Knowledge (XXG)

Benjamin Leroy Wigfall

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462:-funded community arts center. Called the New Place, it was described as a “media exploration and communications center” that offered music, photography, art, dance, theater and other programs for children and adults. Wigfall, the co-director, came up with the idea for "audiographic prints," which were created by transferring interviews with community people to tapes and "typographical prints" for viewing simultaneously. 309:
Symbols,” “Boats” and “Urban.” In 1953, he had a one-man show at the museum. In 1954, three of his works – “Mourners,” “Crucifixion” and “The Beast” – were shown. In 1955, “Mourners” was one of 30 pieces chosen for the Tidewater Artists Open Annual. In 1956, the museum hung a Wigfall abstract in a furnished room in an exhibit titled “March for Moderns,” which combined
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in 2023. The exhibit consisted of his early paintings, assemblages, collages and prints, as well as his audiographic works. There were also prints created by artists and students/community people at Communications Village, and artworks by various artists. On its third stop, the exhibit traveled to the Mary M. Torggler Fine Arts Center at
541:, Diane Hunt, Pat Jow, Mary Lou Morgan and Joe Ramos. That same year, he held a show of drawings, paintings, prints and photographs from a six-week Children's Workshop. It was headed by his wife Mary, a retired public school art teacher who was employed in a migrant child-care program, and photographer Rose Tripoli. 446:
meetings, and was among the faculty and students involved in creating the Black Studies Department in 1969, one of the earliest in the country. He remained at the school for nearly 30 years, retiring in 1991 and devoting his time to his gallery. The school set up an MFA printmaking scholarship in his
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Wigfall did not often exhibit or promote his own works. He included some pieces occasionally in shows at Communications Village, including a 1977 exhibit of prints. As a result of his choice of teaching over exhibiting, he became an overlooked artist. In 1971 when Hampton presented a one-man show of
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A year later, the Virginia Museum purchased his tempera painting “Corrosion and Blue” during “American Painting 1958,” its quadrennial exhibition of the best talents in contemporary American art. Wigfall mixed mud in the paint to give it non-color, he told an interviewer in 2003. Wigfall “achieves a
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Considered a “gifted young artist,” he had a long history with the Virginia Museum. When he was a sophomore at Hampton in 1951, the museum bought his abstract oil painting “Chimneys” during its biennial exhibition “Virginia Artists 1951.” At age 20, Wigfall was the youngest of the five artists whose
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An assistant state art supervisor whom he met at the museum encouraged him to apply for a museum fellowship. He submitted an application along with the drawing of the house in Church Hill, titled “The House on 30th Street.” In 1949, he received the first of three fellowships. When he arrived to pick
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Back where he started, Wigfall was featured in his first retrospective in a collaborative exhibit by the Virginia Museum of Fine Arts and the Samuel Dorsky Museum of Art at SUNY New Paltz. Titled "Ben Wigfall and Communications Village,” its first stop was in New Paltz in 2022, followed by Virginia
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in Ponckhockie, a Black working-class neighborhood in Kingston. He bought the building with a plan to convert it into his print shop. When he started working on it, young people kept stopping by to help. So, he expanded his idea to instead turn the building into a community print shop. He chose the
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Wigfall the teacher supplanted him as an artist. He was described as a "gifted" teacher and mentor who was generous with his time for both students and other artists. Wigfall returned to Hampton as an assistant professor of art in 1955. He taught painting, basic design, graphics and introduction to
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held an exhibit of 31 nationally known artists, nine of whom had graduated or taught at the college. Titled “Hampton’s Collections and Connections: Part One, Returning Home to Hampton,” it included Wigfall; Reuben V. Burrell, the school's photographer for 40 years; Joseph Gilliard; sculptor Persis
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from his own collection, and exhibitions of works by national and international contemporary artists. He held solo and group exhibits in the 1990s and into the 2000s, and sold African art. The gallery reopened in 2006 after having closed three years earlier. It was in operation for about 20 years.
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In 1977, Wigfall took his community involvement one step farther. He was among a group of Black protesters who confronted the Kingston police chief about what they considered the department's slow pace in finding the murderer of a 12-year-old boy. Wigfall, spokesman for the group, noted that the
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In 2003, the Virginia Museum mounted an exhibit of 33 of the 60 works in its collection by African American artists, including Wigfall. Titled “Generations,” his “Chimneys” was among the group. The curator did not recognize his name, conducted some research, and discovered that he was local and
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1952-1959 – At Norfolk Museum in 1952, among Hampton students and staff - including Albert Kresch, Joseph W. Gilliard, Louis Rosenfeld - who submitted paintings, ceramics, creative photography and sculptures. Wigfall submitted what were described as semi-abstracts: “Wounded Beasts,” Carnivorous
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In 2024, Wigfall's work as a photographer was exhibited along with those of his protege Sharon VanDyke at two sites in the city of Kingston. The exhibits featured slides from photos shot by Wigfall and VanDyke as they wandered the city in the 1970s photographing its African American citizens.
