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in 1766, and went on win prizes for "pattern drawing" in 1769 and 1770. He worked as an engraver, initially from Great
Britain Street, and from 1807, 1 Ryder's Row. His work was primarily book illustrations. Examples of his work can be found in
147:. He also etched political and other caricatures including "The City Fox running away with the Farmer's Goose". Clayton also engraved mathematical instruments and clocks, as well as the seal of the Corporation of the Borough of
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in 1794 to 1795. In 1796, he engraved "View of
Loughlinstown Camp" and "A View of Sarah Bridge" after J. H. Campbell for John Ferrar's
131:, who all became engravers. He married a second time in 1812, to his servant maid, Mary Woods. He died at Ryder's Row in 1814.
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around 1754. His father was a clock-maker. Clayton was married twice. He had 3 sons with his first wife,
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170:"The "Dictionary of Irish Biography" and the Eighteenth Century"
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107:(circa 1754 – 1814) was an Irish wood engraver.
174:Eighteenth-Century Ireland / Iris an dá chultúr
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223:. Dublin: Maunsel & company, limited
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141:The Sentimental and Masonic Magazine
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115:Benjamin Clayton I was born in
217:Strickland, Walter G. (1913).
168:Davies, G. L. Herries (1987).
1:
220:A Dictionary of Irish Artists
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269:Artists from Dublin (city)
96:Ellen Creathorne Clayton
136:Dublin Society Schools
98:(great-granddaughter)
259:Irish wood engravers
134:Clayton entered the
86:Benjamin Clayton III
76:Benjamin Clayton II
53:Ryder's Row, Dublin
105:Benjamin Clayton I
25:Benjamin Clayton I
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50:(aged 59–60)
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145:View of Dublin
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81:Robert Clayton
71:Samuel Clayton
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249:1750s births
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48:(1814-00-00)
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16:Irish artist
254:1814 deaths
149:Baltinglass
59:Nationality
243:Categories
227:6 December
199:6 December
155:References
88:(grandson)
34:circa 1754
186:0790-7915
151:in 1800.
194:30070851
125:Benjamin
180:: 221.
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129:Robert
127:, and
121:Samuel
117:Dublin
67:Family
190:JSTOR
83:(son)
78:(son)
73:(son)
62:Irish
229:2021
201:2021
182:ISSN
111:Life
46:1814
43:Died
31:Born
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209:^
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