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354:"a thrilling science fiction mystery, a societal critique, and a character study". She said Newman treats Anna with "careful attention". Her flashbacks "work well" in revealing just enough to create suspense, and the story's first-person point-of-view fills it with "claustrophobia and anxiety". Anna's difficult marriage is sensitively handled, and reminded Crouse of the marriage of convenience in
333:, Newman described the groundwork she had done for the book: "I did a lot of research on Mars itself, on traveling to it, and on geology and the survival challenges posed by living on ". She added that because the story takes place some 80 years into the future, "I had a little leeway in terms of the spacecraft technology." On the subject of gov-corps that feature in her
442:, Swapna Krishna described the ending as "stunning", although "a bit abrupt". But she added that the novel "is about the journey rather than the destination", and it is "an excellent ... page-turn". Krishna called Anna "a well-rounded character" who is open about her fears and failures. A reviewer in the
389:. She remarked that Newman's narrative can be unsettling, leaving the reader "a little removed from the action", which gives the impression that her characters are wrapped in "a thin layer of gauze". Yet, Martini added, "it still works somehow". What she did feel "doesn't work as well" are the reams of
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books, Newman said she envisages a future where huge corporations control governments and monitor their citizens via neural implants. She added that the prospect of gov-corps becoming a reality is not quite so far-fetched. "This is the future I foresee if we continue as we are, with no change in
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to be a "psychological thriller". She wanted to address the subject of memory, how people process it, and how it affects their perceptions of reality and mental illness. Newman said she also wanted to investigate how people in the future would react to being able to record and playback in memory
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novels, the protagonist is an outsider who does not fit in and feels alienated. Anna feels "trapped by society", "trapped in her marriage" and "trapped ... on Mars", leaving her "isolated either by madness or conspiracy". Bourke felt that readers of
364:. Newman's other characters are all seen through Anna's limited perspective, and while none are "poorly drawn", they are not as well developed as the protagonist. Crouse concluded that while
393:, which tend to "bog the story down". She said some of Anna's musings "read like therapy sessions". But overall, Martini concluded that "there's more enjoyable and intriguing moments in
433:"didn’t really speak to me". She said she found herself "lacking in a real sense of emotional investment, either in Anna as a character or in the novel's outcome".
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that lifts it above many other similar science fiction stories. He praised the "flair and accuracy" with which Newman describes human behavior, and said her
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concerns Dr. Anna Kubrin, a geologist and artist, who has been sent to the planet to paint
Martian landscapes. The novel was a finalist for the 2018
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and its predecessor coincide and key outcomes have already been revealed. Bourke added that despite its "compelling prose" and interesting puzzles,
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series shows how "the most treacherous place in the known universe is the human heart and its capacity for doing wrong."
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political structures and no change in the ideologies of the most powerful political factions."
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as "a tight and claustrophobic psychological thriller of a novel". In a review of the book at
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may not experience the full tension of the novel as the
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494:"British SF Association Awards 2019"
694:Krishna, Swapna (April 28, 2018).
552:Rayne, Elizabeth (April 5, 2018).
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377:, Adrienne Martini wrote that in
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968:American science fiction novels
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661:"Conspiracy, or Madness?
317:, Newman said she wanted
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16:2018 novel by Emma Newman
978:Novels set in the future
462:. Jeremy Brett wrote in
218:novel by British writer
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459:The Girl on the Train
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22:Before Mars
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935:Atlas Alone
927:Before Mars
919:After Atlas
893:Emma Newman
851:Before Mars
843:Before Mars
832:Before Mars
821:Before Mars
792:Before Mars
781:Works cited
752:Before Mars
707:December 5,
676:December 6,
663:Before Mars
639:December 4,
626:Before Mars
602:December 4,
596:Den of Geek
589:Before Mars
565:December 8,
534:December 8,
503:December 3,
470:Before Mars
450:Before Mars
431:Before Mars
427:Before Mars
418:After Atlas
402:Before Mars
397:than not".
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379:Before Mars
366:Before Mars
352:Before Mars
348:Den of Geek
346:Writing at
319:Before Mars
260:Before Mars
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246:Before Mars
220:Emma Newman
211:Before Mars
200:Atlas Alone
187:After Atlas
43:Emma Newman
952:Categories
911:Planetfall
901:Planetfall
770:2313309361
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480:References
474:Planetfall
412:Planetfall
383:Planetfall
335:Planetfall
309:Background
250:Planetfall
214:is a 2018
69:Planetfall
891:Works by
796:Ace Books
559:Syfy Wire
528:Space.com
498:sfadb.com
423:timelines
391:backstory
342:Reception
331:Syfy Wire
315:Space.com
228:Ace Books
152:995129319
90:Ace Books
86:Publisher
837:Gollancz
790:(2018).
766:ProQuest
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232:Gollancz
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