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based on those interviews. They were part of his “audiographic” practice of interviewing ordinary people as way to preserve history and build community. His series “Things My Father Told Me” consisted of transcribed text on the effects of slavery on family histories. He was tapped to speak on
245:, Wigfall was accosted by police officers, grabbed by the collar, and accused of trying to steal a handbag and wallet the day before. He denied the accusation. He was arrested on a vagrancy charge and taken to jail. Insisting on going to trial, Wigfall enlisted local civil rights attorney 31: 552:
and the America the Beautiful Fund to train printer assistants to produce a portfolio of works featuring local people. The first edition was produced in 1976 and shown in an exhibit there. The portfolio included works by professional artists assisted by the printer assistants.
233:. Usually, the stacks were busily billowing smoke but at that time of day, they were quiet and serene, he told an interviewer in 2003. “Things are abstract but at the same time quite real,” he explained once, noting that there was “nobility in something very common.” 320:
1952 – One of 20 students picked by Hampton Student Council to represent the college in the 1952-1953 edition of Who's Who Among Students in American Universities and Colleges. He was included in a newspaper photo of the students, standing in the second row.
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Wigfall remained at Hampton until 1963, when he took a position at the State University of New York (SUNY) New Paltz. He was the school's first Black professor of art, teaching classes in printmaking, and one of the first Black professors. He attended
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In a visiting-artists program, professional artists – many of whom were colleagues and friends from New Paltz to New York, as well as his students – came to print their own works with the assistance of local printer assistants. Among the artists were
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over several years, Wigfall persuaded the principal to hire an art teacher, who did not arrive until the spring of his senior year. Teacher Stafford W. Evans took him to the Virginia Museum, and then signed him up for classes. Wigfall's interest was
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painting “Moonwake.” Riding a bus one day, he noticed on the window some reflections of windows from a building. He then understood Feininger's painting and discovered abstraction. By the time he was 30, he completely gave up figurative art.
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and Norman Lewis as a place for Black artists to exhibit and feed off each other's talent. Titled “Creating Community, Cinque Gallery Artists,” Wigfall was named along with the country's foremost artists associated with the gallery.
650:, NY, to participate in the first professional invitational printmakers show sponsored by the Dutchess County Art Association in Poughkeepsie. In 1990, he was a judge in the Dutchess County Arts Council second annual armory exhibit. 408:
1958 - Commissioned to design the 10th annual Christmas card for the Virginia Museum. The design is part of the museum's permanent collection. It was included in a display titled “Designs for Christmas” in the museum lobby in 1964.
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of the time. In 1957 while teaching at Hampton, he and student Paul Dusenburg went shopping at two department stores in Richmond, according to an article in the college newspaper Hampton Spirit. After they left the second store,
342:” magazine under the title “New Talent in America.” Works by the artists were exhibited at Jackson Gallery in New York and were part of the American Federation of Artists traveling exhibit in 1956. Wigfall described his work as 260:
in Hampton chose Wigfall's painting “Kites” to hang in a room in its library. It was the first painting picked by Langley in a program to provide space for works by local artists and authors. The work was on loan from Hampton.
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was speaker, he was big news: One article noted that the exhibition “has received added interest” because of the recent purchase of Wigfall's “Chimneys.” In 1953, his submission to the commencement show was the mural project.
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Wigfall's works could be found sporadically in exhibits during the 1960s and 1970s. In 1963, he was among four faculty members, including painter Lorraine Bolton, in a show at Hampton. In 1976, he was shown at Gallery One in
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in New Orleans included him in a group show titled “Knowing Who We Are.” The pieces were pulled largely from the museum's collection. Wigfall was among a category of artists whose works showed a sense of place.
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He opened Communications Village in 1973 as a place where community people took classes, absorbed lectures from major national artists, and learned and executed printmaking. They also participated in
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painter, printmaker, teacher, gallery owner, and collector of African art. He was the founder of a community art space called Communications Village as a hub for residents in a Black neighborhood in
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1956 - Included in the book "American Painting Today: A Cross-Section of Our Contemporary Art," edited by Nathaniel Pousette-Dart. Wigfall's painting "Chimneys" was reproduced in the book.
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1951 – “Chimneys” mounted in an exhibit at the Virginia Museum. Works by three of Hampton's faculty were also shown: Joseph W. Gilliard, Louis Rosenfeld and painter Helen Kendall.
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Wigfall was known for his extensive African art collection, which he exhibited at Watermark/Cargo Gallery. In 1975, he organized an art show of textiles by the Design Works of
249:. At trial, the charge was shoplifting and not vagrancy, and it was dropped. When the incident occurred, “Chimneys” was on display in the Miller & Rhoads store window. 673:
In 2018, Wired Gallery in High Falls, NY, mounted an exhibit titled "The Golden Age of New Paltz," celebrating artists from the 1960s and beyond. Wigfall was one of them.
