Knowledge (XXG)

Benefit concert

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artist. To feel connected to a celebrity, fans are likely to participate in activities the celebrity considers important. For example, if a benefit concert starred unknown musicians performing songs for unknown people in Africa, the incentive for viewers to donate would be minimal. Bob Geldof, the founder of Live Aid, is aware of the need of familiarity and para-social interaction on behalf of the viewer. When criticised for not inviting enough African performers to play at Live Aid (of which the main purpose was famine relief for Africa), Geldof commented that only popular musicians were invited to play at the show because unfamiliar artists would cause viewers to lose interest and "switch off". In seeing the familiar face of their beloved artist on stage endorsing a cause, fans feel more compelled to support the cause.
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Furthermore, they propose that media events transform the ordinary role of the viewer into something more interactive where they adhere to the script of the event. All these principles of media events are true of benefit concerts. Benefit concerts interrupt the routine of people's lives because they occur (in most cases) for only for one night or for one week-end. Furthermore, they are broadcast as television spectacles that interrupt the regular scheduled programming on a given television network. Often, this kind of announced interruption has television viewers discussing the event with others beforehand, generating excitement around the event. Moreover, benefit concerts encourage audiences to adhere to their script, such as by phoning in donations or signing an online pledge.
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Large-scale benefit concerts attract millions of viewers and are usually broadcast internationally. As powerful means of mass communication, they can be highly effective at raising funds and awareness for humanitarian causes. Media scholars Dayan and Katz classify benefit concerts as "media events":
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Critics also say that benefit concerts are just a way for the rich West to forgive itself by helping the poor and distressed. These critiques argue that concerts like the Live Aid "rob Africans of agency, reinforces Western ethnocentrism and racisms and see famine as a natural disaster rather than as
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The presence of celebrities can draw criticism, but that is outweighed by the benefits. Some argue that pop stars only take part in charity to improve their public image. That, arguably, may be a motivation, but their participation can be essential to the event's success. Celebrities not only promote
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eight months earlier. The event was produced and cast by British impresario and producer Tony Hollingsworth. It was staged partly at Waters' expense. While he subsequently earned the money back from the sale of the CD and video releases of the album, the original plan was to donate all profits past
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weekend, was dramatically reformatted over the course of 2011 and 2012; from the program's founding in 1966 until 2010, the program aired as a traditional long-form telethon over the course of 21 hours. By the time of the 2012 edition, its name was changed to the current moniker, its longtime host
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Dan Laughey describes para-social interaction as "the apparent familiarity between media personalities and audiences". Seeing a favourite celebrity support a cause can influence fans to support the same cause—not because the cause is significant to the fans, but because it seems significant to the
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As media events, benefit concerts are widely broadcast and seen by millions of people. (The Live Aid charity concert in 1985, for example, was seen by an estimated 1.5 billion viewers worldwide.) However, this mass dissemination is only one of the factors that contribute to the success of benefit
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Dayan and Katz suggest that media events are an expression of a "neo-romantic desire for heroic action", meaning that media events produce leaders who inspire collective action with belief in the "power of the people" to change the world. Benefit concerts, therefore, have the potential to raise
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where discussions about the concert's cause can occur. The better the entertainment, the more people watch the concert, and thus the more people become aware of the cause. Furthermore, the music played in the concerts can lead spectators to interconnect and become more likely to act towards the
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Criticisms against benefit concerts go further than just criticizing the intentions of the celebrities involved. Some argue that benefit concerts are a wrong response for tragedies because the atmosphere involved on them is not one of mourning. Further criticism comes from those who argue that
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Benefit concerts are an effective form of gaining support and raising funds for a cause because of the large media coverage that they usually receive. In addition to the results they generate themselves, benefit concerts also generate a kind of cascading effect. That is, larger benefit concert
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Dayan and Katz define media events as shared experiences that unite viewers and call their attention to a particular cause or occasion. They argue that media events interrupt the flow people's daily lives, and that such events create a rise of interpersonal communication or "fellow feeling".
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himself responded to criticisms about the lack of African artists on the Live 8 by stating that, although those musicians produce great works, they do not sell many albums—and, for the sake of reaching as many people as possible, his concert had to include only popular artists.
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events, which both attracted billions of spectators. Scholars theorize that the observed increase on concert size since the Live Aid is happening because organizers strive to make their events as big as the tragedy at hand, thus hoping to gain legitimization that way.
