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and behind (from the perspective of the
Susuhunan), respectively. In the second position, the dancers divide into two facing groups, the arms and desire to one side, and the chakras and legs on the other. In the third section of the dance, there is an added section of an encounter between the desire and head dancers in the second position, while the other dancers squat. The third position places the dancers either in a row (Surakarta) or with the arms to one side (Yogyakarta), with desire in the middle. The final position is in a 3x3 grid (
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1200:, a pillared audience hall with a peaked roof, with the Susuhunan on a throne in the middle of the room. The dance is performed in three large sections. In each section, the dancers emerge from a room behind the audience hall, approach the throne single file, dance in front of the throne, and then retreat, again single file. They approach and retreat on opposite sides of the throne, thus
1162:. In the former, the nine dancers were the creation of a deity who was brought to life and offered the dance to their maker in gratitude. In the latter, the dance was created when Kangjeng Ratu Kidul fell in love with the sultan and danced the bedhaya for him; the nine dancers in the modern dance represent the spirit of the goddess.
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1505:. The former were based on a newly composed choral melody, while the latter fitted a new choral part into a pre-existing gendhing melody played by the gamelan. Hundreds of stanzas of text were written for these parts, and a particular gendhing uses at least a dozen. The texts are mainly in the form of a
1601:
interpretation. The first position shows desire plus the body; the second shows opposition between desire and the chakras (there is some evidence that the legs were considered a fifth chakra), and in the final section, interaction between the head and desire. Afterwards, desire is absorbed into the
1165:
Since the decline in the power of the royal courts, other, more accessible forms of bedhaya have become popular, not as religious ritual, but as artistic performance. These do not require the royal presence, and may be performed on stage for an admission fee. They frequently recount stories used in
1339:
The first two sections of the dance each have three positions, with slight variations, while the last adds a final, fourth position. The first position is in the shape of a human being, with the first five dancers in a line down the middle, and those representing the right and left sides in front
1230:
A name and number is given to each of the nine dancers, which designate a specific position in the changing choreographic pattern. There are slight variations between different sources in the names and numbers of the dancers, but there is consensus on the general forms. They are: a human being,
1119:(reigned 1613–1645). Unfortunately, there is almost no historical evidence to back up the claims made about the advances in the arts in Sultan Agung's courts, and the existence of the dance was not clearly documented until the late 18th century.
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in
Yogyakarta, the latter of which has not been performed for more than 20 years. The Solonese dance continues to be performed once per year on the second day of the Javanese month of Ruwah (May), to commemorate the ascension of the current
1625:
considered the meaning of the use of pistols an aristocratic attempt to adopt a foreign element to show enhance royal power, or the secularization and informalization of the court ritual when in the presence of
European guests.
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The dance can be interpreted in a number of ways, including as an abstract sequence of positions, and a reenactment of the love between the goddess and a royal ancestor. Another common interpretation is that they symbolize
1488:
The literary renaissance of Java in the 18th and 19th centuries, which greatly changed
Javanese music, had as one of its first effects the creation of genres of gendhing to accompany bedhaya and serimpi, known as
1087:(prince) of Surakarta. Nine females, relatives or wives of the Susuhunan, perform the dance before a private audience. An invitation to anyone outside of the inner circle of the court is a considerable honor.
1533:, both the song and the dance associated with it. It is only allowed to be rehearsed every 35 days (when Thursday of the seven-day week coincides with Kliwon, the fifth day of the five-day week of the
1843:
Babad Krama Dalem
Ingkang Sinuhun Kangjeng Susuhunan Paku Buwana Kaping Sanga ing Nagari Surakarta Adniningrat (The chronicle of the marriage of his highness Susuhunan Paku Buwana IX of Surakarta)
1565:
1629:
During some period in the 19th century, the dancers in
Yogyakarta were young men dressed as women. The combination of characteristics of both sexes was thought to have a special spiritual power.
