the scene's "
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What's What, Here and There as Recorded by "Bobby" (1925) magazine. Theatrical section via LMS, Orange County Public Library. Orlando.
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promoted on these recordings...Recorded on an average Friday Night at Beacham Theaters, Orlando – Aahz (Then known as "Transcentral")
2111:" followed Dekko's and opened in 1994. The recently remodeled auditorium was gutted for the change. Redecoration was complete with 529:
acts. Typhoon cooling and ventilating equipment was installed in the theater. The Beacham Building's construction featured numerous
3931: 2021: 1623:) and DJ Lisa Belletto were occasional guests for special events such as the "DJ Unity for the World" dance party in December 1991. 590:
theater in Orlando. However, the next year, in 1922, Beacham leased his theater to Mack Sparks of the Sparks Theater Company chain.
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In 1975 Larry and Sherry Carpenter purchased the Beacham Building from then-owners, Betty Rubles Bray, and Burkett H. Bray Jr. A
6076: 5417: 1197: 5691: 5562:"All-Night Raves Banned By Orlando Ordinance – Attempt To Diminish Drug Use Leads To Restrictions On City's Bars And Nightclubs" 4298: 1705:, and the behavior for patrons were implemented. Once, during the early 1990s, "Late Night" was raided by masked agents of the 609:
were left to their children, Norma K. Hughes, Roberta Augusta Rogers, Braxton Beacham Jr., and his wife Roberta Branch Beacham.
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franchise location in conjunction with Valentyne's restaurant that was next door from 1985 until 1986. Under new management,
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Around 2005, the facade was modified by removing a small semi-circular molding in front of the sunburst. The points of the
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styling with Mediterranean-style tile was added to the facade and extensive neon lighting was installed the on the entrance
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at the Beacham Theatre during the late 1980s and early 1990s was prevalent and eventually began to attract the attention of
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Manager Harry Vincent started several promotions at the Beacham Theatre in the summer months of the mid-1920s that included
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The theater was next leased by Ellen Hunt, of Orlando, and Roger Lopez, of France in August 1983. Hunt and Lopez opened a
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The senior Braxton Beacham died in 1924 after a long illness, and Roberta Holland Beacham died soon after in 1926. Their
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Johnson, Lisa Belletto, Andy Hughes, Jay Skinner, Robby Clark, Troy Davis, DJ Ice, the Dave Cannalte and Kimball Collins.
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in Florida and subsequently in the United States. "Late Night" organized several music festivals that were held at the
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of a saxophone and its open case painted on the rear of the theater that faced west and was clearly visible from nearby
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electronic dance music began that frequently lasted until 8 a.m. and occasionally lasted until as late as 11 am.
900:, and a wider screen. CinemaScope had its debut at the Beacham on January 7, 1954, for a two-week showing of the film 896:
equipment was introduced at the "New" Beacham Theatre in 1954 with the addition of stereophonic sound, new projection
5561: 5294: 4592: 1805: 3776:"New Beacham is one of Refinement and Elegance: Equipment of New Beacham Theater is the Finest that is Obtainable". 1567:, at which point the stage's curtain was raised and the glowing eyes and smoking mouth of the Wizard were revealed. 2889: 2543: 2357: 1115: 1072: 870: 739:
with the picture. William Booth succeeded Frank Bell as manager of the Beacham after Bell was transferred in 1928.
560: 333: 5174: 4702: 3902:"Digging into Orlando's Past: Is there a secret tunnel connecting the Beacham Theater and the old Angebilt Hotel?" 3392: 1761:" per se were not held in the Theater, the Beacham served as the prototype for nearly all of the larger so-called 1365:
on the weekends. Frank Carroll, served as the managing artistic director for theatre productions and starred in a
4933: 4225: 1967: 1500: 1019: 793: 3973:. The Museum of Modern Art Library coordinated by the Media History Digital Library. May 2, 1925. Archived from 1258:
briefly reopened in 1986 before the dinner theater venture at the Beacham finally ended entirely early in 1987.
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Frank Bell served as manager of the theater with organist Herman Siewart and Ken Guernsey leading the community
414:
Block" and is now known as the Beacham Building. The location of Beacham's theater was precisely where several
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Berry, Mike (October 14, 1992). "Another facade may soon grace historic Beacham: Beacham may get a Face Lift".
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Dave Cannalte and Kimball Collins, and Stace presided over and further developed an ever-growing local scene.
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new film features. The iconic displays that Burns created for the Beacham Theatre were sometimes complete with
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was played by both Mr. Herman Stuart and Mrs. Roberta Branch Beacham, wife of Braxton Beacham Jr. to accompany
1342:. Brad Belletto, then owned a theatrical equipment manufacturing company and had formerly owned Moon Sound, a 847: 767:
with prizes of $ 50. On Saturday, December 24, 1931, and on Wednesday, September 28, 1932, a brand new $ 325
707:
equipment debuted during the city's first "Progress Week" during the last week of August. "The queen of the
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who temporarily stopped the music and turned on the lights while they searched for and detained a suspect.
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were also removed leaving a large semi-circular molding and larger arch above it decorating the facade.
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Beacham Theatre and San Juan Hotel circa 1923. Marquee: The Second Orlando Picture The Burned Crucifix
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widescreen. A new projection room was constructed under the balcony to accommodate 70-mm projectors.
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in the United Kingdom that began in 1988, on Friday and Saturday nights the Beacham Theater housed a
1306:
on December 9, 1988. However, Mr. Juarez's redevelopment plan and the new construction of a 20-story
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Interest in silent films began to diminish in 1929 and they were gradually phased out and moved into
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Sasha has always been embraced by the US. He started off there playing massive parties in Orlando...
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The balcony was remodeled in March 1991 revealing the theater's original 35 mm film projection port.
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On Monday, the Orlando City Council voted 5–2 to shut down the city's bars and nightclubs at 3 a.m.
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In 1984 the theater cinema's 765 seats were removed and sold and the sloped auditorium floor was
1987: 1835: 1324: 1295: 1051: 976: 968: 801: 728: 628: 415: 147: 5233:"AAHZ respects the breaks that made Orlando global, overdue propers for DJ Stylus (The Beacham)" 4442:"Historic Label No Guarantee Beacham Theater's Owner May Raze Old Downtown Building For New One" 5752:"The Beacham's renovation plans will take it back to early Orlando: 'It should be a showpiece'" 5036: 1207:
flair" that later became Valentyne's Restaurant as well as a new nightclub inside the theater.
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In 1981 Sherry Carpenter, then sole owner, leased the theater to Jeff Roberts. Roberts opened
547:, where Mr. Beacham happened to have had an office, and then east under Orange Avenue into the 5993: 5510: 5483: 5477: 4770:"Ep. 030 – DJ Three. Burning Man Regular DJ Three Has Some Thoughts on the Rise of Playa Tech" 3677: 3482: 3170: 2971: 2955: 2748: 2732: 2722: 2706: 2588: 2488: 2369: 2308: 2288: 2045:
By 1992 the future looked brighter for the Beacham Theatre when Mike Berry, staff writer, for
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The box office of the Beacham Theatre in March 1991. The 1954 box office was removed in 2000.
840: 825: 486: 434: 317: 306: 287: 5202:"The Orlando Sound Although Hard To Define, It's Hot Among Lovers Of Underground Dance Music" 4903: 3671: 3547:
Ives, Sidney (December 23, 1953). "Beacham Has Come Long Way: Lillian Gish to Queen Esther".
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that were available were relatively unadulterated. As time went on, the beloved Beacham was
1689:. After "warnings" about increased surveillance of the Beacham that allegedly came from the 4765: 3475:
Stephanie Gaub Antequino; Tana Mosier Porter; Historical Society of Central Florida (2012).