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was ousted, and its format was reduced to a three-hour benefit concert for the Muscular Dystrophy Association. The MDA announced the event's discontinuation in May 2015 in order to focus on other ways to raise support for the organization via mobile and digital media.
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The repetition of songs and the experience of singing, suggests Bennett, can conjure up the meanings, identities and collectivities that enchant us and motivate our commitments. Bennett (2001: 133) detects in music the 'sonority' of language – in its (literal) sound
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Furthermore, the success of benefit concerts is tightly related to the quality of entertainment offered by them. To gain space and legitimization in the media, benefit concerts must have a large audience, the kind of large crowd attracted by famous music stars.
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Benefit concerts are a major example of celebrity charity for they involve popular musicians; actors and actresses; and other kinds of entertainment figures volunteering to a greater cause. The efficiency of celebrity charity is explained by the theory of
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June 12, 1982 – In New York City, 750,000 people marched from the UN to Central Park to protest nuclear weapons – in what was probably the largest single protest in U.S. history. NYC was shut down for the day. The concert featured artists including
261:. His thesis explains that it is more beneficial to a cause that celebrities do not contribute by only donating their money, but by participating in event like benefit concerts. That way stars can inspire hundreds of thousands of others to give. 320:", might as well be the theme song for media events, as it nicely encompasses the tone of such occasions: "these ceremonies (media events) are so all-encompassing that there is nobody left to serve-as out-group". 2213:
Street, John, Seth Hague, and Heather Savigny. 2008. "Playing to the Crowd: The Role of Music and Musicians in Political Participation." British Journal of Politics & International Relations 10, no. 2:
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Reed, T.V., (Author). 2001. "Famine, Apartheid and the politics of 'Agit-Pop': Music as (anti)colonial discourse." Cercles: Revue Pluridisciplinaire Du Monde Anglophone no. 3: 96. RILM Abstracts of Music
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The following is an incomplete list of benefit concerts with their own Knowledge (XXG) page. For a more descriptive and inclusive list focusing on historically notable events, see
2035: 290:, when people sing in the presence of other people, and that happens in benefit concerts, they become connected to each other and are more likely to work together towards a goal. 1857: 1643:. Note that while some of the listed concerts feature only one headliner and several supporting acts, other benefit concerts feature diverse lineups and are also considered 341:
enormous sums of money for a cause because of the para-social interaction that occurs between the performing celebrities (the leaders) and the spectating fans (the people).
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Hague, Seth, John Street, and Heather Savigny. 2008. "The Voice Of The People? Musicians As Political Actors." Cultural Politics (Bloomsbury Publishers) 4, no. 1: 5–23.
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Street, John. 2007. "Breaking the Silence: Music's Role in Political Thought and Action." Critical Review of International Social and Political Philosophy 10, no. 3.
122:(e.g., concert, show, or gala) featuring musicians, comedians, or other performers that is held for a charitable purpose, often directed at a specific and immediate 2493: 129:
Benefit concerts can have both subjective and concrete objectives. Subjective objectives include raising awareness about an issue such as misery in Africa (such as
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was staged in London over four consecutive nights. This show expanded on its 1979 predecessor with appearances by multiple rock musicians including
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Geldofism turns celebrities into the only legitimate spokespeople for a cause, robbing the NGOs of the possibilities to speak up for a cause.
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The modern understanding of a benefit concert is of a large-scale, popular event put on to support a charitable or political cause. In the
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September 12, 2017 – A one-hour, commercial-free benefit concert television special for the relief efforts from the aftermath of
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January 12, 1918 – The Historic Concert for the Benefit of Widows and Orphans of Austrian and Hungarian Soldiers was held at the
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Davis, H. L. (2010). Feeding the World a Line?: Celebrity Activism and Ethical Consumer Practices From Live Aid to Product Red.
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that states a Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
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was staged in London over four consecutive nights. In addition to the usual comedic performers from
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Wells, Paul. 2005. "Songs For The Suffering." Maclean's 118, no. 3: 56. MAS Ultra – School Edition.
