882:
cultural inclination to see innovation as an inherently collaborative effort, a communal, discursive growing and groping towards the new, as consensual and shared, appears to find confirmation throughout history, going back to the
Renaissance, looking at Picasso and Braque, the Surrealists, and the radical architecture groups of the 1960s and the early 1970s such as Superstudio and Archigram. So we seek the experiment of working with others, including other architects. What do we have to lose? Instead of being afraid of losing our 'identity', maybe we should be glad; let's liberate ourselves from our brands.
458:
preoccupations of collective vision, such as glamour, mediation, advertising and celebrity, as by the specifics of the discipline. Architecture must engage with the banal dreams of the contemporary world, and stop presenting its products as uncontaminated objects that say only: 'architecture... Time is on the architect's side ’. MOVE examines the architect's new role in an environment of technological, public and economic change. The redefinition of organizational structures was the common thread running through the original three books.
440:
Compactness. All projects are headed under one of these categories. In our electronic age the old architectural definitions have lost much relevance; even the building processes themselves are changing, making it necessary to look afresh at the potential meanings of architecture. Presenting such views in conjunction with the projects in this pioneering way, accompanied by two external essays and four essays by the authors, makes this book less a conventional architectural monograph, than a profoundly theoretical statement.
31:
467:
for the Ponte Parodi in Genoa. In this new book UN Studio have draped a personal layer over the analytical project documentation. With texts by
Caroline Bos, experiments in associations and out-of-the-rut architectural photography, UNStudio UNFold immerses the reader in the firm's design process. The book appeared simultaneously with the large retrospective exhibition on the work of UNStudio from May 26 to September 29, 2002 in the Netherlands Architecture Institute.
449:
reflect the potential heterogeneity of the building. The central question with respect to the architectural design therefore concerns the insertion of a layer of coherence and continuity by way of protective netting and background to the diversity and differentiation. How to fit the extensive programme with the collections, circulation and climatic and lighting installations? And how to tie together these aspects so as to achieve an integrated whole?
485:
unique design model: the digitally programmed, three-dimensional, cross-connected trefoil. Implementing this model has resulted in a building that radically breaks with many of today's architectural conventions. The aim of the book is to allow the visitor of the
Mercedes-Benz Museum to take the building home; it recreates the experience of visiting the complex, yet strongly directional structure which provides many surprising perceptual experiences.
507:
installment, we zoom in on this extensive and complex project, illustrating how the synthesis of external and internal expertise from a network of collaborators and stakeholders created a flow of knowledge that became essential to the success of the project. T Spaces of Flow app features drawings, diagrams, photographs, videos, audio commentary, animations and a detailed timeline narrating the history of Arnhem
Central Station
476:
presents 00 concepts and buildings, presented in detail: from the initial, generative diagram through the digital-modelling process, to construction and outcome. Bookending the projects is a second essay, ‘After Image’, which contemplates the role and representation of contemporary architecture in today's visual and information culture.
428:, is a tribute to the architectural imagination. 'This book should be viewed not so much as a 'visionary' collection of writings, but as a well presented accumulation of thoughts, ideas and observations. As a publication its formatting and design earnestly corroborates its contents.', according to Deborah Hauptmann in
466:
This book documents a number of UNStudio projects and takes critical stock of a welter of previously unpublished designs: the restructuring of the station area in Arnhem, the generating station in Innsbrück, the
Nuclear Magnetic Resonance (NMR) laboratory in Utrecht and the competition-winning design
457:
Architects are going to be the fashion designers of the future, dressing events to come and holding up a mirror to the world. The re-thinking of public imagination, public space and public forces transforms architects into public scientists. Their imagination is informed as much by the semi-conscious
881:
Innovation exists! You just have to accept that today you can't innovate on your own. Real, significant, innovation occurs mostly when several people simultaneously have the same idea and mysteriously move in the same direction, following subliminally emitted and received signals. The contemporary
493:
Reflections, Small Stuff by UNStudio presents a selection of interiors, installations, pavilions and products from the last 20 years. The 30 projects are organised in pairs which form each other's mirror image, illustrating the idea of reflection and its manifold meanings at literal and symbolic
484:
This book about the
Mercedes-Benz Museum in Stuttgart, Germany shows how various forms of expert knowledge have been combined and interwoven to finally result in the Mercedes-Benz Museum. It gives an insight into the various ideas, experiences and ambitions behind the project. At its basis was a
475:
Design Models is the complete monograph of UNStudio’s output. The book begins with an essay that sets out the principles of their ‘design models’, five conceptual methods that serve as the point of departure for their broad array of project types. Divided by design model, the book's main section
506:
is a free complementary publication to
Knowledge Matters. The first in a planned series of digital publications with a focus on the future of mobility, Spaces of Flow elaborates on the application and production of knowledge in the design and development of Arnhem Central Station. For the first
448:
The contemporary museum is a mixture of supermarket, temple and tourist attraction. This heterogeneous collection of functions imposes a great diversity of technical and structural requirements. The wide variety of the objects and works of art belonging to the different museological collections
519:
is an exploration into a more agile form of practice - one that is scalable, relevant and opens conversations about the future of the discipline in the context of today's knowledge sharing society. It does so by critically engaging the expanded set of demands now placed upon the profession –
439:
For this book the authors have chosen to employ the very format of the book to elucidate their architectural approach, differentiating four themes that together constitute a modest repertoire of new architectural definitions: Mobile Forces, Crossing Points, Storing the Detail and
Corporate
494:
levels. Scattered throughout the book are statements by Ben van Berkel and
Caroline Bos expressing the thoughts behind each design. These texts bear witness to the theoretical richness and versatility at the basis of UNStudio's highly particular approach to architecture and design.
