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99:. The grid arrangement also references the agricultural plantings of palm trees in the region. With the shift in elevation through the site comes a change from paved surface to planted areas of wheat fields, grasses, and orange groves. Small channels of water run through the garden, using a traditional technique for areas prone to rapid evaporation and indicating the need for human intervention in hydrating the arid landscape. The uppermost terrace contains a grove of olive trees, a tree common to the
48:, the garage was split in two structures in order to provide a space for the Central Garden. Because of its location, the garden is meant to be experienced from “particular elevated vantage points as a portrait” rather than by movement through it. The placement of the garden also provides a view out to the surrounding landscape as opposed to a view of the facade of the parking structure. The garden is meant to provide an abstract interpretation of the regional landscape from ocean to mountains.
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The overall concept was for the design, which includes a larger 65-acre (26 ha) site that includes a road and an interchange in addition to the 5-acre (2.0 ha) Central Garden, was for it to relate strongly to the surrounding landscape. Plants common to the area were selected based on their
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and project architect
Barbara Aronson intended for the garden to be an abstraction of the region that allows visitors to gain a “deeper feeling of place” regardless of religious or political affiliations.
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coastline through the formal arrangement of materials like stone (a local limestone) and stainless steel. Gravel is used to represent the beaches of the western border of
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Loon, Leehu. "Abstracting the
Israeli Landscape: This Garden Well Expresses the Landscape of Israel, without Political References - Too Bad most Visitors Can't Find it."
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while also accommodating the practical requirement of the connecting various elevations of the parking garages with adjacent roads. Aronson symbolizes the
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regional presence. The gradual elevation change (approximately 15 feet (4.6 m)) within the garden is meant to symbolize the ascent from
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Aronson says the
Central Garden was designed as a "connective experience" that links up with the agrarian landscape along the route to
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The Ben-Gurion
Airport Central Garden won an Award of Honor in the Professional General Design Category from the
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Originally, the design of the airport included one parking garage but at the suggestion of local lead architect
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74:: The "Mediterranean Sea" at the Central Garden of the Ben-Gurion International Airport
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124:, with its citrus orchards, agricultural fields, olive groves, and stone terraces.
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Aronson, Shlomo, and
Barbara Aronson. "Ben Gurion International Airport in Lod."
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63:: The Promenade at the Central Garden of the Ben-Gurion International Airport
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Topos: the international review of landscape architecture and urban design
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Shlomo
Aronson: Making Peace with the Land: Designing Israel's Landscape
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107:and the highest elevations within the country.
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205:. Washington, D.C: Spacemaker Press, 1998.
134:American Society of Landscape Architects
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32:, designed by the architecture firm of
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20:is a garden outside Terminal 3 of
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22:Ben-Gurion International Airport
285:Geography of Tel Aviv District
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241:31.9992611°N 34.8696722°E
280:Architecture in Israel
275:Landscape architecture
246:31.9992611; 34.8696722
219:97.3 (2007): 28, 30–2.
217:Landscape Architecture
188:Aronson, 1998, p. 155
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179:Aronson, 2005, p. 64
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24:on the outskirts of
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270:Aviation in Israel
201:Aronson, Shlomo.
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122:Jerusalem
116:Symbolism
105:Jerusalem
85:Jerusalem
46:Ram Karmi
81:Tel Aviv
72:Figure 2
61:Figure 1
26:Tel Aviv
103:around
40:History
128:Awards
97:Israel
93:Israel
52:Layout
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16:The
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