3087: 3045: 3003: 2907: 2760: 2752: 2674: 2658: 2616: 2612: 2484: 2461: 2272: 1959: 1674: 1663: 1180: 1166: 1154: 1123: 936: 912: 613: 470: 401: 337: 321: 303: 299: 295: 177: 157: 2829: 2817: 2756: 2632: 2580: 2538: 2501: 2458: 2331: 2116: 2025: 1983: 1307: 1273:"Square columns and feathered capitals climb gracefully to intricate plasterwork" in 1991. 959: 902: 882: 632: 473: 397: 291: 204: 5068:"AAHZ reunion celebrates Florida musical history with a night of bumping bass and breaks" 4873:"The Places: The venues and club nights that propelled Orlando's EDM culture in the '90s" 1563:
head behind the stage. At midnight each night, DJ Lisa typically played Rhythm Device's
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area was remodeled, and the balcony was restored back to its original shape. Exterior
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was bought out in 1994 by Bill Harmening who operated The Edge, a competing nightclub.
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caused her to ponder, "I wasn't just sure where the night's polka would land us. Maybe
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measures. When the theater opened, the auditorium had an operating capacity of 1400.
6045: 4415:"Juarez Building Finally Fills Up Developer Considers Building Second Office Project" 3817: 3053: 3049: 3029: 2999: 2947: 2881: 2861: 2790: 2714: 2694: 2624: 2554: 2526: 2514: 2506: 2496: 2454: 2204: 2147: 2120: 2081: 2050: 2009:
were ignored. The Dekko's concept was sold to a competitor in the following months.
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In May 1989 the Beacham Theatre was sold by Oscar Juarez for $ 1.8 million to a
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A vision for the theater announced in 1983 was for a New York-style nightclub dubbed
1107: 951: 940: 897: 828:. Mcgee's wife Lois acted in the role of Ma Forrester and was also the production's 817: 736: 671: 655: 606: 577: 570: 510: 347: 4045: 2136:
match on January 29, 2000. Mercifully, "Zuma Beach" closed its doors in late 2000.
559:
On December 9, 1921, Orlando's premier vaudeville and movie house opened by showing
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was planned. "Dekko's" was open from late 1992 until the "high-energy dance club"
1991: 1848: 1667: 1651: 1466: 1462: 1386: 1227: 1162: 1111: 1095: 1058: 1009: 760: 708: 674:
meetings that were held for several months during the winter on Sunday afternoons.
602: 530: 4934:"Sasha: 'There were thousands of people in front of me and I was losing the plot'" 4185:"Segregation and Desegregation in Parramore: Orlando's African American Community" 1061:. The next year, H. A. Tedder, who was the Orlando executive manager at long-time 358:. The Beacham Theatre was once home to the internationally recognized late-night 302:. The Beacham Theatre was considered an important contributing structure when the 5504: 3854: 3739:"Beacham Does Its Bit For History 'Bye-bye Bash' A Benefit For Downtown Displays" 3476: 1389:
drama" were additional production features before theatrical productions ceased.
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was added to the auditorium and the stereophonic sound system was upgraded. Two
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was created in 1980 and the building was granted local landmark status in 1987.
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critic Howard Means, reminded readers, that the 1965 installation of "then-new
763:. On Thursday evenings at the Beacham for the Bank Night promotion, $ 200 was 449:
that climb gracefully to a high ceiling decorated with rectangles of intricate
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In 1954 the look of the theater was modernized once again with the removal of
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presented "Welcome (Back) to Late Night" on October 30, 1993. "Late Night's"
1609: 1494: 1290:" was promptly organized by Orlando Remembered and attended by former theater 1200: 1150: 1127: 1014: 878: 833: 732: 712: 704: 667: 526: 518: 490: 438: 355: 313: 4626:"Orlando lord of the dance Kimball Collins is serious about throwing a party" 1046:
During the 1970s Orlando, like many U.S. cites, was experiencing symptoms of
400:
Sr., who had previously owned three other Orlando theaters and had served as
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in 1997 described Zuma Beach as a "cheesy dive." Zuma Beach even hosted an
2089: 1402: 1366: 1362: 1339: 1263: 1232: 1215: 983: 972: 955: 862: 697: 621: 351: 5358:"Best Homage to Orlando's EDM Heritage AAHZ's "These Are the Breaks" event" 4360:
Hagstrom, Suzy (November 5, 1984). "Curtain Call for Old Beacham Theater".
2372:. Buffet dinner tables for 400 and balcony tables for 100 were added. The 2251:
The facade was decorated with multi-colored tile trim and impregnated with
2020:
On Saturday nights during 1995 "Late Night" briefly resumed in The Club at
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between 1991 and 1992 that helped usher in the increased popularity of the
1724: 328:, whose signature was once visible inside a dressing room. In the eras of 5334:. No. 767. Orlando: Rolling Stone via AM Soul Records. Archived from 3585:
Sweers, Katheryn (July 12, 1981). "Curtain rises on new act for Beacham".
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of the old Beacham Theatre," in 2000 owners restored the Beacham's ornate
2012: 784:
the theater's manager and remained in that role for the next two decades.
3011: 2987: 2943: 2939: 2903: 2873: 2841: 2682: 2608: 2558: 2426: 2404: 2377: 2347: 2327: 2323: 2300: 2268: 2252: 2223: 2093: 2077: 2066: 1698: 1597: 1374: 1283: 1236: 1185: 1169: 1001: 980: 948: 768: 743: 659: 573: 423: 161: 3230:"Conflict Now Playing At Beacham Owner: Destroy It – Activists: Save It" 3067: 881:
lifted one young elf into the audience for the last verse, the smell of
5625:"Early Entertainment Venues Evolved From Opera House To Movie Theaters" 3611:"Early Entertainment Venues Evolved From Opera House To Movie Theaters" 2975: 2931: 2726: 2415: 2276: 2101: 2073:. The "Dekko's" concept featured a rose-beige exterior with a newly 1647: 1620: 1528: 1358: 1320: 1316: 1303: 1239:. Moulin Orange was only open for several months during 1983 and 1984. 1222: 1055: 865: 805: 776: 682: 540: 477: 454: 442: 419: 4299:"Goodbye Voted For Beacham Board Says Owner May Tear Old Theater Down" 3151: 979:
and were later released to their parents. Following agreements with a
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raided the Beacham Theatre. All of the equipment for the Bank Night
4479:
Long Live The Beacham, Central Florida Magazine, February 1989, p.12.
3652:
Means, Howard (October 17, 1982). "Requiem for the Beacham Theatre".
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Beacham Theatre's facade was in poor condition between 2014 and 2016.
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opened in 2001." Initially, Tabu was more of an upscale nightclub.
2097: 2084:. Dekko's interior included extensive use of the color purple and a 1995: 1849:
Kimball Collins and Sasha (first U.S. visit) at Beacham (August 1992)
1737:
The early mornings at the Beacham Theatre kick started Orlando's own
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at the Beacham in 1976. The 700-seat Great Southern Music Hall was a
1062: 925: 764: 747: 647: 336:, the Beacham was operated as a movie theater that used then-current 2354:
painted on the back of the theater. Capacity was increased to 765.
681:
director" Frank H. Burns often designed and created large elaborate
5780:"Beacham Theater in downtown Orlando may be getting major makeover" 4910:. Vol. 111, no. 18. New York: Nielsen Business Media, Inc 3357:"The Beacham Theatre," City of Orlando, Historic Preservation Board 2449:
in 2011 with a beautifully painted ceiling and the addition of two
1862:
AAHZ (Official) Reunion performances of the music from "Late night"
1861: 1619:), Andy Hughes, Jay Skinner, Robby Clark, Troy Davis, Eddie Pappa ( 4014:. November 1996 – via Theatre Historical Society of America. 3033: 2951: 2821: 2564: 2457:
were installed in place of the theater's original office area and
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Dave Cannalte at Aahz Unity IV special event (Dec. 7, 1991) Pt. II
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Weber III, Theodore H. (December 25, 1994). "Oh Little Town...".