520:
reframing these demands as the latent potentials of performative architecture in the 21st century. These potentials are explored, realised and speculated upon through the book's 11 ‘Knowledge Tools’, with projects often appearing more than once and in various guises.
866:
With UN Studio we have learnt to see projects as public constructions and we have organized ourselves as a flexible platform organization, in which a 'public scientist', an architect as the co-coordinating, networking expert of the public realm, has replaced the
411:
In
Delinquent Visionaries Ben van Berkel and Caroline Bos investigate the changing perspective of architecture. This collection of fifteen essays on subjects ranging from the language and notation of architecture to contemporary architects such as
896:
Data technology, sensorial technology, artificial intelligence and augmented reality will enable us as architects and designers to create buildings that sense, understand and respond to the needs and behaviors of the people that work and live in
907:
Architects, designers and urban planners need to work alongside innovative developers, city councils and teams of experts from different fields to find and test real life, integral solutions to current challenges in the built
1228:
1162:
213:
set up an architectural practice in Amsterdam named Van Berkel & Bos Architectuurbureau, which realized, amongst other projects, the Karbouw office building and the
1167:
1150:
1156:
287:, Stuttgart) (2003); the Charles Jencks Award (2007); the Honorary Fellowship AIA (2013); and the Kubus Award (2016). Dutch Designer of the Year (2019).
272:. Central to his teaching is the inclusive approach of architectural works integrating virtual and material organisation and engineering constructions.
1223:
1118:
1093:
1036:
1000:
980:
269:
1188:
737:
503:
367:
167:
844:
2012. UNStudio in Motion, Published by: Phoenix Publishing and Media Group, Tianjin Ifengspace Culture &Media Co., Ltd
308:
named Van Berkel & Bos Architectuurbureau, which realized, amongst other projects, the Karbouw office building, the
228:
Ben van Berkel has lectured and taught at many architectural schools around the world. He has led Diploma Units at the
280:
1218:
237:
199:
91:
692:
421:
191:
343:, the UN standing for "United Network". UNStudio presents itself as a network of specialists in architecture,
275:
Ben van Berkel has received many personal awards and affiliations, such as the Eileen Gray Award (1983); the
1213:
1173:
329:
1208:
1153:
by Architizer on the eve of the opening of the New Amsterdam Plein & Pavilion in Lower Manhattan.
566:
355:
351:
284:
257:
163:
125:
887:
253:
1074:
413:
261:
30:
1066:
1049:
Berkel, Ben van; Steller, Frank (2012). "Leichte Stahlbetontragwerke mit großen Spannweiten".