276:. It consisted of five full-size panels titled “Disturbance of Temptation,” “The Decision,” “The Kiss,” “Remorse,” “Consequence and Self-Punishment.” That same year, the 132:. When he was a teenager, his father found a nude drawing he had made. Wigfall was worried that his father would be upset, but he was happy to see the talent in his son. 317:
and art in a contemporary home design. In 1959, he was among art faculty at Virginia colleges who splattered paint on canvases in a show titled "Fresh Paint Exhibit."
581:, a newspaper writer noted that this “first-rate printmaker” had been teaching in New York for a long time and few people in Richmond were familiar with his works. 3987: 795: 164:(now university) and was president of the Art Club for two years. He was surrounded by a faculty of established artists. His instructors included abstract artist 556:
Wigfall also amassed a collection of tape recordings on his life, the life experiences of Black people he met, along with the progress of the village. He made
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art. He worked alongside some notable local and national artists, including Louis Rosenfeld, Joseph Gilliard, and painters John Koos and Friedrich Gronstedt.
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1955 - Named one of the 35 best painters in America by directors of 10 of the country's leading museums. The announcement appeared in the February issue of “
172:, chair of the art department who was a noted artist and president of the Virginia Art Alliance; ceramicist Joseph W. Gilliard and sculptor Louis Rosenfeld. 253:
strange effect of a different sort … in which streaks of orange and blue glow like live coals in a thick enveloping web of brown ashes,” a reviewer stated.
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In 2019, the Midtown Arts District in Kingston held an exhibit focused on Wigfall's Watermark/Cargo Gallery. Titled “Ben Wigfall: the Artist Revealed,
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A gallery was added several years later. In a 1977 exhibit at the site, Wigfall showed his works as well as those of such artists as Benny Andrews,
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Wigfall received fellowships in 1949–50, 1951–52 and 1952–53, the third routed through the museum from an anonymous donor. He enrolled at
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Benjamin Leroy Wigfall was born on November 17, 1930, to James Andrews Wigfall and Willie Cozenia Johnson Wigfall. He grew up in the
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in Brooklyn, NY, at the New Paltz College Art Gallery. Since 1970, the company had used African motifs in its fabrics and costumes.
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1956 – Included in a group show of Hampton faculty members, including painters Peter Kahn and John Koos, at the Norfolk Division of
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During the 1950s, Wigfall participated in several other exhibitions, including faculty art shows, and activities. Among them:
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Wigfall died on Feb. 9, 2017, a week after the Virginia Museum hosted the first of two lectures on his life and work.
451: 375: 118: 117:. His mother worked in a tobacco factory, cleaned houses, and was a beautician. His father was a firefighter for the 3644: 364: 299: 3862:"VMFA Acquires Two Comprehensive Collections of Works by Virginia Artists Benjamin Wigfall and Willie Anne Wright" 2594: 833: 654: 515: 350: 183:(who later became Virginia's governor) crashed a party. He and Carter got married in 1955 and had two children. 815: 561:"cultural excavation" during a festival by the Urban Center for Africana Affairs in Poughkeepsie, NY, in 1981. 402: 397:
1958 - Loaned to the Virginia Museum's “American Artists 1958” exhibition a painting titled “Without Black” by
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up the fellowship, museum workers thought he was part of the service staff and sent him to another entrance.
612: 538: 280:(now the Chrysler Museum of Art) held a one-man show of his works, with Wigfall described by one writer as “ 729:
Virginia Highlands Festival of Arts, Crafts and Antiques, Abingdon (Virginia Museum traveling show), 1951
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atop industrial buildings that Wigfall saw at dusk as he often crossed the Marshall Street viaduct over
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works were chosen. The painting, purchased for $ 90, was part of the museum's national traveling show.
198:- and found a mentor in abstract artist/teacher Gabor Peterchi – and the Yale-Norfolk Summer School in 3982: 3957: 3952: 3758: 2794:"Professor Ben Wigfall Memorial Printmaking Scholarship at State University of New York at New Paltz" 459: 199: 179:
and graduated in 1953. He met his wife Mary Carter, an art student at the school, when he and friend
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name Communications Village as a way for artists to communicate with the world in which they lived.
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and later becoming observant of his neighborhood, including a house on 30th Street that he drew in
30: 1558:"'Generations' of art': Virginia Museum gathers its works by African-American artists for exhibit" 1115: 3247: 732: 281: 191: 161: 114: 90: 242: 3734:"Calendar: Kingston Center of SUNY Ulster - "Restoring Pride in Culture: Legacy and Tradition"" 3638: 169: 2769: 93:. At the age of 20, he was the youngest artist ever to have a painting purchased by the 931: 632: 628: 591:
His work was featured in a group show of 20 Black artists in 1978 at Spectrum IV Gallery in
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the show featured artifacts from his African art collection, and his prints and paintings.