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shared experiences that unite viewers with one another and their societies. In fact, in their book
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John, Street (2012), "Politics as music: the sound of ideas and ideology", in Street, John (ed.),
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Historic Concert for the Benefit of Widows and Orphans of Austrian and Hungarian Soldiers (1918)
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series of events raising funds for – and awareness of – human rights issues. The show titled
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organised a concert in dedication to the 22 victims killed at her concert that was held on
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his initial investment to the Memorial Fund for Disaster Relief, a UK charity founded by
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The Wall – Live in Berlin (1990 July 21) Roger Waters (Memorial Fund for Disaster Relief)
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was a telethon in the style of a benefit concert organised in the aftermath of the
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was a benefit concert organised as a tribute to the heroes and survivors of the
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created a poster for the event, which was handed out free to the audience.
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Face to Face with Orchestra and Chorus: A Handbook for Choral Conductors
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over three consecutive nights. It was primarily a comedy gala starring
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concerts. The people who send the message for collective action are
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The enchantment of modern life: attachments, crossings, and ethics
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motivate smaller concerts and other kinds of charity initiatives.
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Finally, the quality of entertainment is key to the creation of a
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August 12–13, 1972 – The Festival of Hope Rockfest took place at
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catalytic philanthropy, they can produce an effect some call
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Moses, Don V.; Demaree, Robert W.; Ohmes, Allen F. (2004).
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Society to benefit crippled children. The performers were:
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personal reflection, personal essay, or argumentative essay
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In chronological order, beginning with the earliest date:
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George Smart and Nineteenth-Century London Concert Life
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that often have a social agenda or fund-raising focus.
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who were victims of the tyrannical reign of dictator
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Shelter from the Storm: A Concert for the Gulf Coast
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A Gift of Song: The Music for UNICEF Concert (1979)
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Comprising two shows on the same day at 2494:"MDA ends Jerry Lewis Labor Day telethon" 2340:. Cambridge, MA: Harvard University Press 2301:"People & the Planet : Homepage" 2019: 2017: 677:. The concert was the idea of impresario 87:Learn how and when to remove this message 2348: 2346: 2191: 2189: 2063:. Boydell & Brewer. pp. 72–73. 1774:Diana, Princess of Wales Tribute Concert 787:The Secret Policeman's Other Ball (1981) 2332: 2330: 2328: 2326: 2324: 2322: 2320: 2007: 2005: 2003: 2001: 1973: 1647:. This list may have some overlap with 1354:July 30, 2003 – 450,000 spectators saw 585:was staged at Her Majesty's Theatre in 1520:12-12-12: The Concert for Sandy Relief 337:to a benefit concert's effectiveness. 