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shortened ascenders and descenders. Other changes include 1-storey small g, addition of lower right tail in small a, truncation of vertical stem in cedilla, stretched top hook in small f, linked f bar to dotless i in fi ligature (fi), semicircular O in capital OE ligature (Œ), small numeral 1 without bottom bar, 2-storey a in @, diagonal stem and leaned hooks in integral sign (∫), addition of lower left ball serif in small Greek mu and micro signs (μ), addition of lower right tail in small Greek pi (π), downward left hook in square root sign (√), wedged acute and grave diacritical marks, circular dots in commas, quotation marks, exclamation marks, question marks, decimal point, division sign; stretched upper tail in partial differential sign (∂), wedged quotation marks in primes and back quote marks, smaller angle brackets in angle bracket marks, sharper lower tip in single dagger mark, sharper tips in asterisk, elimination of loop in pound currency sign (£), vertical stem in cent currency sign (¢), separation of plus and minus signs in plus-minus sign (±).
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Benton Sans font family originally consists of 26 fonts in 8 weights, and 4 widths for all but Extra Light and Thin families, which only include the widest width. On
December 18, 2008, The Font Bureau Inc. announced the expansion of the font family. The expanded family has 128 fonts in 8 weights, and
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On August 7, 2013, The Font Bureau Inc. announced the expansion of the Benton Sans font family, which included the addition of Wide width fonts to Benton Sans font family. In addition, small caps and figure styles, extended Latin character set, language support are included in all Benton Sans fonts.
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When working for retail version of the font, the family was harmonized and given the new name called Benton Sans. In 2002-2003, Cyrus
Highsmith added additional widths, weights, and italics to the typeface family, and the face was released for public use under the name Benton Sans. The extra weight
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is distinct for being located completely outside the bowl. The character set is compact, and descenders are shallow. The typeface differs from other grotesque sans-serifs in its organic shapes and subtle transitions of stroke width, all contributing to a less severe, humanist tone of voice. Benton
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It is a version of Benton Sans font designed by David Berlow for screen use between 9 and 18 pixels. Changes include exaggerate the glyph features, larger clearances between letter features, reduced stroke contrasts, wider and more open letterforms with increased letter spacing, larger x-heights,
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style. It was a reworked version of Benton Gothic developed for various corporate customers, under Frere-Jones's guidance. In developing the typeface, Frere-Jones studied drawings of
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507:"BostonGlobe.com One of the first major newspapers to use webfonts in its digital edition, the Globe always feels like the Globe, on paper or screen"
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The font family includes 4 fonts in 2 weights (regular, bold) and 1 width (between normal and extended width), with complementary italic.
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Benton Sans Wide - Benton Sans, Font Bureau's largest type family, goes wide, to give full coverage in eight wide-ranging weights.
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The
Reading Edge (RE) fonts - Ten font families, each with four basic styles, designed to function reliably at 9px–18px
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The updated Benton Sans font family includes 80 fonts in 5 widths and 8 weights, with complementary italic.
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Like News Gothic, Benton Sans follows the grotesque model. Distinct characters are the two-story lowercase
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Sans has a wider, less compact character set than News Gothic. The typeface includes
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Typography: An
Encyclopedic Survey of Type Design and Techniques Through History.
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Benton Sans is used in BostonGlobe.com for supplemental heads and section titles.
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154:. As Benton Gothic, there are 7 weights from Thin to Black and only 2 widths.
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146:. The typeface began as a proprietary type, initially titled MSL Gothic, for
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186:(old style figures) providing a refinement not available in News Gothic.
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4 widths for all weights, with complementary italic and small caps.
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and widths also served as optically-corrected replacements for
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Font Bureau library now available exclusively on Type
Network
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on-screen scorekeeping and analytic graphics since 2017
122:. It is based on the sans-serif typefaces designed for
449:"New Fonts: Zocalo, Whitman Display, and Benton Sans"
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around the beginning of the twentieth century in the
674:Friedl, Friedrich, Nicolaus Ott and Bernard Stein.