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Schaal Hinson, Sandra (February 1983). "A mover behind shakers".
2255:. The first story originally contained two small storefronts, a 4058:...promoting a movie created about daily life in Orlando called 3298:– via City of Orlando Historic Preservation, Beacham File. 3294:
Wilkening, David (February 1988). "Can they save the Beacham?".
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Since 1988 the theater has been used as a series of combination
1242:
In December 1984 with the hope of operating an expansion to his
501:, was purchased and installed at a cost of $ 15,000. The organ, 406: 392:
The former Orange County Jail on the site of the Beacham Theatre
5105:"A short history of Orlando's relationship with the club scene" 2150:, who performed his first musical at the Beacham as one of the 1958:
During the summer of 1994, at a "Late Night" event featuring a
1909:"Renaissance Reunion" feat. Sasha at the Beacham Theatre (1994) 1836:
Kimball Collins "Late Night" live set at Beacham (Jan. 9, 1991)
1338:
In 1987 Brad Belletto and then-wife Lisa moved to Orlando from
1042:
1990s logo depicting the Beacham Theatre's mid-century marquee.
346:, as it is currently named, has since been used as a series of 5268:"This Little Underground: AAHZ honors Orlando's breaks legacy" 4078:. Orlando: Florida magazine via Rollins College, Olin Library. 1963: 1682: 5839:"ROCK VETERANS LYNYRD SKYNYRD TO PLAY AT THE ARENA ON OCT. 1" 5479:
Generation Ecstasy: Into the World of Techno and Rave Culture
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Act Two: A Beacham History. 1985. Celebrity Dinner Theater.
2243:
out-surface. Use of wood in the construction was minimized.
1822: 1098:. Following the restoration the Carpenters opened Orlando's 273: 5673:
January 29, 2000 in Orlando, FL; Zuma Beach Club drawing 800
5506:
Energy Flash: A Journey Through Rave Music and Dance Culture
4044:. Orange County Library System. July 7, 2012. Archived from 2483:
acts that have performed at the Beacham Theatre include the
2061:," a mainstream "high-energy dance club." "Dekko's" is an 2049:
wrote that, "The Beacham Theatre is the latest testament to
2203:. The Beacham features disc jockey entertainment and plays 1955:
that were still available during that time became tainted.
1883:
Dave Cannalte at Aahz Unity IV special event (Dec. 7, 1991)
1420:
businesswoman Missy Casscells and her husband Frank Hamby.
1282:
from the City of Orlando Board of Historic Preservation to
228:
145 feet (44 m) across x 213.5 feet (65.1 m) deep
5917:"Reggae legends the Wailers to play the Beacham this week" 4776:(Interview). Interviewed by Joshua Glazer. New York: Thump 4124:"Looking back at CinemaScope: The Original Engagements of 2930:
Avenue venue's mammoth stage including but not limited to
2386:
By 1991 the balcony was renovated and re-extended and the
2283:
accessible by a spiral staircase. Above the stage was the
2139:
Finally, after yet another remodeling of the auditorium, "
1286:
the Beacham Theatre within 180 days. The "Bye-bye Beacham
965:
National Association for the Advancement of Colored People
1131:
notable musical acts and competition from larger venues.
5810:"The Great Southern Music Hall Orlando Concert Setlists" 658:, which was supported by dozens of local merchants. An 5969:"HARD ROCK TO HOST ZZ TOP'S FIRST LIVE SHOW IN 3 YEARS" 1823:"Trancentral" live sets with DJ Jo-Ed and DJ RPM (1989) 639:
vaudeville performance circuits (later combined as the
215:
Beacham Theatre, LLC. (Missy Casscells and Frank Hamby)
5167:"Candy Ravers and Psychonauts: The Florida Rave Scene" 3470: 3468: 2334:
one. The lobby was enclosed with glass doors and the
1327:
of brick, stucco, decorative tile, and pastel colors.
1323:
of the original Beacham Theatre facade using original
1000:
In 1964 the theater was temporarily closed down while
685:
that decorated the facade and lobby of the theater to
465:
The Beacham Theatre shortly after construction in 1921
433:
The Beacham Theatre was constructed to have excellent
5994:"The Beacham, Orlando Clubplanet nightlife directory" 4192:
The Florida Historical Quarterly. Volume 82, Number 3
1974:
were dispatched. Tragically, one of the young women
1790:
Audio and Video: DJ sets and music from "Late Night"
1357:
The Bellettos planned to use the Beacham Theatre for
1023:
had a continuous 14-month run between 1965 and 1966.
241:
Reinforced concrete and brick with stucco out-surface
5865:"PATO BANTON MAKES HIS MUSIC A RELIGIOUS EXPERIENCE" 4866: 4864: 4661:"Aahz '89 Quintessential New Beat w/ DJ Joe Ed Info" 2330:, and windows. The marquee was replaced with a new 489:
was made especially for the Beacham. A medium-sized
453:." When constructed, the theater was outfitted with 3429:. New York: Motion Picture News, Inc. May–June 1921 3386: 3384: 2557:, "Fay, Lane, & Barry;" "Fay Two Colleys;" and 2398:
Facade restoration proposal for the Beacham Theatre
1871: 1811: 1774: 1361:performances and concerts during the week and as a 1010:
Norelco Universal 70/35mm Motion Picture Projectors
855:
and the debut of CinemaScope at the Beacham Theatre