1032:
996:
976:
954:
701:
229:
1058:
630:
584:
417:
363:
1192:
425:
276:
245:
539:
529:
317:
309:
214:
155:
121:
47:
1185:
1202:
1078:
654:
609:
1179:
1024:
616:
344:
301:
210:
187:
691:
Exhibition Motion Matters (2011), Harvard University Graduate School of Design,
265:
51:
130:
1070:
958:
834:. This issue of Bauwelt is dedicated to the Mercedes-Benz Museum in Stuttgart
279:
Fellowship (1986); the Charlotte Köhler Award (1991); Member of Honor of the
718:
712:
705:
682:
675:
623:
602:
570:
533:
395:
387:
313:
305:
249:
233:
218:
195:
171:
159:
147:
1062:
847:
2012 Leichte Stahlbetontragwerke mit groen Spannweiten.(Report). (2012).
731:
724:
577:
543:
375:
340:
321:
222:
175:
151:
109:
668:
661:
637:
550:
741:
598:
371:
241:
203:
350:
With UNStudio, van Berkel has built several projects, including the
769:
762:
755:
644:
591:
391:
383:
359:
775:
723:
Le Toison d'Or (2009–2016), Commercial and Residential Complex,
557:
379:
150:; founder and principal architect of the architectural practice
1119:"Famous Architects of our Time - Interview with Ben Van Berkel"
1094:"Famous Architects of our Time - Interview with Ben Van Berkel"
358:) and interior renovation for the Galleria Department store in
1229:
Alumni of the Architectural Association School of Architecture
839:
Van Berkel Digitale - Diagrammi, Processi, Modelli Di UNStudio
325:
1145:
711:
Singapore University of Technology and Design (2010–2015),
221:. In 1998 van Berkel and Bos relaunched their practice as
339:
In 1998, van Berkel and Bos relaunched their practice as
1186:
Lecture 'Arnhem Central Station - A Station with a Twist
912:
Ben van Berkel in: Industry Leaders Magazine, June 2019.
901:
Ben van Berkel in: Industry Leaders Magazine, June 2019.
629:
Education Executive Agency and Tax Offices (2007–2011),
556:
Music Faculty and Theatre (1998–2009), University Graz,
394:
and ‘Four’, a new mixed-use development in the heart of
583:
Research Laboratory (2003–2008), University Groningen,
174:
University of Architecture and Design, Raffles City in
804:
Ben van Berkel, La Prospettiva rovesciata di UN Studio
973:
UN Studio: Erasmus Bridge, Rotterdam, The Netherlands
615:
Holiday Home (2006), Institute for Contemporary Art,
563:
VilLA NM (2000–2007), Upstate New York, United States
811:
Geno(v)a, Developing and rebooting a waterfront city
115:
105:
74:
66:
58:
40:
21:
681:Youturn Pavilion (2010), Sao Paulo Art Biennale,
354:in Stuttgart, an LED media façade (designed with
206:, receiving the AA Diploma with Honours in 1987.
154:. With his studio he designed, among others, the
1163:Design Report Special, A Visit to Ben van Berkel
809:2003. Carnevali, C., Delbene, G., Patteeuw, V.,
1029:Superdutch: new architecture in the Netherlands
698:New Amsterdam Chair (2011–2011), Wilde + Spieth
636:Galleria Cheonan Department Store (2008–2010),
608:Five Franklin Place Residential Tower (2006),
717:Scotts Tower (2010–2017), Residential Tower,
8:
489:Reflections - Small Stuff by UNStudio (2010)
264:. In 2011, Ben van Berkel was appointed the
162:, the Moebius House in the Netherlands, the
774:Doha Metro Network (2012), Metro Stations,
754:Ponte Parodi (2000), Harbor Redevelopment,
660:Diakonessenhuis Health Care Campus (2009),
1170:at the Princeton Envelope Group, July 2010
502:The interactive book app Spaces of Flow –
252:(2001-2016), he was Visiting Professor at
29:
18:
1013:Single-family housing: the private domain
945:Chen, Aric (August 2006). "Dream House".
622:Star Place Department Store (2006–2008),
362:, Korea, and a private villa in up-state
1195:, at the Architectural Association, 2016
761:Hanwha Headquarters (2013), remodeling,
225:, where UN stands for "United Network".
1031:. Princeton Architectural Press, 2000.
975:. Princeton Architectural Press, 2004.
924:
590:Galleria Department Store (2003–2005),
296:Van Berkel & Bos Architectuurbureau
244:(1999). Before his role as dean at the
820:, DAMDI Architecture Publishers, Seoul
730:Raffles City (2008–2016), Mixed-use,
7:
991:B. van Berkel, Caroline Bos (1999).
886:Ben van Berkel and Caroline Bos in:
653:New Amsterdam Pavilion (2008–2009),
304:set up an architectural practice in
1182:about - What is architecture?, 2014
597:UNStudio Office Tower (2003–2010),
931:Wolfgang Amsoneit, et al. (1996).