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1951 – Only Virginia artist represented in the Contemporary American Art Exhibition at the
3708: 3658: 2896:"In the Neighborhood: Benjamin Wigfall and Whitfield Lovell share space and place at VMFA" 1026: 688: 659: 624: 600: 332: 314: 195: 124:
Wigfall started drawing while a student at George Mason Elementary School, first creating
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1958 - Among 50 artists from the South Atlantic states in a show at Gibbs Art Gallery in
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After arriving to teach in New Paltz, Wigfall began looking around for a space for his
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In 1972, Wigfall took a teaching job as an associate professor of fine arts at the
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1951 & 1953 - Annual art exhibitions at Hampton’s commencements. In 1951, when
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in Newport News, VA, where it was held in conjunction with Hampton University.
3936: 3733: 3571: 3546: 3521:"Art column: Hampton University Museum - "Benjamin A. Wigfall – A Homecoming"" 3520: 3472: 3447: 3422: 3172: 3147: 3071: 3019: 2490: 2388: 2363: 2338: 2290: 2250: 2225: 2152: 2100: 2074: 1960: 1930: 1902: 1854: 1801: 1776: 1661: 1636: 1585: 1528: 1500: 1385: 1347: 1321: 1289: 1226: 1194: 1087: 774:
Jewish Community Center of Newport News (Virginia Museum traveling show), 1966
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community wasn't looking for trouble but for a change in the city's attitude.
284:’s national ‘find.’” Among his entries were drawings and plans for the mural. 3197: 3121: 3096: 3045: 2994: 2969: 2944: 2919: 2869: 2843: 2818: 2543: 2440: 2414: 2177: 2126: 2049: 1686: 1557: 1475: 1447: 1417: 1254: 1169: 1139: 494:, driving lessons, fence-building and cooking. He taught them how to use the 3473:"Etchings by Wigfall: Clark Gallery Stages Exhibit Of Modern-Day Art Trends" 3347: 1290:"Mural of 'Christ and Judas': Benjamin Wigfall's Art Shows Tragic Intensity" 595:. He was listed among the country's top African American artists, including 424:
In 1988, Wigfall opened Watermark/Cargo Gallery in Kingston, which featured
202:. With another fellowship in hand in 1958, he returned to Yale and earned a 984:"When an artist becomes a community: The life and work of Benjamin Wigfall" 2441:"You Have To Be 'A Little Bit Crazy' to Venture Into Art Gallery Business" 1348:"Hampton Institute Students and Staff Show Vivid and Provocative Art Here" 499: 387: 383: 141: 1610:"A PLAYGROUND TRAGEDY:: Tot Chokes to Death on Balloon; 4 Kids Heroes". 502:. He gave them money so they could shoot photos with a Polaroid camera. 328:
at Hampton - an award given for purchase of his artwork by the college.
3759:"Past, Present & Future: A Black History Month Kingston Exhibition" 578: 557: 226: 125: 3620:"Fifteen Under Forty: Paintings by Young New York State Black Artists" 2127:"Stimulating, Provocative Paintings By Artists of New South Are Shown" 487: 471: 3374:"Through the Lens of Sharon VanDyke exhibit at Good Work Institute" 325: 269: 265: 2718:""Ben Wigfall & Communication Village," Opens at the Dorsky" 2277:
American Painting Today: A Cross-Section of Our Contemporary Art
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Yale University Graphics Department (one-man show), (circa 1954)
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after graduation. In  1954, he was awarded fellowships to
2101:"Tidewater Artists: Strong, Vivid Art Exhibited At the Museum" 638:
In 1979, he was one of 21 printmakers from Mid-Hudson Valley,
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Being a talented young artist did not shield Wigfall from the
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National Rehabilitation Service Exhibition, Washington, 1950s
1722:"Lecture on native artist Benjamin Wigfall set for April 28" 2970:"Prints Portfolios Etching Ponchkokie Area and Its People" 2279:. Hastings House. pp. 40–42 – via Google Books. 1961:"Ukrainian, 2 Virginia Artists To Exhibit In Williamsburg" 1580: 1578: 771:
Hampton Institute (University) Museum, 1993 (one-man show)
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away from the college and his home. He found an abandoned
2624:"Ben Wigfall remembered as African-American arts pioneer" 2178:"20 Institute students Win Places In College Who's Who" 2945:"Children's Art Exhibit Set At Communications Village" 2002:"Afro-American Artists: A Bio-bibliographic Directory" 1586:"Artists of State to Display Original Art at Abingdon" 3784:"1st Saturday Kingston, March 7, 2020, Gallery Guide" 1855:"Painting chosen for Langley Library (photo caption)" 3324:"Beyond the Canvas: New exhibitions at the Torggler" 3398:"Knowing Who We Are: A 20TH Anniversary Exhibition" 2568:"Thirteen New Members On Faculty At Hampton Inst". 72: 56: 37: 21: 3020:"Urban Center for Africana Affairs plans festival" 3596:"New Art Interest Group Focuses On Black Works". 2595:"Welcome to Ben Wigfall's Communications Village" 1448:"Hampton Graduate Wins Top Recognition As Artist" 1418:"Benjamin Wigfall To Give Exhibit At Arts Museum" 768:Twentieth Century Gallery, Williamsburg, VA, 1963 687:, founded in 1969 in New York by Romare Bearden, 3097:"African Art As Inspiration For Textile Designs" 2075:"Panel Sketches for Mural Shown at Local Museum" 3298:"Benjamin Wigfall & Communications Village" 2995:"Special Art Showing at Communications Village" 2687:"Benjamin Wigfall & Communications Village" 2251:"State College Division Shows Contemporary Art" 2050:"Catapulted fresh paint framed on museum walls" 1116:"Virginia Museum Fellowship: Wigfall, Benjamin" 635:, Betty Blayton, John Wilson and Wendy Wilson. 214:Wigfall was an abstract artist whose forte was 121:. Benjamin was the youngest of three children. 3348:"The Village Revealed: Two Lenses, One Vision" 1831:"Hi Art Show Features Faculty Members' Work". 1777:"Six Virginians' Works In National Exhibition" 796:Schomburg Center for Research in Black Culture 3709:"Art in Print: A Tribute to Robert Blackburn" 3273:"Benjamin Wigfall and Communications Village" 2226:"Hampton artist included in U.S. Talent Show" 544:Communications Village received funding from 8: 3248:"Creating Community. Cinque Gallery Artists" 3198:"Artists return home to Hampton for exhibit" 2819:"The New Place: New Outlooks Are Its Output" 3937:Benjamin Wigfall and Communications Village 1802:"Work of 2 Va. Artists Purchased by Museum" 1501:"S.U.I. Receives $ 20,000 in Gifts, Grants" 683:In 2021, he was in a group show focused on 2153:"Among the Exhibitions: March for Moderns" 2025:"Course In Art Is Taught By Mr. Wigfall". 1931:"Hampton Art Student's Work at Va. Museum" 1903:"HI To Sponsor Commencement 4-Day Exhibit" 1551: 1549: 1052:"The House on 30th Street (Primary Title)" 401:of the Allen R. Hite Art Institute at the 374:1958 – Chosen to participate in the first 331:1955 - One of 85 artists selected for the 29: 18: 1027:"The Life & Work of Benjamin Wigfall" 741:(work on loan from Virginia Museum), 1952 735:(work on loan from Virginia Museum), 1952 3572:"College Arts Festival To Open Thursday" 3148:"Professional printmakers' show to open" 357:and Virginia State is now university.) 264:In 1953, Wigfall created sketches for a 2764: 2762: 2711: 2709: 2707: 2681: 2679: 2677: 2675: 2673: 2647: 2645: 2643: 2617: 2615: 2513: 2511: 1995: 1993: 1991: 1989: 1987: 1985: 1983: 1981: 1925: 1923: 1826: 1824: 1822: 1820: 1818: 1745: 1743: 1741: 1631: 1629: 1523: 1521: 1470: 1468: 1442: 1440: 1438: 1412: 1410: 1408: 1406: 1380: 1378: 1376: 1374: 1372: 1370: 1368: 1316: 1314: 1312: 1310: 1249: 1247: 1088:"Artist Benjamin L. Wigfall dies at 86" 849: 747:Clark Gallery, Richmond, VA, 1955, 1956 666:, both of whom studied under Gilliard. 3636: 2589: 2587: 2544:"Letter to Editor: Our Readers' Views" 1955: 1953: 1951: 1715: 1713: 1711: 1709: 1707: 1662:"Museum Adds Valued Items During 1951" 1283: 1281: 1279: 1277: 1275: 1221: 1219: 1217: 1215: 1170:"Student Art To Be Shown At Institute" 1164: 1162: 1160: 1021: 1019: 1017: 1015: 1013: 1011: 1009: 1007: 1005: 1003: 977: 975: 973: 971: 855: 853: 3988:20th-century African-American artists 3911:"Composition, by Benjamin L. Wigfall" 2870:"A chance to learn, to feel relevant" 2339:"3 Hampton Artists Will Display Work" 2151:Taylor, Bertha Fanning (1956-03-11). 