2619:Charitable trust / Registered charity 2368:. New York, NY: Open University Press 1918:Michael Forever – The Tribute Concert 1798:United We Stand: What More Can I Give 1640: 1482:held Rockdrive for its third year in 7: 2656:Public-benefit nonprofit corporation 2641:Mutual-benefit nonprofit corporation 2099:. Indiana University Press. p.  1979: 1977: 1696:Concerts for the People of Kampuchea 1312:The Concert for New York City (2001) 188:, and put on annual performances of 1756:The Freddie Mercury Tribute Concert 1496:Los Angeles Unified School District 1277:America: A Tribute to Heroes (2001) 1193:The Freddie Mercury Tribute Concert 1088:and numerous guest artists, of the 1065:September 2 – October 15, 1988 The 1059:Human Rights Now! World Tour (1988) 27:Type of musical benefit performance 2465:Bauder, David (12 December 2012). 2336:Dayan, D., & Katz, E. (1992). 1864:From the Big Apple to the Big Easy 725:secured musical performances from 695:The Secret Policeman's Ball (1979) 373:(1749) and annual performances of 221:, it was organized by and starred 25: 2875:Master of Nonprofit Organizations 2262:(2001), "Ethical energetics", in 2038:from the original on 25 July 2017 1810:Molson Canadian Rocks for Toronto 1334:and produced by a team including 994:US tour of six rock concerts for 984:Conspiracy of Hope US Tour (1986) 894:. Similar concerts were held in 806:The Secret Policeman's Other Ball 755:The Concerts for Kampuchea (1979) 489:. It was sponsored by the Nassau 423:The Concert for Bangladesh (1971) 393:, a children's charity in London. 286:cause. According to a theory, by 2405:"Rock Festivals on Upbeat Again" 2403:Heckman, Don (August 11, 1972). 1069:World tour of rock concerts for 839:Nuclear Disarmament Rally (1982) 475:Festival of Hope Rockfest (1972) 445:, performers included Harrison, 178:purposes. In 1749, the composer 45: 2539:Charitable giving and practices 1684:Aloha from Hawaii via Satellite 1348:The SARS Benefit Concert (2003) 914:September 22, 1985 – The first 635:International Year of the Child 627:United Nations General Assembly 2863:List of charitable foundations 2024:Howell, Caro (13 March 2014). 1852:A Concert for Hurricane Relief 1750:Concert for Democracy in China 1565:, which aired each year every 1436:A Billion Hands Concert (2008) 1084:A live concert performance by 1051:Birmingham Children's Hospital 1: 2646:Non-governmental organization 1985:"A world of charity concerts" 1942:A Concert for Charlottesville 1882:Ahmet Ertegun Tribute Concert 1792:The Concert for New York City 1426:inspired and helped organise 1320:The Concert for New York City 174:of concerts being staged for 1786:America: A Tribute to Heroes 1464:November 2008 Mumbai attacks 1285:America: A Tribute to Heroes 739:The No Nukes concerts (1979) 441:. Conceived and produced by 135:America: A Tribute to Heroes 1672:John Sinclair Freedom Rally 1223:and to raise money for the 803:benefits. The show titled 714:The Secret Policeman's Ball 711:benefits. The show titled 2947: 2816:Charity / thrift / op shop 2692:Charity (Christian virtue) 2366:Key Themes in Media Theory 2305:www.peopleandtheplanet.com 1666:The Concert for Bangladesh 1632: 1534:to benefit the victims of 1324:September 11, 2001 attacks 1289:September 11, 2001 attacks 926:to raise money for family 763:The Concerts for Kampuchea 499:Sly & The Family Stone 431:The Concert for Bangladesh 409:. Its patrons were Kaiser 29: 2740:Animal Charity Evaluators 1635:Category:Benefit concerts 797:staged the fourth of its 370:Foundling Hospital Anthem 185:Foundling Hospital Anthem 2140:. Lulu.com. p. 31. 2057:Carnelley, John (2015). 1818:(2003, 2005, 2007, 2008) 1690:Music for UNICEF Concert 1629:List of benefit concerts 1231:. Among the performers: 1227:, a fund for victims of 705:staged the third of its 601:and others. Produced by 1912:Help for Heroes Concert 1888:A Billion Hands Concert 1762:Pavarotti & Friends 1530:. Proceeds went to the 1452:A Billion Hands Concert 1330:. It was initiated by 1211:) which took place at 1049:to raise money for the 998:. Performers included 800:Secret Policeman's Ball 793:September 9–12, 1981 – 761:December 26–29, 1979 – 708:Secret Policeman's Ball 637:. Performers included 576:Secret Policeman's Ball 385:Staged by the composer 2858:Ethics of philanthropy 2851:Psychological barriers 2651:Nonprofit organization 1822:Tsunami Relief Cardiff 1649:list of free festivals 1532:Robin Hood Relief Fund 1042:concert was held near 990:June 4–15, 1986 – The 918:concert, organised by 659:Earth, Wind & Fire 621:January 9, 1979 – The 387:George Frideric Handel 255:Catalytic Philanthropy 249: 215:Concert For Bangladesh 180:George Frideric Handel 167: 164:Concert For Bangladesh 107: 67:by rewriting it in an 2676:Voluntary association 2671:Religious corporation 2383:World Digital Library 2134:Pieper, Jörg (2009). 