283:(1997); the 1822-Kunstpreis 2003 (
85:RIBA International Fellowship 2009
78:A&W Architect of the Year 2017
14:
873:A + U: architecture and urbanism.
667:Creative Zone Masterplan (2009),
270:Harvard Graduate School of Design
1159:at Rice University, January 2011
933:Contemporary European architects
827:, Princeton Architectural Press
768:Yongjia WTC (2013), Mixed-use,
704:(2006–2013) Residential Tower,
674:Twofour54 Media Center (2009),
515:Published by Frame Publishers,
1176:" at PennDesign, November 2013
806:, Testo & Immagine, Torino
480:Buy me a Mercedes-Benz (2006);
471:UNStudio, Design Models (2006)
378:, China. Current projects are
178:and numerous other buildings.
1:
1180:Interview with Ben van Berkel
890:Architect van het jaar, 2007.
498:Spaces of Flow (e-book, 2016)
407:Delinquent Visionaries (1993)
390:, the Hanwha Headquarters in
324:, the Moebius house, and the
1117:Gren, Christy (2019-07-12).
1092:Gren, Christy (2019-07-12).
650:Mychair (2008), Walter Knoll
643:Lock Island Bridges (2008),
83:Honorary Fellowship AIA 2013
1224:Artists from Utrecht (city)
813:, NAi Publishers, Rotterdam
792:, 010 Publishers, Rotterdam
576:Theatre Agora (2002–2007),
16:Dutch architect (born 1957)
1245:
1151:Ben van Berkel interviewed
802:2003. Antonello, Marotta,
549:Möbius House (1993–1998),
444:Museum het Valkhof (1999);
281:Bund Deutscher Architekten
1168:Lecture on 'the Envelope'
1123:Industry Leaders Magazine
1098:Industry Leaders Magazine
238:Architectural Association
200:Architectural Association
137:
101:
87:Charles Jencks Award 2007
28:
1051:Beton- und Stahlbetonbau
837:2010. Sollazzo, Andrea,
511:Knowledge Matters (2016)
1174:Lecture "The new Normal
849:Beton Und Stahlbetonbau
825:UNStudio Erasmus Bridge
688:SitTable (2010), PROOFF
186:Ben van Berkel studied
166:in Stuttgart, Germany,
146:(born 1957) is a Dutch
1157:Lecture on 'the Twist'
1063:10.1002/best.201200061
783:Selection publications
738:Arnhem Central Station
678:, United Arab Emirates
647:, United Arab Emirates
504:Arnhem Central Station
462:UNStudio UNFold (2002)
386:, the Scotts Tower in
368:Arnhem Central Station
168:Arnhem Central Station
129:Gelleria Center City (
97:Eileen Gray Award 1983
92:Charlotte Köhler Award
1011:Manuel Gausa (1999).
888:UN Studio - Amsterdam
823:2004. Gannon, Todd,
370:, Canaletto Tower in
330:University of Utrecht
971:Todd Gannon (2004).
799:, El Croquis, Madrid
567:Mercedes-Benz Museum
435:Mobile Forces (1994)
374:and Raffles City in
356:Rogier van der Heide
352:Mercedes-Benz Museum
347:and infrastructure.
285:Mercedes-Benz Museum
258:Princeton University
236:(1992-1993) and the
164:Mercedes-Benz Museum
126:Mercedes-Benz Museum
89:1822-Kunstpreis 2003
35:Ben van Berkel, 2017
871:Ben van Berkel in:
328:facilities for the
254:Columbia University
1191:2018-09-20 at the
995:. UN Studio 1999.
993:Museum het Valkhof
841:, EdilStampa, Rome
540:Het Valkhof Museum
414:Santiago Calatrava
318:Museum Het Valkhof
262:Harvard University
1146:UNStudio Homepage
875:Vol 404–405. 2004
702:Ardmore Residence
524:Selected projects
517:Knowledge Matters
382:Metro Network in
345:urban development
230:Berlage Institute
141:
140:
1236:
1219:Dutch architects
1133:
1132:
1130:
1129:
1114:
1108:
1107:
1105:
1104:
1089:
1083:
1082:
1046:
1040:
1022:
1016:
1009:
1003:
989:
983:
969:
963:
962:
942:
936:
929:
818:Love it. Live it
749:Current Projects
418:Daniel Libeskind
192:Rietveld Academy
81:KUBUS Award 2016
44:January 25, 1957
33:
19:
1244:
1243:
1239:
1238:
1237:
1235:
1234:
1233:
1199:
1198:
1193:Wayback Machine
1142:
1137:
1136:
1127:
1125:
1116:
1115:
1111:
1102:
1100:
1091:
1090:
1086:
1057:(12): 846–854.