266: 258: 253: 245: 237: 232: 224: 219: 211: 200: 192: 184: 171: 153: 143: 138: 85: 55: 5444:"Woman Dies Of Apparent Drug Overdose, Police Say" 4963:Brewster, Bill; Broughton, Frank (July 26, 2005). 2925:The Beacham website offers the following synopsis: 5388:"2 Women Fall Ill At Club In Orlando – 1 Is Dead" 5295:"Before L.A., Orlando Was a Club Culture Capital" 3771: 3769: 3767: 3765: 3763: 3761: 3759: 1935:End of the Late Night and Live Entertainment eras 5099: 5097: 5095: 5093: 4384:"Theater Revival At The Beacham Won't Last Long" 4087: 4085: 3259: 3257: 3255: 2403:arched molding was then added to the facade. A 2346:was modified to accommodate the installation of 2263:, stage, dressing rooms, staff restrooms, and a 2259:, and lobby entrance to the theater as well the 5943:"NEIL YOUNG TO BLOW INTO TOWN LIKE A HURRICANE" 5471: 5469: 4760: 4758: 4756: 4754: 4752: 4750: 4593:"Wizards of Aahz: The Florida winter had ju..." 4586: 4584: 4523: 4521: 4519: 4355: 4353: 4292: 4290: 4284:Last picture Show: Beacham. September 28, 1975. 3994: 3992: 3367:Benson, Richard (May 1994). "Renaissance men". 2927: 2472:styling elements from the 1920s, 30s, and 40s. 2318:Beacham Theatre upstairs offices in March 1991. 1552:"'Late Night' at the Classic Beacham Theatre." 396:The Beacham Theatre was constructed in 1921 by 5891:"THE CHILI PEPPERS ARE STILL HOTTER THAN EVER" 5592:"Orlando, Fla. Cracks Down On All-Night Raves" 4582: 4580: 4578: 4576: 4574: 4572: 4570: 4568: 4566: 4564: 4487: 4485: 4219: 4217: 4215: 4213: 4211: 4209: 3932:"Hoofbeats Were Background To New Year's 1901" 3604: 3602: 3600: 3598: 3596: 3580: 3578: 2407:and red neon lighting was subsequently added. 1922:Clubbers leaving after patron collapsed (1994) 1721:at the Beacham was then initiated at Dekko's. 586:. The Beacham Theatre was originally the only 196:1936, 1953, 1976, 1981, 1984, 1988, 1992, 2000 5685: 5683: 5681: 4998: 4996: 4994: 4871:Ferguson, Jason; Le-Huu, Bao (July 3, 2013). 4835:"Chris Fortier: Much More Than "Progressive"" 4729:"AK1200's True Dedication to Drum & Bass" 4619: 4617: 4539:"State Files To Revoke Club's Liquor License" 4527:Beacham Theatre Returns! 1988. Brad Belletto. 4377: 4375: 4373: 4371: 4321: 4319: 4178: 4176: 4174: 3848: 3846: 3732: 3730: 3728: 3726: 3724: 3665: 3663: 3576: 3574: 3572: 3570: 3568: 3566: 3564: 3562: 3560: 3558: 3391:Ferguson, Jason; Le-Huu, Bao (July 2, 2013). 3353: 3351: 3349: 3018:have also called this historic location home. 2267:. The second story of the theater contained 1192:In February 1983 Oscar F. Juarez, an Orlando 816:was filmed locally in 1946 and the Beacham's 8: 6052:Buildings and structures in Orlando, Florida 5663:. Pro Wrestiling History. January–March 2000 4253: 4251: 4027:(April 18, 2013), retrieved February 9, 2017 3889:after the show without being mobbed by fans. 3844: 3842: 3840: 3838: 3836: 3834: 3832: 3830: 3828: 3826: 3697:Wallace Dickinson, Joy (February 16, 2001). 3647: 3645: 3643: 3641: 3639: 3637: 3635: 3347: 3345: 3343: 3341: 3339: 3337: 3335: 3333: 3331: 3329: 3223: 3221: 3219: 3217: 2922:and many others have played at the Beacham. 2902:as well as notable DJ acts Razor and Guido, 627:." The Beacham Theatre was included on the 5532:"Task Force Tackles Drug Use In Nightclubs" 5321: 5319: 4829: 4827: 4825: 4093:"Impressive new Facade for Florida Theatre" 3542: 3540: 3538: 3536: 3534: 3532: 3530: 3528: 3313: 3311: 3309: 3307: 3305: 3289: 3287: 5804: 5802: 5800: 5715: 5713: 4494:"Theater Plans Holiday Treat For Homeless" 3198:Beacham Theatre article collection archive 1785: 316:circuit and hosted celebrity acts such as 52: 5031: 5029: 4688: 4686: 3938:. The Orlando Sentinel. December 31, 2000 3512: 3510: 3508: 3506: 3504: 3502: 3500: 3498: 997:for African-American patrons until 1965. 755:End of the vaudeville and silent film era 5889:Staff, Parry Gettelman of The Sentinel. 5631:. The Orlando Sentinel. January 28, 1996 5066:McCollum, Thaddeus (November 22, 2016). 4226:"Teens spark Orlando's civil-rights era" 3458: 3456: 3454: 3452: 3450: 3448: 3446: 3444: 3264:Blumenstyk, Goldie (February 10, 1988). 2431: 2356: 2313: 2088:bar in the balcony. The inclusion of a 1723: 1461:The late nights at the Beacham featured 1268: 1136: 5727:. The Orlando Sentinel. January 6, 2011 5111:. The Orlando Weekly. December 30, 2015 4025:Beacham Movie Line Up in September 1933 3213: 2639:have performed at the Beacham Theatre. 2521:, organist "Professor" Herman Siewert, 2410:Following an effort to "bring back the 1004:equipment was installed. A super-wide 5651: 5649: 5560:Schneider, Mike (September 10, 1997). 4655: 4653: 4651: 4382:Maupin, Elizabeth (November 3, 1988). 3423:"With "News" Correspondents (Florida)" 3266:"Beacham: The End Or A Full New Show?" 2767:have appeared at the Beacham. Orlando 2548:Artists and Models Super Revue of 1924 2279:seating section as well as additional 1780:"'Late Night' at the Beacham Theatre" 1771: 1548:were eventually referred to using the 1280:Certificate of Appropriateness permits 804:after authorities declared it to be a 715:, was in appearance at the Beacham as 5832: 5830: 5364:. The Orlando Weekly. August 24, 2016 5200:Gettelman, Parry (February 9, 1997). 5165:Guida, Humberto (November 21, 2014). 4492:Mathers, Sandra (December 22, 1991). 4475: 4473: 4471: 4469: 4467: 4122:Coate, Michael (September 16, 2013). 3967:"Motion Picture News (May–Jun 1925)"" 3870:Shrieves, Linda (February 10, 2007). 2519:The Greenwich Village Follies of 1922 1134:Roberta Branch Beacham died in 1980. 873:performances at the Beacham. When a 426:, the Beacham Building is reportedly 7: 5778:Rabines, Amanda (October 21, 2019). 5750:Gillespie, Ryan (November 4, 2019). 5590:Nelson, Chris (September 10, 1997). 5450:. The Orlando Sentinel. July 6, 1994 5239:. The Orlando Weekly. Archived from 4624:Moyer, Matthew (November 21, 2017). 3056:had a match in the Beacham Theatre. 2445:The balcony and upstairs areas were 1707:Metropolitan Bureau of Investigation 1334:Beacham Theatre facade in March 1991 1256:Valentyne's Celebrity Dinner Theater 836:were involved with making the film. 368:a notable early component of the US 6102:Art Deco cinemas and movie theaters 6057:Former cinemas in the United States 5967:Staff, Jim Abbott of the Sentinel. 5941:Staff, Jim Abbott of The Sentinel. 5863:Thompson, Gavin (August 10, 1990). 5837:Staff, Jim Abbott of The Sentinel. 5394:. The Orlando Sentinel. May 2, 1994 5004:"Aahz...An era of Electronic Music" 4932:Hutchinson, Kate (April 12, 2016). 4693:Montes De Oca, Mark (May 5, 2008). 4591:Kelemen, Matt (September 2, 1998). 