1586:. Furthermore, the dancers were brought onto battlefields with the Yogyakartan ruler. Some of the choreographic positions are vaguely similar to those that were believed to have been used in the
1352:
1095:
1553:). When the text is copied, a few intentional mistakes are inserted to avoid copying a sacred text literally. This is all because during any performance or rehearsal, the deputies of
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1513:(poetic riddle), and deal with a wide variety of subjects. Much of the text is erotic love poetry, describing the attraction of Kangjeng Ratu Kidul to Sultan Agung.
1541:'s accession to the throne. All rehearsals, and especially the performance, must be accompanied by offerings (many of which correspond to those specified in the
1182:
Bedhaya dance performance at the wedding of
Hoesein Djajadiningrat and Partini in the palace of Prang Wedono (Mangkoe Negoro VII), the father of the bride, at
1974:
1115:. Indeed, some of the steps of the modern dance are said to be as old as the third century. However, the modern form is traditionally dated to the court of
978:
1756:, Ph.D. dissertation, Ann Arbor: University of Michigan, 1983, p. 148; and N. Tirtaamidjaja, "A Bedaja Ketawang Performance at the Court of Surakarta",
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body, and then the dancers are arranged in the same arrangement as offerings in the
Majapahit palace. Three is a number rich in
1368:. Formerly only women sang; however since at least the 1940s men have also sung these parts. In Surakarta, instead of a full
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Wayang Wong in the
Yogyakarta Kraton: History, Ritual Aspects, Literary Aspects, and Characterization
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which explain the origin of the dance, which generally have either an account of a meeting with an
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for an explanation); however, shorter gendhings were also used later (such as
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The
Badhaya Katawang: A Translation of the Song of Kangjeng Ratu Kidul
1871:. Arizona State University Program for Southeast Asian Studies, 1993.
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Gamelan: Cultural Interaction and Musical Development in Central Java
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instruments and only sometimes other melodic instruments (such as
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Gamelan Stories: Tantrism, Islam, and Aesthetics in Central Java
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The bedhaya dancers doing a sembah (tribute) to the Sultan of
1344:), with the three upper chakra centers in the middle column.
1071:
The bedhaya has different forms in the two court cities, the
132:
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The pieces used to accompany the dances are traditionally
1582:, which may explain why the dancers are given names of
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direction, the appropriate direction for veneration in
1154:, the Goddess of the South Sea, with a founder of the
1063:
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with long structures (originally designated at least
1594:, and some of the texts tell of military victories.
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was used as accompaniment, sometimes even featuring
1239:(the top three of which are used as note names; see
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1235:(the word for desire or craving in Buddhism), four
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1295:, "tail", "genitals", "lower end of spinal column"
1569:The Bedoyo dancers at the Susuhunan Palace Solo,
1254:, "desire", "constant/fixed desire", "attachment"
1889:, September 11, 1983, accessed on June 30, 2006
1525:regarding the performance and rehearsal of the
1321:èndhèl weton/èndhèl wedalan ngajeng/èndhèl jawi
1909:. Chicago: University of Chicago Press, 1995.
1746:Bedhaya Ketawang: Tarian Sakral di Candi-candi
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1463:; in Surakarta, it is only accompanied by a
19:
1485:s to fit better the stride of the dancers.
1455:). The most ancient and sacred song is the
1305:, "right arm", "right flank", "front flank"
1975:
1961:
1953:
1744:Becker, 132, citing K.G.P.H. Hadiwidjojo,
1158:, either Sultan Ageng or his grandfather,
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972:
111:
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1111:existed on Java at least as early as the
1931:. Leiden, Netherlands: E.J. Brill, 1992.
1929:The bedhaya court dances of Central Java
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1039:, associated with the royal palaces of
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1051:, the bedhaya epitomized the elegant (
1396:ketipung and gendhing); there are no
1010:and various other transliterations) (
7:
1814:Kunst, 151-152, 280; Becker 115-116.
1708:Knutsson, accessed on June 29, 2006.
