157:, which, like Hebrew, is written in right-to-left rows, and not in right-to-left columns as in the painting. Although there is no accepted explanation why the Babylonian priests were unable to decipher the writing, the point of this unconventional arrangement – reading the text in the painting in the conventional row-wise left-to-right order results in a garbled message – may be to suggest why the text proved incomprehensible to the Babylonian wise men; This explanation is in accordance with the opinion of the
153:, yet mistranscribed one of the characters and arranged them in columns, rather than right to left, as Hebrew is written." This last detail is essential as it relates to the question of why Belshazzar and his advisers were not able to decipher the inscription and had to send for Daniel to help them with it. The biblical story does not identify the language of the cryptic message, but it is generally assumed to be
31:
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looted the Temple in
Jerusalem and has stolen the sacred artefacts such as golden cups. His son Belshazzar used these cups for a great feast where the hand of God appeared and wrote the inscription on the wall prophesying the downfall of Belshazzar's reign. The text on the wall says
196:
wrote: "The whole picture, notwithstanding the boldness of the attitudes, is tame, and inadequate in execution." This lack of admiration can be explained in comparison to contemporary depictions of the biblical story, especially
211:
was acquired by the
National Gallery in 1964, it became very popular and was used many times as an illustration for commercial products like album covers. In 2014, it was the third most licensed image of the National Gallery.
207:(c. 1821), that earned much more reputation by its size and grandeur of its composition. This assessment changed in the second half of the 20th century together with the revaluation of Rembrandt's historical paintings. After
138:". Biblical scholars interpret this to mean "God has numbered the days of your kingdom and brought it to an end; you have been weighed in the balances and found wanting; your kingdom is given to the Medes and Persians".
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The inscription on the wall is an interesting element in this painting. Rembrandt lived in the Jewish
Quarter of Amsterdam and "derived the form of
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are both exceptional and do not compare to any of his other works. The palette of this painting is unusually rich encompassing such pigments as
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since 1736. The picture, however, was barely known beyond
England, and it was not considered a masterpiece. As it was exhibited at the
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van Rijn, Rembrandt
Harmenszoon; Bomford, David; Kirby, Jo; Roy, Ashok; Rüger, Axel; White, Raymond (2006).
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history paintings. The date of the painting is unknown, but most sources give a date between 1635 and 1638.
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The
Codebreakers. The Comprehensive History of Secret Communication from Ancient Times to the Internet
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Littman, R. (1993). "An error in the
Menetekel inscription in Rembrandt's "Belshazzar's Feast"".
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102:, London. The painting is Rembrandt's attempt to establish himself as a painter of large,
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Gewogen und zu leicht befunden? Die
Rezeption von Rembrandts „Gastmahl des Belsazar“
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Specifically, the final character (at the bottom of the leftmost row) is shown as a
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Bruyn, J.; Haak, B.; Levie, S.H.; van Thiel, P.J.J.; van de
Wetering, E. (2013).
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167.6 cm × 209.2 cm (66.0 in × 82.4 in)
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A Handbook to the
Paintings by Ancient Masters in the Art Treasures Exhibition
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703:, Stichting Foundation Rembrandt Research Project Volume 3, 1989, pp 124–133
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Hausherr, R. (1963). "Zur Menetekel-Inschrift auf Rembrandts Belsazarbild".
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Mene, mene tekel. Das Gastmahl des Belsazar in der niederländischen Kunst.
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Rembrandt's handling of painting materials and his painting technique in
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Bruyn, J. et al., Belshazzar’s Feast, in A Corpus of Rembrandt Paintings
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308:"The description of the painting on The National Gallery website"
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
365:. Springer Science & Business Media. p. 132.
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664:"Rembrandt, Belshazzar's Feast, Pigment analysis"
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897:Bust of a Man Wearing a Gorget and Plumed Beret
1774:Self-Portrait Wearing a White Feathered Bonnet
642:. London: National Gallery. pp. 110–117.
149:by his friend, the learned Rabbi and printer,
1814:Self-Portrait with Beret and Turned-Up Collar
1798:Self-Portrait in a Black Beret and Gold Chain
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1201:The Archangel Raphael Leaving Tobias' Family
1762:Portrait of a Young Man with a Golden Chain
1461:Ahasuerus and Haman at the Feast of Esther
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623:: CS1 maint: location missing publisher (
362:A Corpus of Rembrandt Paintings: 1635–1642
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310:. Nationalgallery.org.uk. Archived from
1623:Portrait of a Man Rising from His Chair
969:The Anatomy Lesson of Dr. Nicolaes Tulp
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172:, 22a, among various dissenting views.
865:Suffer little children to come unto me
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584:/Sebastian Dohe/Anne Harmssen (eds.):
527:. Simon and Schuster. pp. 80–81.