2125:Taylor, Bertha Fanning (1954-08-01). 2099:Taylor, Bertha Fanning (1955-06-05). 1346:Fanning Taylor, Bertha (1952-04-13). 1322:"HI Faculty Man Honored For Art Work" 1288:Fanning Taylor, Bertha (1953-07-26). 1140:"Five Artists Given Awards By Museum" 1081: 1079: 1077: 1075: 1073: 1071: 969: 967: 965: 963: 961: 959: 957: 955: 953: 951: 926: 924: 922: 895: 893: 891: 889: 887: 885: 883: 881: 753:, Sweetbriar, VA (one-man show), 1957 7: 1752:"Remembering a Richmond-Born Artist" 1529:"Hampton Prof. Gets Yale Fellowship" 1476:"Education Notes: Hampton Institute" 1110: 1108: 3816:Daily News Record, Harrisonburg, VA 3497:"British disbar W. Indian lawyer". 2291:"One-Man Show Set By HI Instructor" 900:Hawkins Adams, Stacy (2005-02-14). 792:Pennsylvania State University, 1978 278:Norfolk Museum of Arts and Sciences 2920:"Community Notebook: Art Exhibits" 2844:"New Place Called Most Successful" 2572:. 24 September 1955. p. A18. 2519:"Ben Wigfall: The Artist Revealed" 2491:"Art gallery reopens near Artemis" 2364:"Paintings Chosen For 1st Exhibit" 603:, Robert Blackburn, Vivian Brown, 546:New York State Council on the Arts 417:, owned by a fellow instructor at 14: 3659:"Twenty Contemporary Printmakers" 2415:"Art in Virginia: here and there" 2295:The Daily Press, Newport News, VA 2275:Pousette-Dart, Nathaniel (1956). 1227:"Exhibit Features 30 Art Designs" 778:Elizabeth City (NC) State College 3740:. via newspapers.com. 2018-04-27 3527:. via newspapers.com. 1993-09-05 3479:. via newspapers.com. 1955-11-20 3454:. via newspapers.com. 1956-01-22 3429:. via newspapers.com. 1952-10-26 3204:. via newspapers.com. 1987-09-27 3179:. via newspapers.com. 1990-08-17 3128:. via newspapers.com. 1978-05-17 3103:. via newspapers.com. 1975-02-09 3026:. via newspapers.com. 1981-01-30 2976:. via newspapers.com. 1974-08-25 2951:. via newspapers.com. 1977-02-24 2926:. via newspapers.com. 1977-01-02 2850:. via newspapers.com. 1972-04-27 2550:. via newspapers.com. 1961-03-27 2497:. via newspapers.com. 2006-12-22 2395:. via newspapers.com. 1958-04-27 2370:. via newspapers.com. 1958-06-22 2345:. via newspapers.com. 1958-05-18 2315:"Hampton Artist In 1-Man Show". 2257:. via newspapers.com. 1956-11-30 2232:. via newspapers.com. 1956-06-01 2184:. via newspapers.com. 1952-11-23 2081:. via newspapers.com. 1953-07-07 1967:. via newspapers.com. 1963-03-03 1937:. via newspapers.com. 1951-06-03 1909:. via newspapers.com. 1954-05-27 1861:. via newspapers.com. 1951-11-11 1804:. via newspapers.com. 1958-04-19 1693:. via newspapers.com. 1951-04-19 1668:. via newspapers.com. 1951-12-23 1643:. via newspapers.com. 1952-04-16 1637:"Exhibit to open at Bridgewater" 1592:. via newspapers.com. 1951-08-19 1535:. via newspapers.com. 1958-08-02 1507:. via newspapers.com. 1953-11-28 1482:. via newspapers.com. 1955-04-23 1454:. via newspapers.com. 1955-04-15 1424:. via newspapers.com. 1953-06-10 1392:. via newspapers.com. 1953-07-23 1386:"Instructor Gets Art Fellowship" 1328:. via newspapers.com. 1955-11-06 1261:. via newspapers.com. 1952-04-13 1233:. via newspapers.com. 1953-06-02 1201:. via newspapers.com. 1952-05-30 1176:. via newspapers.com. 1951-05-27 1146:. via newspapers.com. 1951-06-10 1056:Virginia Museum of the Fine Arts 783:Lever House, New York City, 1969 458:so he could work with a federal 3372:Barricklo, Tania (2024-02-02). 3001:. via newspaper.com. 1976-12-29 2868:Mossman, Margery (1977-01-02). 2413:Longaker, Jon D. (1958-11-09). 2393:Courier-Journal, Louisville, KY 1775:Longaker, Jon D. (1958-03-30). 1720:Rodriguez, Holly (2017-04-21). 1199:Portsmouth Star, Portsmouth, VA 1086:Calos, Katherine (2017-02-11). 982:Fendrich, Laurie (2022-10-20). 814:Duke Hall Gallery of Fine Art, 787:Saratoga Performing Arts Center 3968:20th-century American painters 3963:Abstract expressionist artists 3576:News and Observer, Raleigh, NC 3328:Christopher Newport University 3072:"Print, Etching Shows Impress" 3044:Borsellino, Rob (1977-05-12). 