1372:, the only instruments used are the
1899:. The Hague: Martinus Nijhoff, 1949
1331:apit meneng/èndhèl wedalan wingking
1107:Some kind of female dance known as
14:
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1226:dancers from Solo wearing batik
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1948:Court-dance Bedhaya Katawang
1078:in Surakarta (Solo) and the
2353:Jurit ampil kridha warastra
1927:Clara Brakel-Papenhuijzen.
1752:, 1981, p. 20; Soedarsono,
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619:Classical dance and theatre
334:Jurit ampil kridha warastra
58:
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1883:The Wedding of Solo's King
1606:symbolism, like the three
1315:, "left arm", "rear flank"
1027:) is a sacred, ritualised
1995:
1823:Sumarsam, 7; Becker, 141.
1597:Judith Becker provides a
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1015:
50:
24:
1557:are said to be present.
1501:gendhing bedhaya-serimpi
1311:apit wingking/apit mburi
1301:apit ngajeng/apit ngarep
178:Royal Ballet of Cambodia
1573:, between 1910 and 1930
1243:), and the four limbs:
1194:The dance is held in a
1117:Sultan Agung of Mataram
16:Indonesian sacred dance
1881:Knutsson, Gunilla K. "
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1150:), or the meeting of
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136:
2268:Pepe-Pepeka ri Makka
1760:Vol. 1, 1967, p. 48.
1717:Sumarsam, 20 and 54.
1101:Sultan of Yogyakarta
183:Khmer Shadow Theatre
122:Part of a series on
31:The sacred dance of
1778:Kunst, 128, 279-281
1580:military formations
1250:'èndhèl/èndhèl ajeg
1152:Kangjeng Ratu Kidul
21:
1984:Dance in Indonesia
1887:The New York Times
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140:of Southeast Asia.
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2535:Gending Sriwijaya
1590:, the war in the
1535:Javanese calendar
1190:, in January 1921
1099:The court of the
1062:
1047:. Along with the
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1002:(also written as
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299:Gending Sriwijaya
110:
109:
71:Traditional dance
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1977:
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1944:by Nancy Florida
1867:Becker, Judith.
1855:
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1841:R. Atmadikrama,
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1832:Becker, 136-141.
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1122:There are many
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198:Lakhon Pol Srey
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1296:
1291:buncit/bunthil
1286:
1276:
1266:
1261:pembatak/batak
1256:
1175:
1172:
1092:
1089:
1080:bedhaya Semang
1029:Javanese dance
994:
993:
991:
990:
983:
976:
968:
965:
964:
963:
962:
954:
953:
949:
948:
947:
946:
941:
938:
935:
930:
925:
920:
915:
910:
905:
900:
895:
892:
889:
881:
880:
876:
875:
874:
873:
868:
863:
858:
853:
848:
843:
838:
833:
828:
823:
818:
810:
809:
805:
804:
803:
802:
797:
792:
787:
782:
777:
772:
767:
762:
757:
752:
747:
742:
737:
732:
727:
722:
717:
712:
707:
702:
697:
692:
687:
685:Dondang Sayang
682:
677:
672:
667:
662:
657:
652:
647:
642:
637:
629:
628:
624:
623:
622:
621:
613:
612:
608:
607:
606:
605:
604:
603:
593:
588:
583:
578:
577:
576:
571:
569:Topeng Cirebon
566:
561:
551:
546:
541:
536:
531:
526:
521:
516:
511:
506:
501:
496:
491:
486:
481:
476:
471:
466:
461:
456:
451:
446:
441:
436:
431:
426:
421:
416:
411:
406:
401:
396:
391:
389:Lengger lanang
386:
381:
376:
371:
366:
361:
356:
351:
346:
344:Kancet Papatai
341:
336:
331:
326:
321:
316:
311:
306:
301:
296:
291:
286:
281:
276:
271:
266:
261:
256:
251:
246:
241:
236:
231:
226:
221:
213:
212:
208:
207:
206:
205:
200:
195:
190:
185:
180:
172:
171:
167:
166:
165:
164:
159:
151:
150:
146:
145:
144:
143:
128:Southeast Asia
125:
117:
116:
108:
107:
102:
98:
97:
92:
88:
87:
78:
74:
73:
68:
64:
63:
43:
39:
38:
30:
15:
13:
10:
9:
6:
4:
3:
2:
2679:
2668:
2665:
2663:
2660:
2658:
2655:
2654:
2652:
2637:
2634:
2632:
2629:
2628:
2626:
2620:
2614:
2611:
2610:
2608:
2604:
2598:
2595:
2593:
2590:
2588:
2585:
2583:
2582:Bajidor Kahot
2580:
2579:
2577:
2573:
2567:
2564:
2562:
2561:Gendang Beleq
2559:
2558:
2556:
2552:
2546:
2543:
2541:
2538:
2536:
2533:
2532:
2530:
2526:
2520:
2517:
2516:
2514:
2510:
2504:
2501:
2499:
2496:
2494:
2491:
2489:
2486:
2484:
2481:
2479:
2476:
2475:
2473:
2469:
2461:
2458:
2457:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2437:
2435:
2431:
2425:
2422:
2421:
2419:
2415:
2409:
2406:
2404:
2401:
2399:
2398:Topeng Malang
2396:
2394:
2391:
2389:
2386:
2384:
2381:
2379:
2376:
2374:
2371:
2369:
2366:
2364:
2361:
2359:
2356:
2354:
2351:
2349:
2346:
2344:
2341:
2339:
2336:
2334:
2331:
2330:
2328:
2324:
2318:
2315:
2313:
2310:
2308:
2305:
2304:
2302:
2298:
2290:
2287:
2286:
2285:
2282:
2281:
2279:
2275:
2269:
2266:
2264:
2261:
2259:
2256:
2255:
2253:
2247:
2241:
2238:
2234:
2233:Topeng Betawi
2231:
2230:
2229:
2226:
2224:
2221:
2219:
2216:
2215:
2213:
2209:
2203:
2200:
2198:
2195:
2193:
2190:
2189:
2187:
2183:
2177:
2176:Topeng Banjar
2174:
2172:
2171:Baksa kembang
2169:
2168:
2166:
2162:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2073:
2072:
2070:
2066:
2031:
2028:
2026:
2023:
2021:
2018:
2017:
2015:
2011:
2007:
2003:
1999:
1994:
1989:
1985:
1978:
1973:
1971:
1966:
1964:
1959:
1958:
1955:
1949:
1946:
1943:
1940:
1939:
1935:
1930:
1926:
1925:
1921:
1916:
1915:0-226-78011-2
1912:
1908:
1904:
1901:
1898:
1897:Music in Java
1894:
1891:
1888:
1884:
1880:
1878:
1877:1-881044-06-8
1874:
1870:
1866:
1865:
1860:
1854:Sumarsam, 78.
1851:
1848:
1844:
1838:
1835:
1829:
1826:
1820:
1817:
1811:
1808:
1802:
1799:
1796:Sumarsam, 96.