336:. The National Gallery. Archived from
180:The painting was in possession of the
1453:Moses Breaking the Tablets of the Law
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1997:Descent from the Cross by Torchlight
1153:Samson Threatening His Father-In-Law
638:Bomford, David; et al. (2006).
1730:Self-Portrait with Dishevelled Hair
696:. London: National Gallery Company.
192:in Manchester in 1857, the curator
2258:Paintings of Book of Daniel people
1703:Portrait of a Man with Arms Akimbo
1485:The Conspiracy of Claudius Civilis
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2243:Cultural depictions of Belshazzar
1830:Self-Portrait as the Apostle Paul
1429:Jacob Blessing the Sons of Joseph
1421:The Anatomy Lesson of Dr. Deijman
1225:Landscape with the Good Samaritan
2053:Cultural depictions of Rembrandt
1838:Self-Portrait as Zeuxis Laughing
1325:Abraham Serving the Three Angels
550:"Rembrandt's Belshazzar's Feast"
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2013:The Virgin and Child with a Cat
1687:Portrait of Catharina Hooghsaet
1121:The Prodigal Son in the Brothel
1033:The Storm on the Sea of Galilee
2021:Christ Presented to the People
1862:Self-Portrait at the Age of 63
1846:Self-Portrait with Two Circles
1782:Self-Portrait at the Age of 34
1607:Portrait of Jacob de Gheyn III
1557:The Return of the Prodigal Son
1373:Aristotle with a Bust of Homer
961:Andromeda Chained to the Rocks
258:List of paintings by Rembrandt
1:
2086: (1954 documentary film)
1501:Syndics of the Drapers' Guild
1193:The Preacher Eleazar Swalmius
1041:A Lady and Gentleman in Black
765:Old Bailey Proceedings Online
1185:Landscape with Arched Bridge
1129:Raising of the Cross (study)
1025:The Shipbuilder and his Wife
921:The Parable of the Rich Fool
857:The Stoning of Saint Stephen
694:Art in the Making: Rembrandt
640:Art in the Making: Rembrandt
548:Colvin, Matt (29 May 2010).
164:, which is mentioned in the
1655:Portrait of Petronella Buys
1639:Portrait of Marten Soolmans
1615:Aeltje Pietersdr Uylenburgh
1493:Saint Matthew and the Angel
1381:A Woman Bathing in a Stream
1309:The Holy Family with Angels
1293:The Woman Taken in Adultery
1241:The Girl in a Picture Frame
1217:The Wedding Feast of Samson
905:Tobit and Anna with the Kid
136:mene, mene, tekel, upharsin
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2083:Rembrandt: A Self-Portrait
1893:Joseph and Potiphar's Wife
1509:Homer Dictating his Verses
1249:The Scholar at the Lectern
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2139:I Am Rembrandt's Daughter
2048:Bibliography of Rembrandt
1754:Self-Portrait in a Gorget
1647:Portrait of Oopjen Coppit
1583:Portrait of Nicolaes Ruts
1541:Young Woman with a Lapdog
1469:The Denial of Saint Peter
1001:Philosopher in Meditation
993:Old Man with a Gold Chain
889:The Baptism of the Eunuch
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767:. www.oldbaileyonline.org
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2268:Food and drink paintings
1917:The Artist and his Model
1711:Portrait of Dirck van Os
1631:Oval Portrait of a Woman
1233:Still Life with Peacocks
1145:The Entombment of Christ
945:Anna and the Blind Tobit
929:The Artist in his Studio
576:Dohe, Sebastian (2014):
190:Art Treasures Exhibition
1925:The Death of the Virgin
1565:Landscape with a Castle
1437:Courtesan at her Mirror
1009:The Abduction of Europa
723:National Gallery London
692:Bomford, David (2006).
609:Scharf, George (1857).
480:10.1163/187501763X00101
436:10.1163/187501793X00036
94:is a major painting by
2253:Paintings by Rembrandt
1671:Portrait of Maria Trip
1357:Descent from the Cross
1333:Susanna and the Elders
1177:The Blinding of Samson
1097:Descent from the Cross
1057:Descent from the Cross
953:The Raising of Lazarus
448:) instead of a final
129:. The Babylonian king
1965:Hundred Guilder Print
1389:Bathsheba at Her Bath
1017:Adoration of the Magi
913:The Flight into Egypt
613:. London. p. 61.
397:Yale University Press
16:Painting by Rembrandt
2196:Vereniging Rembrandt
2147:The Rembrandt Affair
2131:Rembrandt's J'Accuse
2091:Rembrandt fecit 1669
1265:Concord of the State
1137:The Rape of Ganymede
1049:Raising of the Cross
589:Michael Imhof Verlag
521:Kahn, David (1996).