4537:Jackson, Jerry (October 31, 1992). 4224:Kunerth, Jeff (February 22, 2009). 4183:Mosier Porter, Tana (Winter 2004). 3676:. The History Press. pp. 58–. 3228:Dezern, Craig (February 28, 1988). 924:, the Beacham Theatre had frequent 909:Braxton Beacham Jr., died in 1961. 249:30,965 square foot (2,876.7 m) 5010:. Orlando.AllOut. January 24, 2015 4258:Jennings, Samuel (June 18, 2011). 3609:Andrews, Mark (January 28, 1996). 2365:The balcony was extended in 1981. 1701:, new restrictions on reentering, 731:that accompanied each film. Both 14: 5416:Leithauser, Tom (June 18, 1995). 5231:Le-Huu, Bao (November 28, 2015). 4440:Patrizio, Ron (August 23, 1987). 4328:"Make a return to AAHZ once more" 4297:Benedick, Robin (April 7, 1988). 4152:Kunerth, Jeff (January 8, 2010). 3908:. Orlando Magazine. July 12, 2012 3872:"Take a walk into Florida's past" 3791:Glover, C.A. (December 4, 1988). 2422:and is being stored on the roof. 1250:Theater. The Beacham served as a 723:sneaked into the balcony via the 312:The Beacham was once part of the 18:Movie theater in Orlando, Florida 6097:Art Deco architecture in Florida 6087:20th century in Orlando, Florida 6082:Music venues in Orlando, Florida 5692:"Beacham Theatre May live Again" 5503:Simon Reynolds (March 1, 2012). 5476:Simon Reynolds (June 19, 2013). 5418:"Drugs: Facing Agony Of Ecstasy" 5293:Romero, Dennis (June 13, 2016). 5266:Le-Huu, Bao (December 2, 2015). 5134:Guinto, Liesl (August 1, 1993). 4795:Abbott, Jim (December 6, 1991). 4194:. The Florida Historical Society 3737:Hodges, Sam (December 6, 1988). 3150: 3136: 3122: 3108: 3094: 3080: 3066: 2181:Hamby, of Beacham Theater, LLC. 1916: 1903: 1890: 1877: 1856: 1843: 1830: 1817: 1800: 1424:Late Night era: (1988–1994) Aahz 1141:Mural on Beacham Theater in 1983 1118:films by film directors such as 616:were on what was referred to by 70: 61: 6072:Entertainment venues in Florida 5530:Sherri, Owens (April 4, 1997). 4841:. July 26, 2005. Archived from 2990:. Dance music's innovative DJs 2729:have performed at the Beacham. 1751:Orange County Convention Center 1691:Drug Enforcement Administration 183: 6092:Electronic music organizations 5690:Emmons, M. F. (July 9, 2000). 4797:"Public Enemy To Play Orlando" 4774:Rave Curious Podcast: DJ Three 4413:Snyder, Jack (July 13, 1987). 2775:filmed their music video for " 2130:Extreme Championship Wrestling 1034:End of the first-run movie era 555:Vaudeville and Silent film era 1: 4326:Abbott, Jim (June 27, 2013). 3856:Orlando: A Centennial History 3820:, retrieved October 14, 2016. 3793:"1907: Beacham Elected Mayor" 2687:New Riders of the Purple Sage 1943:" was pure and drugs such as 1104:The Great Southern Music Hall 5482:. Routledge. pp. 315–. 4971:. DJ History. Archived from 4902:Salzer, Rick (May 1, 1999). 3780:. Orlando. December 8, 1921. 3521:. Orlando: Orlando Magazine. 2168:Return of Live Entertainment 2158:for a theatre production of 2041:Night Club exclusive use era 1214:that emulated the spirit of 1068:Return of the Street Fighter 945:Florida Constitution of 1885 892:After an extensive remodel, 727:. Sound was provided by two 6067:History of Orlando, Florida 5173:. Insomniac. Archived from 3673:A Guide to Historic Orlando 2890:G. Love & Special Sauce 1806:20-year Aahz Reunion (2009) 775:In 1933 following a bitter 418:prisoners were executed by 340:motion picture technology. 6118: 4904:"Sasha, Digweed Stay Busy" 4010:"Retroactively Speaking". 2779:" at the Beacham Theatre. 2550:, The Cloverleaf Dancers, 1615:Local DJ's Jerry Johnson ( 1225:club in the theater named 1161:, sound, ballet, costumed 334:Classical Hollywood cinema 95:Great Southern Music Hall 76:Exterior of venue (c.2016) 5721:"Tabu is now The Beacham" 5566:seattletimes.nwsource.com 4701:. Pandora. Archived from 3778:The Evening Reporter-Star 2544:Gertrude Hoffmann Dancers 2080:inspired facade with red 1968:Orlando Police Department 1915: 1902: 1889: 1876: 1855: 1842: 1829: 1816: 1799: 1795: 1788: 1784: 1779: 1630:1991 Return of AAHZ flyer 935:of relegation to lesser " 820:Byram McGee served as an 794:Orlando Police Department 271: 110:Celebrity Dinner Theater 91:(1921–1976; 2011–present) 81: 69: 60: 5657:"ECW hardcore wrestling" 4012:Downtown Orlando Monthly 3549:The Orlando Evening Star 3393:"Dance dance revolution" 2096:) with live subtropical 1728:1992 Death of AAHZ flyer 1687:law enforcement agencies 1573:lighting control console 1252:Celebrity Dinner Theater 832:. Numerous other local 6077:Music venues in Florida 5661:prowrestlinghistory.com 4667:. WaxDJ. March 25, 2008 3971:mediahistoryproject.org 1966:was administered by an 1153:one- and one-half-hour 1006:anamorphic movie screen 769:Austin 7 Sport Roadster 480:machine. A decorative 445:adorned with feathered 5698:. The Orlando Sentinel 5538:. The Orlando Sentinel 5424:. The Orlando Sentinel 5208:. The Orlando Sentinel 5142:. The Orlando Sentinel 4545:. The Orlando Sentinel 4448:. The Orlando Sentinel 4421:. The Orlando Sentinel 4390:. The Orlando Sentinel 4334:. The Orlando Sentinel 4232:. The Orlando Sentinel 3878:. The Orlando Sentinel 3818:Austin Organs Database 3799:. The Orlando Sentinel 3705:. The Orlando Sentinel 3617:. The Orlando Sentinel 3481:. Arcadia Publishing. 3272:. The Orlando Sentinel 3236:. The Orlando Sentinel 3023:Professional wrestlers 3020: 2437: 2399: 2362: 2319: 2271:, windowed offices, a 2188: 2177: 2134:professional wrestling 2017: 1747:electronic dance music 1729: 1631: 1589:Industrial dance music 1335: 1274: 1142: 1081:Live Entertainment era 1043: 939:theaters" mandated by 917: 856: 598: 466: 393: 370:electronic dance music 5598:. MTV. Archived from 5177:on September 21, 2016 3699:"A Jaunt Into Haunts" 3670:Steve Rajtar (2006). 2816:In more recent years 2813:have also performed. 2777:Lack of Comprehension 2561:The Kramer Brothers. 