1793:
1790:
1784:
1781:
1775:
1772:
1766:
1763:
1759:
1755:
1751:
1750:Balai Pustaka
1747:
1741:
1738:
1732:
1729:
1723:
1720:
1714:
1711:
1705:
1702:
1696:
1693:
1687:
1685:
1681:
1675:
1671:
1668:
1666:
1663:
1661:
1658:
1656:
1653:
1652:
1648:
1637:
1632:
1630:
1627:
1624:
1619:
1617:
1613:
1609:
1605:
1600:
1595:
1593:
1589:
1585:
1581:
1572:
1567:
1560:
1558:
1556:
1552:
1548:
1544:
1540:
1536:
1532:
1530:
1524:
1516:
1514:
1512:
1510:
1504:
1502:
1496:
1494:
1486:
1483:
1478:
1476:
1469:
1468:
1462:
1458:
1454:
1452:
1446:
1444:
1438:
1434:
1432:
1426:
1421:
1419:
1415:
1411:
1407:
1403:
1399:
1395:
1392:, and drums (
1391:
1387:
1383:
1379:
1375:
1371:
1367:
1359:
1354:
1347:
1345:
1343:
1334:
1332:
1327:
1324:
1322:
1317:
1314:
1312:
1307:
1304:
1302:
1297:
1294:
1292:
1287:
1284:
1282:
1277:
1274:
1272:
1267:
1264:
1262:
1257:
1255:
1251:
1246:
1245:
1244:
1242:
1238:
1234:
1231:representing
1225:
1221:
1217:
1215:
1211:
1207:
1203:
1199:
1198:
1189:
1185:
1180:
1173:
1171:
1169:
1163:
1161:
1157:
1153:
1149:
1145:
1141:
1137:
1133:
1129:
1125:
1120:
1118:
1114:
1110:
1102:
1097:
1090:
1088:
1086:
1081:
1077:
1076:
1069:
1066:
1054:
1050:
1046:
1042:
1038:
1034:
1030:
1025:
1013:
1009:
1005:
1001:
989:
984:
982:
977:
975:
970:
969:
967:
966:
961:
958:
957:
956:
955:
950:
945:
942:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
903:Lakhon Chatri
901:
899:
896:
893:
890:
888:
885:
884:
883:
882:
877:
872:
869:
867:
864:
862:
859:
857:
854:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
814:
813:
812:
811:
806:
801:
798:
796:
793:
791:
788:
786:
783:
781:
778:
776:
773:
771:
768:
766:
763:
761:
758:
756:
753:
751:
748:
746:
743:
741:
738:
736:
733:
731:
728:
726:
723:
721:
718:
716:
713:
711:
710:Joget Gamelan
708:
706:
703:
701:
698:
696:
693:
691:
688:
686:
683:
681:
678:
676:
673:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
632:
631:
630:
625:
620:
617:
616:
615:
614:
609:
602:
599:
598:
597:
594:
592:
589:
587:
584:
582:
579:
575:
572:
570:
567:
565:
564:Topeng Betawi
562:
560:
559:Topeng Banjar
557:
556:
555:
552:
550:
547:
545:
542:
540:
537:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
495:
492:
490:
487:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
460:
457:
455:
452:
450:
447:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
390:
387:
385:
382:
380:
377:
375:
372:
370:
367:
365:
362:
360:
357:
355:
352:
350:
347:
345:
342:
340:
337:
335:
332:
330:
327:
325:
322:
320:
317:
315:
312:
310:
307:
305:
302:
300:
297:
295:
294:Gendang Beleq
292:
290:
287:
285:
282:
280:
277:
275:
272:
270:
267:
265:
262:
260:
257:
255:
252:
250:
247:
245:
242:
240:
237:
235:
232:
230:
229:Baksa kembang
227:
225:
224:Bajidor Kahot
222:
220:
217:
216:
215:
214:
209:
204:
201:
199:
196:
194:
191:
189:
188:Lakhon Mohory
186:
184:
181:
179:
176:
175:
174:
173:
168:
163:
160:
158:
157:Peacock dance
155:
154:
153:
152:
147:
139:
135:
130:
121:
120:
119:
118:
113:
106:
103:
99:
96:
93:
89:
85:
84:
79:
77:Instrument(s)
75:
72:
69:
65:
60:
48:
44:
40:
35:
28:
23:
2667:Sultan Agung
2622:Moluccan and
2528:Palembangese
2408:Wayang gedog
2393:Topeng Ireng
2358:Kuda Lumping
2337:
2249:Buginese and
2115:Kebyar duduk
1928:
1906:
1896:
1886:
1868:
1850:
1842:
1837:
1828:
1819:
1810:
1805:Becker, 128.