2817:Benbow, Charles (1972-02-03). 2774:New Paltz, The Alumni Magazine 2523:Kingston Midtown Arts District 744:State University of Iowa, 1954 698:Christopher Newport University 1: 3525:Daily Press, Newport News, VA 3423:"State Artists to Show Works" 3223:"The Golden Age of New Paltz" 3202:Daily Press, Newport News, VA 3146:Borak, Jeffrey (1979-02-02). 2548:Daily Press, Newport News, VA 2439:Borak, Jeffrey (1976-05-16). 2343:Daily Press, Newport News, VA 2182:Daily Press, Newport News, VA 1965:Daily Press, Newport News, VA 1907:Daily Press, Newport News, VA 1859:Daily Press, Newport News, VA 1835:. 16 March 1963. p. A4. 1390:Daily Press, Newport News, VA 1326:Daily Press, Newport News, VA 1259:Daily Press, Newport News, VA 1174:Daily Press, Newport News, VA 865:Copeland-Hammerl Funeral Home 225:The painting was inspired by 76:Painter, printmaker, educator 3973:Virginia Museum of Fine Arts 3545:Cossitt, F.D. (1964-12-27). 3402:Odgen Museum of Southern Art 3378:Daily Freeman (Kingston, NY) 3322:McGee, Kelley (2023-11-17). 3302:The Dorsky at SUNY New Paltz 3277:Virginia Museum of Fine Arts 3070:Cossitt, F.D. (1871-02-21). 3046:"Group protests Mosley case" 2924:Daily Freeman (Kingston, NY) 2894:Harrison, Don (2023-06-13). 2874:Kingston (NY) Sunday Freeman 2657:Virginia Museum of Fine Arts 2470:Daily Freeman (Kingston, NY) 2319:. 25 March 1957. p. 7. 2048:Dillon, Betty (1959-03-16). 2029:. 3 March 1956. p. A3. 1750:Baxter, Paige (2017-06-14). 936:Virginia Museum of Fine Arts 829:Virginia Museum of Fine Arts 709:Ogden Museum of Southern Art 95:Virginia Museum of Fine Arts 85:(1930–2017) was an American 3915:Yale University Art Gallery 2999:Daily Freeman, Kingston, VA 2974:Daily Freeman, Kingston, VA 2949:Daily Freeman, Kingston, VA 2304:– via newspapers.com. 2000:Cederholm, Theresa (1973). 1556:Proctor, Roy (2003-07-20). 1195:"Commencement Begins At HI" 839:Yale University Art Gallery 452:University of South Florida 119:Chesapeake and Ohio Railway 4004: 2622:Woods, Lynn (2017-02-24). 751:Sweetbriar Women's College 300:Metropolitan Museum of Art 16:American artist (1930-2017 3978:Hampton University people 3738:Poughkeepsie (NY) Journal 3684:"Tribute to a Printmaker" 3177:Poughkeepsie (NY) Journal 3152:Poughkeepsie (NY) Journal 3024:Poughkeepsie (NY) Journal 2495:Poughkeepsie (NY) Journal 2445:Poughkeepsie (NY) Journal 2230:The Call, Kansas City, MO 1641:Staunton (VA) News-Leader 1255:"HI Exhibit Of Art Opens" 834:Hampton University Museum 655:Hampton University Museum 190:fellowship to attend the 28: 3841:James Madison University 902:"Benjamin Leroy Wigfall" 816:James Madison University 739:Bridgewater (VA) College 615:, Mohammed Omer Khalil, 403:University of Louisville 355:Norfolk State University 101:Early life and education 3626:. 1970. 26 January 2008 3598:New York Amsterdam News 3551:Richmond Times-Dispatch 3101:Daily Freeman, Kingston 3076:Richmond Times-Dispatch 3050:Daily Freeman, Kingston 2419:Richmond Times-Dispatch 2204:The Louisville Defender 1781:Richmond Times-Dispatch 1666:Richmond Times-Dispatch 1590:Richmond Times-Dispatch 1562:Richmond Times-Dispatch 1505:Iowa City Press-Citizen 1144:Richmond Times-Dispatch 1120:The Library of Virginia 1092:Richmond Times-Dispatch 906:Richmond Times-Dispatch 658:Jennings, and painters 353:. (The division is now 3713:bettyblaytonartist.com 3663:bettyblaytonartist.com 3643:: CS1 maint: others ( 2368:Dayton (OH) Daily News 809:Kingston (NY) City Hal 466:Communications Village 351:Virginia State College 344:abstract expressionism 324:1953 – Recipient of a 258:Langley Air Force Base 188:Rockefeller Foundation 109:Black neighborhood of 87:abstract-expressionist 83:Benjamin Leroy Wigfall 2848:Bradenton (FL) Herald 2570:New Journal and Guide 2027:New Journal and Guide 1833:New Journal and Guide 1533:Jackson (MI) Advocate 861:"Benjamin L. Wigfall" 238:racial discrimination 137:Armstrong High School 3763:City of Kingston, NY 3553:. via newspapers.com 3154:. via newspapers.com 3078:. via newspapers.com 3052:. via newspapers.com 2876:. via newspapers.com 2825:. via newspapers.com 2823:St. Petersburg Times 2447:. via newspapers.com 2421:. via newspapers.com 2202:"Wins Recognition". 