2435: 2397: 2360: 2317: 2187: 2175: 2031:Anti-Rave legislation 2015: 1727: 1629: 1430:Second Summer of Love 1333: 1272: 1140: 1041: 922:Civil Rights Movement 915: 850: 618:vaudeville performers 596: 499:Hartford, Connecticut 476:dispenser and ticket 464: 422:. According to local 391: 166:Mediterranean Revival 5757:The Orlando Sentinel 5509:. Counterpoint LLC. 5274:. The Orlando Weekly 5074:. The Orlando Weekly 5043:. Proton Radio. 2000 4879:. The Orlando Weekly 4801:The Orlando Sentinel 4768:(January 23, 2017). 4695:"John Digweed Radio" 4632:. The Orlando Weekly 4598:. The Orlando Weekly 4498:The Orlando Sentinel 4362:The Orlando Sentinel 4303:The Orlando Sentinel 4158:The Orlando Sentinel 3743:The Orlando Sentinel 3654:The Orlando Sentinel 3587:The Orlando Sentinel 3399:. The Orlando Weekly 3320:The Orlando Sentinel 3202:The Orlando Sentinel 2571:musicians including 2525:Vaudeville Company, 2476:Notable performances 2047:The Orlando Sentinel 1980:The Orlando Sentinel 1482:intelligent lighting 1447:" but it opened as " 1181:The Orlando Sentinel 691:coordinated costumes 495:Austin Organ Company 375:in the early 1990s. 354:thus saving it from 39:28.543°N 81.379472°W 6062:Theatres in Florida 6026:. The Beacham. 2013 5973:OrlandoSentinel.com 5947:OrlandoSentinel.com 5895:OrlandoSentinel.com 5843:OrlandoSentinel.com 5725:orlandosentinel.com 5696:orlandosentinel.com 5629:orlandosentinel.com 5568:. The Seattle Times 5536:orlandosentinel.com 5448:orlandosentinel.com 5422:orlandosentinel.com 5392:orlandosentinel.com 5326:Weir, John (1997). 5206:orlandosentinel.com 5140:orlandosentinel.com 4965:"Interviews: Sasha" 4705:on October 19, 2016 4543:orlandosentinel.com 4446:orlandosentinel.com 4419:orlandosentinel.com 4388:orlandosentinel.com 4332:orlandosentinel.com 4264:cinematreasures.org 4230:orlandosentinel.com 4038:"The Orlando Story" 3936:orlandosentinel.com 3906:orlandomagazine.com 3876:orlandosentinel.com 3797:orlandosentinel.com 3703:orlandosentinel.com 3615:orlandosentinel.com 3427:Motion Picture News 3270:orlandosentinel.com 3234:orlandosentinel.com 3074:Architecture portal 2530:Marshall Montgomery 2237:reinforced concrete 1654:, Sean Cusick, and 1508:The Haunted Theatre 1414:property management 1379:Viva Liberace, Viva 1087:great-granddaughter 1028:Chamber of Commerce 995:racially segregated 851:Student ticket for 830:wardrobe supervisor 824:and steward on the 798:marketing promotion 792:In August 1937 the 788:First-Run Movie era 721:Orlando High School 693:for the employees. 656:Country Store Night 641:Keith-Albee-Orpheum 562:The Wonderful Thing 294:Sr. in the city of 154:Architectural style 139:General information 35: /  6024:beachamorlando.com 6000:. Clubplanet. 2016 5738:will stay the same 5338:on August 23, 2016 5008:Orlando.AllOut.com 4845:on August 14, 2007 4266:. Cinema Treasures 4101:Boxoffice Magazine 4048:on August 17, 2016 3853:Eve Bacon (1977). 2992:The Crystal Method 2438: 2400: 2363: 2320: 2189: 2178: 2018: 1988:cardiac arrhythmia 1730: 1632: 1336: 1325:building materials 1275: 1194:property developer 1143: 1052:exploitation films 1044: 1020:The Sound of Music 977:protective custody 969:white supremacists 918: 857: 746:" was repealed by 744:Sunday closing law 629:Alexander Pantages 599: 467: 394: 44:28.543; -81.379472 5602:on August 9, 2016 5516:978-1-59376-477-7 5489:978-1-136-78316-6 5362:orlandoweekly.com 5272:orlandoweekly.com 5237:orlandoweekly.com 5109:orlandoweekly.com 5072:orlandoweekly.com 4877:orlandoweekly.com 4766:Milo, Christopher 4735:. August 11, 2014 4630:orlandoweekly.com 4596:orlandoweekly.com 4260:"Beacham Theater" 4103:. January 9, 1954 4060:The Orlando Story 3683:978-1-59629-198-0 3488:978-0-7385-9173-5 3397:orlandoweekly.com 3186:Well'sbuilt Hotel 3171:Psychedelic music 2972:Waka Flocka Flame 2645:era acts such as 2589:Delbert McClinton 2489:John Philip Sousa 2016:2016 AAHZ Reunion 1932: 1931: 1928: 1927: 1675:psychedelic drugs 1602:Progressive dance 1585:Underground music 1383:Leonard Bernstein 1116:classic Hollywood 926:stand-in protests 859:In December 1949 841:The Orlando Story 683:standing displays 441:features "square 318:John Philip Sousa 307:historic district 290:built in 1921 by 280: 279: 254:Other information 238:Structural system 233:Technical details 6109: 6036: 6035: 6033: 6031: 6016: 6010: 6009: 6007: 6005: 5990: 5984: 5983: 5981: 5979: 5964: 5958: 5957: 5955: 5953: 5938: 5932: 5931: 5929: 5927: 5915:Moyer, Matthew. 5912: 5906: 5905: 5903: 5901: 5886: 5880: 5879: 5877: 5875: 5860: 5854: 5853: 5851: 5849: 5834: 5825: 5824: 5822: 5820: 5806: 5795: 5794: 5792: 5790: 5775: 5769: 5768: 5766: 5764: 5747: 5741: 5740: 5734: 5732: 5717: 5708: 5707: 5705: 5703: 5687: 5676: 5675: 5670: 5668: 5653: 5644: 5643: 5638: 5636: 5621: 5615: 5614: 5609: 5607: 5587: 5581: 5580: 5575: 5573: 5557: 5551: 5550: 5545: 5543: 5527: 5521: 5520: 5500: 5494: 5493: 5473: 5464: 5463: 5457: 5455: 5440: 5434: 5433: 5431: 5429: 5413: 5407: 5406: 5401: 5399: 5384: 5378: 5377: 5371: 5369: 5354: 5348: 5347: 5345: 5343: 5323: 5314: 5313: 5308: 5306: 5290: 5284: 5283: 5281: 5279: 5263: 5257: 5256: 5250: 5248: 5243:on March 4, 2016 5228: 5222: 5221: 5215: 5213: 5197: 5191: 5190: 5184: 5182: 5162: 5156: 5155: 5149: 5147: 5131: 5125: 5124: 5118: 5116: 5101: 5088: 5087: 5081: 5079: 5063: 5057: 5056: 5050: 5048: 5033: 5024: 5023: 5017: 5015: 5000: 4989: 4988: 4982: 4980: 4975:on July 11, 2016 4960: 4954: 4953: 4948: 4946: 4929: 4923: 4922: 4917: 4915: 4899: 4893: 4892: 4886: 4884: 4868: 4859: 4858: 4852: 4850: 4831: 4820: 4819: 4810: 4808: 4792: 4786: 4785: 4783: 4781: 4762: 4745: 4744: 4742: 4740: 4725: 4719: 4718: 4712: 4710: 4690: 4681: 4680: 4674: 4672: 4657: 4646: 4645: 4639: 4637: 4621: 4612: 4611: 4605: 4603: 4588: 4559: 4558: 4552: 4550: 4534: 4528: 4525: 4514: 4513: 4507: 4505: 4489: 4480: 4477: 4462: 4461: 4455: 4453: 4437: 4431: 4430: 4428: 4426: 4410: 4404: 4403: 4397: 4395: 4379: 4366: 4365: 4357: 4348: 4347: 4341: 4339: 4323: 4314: 4313: 4311: 4309: 4294: 4285: 4282: 4276: 4275: 4273: 4271: 4255: 4246: 4245: 4239: 4237: 4221: 4204: 4203: 4201: 4199: 4189: 4180: 4169: 4168: 4166: 4164: 4149: 4143: 4142: 4140: 4138: 4119: 4113: 4112: 4110: 4108: 4089: 4080: 4079: 4076:Florida Magazine 4071: 4065: 4064: 4055: 4053: 4034: 4028: 4022: 4016: 4015: 4007: 4001: 4000: 3996: 3987: 3986: 3984: 3982: 3963: 3957: 3954: 3948: 3947: 3945: 3943: 3928: 3922: 3921: 3915: 3913: 3898: 3892: 3891: 3885: 3883: 3867: 3861: 3860: 3859:. Mickler House. 