1801:
1792:
1783:
1774:
1765:
1757:
1753:
1745:
1740:
1731:
1722:
1713:
1704:
1699:Becker, 116.
1695:
1690:Becker, 143.
1628:
1620:
1596:
1576:
1550:
1526:
1520:
1506:
1498:
1490:
1487:
1472:
1456:
1448:
1440:
1428:
1422:
1365:
1363:
1341:
1338:
1328:
1318:
1308:
1298:
1288:
1278:
1268:
1258:
1253:
1229:
1223:
1216:traditions.
1195:
1193:
1164:
1121:
1108:
1106:
1079:
1072:
1070:
1007:
1003:
999:
997:
670:Cinta Sayang
665:Ceracap Inai
574:Topeng Ireng
374:Kuda Lumping
354:Kebyar Duduk
253:
124:
2471:Minangkabau
2403:Wayang wong
2383:Singo Ulung
2251:Makassarese
2218:Ondel-ondel
2192:Sigale Gale
2135:Panyembrama
2090:Cendrawasih
1893:Kunst, Jaap
1787:Kunst, 330.
1748:, Jakarta:
1592:Mahabharata
1461:ayak-ayakan
1271:gulu/jangga
1148:Lord Buddha
1128:Indic deity
887:Lakhon Khon
808:Philippines
795:Ulek Mayang
715:Kuda Kepang
680:Dikir Barat
586:Wayang Wong
519:Singo Ulung
514:Sigale Gale
439:Panyembrama
429:Ondel-ondel
264:Cendrawasih
193:Lakhon Khol
162:Yama Zatdaw
42:Native name
2651:Categories
2488:Pasambahan
2277:Cirebonese
2020:Likok Pulo
1861:References
1555:Ratu Kidul
1358:Yogyakarta
1041:Yogyakarta
908:Lakhon Nok
898:Lakhon Nai
894:Hun krabok
841:Maglalatik
730:Mek Mulung
138:Topography
2636:Poco-poco
2597:Sisingaan
2592:Sandiwara
2587:Jaipongan
2575:Sundanese
2519:Kabasaran
2512:Minahasan
2460:Zapin Api
2440:Bangsawan
2424:Melinting
2164:Banjarese
2150:Sanghyang
1758:Indonesia
1571:Surakarta
1539:Susuhunan
1509:wangsalan
1471:known as
1285:, "chest"
1206:clockwise
1103:, c. 1876
1085:Susuhunan
1045:Surakarta
1037:Indonesia
871:Tinikling
846:Pandanggo
826:Itik-itik
725:Mak Inang
720:Labi-labi
650:Bangsawan
635:Adai-adai
601:Zapin Api
524:Sisingaan
509:Sanghyang
504:Sandiwara
459:Poco-poco
414:Melinting
339:Kabasaran
239:Bangsawan
211:Indonesia
105:Indonesia
2631:Cakalele
2606:Timorese
2378:Ronggeng
2348:Gandrung
2343:Gambyong
2326:Javanese
2223:Ronggeng
2068:Balinese
2013:Acehnese
1903:Sumarsam
1633:See also
1623:Sumarsam
1616:Trimurti
1612:Trilokya
1608:pramanas
1547:turmeric
1482:pathetan
1467:pathetan
1451:kethuk 2
1437:gendhing
1425:gendhing
1398:balungan
1394:kendhang
1275:, "neck"
1214:Shaivist
1210:Buddhist
1197:pendhapa
1160:Senapati
1075:Ketawang
1073:bedhaya
1053:Javanese
1012:Javanese
960:Nhã nhạc
944:Kingkara
937:Ram Thai
933:Ram wong
879:Thailand
851:Pangalay
821:Cariñosa
816:Binasuan
750:Pangalay
735:Mak yong
627:Malaysia
494:Ronggeng
364:Ketoprak
289:Gandrung
284:Gambyong
259:Cakalele
170:Cambodia