290:The National Gallery
285:"Belshazzar's Feast"
238:yellow and red lakes
2263:Stolen works of art
1981:Goldweigher's Field
1957:Portrait of Jan Six
1679:Portrait of Jan Six
1599:Portrait of a Woman
1161:The Standard Bearer
985:Christ on the Cross
977:Christ with a Staff
717:Belshazzars's Feast
151:Menasseh ben Israel
120:writing on the wall
2134:(2008 documentary)
2115:Stealing Rembrandt
2102: (1995 novel)
2099:The Anatomy Lesson
1738:Rembrandt Laughing
1273:David and Jonathan
1105:Belshazzar's Feast
937:Samson and Delilah
881:Balaam and the Ass
740:Belshazzar's Feast
222:Belshazzar's Feast
216:Painting materials
209:Belshazzar's Feast
200:Belshazzar's Feast
122:originates in the
91:Belshazzar's Feast
24:Belshazzar's Feast
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2110: (1999 film)
2078: (1942 film)
2070: (1940 film)
2062: (1936 film)
2005:The Three Crosses
1695:Portrait of a Man
1663:A Polish Nobleman
1591:Portrait of a Man
1445:Saint Bartholomew
820:Lists of drawings
649:978-1-85709-356-8
597:978-3-7319-0153-2
406:978-1-85709-356-8
166:Babylonian Talmud
145:inscription from
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1989:Doctor Fautrieus
1909:River with Trees
1517:The Jewish Bride
1397:The Polish Rider
1349:The Kitchen Maid
1209:The Stone Bridge
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1941:The Three Trees
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769:. Retrieved
764:
749:. Retrieved
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739:
738:"Rembrandt,
726:. Retrieved
722:
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715:"Rembrandt,
693:
671:. Retrieved
667:
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639:
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599:, pp. 61–81.
585:
582:Justus Lange
577:
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430:(3): 296–7.
427:
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338:the original
328:
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312:the original
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113:
90:
89:
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51:c. 1635-1638
18:
2126:(2007 film)
2118:(2003 film)
2094:(1977 film)
2038:Works about
1968:(1647–1649)
1881:(including
1849:(1665–1669)
1560:(1662–1669)
1360:(1650–1652)
1320:(1645–1648)
1020:(1632–1633)
468:Oud Holland
423:Oud Holland
344:20 February
318:20 February
205:John Martin
168:, Tractate
98:now in the
2232:Categories
1368:(c. 1652)
849:The Senses
771:17 January
686:References
116:Belshazzar
66:Dimensions
2210:Contested
2189:Rembrandt
2182:Rembrandt
2159:Namesakes
2107:Rembrandt
2075:Rembrandt
2067:Rembrandt
2059:Rembrandt
2040:Rembrandt
1857:(c. 1669)
1714:(c. 1662)
1575:Portraits
1536:(c. 1665)
1416:(c. 1655)
1236:(c. 1639)
1132:(c. 1635)
1124:(c. 1635)
1081:Artemisia
996:(c. 1631)
948:(c. 1630)
940:(1629–30)
908:(c. 1626)
852:(1624–25)
840:Paintings
828:paintings
811:Rembrandt
746:Colourlex
668:Colourlex
619:cite book
554:Colvinism
474:: 142–9.
452: (
444: (
392:Rembrandt
226:vermilion
176:Reception
170:Sanhedrin
110:The story
96:Rembrandt
42:Rembrandt
2184:(crater)
1933:The Mill
1883:etchings
1874:Drawings
1767:disputed
1765:(1635) (
1757:(c.1629)
1549:Lucretia
1525:Lucretia
1317:The Mill
824:etchings
252:See also
118:and the
74:Location
2192:(train)
1528:(1664)
1400:(1655)
1113:Minerva
1036:(1633)
868:(1620s)
751:6 April
728:6 April
673:6 April
559:5 April
506:5 April
246:azurite
155:Aramaic
104:baroque
2024:(1655)
2016:(1654)
2008:(1653)
2000:(1652)
1992:(1652)
1984:(1651)
1976:(1650)
1960:(1647)
1952:(1646)
1944:(1643)
1936:(1641)
1928:(1639)
1920:(1639)
1912:(1634)
1904:(1634)
1896:(1634)
1878:prints
1865:(1669)
1841:(1662)
1833:(1662)
1825:(1660)
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242:ochres
162:Shmuel
147:a book
143:Hebrew
82:London
56:Medium
38:Artist
1169:Danaë
1073:Flora
446:zayin
264:Notes
230:smalt
159:amora
1876:and
1285:Ruth
1283:and
1281:Boaz
773:2020
753:2015
730:2015
675:2015
644:ISBN
625:link
593:ISBN
561:2015
529:ISBN
508:2015
401:ISBN
367:ISBN
346:2012
320:2012
244:and
48:Year
476:doi
454:nun
432:doi
428:107
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184:at
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478::
450:ן
442:ז
438:.
434::
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293:.
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