3850: 3821: 3815: 3809: 3808: 3806: 3804: 3788: 3782: 3781: 3773: 3754: 3753: 3751: 3749: 3734: 3719: 3718: 3712: 3710: 3694: 3688: 3687: 3667: 3658: 3657: 3649: 3630: 3629: 3624: 3622: 3606: 3591: 3590: 3582: 3553: 3552: 3544: 3523: 3522: 3519:Orlando Magazine 3514: 3493: 3492: 3472: 3463: 3460: 3439: 3438: 3436: 3434: 3419: 3413: 3412: 3406: 3404: 3388: 3379: 3378: 3364: 3358: 3355: 3324: 3323: 3315: 3300: 3299: 3296:Orlando Magazine 3291: 3282: 3281: 3279: 3277: 3261: 3250: 3249: 3243: 3241: 3225: 3160: 3155: 3154: 3146: 3141: 3140: 3139: 3132: 3127: 3126: 3125: 3118: 3113: 3112: 3111: 3104: 3099: 3098: 3097: 3090: 3088:Biography portal 3085: 3084: 3083: 3076: 3071: 3070: 3046:Yoshihiro Tajiri 3004:Armin Van Buuren 2697:, Bill Warheit, 2659:Pat Travers Band 2617:Maynard Ferguson 2613:Buckwheat Zydeco 2485:Ziegfeld Follies 2462:projection booth 2273:projection booth 2161:The Wizard of Oz 2117:watering troughs 1960:guest appearance 1920: 1919: 1907: 1906: 1894: 1893: 1881: 1880: 1860: 1859: 1847: 1846: 1834: 1833: 1821: 1820: 1804: 1803: 1786: 1772: 1544:. The all-night 1471:rare and obscure 1198:Republican Party 1155:laser light show 1124:Federico Fellini 930:African American 729:gramophone discs 471:admission ticket 437:. The Beacham's 402:Mayor of Orlando 338:state-of-the-art 322:Ziegfeld Follies 304:Downtown Orlando 300:cultural history 276: 259:Seating capacity 225:Other dimensions 188:December 9, 1921 134: 128: 125:Zuma Beach Club 123: 118: 113: 108: 103: 98: 92: 89:Beacham Theatre 74: 65: 53: 50: 49: 47: 46: 45: 40: 36: 33: 32: 31: 28: 6117: 6116: 6112: 6111: 6110: 6108: 6107: 6106: 6042: 6041: 6040: 6039: 6029: 6027: 6018: 6017: 6013: 6003: 6001: 5992: 5991: 5987: 5977: 5975: 5966: 5965: 5961: 5951: 5949: 5940: 5939: 5935: 5925: 5923: 5914: 5913: 5909: 5899: 5897: 5888: 5887: 5883: 5873: 5871: 5862: 5861: 5857: 5847: 5845: 5836: 5835: 5828: 5818: 5816: 5808: 5807: 5798: 5788: 5786: 5777: 5776: 5772: 5762: 5760: 5749: 5748: 5744: 5730: 5728: 5719: 5718: 5711: 5701: 5699: 5689: 5688: 5679: 5666: 5664: 5655: 5654: 5647: 5634: 5632: 5623: 5622: 5618: 5605: 5603: 5589: 5588: 5584: 5571: 5569: 5559: 5558: 5554: 5541: 5539: 5529: 5528: 5524: 5517: 5502: 5501: 5497: 5490: 5475: 5474: 5467: 5453: 5451: 5442: 5441: 5437: 5427: 5425: 5415: 5414: 5410: 5397: 5395: 5386: 5385: 5381: 5367: 5365: 5356: 5355: 5351: 5341: 5339: 5325: 5324: 5317: 5304: 5302: 5292: 5291: 5287: 5277: 5275: 5265: 5264: 5260: 5246: 5244: 5230: 5229: 5225: 5211: 5209: 5199: 5198: 5194: 5180: 5178: 5164: 5163: 5159: 5145: 5143: 5133: 5132: 5128: 5114: 5112: 5103: 5102: 5091: 5077: 5075: 5065: 5064: 5060: 5046: 5044: 5041:protonradio.com 5035: 5034: 5027: 5013: 5011: 5002: 5001: 4992: 4978: 4976: 4962: 4961: 4957: 4944: 4942: 4931: 4930: 4926: 4913: 4911: 4901: 4900: 4896: 4882: 4880: 4870: 4869: 4862: 4848: 4846: 4833: 4832: 4823: 4806: 4804: 4794: 4793: 4789: 4779: 4777: 4764: 4763: 4748: 4738: 4736: 4727: 4726: 4722: 4708: 4706: 4692: 4691: 4684: 4670: 4668: 4659: 4658: 4649: 4635: 4633: 4623: 4622: 4615: 4601: 4599: 4590: 4589: 4562: 4548: 4546: 4536: 4535: 4531: 4526: 4517: 4503: 4501: 4491: 4490: 4483: 4478: 4465: 4451: 4449: 4439: 4438: 4434: 4424: 4422: 4412: 4411: 4407: 4393: 4391: 4381: 4380: 4369: 4359: 4358: 4351: 4337: 4335: 4325: 4324: 4317: 4307: 4305: 4296: 4295: 4288: 4283: 4279: 4269: 4267: 4257: 4256: 4249: 4235: 4233: 4223: 4222: 4207: 4197: 4195: 4187: 4182: 4181: 4172: 4162: 4160: 4151: 4150: 4146: 4136: 4134: 4121: 4120: 4116: 4106: 4104: 4091: 4090: 4083: 4073: 4072: 4068: 4051: 4049: 4036: 4035: 4031: 4023: 4019: 4009: 4008: 4004: 3998: 3997: 3990: 3980: 3978: 3977:on July 3, 2015 3965: 3964: 3960: 3955: 3951: 3941: 3939: 3930: 3929: 3925: 3911: 3909: 3900: 3899: 3895: 3881: 3879: 3869: 3868: 3864: 3852: 3851: 3824: 3816: 3812: 3802: 3800: 3790: 3789: 3785: 3775: 3774: 3757: 3747: 3745: 3736: 3735: 3722: 3708: 3706: 3696: 3695: 3691: 3684: 3669: 3668: 3661: 3651: 3650: 3633: 3620: 3618: 3608: 3607: 3594: 3584: 3583: 3556: 3546: 3545: 3526: 3516: 3515: 3496: 3489: 3474: 3473: 3466: 3461: 3442: 3432: 3430: 3421: 3420: 3416: 3402: 3400: 3390: 3389: 3382: 3366: 3365: 3361: 3356: 3327: 3317: 3316: 3303: 3293: 3292: 3285: 3275: 3273: 3263: 3262: 3253: 3239: 3237: 3227: 3226: 3215: 3210: 3194: 3156: 3149: 3142: 3137: 3135: 3128: 3123: 3121: 3114: 3109: 3107: 3100: 3095: 3093: 3086: 3081: 3079: 3072: 3065: 3062: 2830:Revolting Cocks 2633:Freddie Hubbard 2581:John Lee Hooker 2502:Music Box Revue 2478: 2443: 2297: 2249: 2239:and brick with 2232: 2170: 2109:Zuma Beach Club 2043: 2026:local ordinance 1984:Substance abuse 1937: 1917: 1904: 1891: 1878: 1857: 1844: 1831: 1818: 1801: 1791: 1735: 1733:Cultural impact 1583:At this point, 1426: 1399: 1385:opera" and "an 1369:-style musical 1308:office building 1083: 1036: 960:racial violence 883:bourbon whiskey 871:radio broadcast 826:film production 790: 757: 677:The Beacham's " 557: 474:vending machine 398:Braxton Beacham 386: 381: 292:Braxton Beacham 284:Beacham Theatre 272: 205:Braxton Beacham 176: 175:46 N Orange Ave 132: 129: 126: 124: 121: 119: 116: 114: 111: 109: 106: 104: 101: 99: 96: 93: 90: 77: 56:Beacham Theatre 43: 41: 37: 34: 29: 26: 24: 22: 21: 19: 12: 11: 5: 6115: 6113: 6105: 6104: 6099: 6094: 6089: 6084: 6079: 6074: 6069: 6064: 6059: 6054: 6044: 6043: 6038: 