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173:and a blunt terminus at the apex of the lowercase
549:"Western University Graphic Standards Manual"
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739:Font Bureau's website page on Benton Sans
621:"Designing destinations at Lonely Planet"
814:Typefaces designed by Tobias Frere-Jones
373:government websites, documents and logos
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413:"Complete Benton Sans, Now on Webtype"
162:, Alternate Gothic, Lightline Gothic.
110:is a digital typeface family begun by
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314:television coverage from 2015 to 2017
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390:Main in-game user interface font of
819:Typefaces designed by David Berlow
744:Font Bureal Benton Gothic specimen
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678:Black Dog & Leventhal: 1998.
601:The University of Texas at Austin
305:The University of Texas at Austin
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334:On-screen graphics font for the
324:On-screen graphics font for the
380:corporate logo and publications
152:Martha Stewart Living Omnimedia
794:Grotesque sans-serif typefaces
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693:Yale University Press: 2006.
663:Yale University Press: 2004.
150:magazine and the website for
16:Grotesque sans-serif typeface
824:Typefaces with optical sizes
708:RC Publications, Inc: 2002.
597:"UT Brand Guidelines: Fonts"
804:Typefaces with text figures
754:Benton Sans vs. News Gothic
525:"Fonts: Applying the Brand"
484:New Fonts: Benton Sans Wide
310:On-screen graphics font of
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759:Benton Sans Family History
326:FIA Formula 2 Championship
259:Primary font used in 2013
177:The tail of the uppercase
691:An A–Z of Type Designers.
355:Primary font of official
235:corporate logo since 2012
114:in 1995, and expanded by
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645:"Look & Feel | Axon"
169:the two-story lowercase
706:Revival of the Fittest.
570:"Ivey Standards Manual"
307:for print publications
233:The Walt Disney Company
206:Benton Sans Wide (2013)
144:Smithsonian Institution
132:industrial or grotesque
733:Benton Sans (typeface)
371:North Rhine-Westphalia
330:2018 Silverstone round
136:Morris Fuller Benton's
124:American Type Founders
799:Font Bureau typefaces
348:Primary font used in
345:website and documents
341:Primary font used in
290:Primary font used by
252:Primary font used in
245:Primary font used in
242:website and documents
238:Primary font used in
231:Primary font used in
194:Benton Sans RE (2010)
148:Martha Stewart Living
67:Martha Stewart Living
773:Type Network pages:
749:AIGA Design Archives
735:at Wikimedia Commons
577:Ivey Business School
286:Ivey Business School
128:Morris Fuller Benton
91:Type Network (2016–)
364:Fox Sports Networks
359:mobile applications
88:Webtype (2015–2016)
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704:Meggs, Phillip B.
661:20th Century Type.
659:Blackwell, Lewis.
556:Western University
529:Indiana University
282:Western University
268:Indiana University
223:Corporate branding
112:Tobias Frere-Jones
52:Tobias Frere-Jones
809:Digital typefaces
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352:newspaper website
328:from 2017 to the
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451:. Archived from
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415:. Archived from
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376:Primary font of
369:Primary font of
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338:in 2017 and 2018
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266:Primary font of
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116:Cyrus Highsmith
96:Design based on
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62:Commissioned by
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511:Fonts In Use
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775:Benton Sans
765:Benton Sans
312:Formula One
276:Salvo Serif
272:Georgia Pro
247:frog design
140:News Gothic
120:Font Bureau
108:Benton Sans
100:News Gothic
85:Font Bureau
47:Designer(s)
20:Benton Sans
788:Categories
630:2017-02-27
606:2014-09-10
582:2017-07-25
534:2014-12-16
459:2009-01-21
423:2016-07-26
400:References
393:The Sims 4
336:GP3 Series
40:Sans-serif
256:documents
249:documents
317:Font of
303:Font of
296:Font of
284:and its
263:redesign
35:Category
350:El Pais
261:Myspace
142:at the
81:Foundry
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625:Medium
357:reddit
292:Heroku
573:(PDF)
552:(PDF)
73:Worth
710:ISBN
695:ISBN
680:ISBN
665:ISBN
649:Axon
300:logo
274:and
240:SAP
126:by
118:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.