2159:. via newspapers.com 2133:. via newspapers.com 2107:. via newspapers.com 2079:Ledger-Star, Norfolk 2056:. via newspapers.com 2054:Ledger Star, Norfolk 1935:Portsmouth (VA) Star 1783:. via newspapers.com 1564:. via newspapers.com 1354:. via newspapers.com 1296:. via newspapers.com 1231:Tuskegee (Al) Herald 1094:. via newspapers.com 908:. via newspapers.com 823:Selected collections 733:Hollins (VA) College 724:Selected exhibitions 315:interior decorations 2798:Global Scholarships 1726:Richmond Free Press 1422:The Virginian-Pilot 1352:The Virginian-Pilot 1294:The Virginian-Pilot 801:Kingston Center of 444:Black Student Union 367:. His entry was an 292:Mary McLeod Bethune 243:Miller & Rhoads 204:Master of Fine Arts 186:Wigfall received a 67:New Paltz, New York 3252:Bearden Foundation 3126:Mount Vernon Argus 988:Two Coats of Paint 932:"Benjamin Wigfall" 670:African American. 586:Bedford-Stuyvesant 433:Teacher and mentor 192:University of Iowa 91:Kingston, New York 51:Richmond, Virginia 3887:"Art collections" 3600:. 15 March 1969. 3547:"Art in Richmond" 3501:. 30 March 1957. 2206:. 21 April 1955. 789:gallery, NY, 1970 599:, Benny Andrews, 572:Later exhibitions 181:L. Douglas Wilder 162:Hampton Institute 80: 79: 48:November 17, 1930 3995: 3925: 3924: 3922: 3921: 3907: 3901: 3900: 3898: 3897: 3891:encyclopedia.com 3883: 3877: 3876: 3874: 3873: 3858: 3852: 3851: 3849: 3848: 3833: 3827: 3826: 3824: 3823: 3808: 3802: 3801: 3799: 3798: 3788: 3780: 3774: 3773: 3771: 3770: 3755: 3749: 3748: 3746: 3745: 3730: 3724: 3723: 3721: 3720: 3705: 3699: 3698: 3696: 3695: 3680: 3674: 3673: 3671: 3670: 3655: 3649: 3648: 3642: 3634: 3632: 3631: 3616: 3610: 3609: 3593: 3587: 3586: 3584: 3583: 3568: 3562: 3561: 3559: 3558: 3542: 3536: 3535: 3533: 3532: 3517: 3511: 3510: 3494: 3488: 3487: 3485: 3484: 3469: 3463: 3462: 3460: 3459: 3444: 3438: 3437: 3435: 3434: 3419: 3413: 3412: 3410: 3409: 3394: 3388: 3387: 3385: 3384: 3369: 3363: 3362: 3360: 3359: 3352:The Gallery @107 3344: 3338: 3337: 3335: 3334: 3319: 3313: 3312: 3310: 3309: 3294: 3288: 3287: 3285: 3284: 3269: 3263: 3262: 3260: 3259: 3244: 3238: 3237: 3235: 3234: 3219: 3213: 3212: 3210: 3209: 3194: 3188: 3187: 3185: 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Hill 231:Shockoe Valley 211: 208: 102: 99: 78: 77: 74: 73:Known for 70: 69: 66: 64:(aged 86) 58: 54: 53: 50: 39: 35: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 4000: 3989: 3986: 3984: 3981: 3979: 3976: 3974: 3971: 3969: 3966: 3964: 3961: 3959: 3956: 3954: 3951: 3950: 3948: 3938: 3935: 3934: 3930: 3916: 3912: 3906: 3903: 3892: 3888: 3882: 3879: 3867: 3866:East City Art 3863: 3857: 3854: 3842: 3838: 3832: 3829: 3817: 3813: 3807: 3804: 3792: 3785: 3779: 3776: 3764: 3760: 3754: 3751: 3739: 3735: 3729: 3726: 3714: 3710: 3704: 3701: 3689: 3685: 3679: 3676: 3664: 3660: 3654: 3651: 3646: 3640: 3625: 3621: 3615: 3612: 3607: 3603: 3599: 3592: 3589: 3577: 3573: 3567: 3564: 3552: 3548: 3541: 3538: 3526: 3522: 3516: 3513: 3508: 3504: 3500: 3499:Afro-American 3493: 3490: 3478: 3474: 3468: 3465: 3453: 3449: 3443: 3440: 3428: 3427:Roanoke Times 3424: 3418: 3415: 3403: 3399: 3393: 3390: 3379: 3375: 3368: 3365: 3353: 3349: 3343: 3340: 3329: 3325: 3318: 3315: 3303: 3299: 3293: 3290: 3278: 3274: 3268: 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Index


abstract-expressionist
Kingston, New York
Virginia Museum of Fine Arts
working-class
Church Hill
Richmond, VA
Chesapeake and Ohio Railway
cartoons
pen and ink
Armstrong High School
portraiture
Lyonel Feininger
abstract
Hampton Institute
Albert Kresch
Leo Katz
art education
L. Douglas Wilder
Rockefeller Foundation
University of Iowa
Yale University
Norfolk, CT
Master of Fine Arts
printmaking
smokestacks
Shockoe Valley
racial discrimination
Miller & Rhoads
Oliver W. Hill

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