6037: 6011: 5998:clubplanet.com 5985: 5959: 5933: 5921:Orlando Weekly 5907: 5881: 5855: 5826: 5796: 5770: 5742: 5709: 5677: 5645: 5616: 5582: 5552: 5522: 5515: 5495: 5488: 5465: 5435: 5408: 5379: 5349: 5315: 5285: 5258: 5223: 5192: 5157: 5136:"All The Rave" 5126: 5089: 5058: 5025: 4990: 4955: 4924: 4894: 4860: 4821: 4787: 4746: 4720: 4682: 4647: 4613: 4560: 4529: 4515: 4481: 4463: 4432: 4405: 4367: 4349: 4315: 4286: 4277: 4247: 4205: 4170: 4144: 4114: 4081: 4066: 4042:Orlando Memory 4029: 4017: 4002: 3988: 3958: 3949: 3923: 3893: 3862: 3822: 3810: 3783: 3755: 3720: 3689: 3682: 3659: 3631: 3592: 3554: 3524: 3494: 3487: 3464: 3440: 3414: 3380: 3359: 3325: 3322:. Orlando, FL. 3301: 3283: 3251: 3212: 3211: 3209: 3206: 3205: 3204: 3193: 3192:External links 3190: 3189: 3188: 3183: 3178: 3173: 3168: 3162: 3161: 3158:Theater portal 3147: 3133: 3130:History portal 3119: 3116:Florida portal 3105: 3091: 3077: 3061: 3058: 2996:Paul Oakenfold 2960:French Montana 2858:Good Charlotte 2707:José Feliciano 2699:Michael Hedges 2655:Rick Derringer 2651:The Pretenders 2585:Johnny Sansone 2477: 2474: 2442: 2441:Recent Changes 2439: 2380:was improved. 2296: 2293: 2281:dressing rooms 2248: 2245: 2231: 2228: 2169: 2166: 2156:Lollipop Guild 2145:Backstreet Boy 2119:for beer, and 2042: 2039: 1999:cause of death 1936: 1933: 1930: 1929: 1926: 1925: 1913: 1912: 1900: 1899: 1887: 1886: 1874: 1873: 1869: 1868: 1853: 1852: 1840: 1839: 1838:via Soundcloud 1827: 1826: 1814: 1813: 1809: 1808: 1797: 1796: 1793: 1792: 1789: 1782: 1781: 1777: 1776: 1775:External media 1767:Florida breaks 1739:Summer of Love 1734: 1731: 1425: 1422: 1416:firm owned by 1398: 1397:Night Club era 1395: 1312:parking garage 1244:dinner theater 1231:that featured 1157:that featured 1120:John Carpenter 1082: 1079: 1074:The Scavengers 1035: 1032: 789: 786: 756: 753: 567:Norma Talmadge 556: 553: 549:Angebilt Hotel 545:San Juan Hotel 513:, 24 ranks of 385: 382: 380: 377: 348:concert venues 278: 277: 269: 268: 264: 263: 260: 256: 255: 251: 250: 247: 243: 242: 239: 235: 234: 230: 229: 226: 222: 221: 217: 216: 213: 209: 208: 202: 198: 197: 194: 190: 189: 186: 182: 181: 173: 169: 168: 155: 151: 150: 145: 141: 140: 136: 135: 105:Moulin Orange 87: 83: 82: 79: 78: 75: 67: 66: 58: 57: 17: 13: 10: 9: 6: 4: 3: 2: 6114: 6103: 6100: 6098: 6095: 6093: 6090: 6088: 6085: 6083: 6080: 6078: 6075: 6073: 6070: 6068: 6065: 6063: 6060: 6058: 6055: 6053: 6050: 6049: 6047: 6025: 6021: 6020:"The Beacham" 6015: 6012: 5999: 5995: 5989: 5986: 5974: 5970: 5963: 5960: 5948: 5944: 5937: 5934: 5922: 5918: 5911: 5908: 5896: 5892: 5885: 5882: 5870: 5866: 5859: 5856: 5844: 5840: 5833: 5831: 5827: 5815: 5811: 5805: 5803: 5801: 5797: 5785: 5784:Growthspotter 5781: 5774: 5771: 5759: 5758: 5753: 5746: 5743: 5739: 5726: 5722: 5716: 5714: 5710: 5697: 5693: 5686: 5684: 5682: 5678: 5674: 5662: 5658: 5652: 5650: 5646: 5642: 5630: 5626: 5620: 5617: 5613: 5601: 5597: 5593: 5586: 5583: 5579: 5567: 5563: 5556: 5553: 5549: 5537: 5533: 5526: 5523: 5518: 5512: 5508: 5507: 5499: 5496: 5491: 5485: 5481: 5480: 5472: 5470: 5466: 5462: 5449: 5445: 5439: 5436: 5423: 5419: 5412: 5409: 5405: 5393: 5389: 5383: 5380: 5376: 5363: 5359: 5353: 5350: 5337: 5333: 5332:Rolling Stone 5329: 5322: 5320: 5316: 5312: 5301:. L.A. Weekly 5300: 5296: 5289: 5286: 5273: 5269: 5262: 5259: 5255: 5242: 5238: 5234: 5227: 5224: 5220: 5207: 5203: 5196: 5193: 5189: 5176: 5172: 5171:insomniac.com 5168: 5161: 5158: 5154: 5141: 5137: 5130: 5127: 5123: 5110: 5106: 5100: 5098: 5096: 5094: 5090: 5086: 5073: 5069: 5062: 5059: 5055: 5042: 5038: 5037:"Jimmy Van M" 5032: 5030: 5026: 5022: 5009: 5005: 4999: 4997: 4995: 4991: 4987: 4974: 4970: 4969:djhistory.com 4966: 4959: 4956: 4952: 4941: 4940: 4935: 4928: 4925: 4921: 4909: 4905: 4898: 4895: 4891: 4878: 4874: 4867: 4865: 4861: 4857: 4844: 4840: 4839:JIVE Magazine 4836: 4830: 4828: 4826: 4822: 4818: 4816: 4802: 4798: 4791: 4788: 4775: 4771: 4767: 4761: 4759: 4757: 4755: 4753: 4751: 4747: 4734: 4730: 4724: 4721: 4717: 4704: 4700: 4696: 4689: 4687: 4683: 4679: 4666: 4662: 4656: 4654: 4652: 4648: 4644: 4636:September 23, 4631: 4627: 4620: 4618: 4614: 4610: 4597: 4594: 4587: 4585: 4583: 4581: 4579: 4577: 4575: 4573: 4571: 4569: 4567: 4565: 4561: 4557: 4544: 4540: 4533: 4530: 4524: 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3089: 3078: 3075: 3069: 3064: 3059: 3057: 3055: 3054:Simon Diamond 3051: 3050:Tommy Dreamer 3047: 3043: 3039: 3035: 3031: 3030:Masato Tanaka 3027: 3024: 3019: 3017: 3013: 3009: 3005: 3001: 3000:Benny Benassi 2997: 2993: 2989: 2985: 2981: 2977: 2973: 2969: 2965: 2961: 2957: 2953: 2949: 2945: 2941: 2937: 2933: 2926: 2923: 2921: 2917: 2913: 2909: 2905: 2901: 2898: 2895: 2891: 2887: 2883: 2882:Flat Duo Jets 2879: 2875: 2871: 2867: 2863: 2859: 2855: 2851: 2847: 2843: 2839: 2835: 2831: 2827: 2823: 2819: 2814: 2812: 2808: 2804: 2800: 2796: 2792: 2791:Toots Hibbert 2788: 2784: 2780: 2778: 2774: 2770: 2766: 2762: 2758: 2754: 2750: 2746: 2742: 2738: 2735:acts such as 2734: 2730: 2728: 2724: 2720: 2716: 2715:Root Boy Slim 2712: 2708: 2704: 2700: 2696: 2695:Todd Rundgren 2692: 2688: 2684: 2680: 2676: 2672: 2668: 2664: 2660: 2656: 2652: 2648: 2644: 2640: 2638: 2634: 2630: 2626: 2625:Gato Barbieri 2622: 2618: 2614: 2610: 2606: 2602: 2598: 2594: 2590: 2586: 2582: 2578: 2574: 2570: 2566: 2562: 2560: 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Index

28°32′35″N 81°22′46″W / 28.543°N 81.379472°W / 28.543; -81.379472


Theater
Commercial
Art Deco
Mediterranean Revival
Orlando, FL
Braxton Beacham
Venue Website
cinema
Braxton Beacham
Orlando
cultural history
Downtown Orlando
historic district
vaudeville
John Philip Sousa
Ziegfeld Follies
W.C. Fields
silent film
Classical Hollywood cinema
state-of-the-art
concert venues
nightclubs
demolition
underground
discotheque
electronic dance music
movement

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