1048:
1047:
1043:
1023:
1019:
1010:
1006:
990:
986:
970:
966:
947:Interior Design
944:
943:
939:
930:
926:
921:
862:
785:
695:, United States
657:, United States
619:, United States
612:, United States
526:
426:Bernard Tschumi
404:
337:
300:In 1988 he and
298:
293:
277:British Council
209:In 1988 he and
184:
128:
124:
120:
95:
90:
88:
86:
84:
82:
79:
54:
45:
36:
24:
17:
12:
11:
5:
1242:
1240:
1232:
1231:
1226:
1221:
1216:
1211:
1201:
1200:
1197:
1196:
1183:
1177:
1171:
1165:
1160:
1154:
1148:
1141:
1140:External links
1138:
1135:
1134:
1109:
1084:
1041:
1017:
1004:
984:
964:
937:
923:
922:
920:
917:
916:
915:
914:
913:
904:
903:
902:
893:
892:
891:
878:
877:
876:
861:
858:
857:
856:
855:(12), 846–854
845:
842:
835:
828:
821:
814:
807:
800:
797:Ben van Berkel
793:
790:Ben van Berkel
784:
781:
780:
779:
772:
766:
759:
746:
745:
735:
728:
721:
715:
709:
699:
696:
689:
686:
679:
672:
665:
658:
651:
648:
641:
634:
627:
620:
613:
606:
595:
588:
581:
574:
564:
561:
554:
547:
537:
530:Erasmus Bridge
525:
522:
491:
490:
482:
481:
473:
472:
464:
463:
455:
454:
446:
445:
437:
436:
409:
408:
403:
400:
336:
333:
310:Erasmus Bridge
297:
294:
292:
289:
215:Erasmus Bridge
183:
180:
156:Erasmus Bridge
144:Ben van Berkel
139:
138:
135:
134:
133:, South Korea)
122:Erasmus Bridge
117:
113:
112:
107:
103:
102:
99:
98:
76:
72:
71:
68:
64:
63:
60:
56:
55:
46:
42:
38:
37:
34:
26:
25:
23:Ben van Berkel
22:
15:
13:
10:
9:
6:
4:
3:
2:
1241:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1214:Living people
1212:
1210:
1207:
1206:
1204:
1194:
1190:
1187:
1184:
1181:
1178:
1175:
1172:
1169:
1166:
1164:
1161:
1158:
1155:
1152:
1149:
1147:
1144:
1143:
1139:
1124:
1120:
1113:
1110:
1099:
1095:
1088:
1085:
1080:
1076:
1072:
1068:
1064:
1060:
1056:
1053:(in German).
1052:
1045:
1042:
1038:
1037:1-56898-239-9
1034:
1030:
1026:
1021:
1018:
1014:
1008:
1005:
1002:
1001:90-805188-1-6
998:
994:
988:
985:
982:
981:1-56898-426-X
978:
974:
968:
965:
960:
956:
952:
948:
941:
938:
934:
928:
925:
918:
911:
910:
909:
905:
900:
899:
898:
894:
889:
885:
884:
883:
879:
874:
870:
869:
868:
864:
863:
859:
854:
850:
846:
843:
840:
836:
833:
829:
826:
822:
819:
815:
812:
808:
805:
801:
798:
794:
791:
787:
786:
782:
777:
773:
771:
767:
765:, South Korea
764:
760:
757:
753:
752:
751:
750:
744:, Netherlands
743:
740:(1996–2015),
739:
736:
733:
729:
726:
722:
720:
716:
714:
710:
707:
703:
700:
697:
694:
690:
687:
684:
680:
677:
673:
670:
666:
664:, Netherlands
663:
659:
656:
655:New York City
652:
649:
646:
642:
640:, South Korea
639:
635:
633:, Netherlands
632:
628:
625:
621:
618:
614:
611:
610:New York City
607:
605:, Netherlands
604:
600:
596:
594:, South-Korea
593:
589:
587:, Netherlands
586:
582:
580:, Netherlands
579:
575:
572:
569:(2001–2006),
568:
565:
562:
559:
555:
553:, Netherlands
552:
548:
546:, Netherlands
545:
542:(1995–1998),
541:
538:
536:, Netherlands
535:
532:(1991–1996),
531:
528:
527:
523:
521:
518:
513:
512:
508:
505:
500:
499:
495:
488:
487:
486:
479:
478:
477:
470:
469:
468:
461:
460:
459:
452:
451:
450:
443:
442:
441:
434:
433:
432:
431:
430:De Architect.