1738:Bridge School Benefit 1659:Rock and pop concerts 1524:Madison Square Garden 1283:September 21, 2001 – 1225:Mercury Phoenix Trust 1071:Amnesty International 1038:March 15, 1986 – The 996:Amnesty International 938:. There have been 19 795:Amnesty International 745:September 1979 – The 703:Amnesty International 571:Amnesty International 495:Ike & Tina Turner 435:Madison Square Garden 415:Zita of Bourbon-Parma 240: 219:Madison Square Garden 161: 118:is a type of musical 102: 2821:Click-to-donate site 2685:Charity and religion 2454:on October 30, 2012. 2364:Laughey, D. (2007). 2168:Pomerantz, Dorothy. 1948:Fire Fight Australia 1804:Thrash of the Titans 1768:Music for Montserrat 1732:A Conspiracy of Hope 1624:the following week). 1545:MDA Show of Strength 1518:December 12, 2012 – 1478:December 11, 2010 – 1372:SARS Benefit Concert 1163:, along with actors 1032:Heart Beat 86 (1986) 1020:the Neville Brothers 942:concerts as of 2007. 874:July 13, 1985 – The 749:concerts in New York 411:Charles I of Austria 294:a political issue". 196:Ludwig van Beethoven 1960:Concert for Ukraine 1954:Global Citizen Live 1930:One Love Manchester 1577:One Love Manchester 1472:Rockdrive (ongoing) 1442:December 5, 2008 – 1318:October 20, 2001 – 954:May 17, 1986 – The 936:Champaign, Illinois 701:June 27–30, 1979 – 407:Konzerthaus, Vienna 124:humanitarian crisis 120:benefit performance 2846:Effective altruism 2831:Donor-advised fund 2796:Alternative giving 2775:Giving What We Can 2750:Charity assessment 2727:Charity evaluation 2563:Charity (practice) 2409:The New York Times 2227:Music and politics 1924:Stand Up To Cancer 1906:Hope for Haiti Now 1716:(annual from 1985) 1704:(annual from 1982) 1356:The Rolling Stones 1299:by the four major 1293:World Trade Center 1141:Marianne Faithfull 992:Conspiracy of Hope 667:Kris Kristofferson 651:Olivia Newton-John 569:April 1–3, 1976 – 503:Jefferson Airplane 487:Westbury, New York 391:Foundling Hospital 389:in support of the 250: 170:Examples exist in 168: 108: 69:encyclopedic style 56:is written like a 2918: 2917: 2890:Visiting the sick 2755:Charity Navigator 2735:Aid effectiveness 2666:Social enterprise 2588:Humanity (virtue) 1870:Concert for Diana 1702:Party in the Park 1416:Live Earth (2007) 1191:April 20, 1992 – 1067:Human Rights Now! 856:Bruce Springsteen 769:, benefiting the 767:Hammersmith Odeon 765:were held at the 599:Beyond The Fringe 582:A Poke in the Eye 547:Elephant's Memory 483:Roosevelt Raceway 429:August 1, 1971 – 233:Celebrity charity 97: 96: 89: 16:(Redirected from 2938: 2931:Benefit concerts 2910:Warm-glow giving 2905:Wall of kindness 2895:Voluntary sector 2532: 2525: 2518: 2509: 2502: 2501: 2490: 2484: 2483: 2481: 2479: 2462: 2456: 2455: 2450:. 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2607:Types of 2498:USA Today 1567:Labor Day 1500:Nashville 1404:Midge Ure 1306:networks. 1241:Metallica 1205:Brian May 1173:Tim Curry 1145:Scorpions 1008:Joan Baez 884:Midge Ure 819:Jeff Beck 647:Andy Gibb 535:Bo Diddly 519:Sha-na-na 451:Bob Dylan 379:(1749–59) 335:essential 267:Geldofism 2925:Category 2885:Telethon 2770:GiveWell 2707:Tzedakah 2573:Donation 2558:Altruism 2247:effects. 2214:269–285. 2036:Archived 1726:Self Aid 1714:Farm Aid 1708:Live Aid 1678:Wattstax 1562:Telethon 1328:New York 1121:the Band 1095:The Wall 1012:Lou Reed 956:Self Aid 940:Farm Aid 916:Farm Aid 876:Live Aid 775:Cambodia 771:citizens 747:No Nukes 683:Bee Gees 643:Bee Gees 527:Dr. Hook 246:Live Aid 202:Akademie 143:Farm Aid 139:Live Aid 2712:Sadaqah 2629:Private 2578:Empathy 2266:(ed.), 2153:27 July 2116:27 July 2076:27 July 2042:25 July 1828:WaveAid 1593:at the 1490:at the 1424:Al Gore 1291:on the 1253:Extreme 1047:England 964:Ireland 930:in the 928:farmers 827:Donovan 779:Pol Pot 376:Messiah 204:concert 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Index

Benefit show
Evita (musical)
personal reflection, personal essay, or argumentative essay
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Live 8
benefit performance
humanitarian crisis
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America: A Tribute to Heroes
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Concert For Bangladesh
musical history
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George Frideric Handel
Foundling Hospital Anthem
Messiah
Ludwig van Beethoven
1808 Akademie concert
modern era
Concert For Bangladesh
Madison Square Garden
George Harrison
Ravi Shankar

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