95:Javanese
91:Inventor
47:Javanese
2545:Tanggai
2450:Makyong
2417:Lampung
2363:Lengger
2338:Bedhaya
2202:Tor-tor
2095:Condong
1665:Kejawèn
1614:or the
1599:tantric
1418:cornets
1414:gamelan
1402:gambang
1390:kemanak
1388:), the
1370:gamelan
1360:in 1884
1241:slendro
1237:chakras
1224:Bedhaya
1109:bedhaya
1091:History
1024:Bedhaya
1000:bedhaya
952:Vietnam
928:Mor lam
923:Ma yong
861:Singkil
856:Sagayan
790:Sumazau
765:Rambong
581:Tor-tor
539:Tanggai
409:Makyong
384:Lengger
314:Jaipong
269:Condong
254:Bedhaya
115:Bedhaya
83:Gamelan
59:bedhaya
20:Bedhaya
2624:Papuan
2540:Kebagh
2503:Randai
2498:Piring
2493:Payung
2478:Indang
2388:Srimpi
2317:Kuyang
2284:Topeng
2263:Paraga
2258:Pajoge
2240:Yapong
2228:Topeng
2211:Betawi
2197:Tandok
2155:Topeng
2145:Rejang
2140:Pendet
2125:Legong
2105:Janger
2100:Gambuh
2085:Barong
1913:
1875:
1655:Srimpi
1610:, the
1584:flanks
1523:taboos
1517:Taboos
1435:; see
1410:kraton
1406:gendér
1384:, and
1382:kenong
1378:kethuk
1281:dhadha
1168:wayang
1140:Vishnu
1136:Brahma
1049:srimpi
1008:beḍaya
1004:bedoyo
918:Manora
836:Kuntaw
785:Sewang
770:Randai
760:Piring
755:Payung
745:Ngajat
740:Menora
695:Indang
660:Branyo
591:Yapong
554:Topeng
549:Toneel
534:Tandok
529:Srimpi
474:Rejang
469:Randai
454:Piring
449:Pendet
444:Payung
434:Pajoge
404:Ludruk
394:Lenong
379:Legong
349:Kebagh
319:Janger
309:Indang
279:Gambuh
274:Didong
249:Barong
101:Origin
2566:Rudat
2554:Sasak
2483:Lilin
2455:Zapin
2445:Joget
2433:Malay
2307:Hudoq
2300:Dayak
2185:Batak
2120:Kecak
2110:Joged
2080:Baris
2030:Saman
2025:Rodat
1676:Notes
1604:Hindu
1551:borèh
1233:taṇhā
1174:Dance
1146:, or
1144:Indra
1132:Shiva
1124:myths
1057:ꦲꦭꦸꦱ꧀
940:Rabam
913:Likay
866:Subli
800:Zapin
775:Rodat
705:Joget
700:Jikey
675:Dabus
655:Boria
645:Balai
640:Asyik
596:Zapin
499:Saman
489:Rodat
419:Merak
399:Lilin
359:Kecak
329:Joget
324:Joged
304:Hudoq
244:Baris
149:Burma
67:Genre
2613:Tebe
2373:Reog
2130:Oleg
2075:Arja
1988:list
1911:ISBN
1873:ISBN
1497:and
1404:and
1386:gong
1212:and
1188:Java
1184:Solo
1065:alus
1043:and
1033:Java
1016:ꦧꦼꦝꦪ
998:The
831:Jota
780:Saba
690:Inai
611:Laos
544:Tebe
484:Reog
479:Remo
424:Oleg
219:Arja
203:Yike
51:ꦧꦼꦝꦪ
1885:."
1447:or
1031:of
891:Fon
2653::
2004:•
2000:•
1905:.
1895:.
1683:^
1420:.
1380:,
1186:,
1170:.
1142:,
1138:,
1134:,
1059:,
1055::
1035:,
1018:,
1014::
1006:,
53:,
49::
1990:)
1986:(
1976:e
1969:t
1962:v
1549:(
1376:(
1247:'
1130:(
987:e
980:t
973:v
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