427:
423:
419:
415:
406:
405:
401:
399:
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
357:
353:
348:
346:
342:
334:
332:
331:
327:
323:
319:
315:
311:
307:
303:
295:
290:
288:
286:
282:
278:
273:
271:
268:Chair at the
267:
263:
259:
255:
251:
247:
243:
239:
235:
231:
226:
224:
220:
216:
212:
207:
205:
201:
198:, and at the
197:
193:
189:
181:
179:
177:
173:
169:
165:
161:
157:
153:
149:
145:
136:
132:
127:
123:
119:Moebius House
118:
114:
111:
108:
104:
100:
96:
93:
77:
73:
69:
65:
61:
57:
53:
49:
43:
39:
32:
27:
20:
1126:. Retrieved
1122:
1112:
1101:. Retrieved
1097:
1087:
1054:
1050:
1044:
1028:
1025:Bart Lootsma
1020:
1012:
1007:
992:
987:
972:
967:
950:
946:
940:
932:
927:
908:environment.
906:
895:
880:
872:
865:
852:
848:
838:
831:
824:
817:
810:
803:
796:
789:
748:
747:
617:Philadelphia
516:
514:
510:
509:
501:
497:
496:
492:
483:
474:
465:
456:
447:
438:
429:
422:Nigel Coates
410:
402:Publications
349:
338:
302:Caroline Bos
299:
274:
246:Städelschule
227:
211:Caroline Bos
208:
188:architecture
185:
143:
142:
80:
1209:1957 births
953:(10): 226.
867:Baumeister.
453:Move (1999)
266:Kenzo Tange
59:Nationality
52:Netherlands
1203:Categories
1128:2019-07-13
1103:2019-07-13
919:References
832:Bauwelt 17
131:Cheonan-si
67:Occupation
1079:108449775
1071:1437-1006
1039:, p.261.
959:0020-5508
935:. p. 170.
727:, Belgium
719:Singapore
713:Singapore
706:Singapore
693:Cambridge
683:Sao Paulo
676:Abu Dhabi
631:Groningen
624:Kaohsiung
603:Amsterdam
585:Groningen
573:, Germany
571:Stuttgart
560:, Austria
534:Rotterdam
396:Frankfurt
388:Singapore
314:Rotterdam
306:Amsterdam
250:Frankfurt
234:Rotterdam
219:Rotterdam
196:Amsterdam
182:Biography
172:Singapore
160:Rotterdam
148:architect
116:Buildings
70:Architect
1189:Archived
1027:(2000).
732:Hangzhou
725:Brussels
685:, Brasil
626:, Taiwan
578:Lelystad
544:Nijmegen
376:Hangzhou
364:New York
341:UNStudio
335:UNStudio
322:Nijmegen
223:UNStudio
176:Hangzhou
152:UNStudio
110:UNStudio
106:Practice
1015:. p.224
778:, Qatar
758:, Italy
734:, China
671:, China
669:Beijing
662:Utrecht
638:Cheonan
551:Naarden
190:at the
48:Utrecht
1077:
1069:
1035:
999:
979:
957:
860:Quotes
830:2006.
816:2004.
795:1995.
788:1992.
742:Arnhem
599:Zuidas
372:London
366:, the
242:London
204:London
170:, the
75:Awards
1075:S2CID
897:them.
770:China
763:Seoul
756:Genoa
645:Dubai
592:Seoul
392:Seoul
384:Qatar
360:Seoul
62:Dutch
1067:ISSN
1033:ISBN
997:ISBN
977:ISBN
955:ISSN
776:Doha
558:Graz
424:and
380:Doha
291:Work
260:and
94:1991
41:Born
1059:doi
1055:107
853:107
326:NMR
320:in
312:in
248:in
240:in
232:in
217:in
202:in
194:in
158:in
1205::
1121:.
1096:.
1073:.
1065:.
951:77
949:.
851:,
601:,
420:,
416:,
398:.
316:,
256:,
50:,
1131:.
1106:.
1081:.
1061::
961:.
708:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
