232:
152:
298:(Springstone, 1995) on p. 94-95 and "Earth Spirit" (Serpentine, 1988) on p. 96-97. Several of these have characteristic rounded body-shapes and only two or three fingers or toes on each hand or foot. As explained by Olivier Sultan, "Matemera finds his inspiration in his dreams. He was haunted by 3-fingered beings, a residual myth or memory, of a tribe that live in the northern part of the country. His massive pieces have a bewitching character, halfway between the comic and the tragic."
302:
313:, finishing his work to a uniform polished surface. His subjects were animals, people or fantasy spirit creatures. None were rendered in a true-to-life way: he preferred to show exaggerated curves of breast, buttock or belly-button to reveal the relationship between humans, animals and the spirit world. As
239:
Matemera had two wives, with whom he had eight children, and he stayed at
Tengenenge throughout the war for Zimbabwean Independence at a time when many other artists abandoned their way of life. He became the symbolic leader of the community and from the 1980s gained worldwide recognition, with works
321:
Matemera deals in pleasures of the flesh. To him sexuality means a healthy appetite, to be nourished with opportunity and spiced with variety. His sculptures speak in a highly suggestive body language. He is the creator of sculpture in the raw — huge naked figures with breasts, buttocks and bulges,
179:
stone suitable for carving. By 1966, Blomefield wanted to diversify the use of his land and welcomed new sculptors onto it to form a community of working artists. This was in part because at that time there were international sanctions against
Rhodesia's white government led by Ian Smith, who had
219:, was very influential in bringing them to the attention of the international art community. Matemera first contributed to the Annual Exhibitions in the Gallery in 1967 and 1968: in 1969 McEwen took a group of works, mainly from Tengenenge, to the
171:, one of the Shona dialects, and had four years of formal primary schooling: like other boys, he herded cattle, made clay pots and carved wood. In 1963 Matemera was working as a contract tractor driver for tobacco farmers in Tengenenge and met
256:
181:
666:
184:
in 1965, and tobacco was no longer able to generate sufficient income. Matemara was one of the first artists to take up sculpting full-time, joining others including
278:
in 1990, which depicts it on the front cover of the exhibition's catalogue. The catalogue "Chapungu: Culture and Legend – A Culture in Stone" for the exhibition at
576:
Catalogue published by
Chapungu Sculpture Park, 2000, 136pp printed in full colour, with photographs by Jerry Hardman-Jones and text by Roy Guthrie (no ISBN)
322:
charged with sexual energy and all at odds with their massive proportion and bulk.... There is in these sculptures an unspent power and a reserve of energy.
676:
671:
267:
chose
Matemera's work "Man turning into hippo" to illustrate the front cover of the paperback version of her classic book on Zimbabwean sculpture.
483:
590:
641:
628:
565:
548:
540:
512:
333:
220:
231:
244:
212:
151:
535:
Winter-Irving C. "Stone
Sculpture in Zimbabwe", Roblaw Publishers (A division of Modus Publications Pvt. Ltd), 1991,
507:
Winter-Irving C. "Tengenenge Art
Sculpture and Paintings", World Art Foundation, Eerbeek, The Netherlands, 2001,
301:
602:
388:
275:
523:
Blomefield T. Foreword in
Catalogue "Talking Stones II", Contemporary Fine Art Gallery, Eton, 1993. (No ISBN)
248:
661:
656:
487:
633:
314:
264:
201:
189:
603:"African Contemporary - Contemporary African Art Gallery: George LILANGA, The TINGATINGA School"
124:. The sculptural movement of which he was part is usually referred to as "Shona sculpture" (see
637:
624:
586:
561:
544:
536:
508:
255:
and many others. In 1987, Matemera was invited to
Yugoslavia to make a large sculpture at the
164:
310:
197:
185:
176:
585:
Sultan, O. "Life in Stone: Zimbabwean
Sculpture – Birth of a Contemporary Art Form", 1994,
445:
193:
168:
650:
349:
216:
129:
466:
422:
279:
240:
included in exhibitions in the US, UK, Germany, The
Netherlands and elsewhere.
377:
172:
133:
623:
Harrie Leyten. "Tengenenge", Drukkerij Bakker/M.C. Escher Foundation, 1994,
260:
252:
125:
98:
88:
121:
118:
108:
Award of Honour (Lalit Kala Akademi) VI Triennale, New Delhi, India, 1986
70:
47:
636:. "Tengenene Art Sculpture and Paintings", World Art Foundation, 2001,
606:
282:
in 2000 has pictures of this and four other of Matemera's sculptures:
160:
137:
159:
Matemera was the son of a village headman, living near the town of
300:
230:
150:
274:(Serpentine, 1982), have toured worldwide; for example to the
243:
Matemera's sculptures are in the permanent collections of the
128:), although some of its recognised members are not ethnically
211:
Works by Matemera and his colleagues were exhibited in the
257:"Josip Broz Tito" Art Gallery of the Nonaligned Countries
163:, Mashonaland in the far north of what was, in 1946,
104:
94:
84:
76:
66:
54:
28:
21:
132:. His whole professional career was spent at the
560:Contemporary Stone Carving from Zimbabwe, 1990,
419:Chapungu: Custom and Legend – A Culture in Stone
387:, Millesgarden Museum, Stockholm, Sweden and
270:Many of Matemera's exhibition pieces, such as
223:and elsewhere in the US, to critical acclaim.
484:"Biography from National Gallery of Zimbabwe"
408:, Afrika Museum, Berg en Dal, The Netherlands
8:
204:, who formed part of what is now called the
309:Matemera sculpted mainly in grey or black
18:
385:Contemporary, stone carving from Zimbabwe
667:People from Mashonaland Central Province
467:"Zimbabwe: Stone Sculptor Matemera Dies"
342:1980 Feingarten Gallery, Los Angeles, US
317:commented in her biography of Matemera:
208:of Zimbabwean sculptors in hard stones.
457:
175:, whose farm had extensive deposits of
117:(14 January 1946 – 4 March 2002) was a
478:
476:
294:(Springstone, 1992) on p. 54-55,
290:(Springstone, 1998) on p. 42-43,
182:Unilateral Declaration of Independence
531:
529:
414:1998 Botanic Garden, Hamburg, Germany
339:1969 Lidchi Art Gallery, South Africa
143:Bernard Matemera died in March 2002.
7:
394:1991 Milt Pinsel und Muszel, Germany
362:, National Gallery, Harare, Zimbabwe
355:1985 Kresge Art Museum, Michigan, US
411:1997 Musee de Jardin, Paris, France
605:. 25 December 2006. Archived from
367:Whispering the Gospel of Sculpture
327:Selected solo or group exhibitions
14:
677:21st-century Zimbabwean sculptors
672:20th-century Zimbabwean sculptors
376:, Foundation Beelden op de Berg,
435:African Contemporary Art Gallery
221:Museum of Modern Art in New York
369:, National Gallery of Zimbabwe
251:, the Museum fur Völkerkunde,
134:Tengenenge Sculpture Community
1:
406:Tengenenge Old Tengenenge New
348:1982 Janet Fleisher Gallery,
465:Mphisa, Rex (6 March 2002).
345:1981 Art from Africa, London
305:figure with exaggerated lips
286:(Serpentine) on p. 2,
245:National Gallery of Zimbabwe
693:
227:Later life and exhibitions
399:Stone Sculpture, Zimbabwe
288:The Man who Ate his Totem
215:whose founding director,
389:Yorkshire Sculpture Park
276:Yorkshire Sculpture Park
155:1973 carving of an eagle
332:1968 New African Art,
249:Chapungu Sculpture Park
213:Rhodes National Gallery
136:, 150 km north of
469:– via AllAfrica.
324:
306:
236:
156:
360:African metamorphosis
319:
304:
234:
154:
609:on 25 December 2006.
401:, CCrt Galleries, UK
374:Zimbabwe op de Berg
315:Celia Winter-Irving
265:Celia Winter-Irving
147:Early life and work
16:Zimbabwean sculptor
307:
272:Great Spirit Woman
237:
157:
591:978-1-77909-023-2
380:, The Netherlands
165:Southern Rhodesia
112:
111:
684:
611:
610:
599:
593:
583:
577:
574:
568:
558:
552:
533:
524:
521:
515:
505:
499:
498:
496:
495:
486:. Archived from
480:
471:
470:
462:
206:First Generation
198:Sylvester Mubayi
186:Henry Munyaradzi
115:Bernard Matemera
61:
42:
40:
33:Bernard Matemera
23:Bernard Matemera
19:
692:
691:
687:
686:
685:
683:
682:
681:
647:
646:
634:Winter-Irving C
620:
618:Further reading
615:
614:
601:
600:
596:
584:
580:
575:
571:
559:
555:
534:
527:
522:
518:
506:
502:
493:
491:
482:
481:
474:
464:
463:
459:
454:
442:
432:
329:
229:
149:
99:Shona sculpture
59:
50:
44:
43:14 January 1946
38:
36:
35:
34:
24:
17:
12:
11:
5:
690:
688:
680:
679:
674:
669:
664:
659:
649:
648:
645:
644:
631:
619:
616:
613:
612:
594:
578:
569:
553:
525:
516:
500:
472:
456:
455:
453:
450:
449:
448:
446:Zimbabwean art
441:
438:
437:
436:
431:
428:
427:
426:
415:
412:
409:
402:
395:
392:
381:
370:
363:
356:
353:
346:
343:
340:
337:
336:, New York, US
328:
325:
228:
225:
194:Fanizani Akuda
173:Tom Blomefield
148:
145:
110:
109:
106:
102:
101:
96:
92:
91:
86:
85:Known for
82:
81:
78:
74:
73:
68:
64:
63:
62:(aged 56)
56:
52:
51:
45:
32:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
689:
678:
675:
673:
670:
668:
665:
663:
660:
658:
655:
654:
652:
643:
642:90-806237-2-5
639:
635:
632:
630:
629:90-74281-05-2
626:
622:
621:
617:
608:
604:
598:
595:
592:
588:
582:
579:
573:
570:
567:
566:1-871480-04-3
563:
557:
554:
551:(Cloth bound)
550:
549:0-908309-11-2
546:
542:
541:0-908309-14-7
538:
532:
530:
526:
520:
517:
514:
513:90-806237-2-5
510:
504:
501:
490:on 2011-09-30
489:
485:
479:
477:
473:
468:
461:
458:
451:
447:
444:
443:
439:
434:
433:
429:
424:
420:
416:
413:
410:
407:
403:
400:
396:
393:
390:
386:
382:
379:
375:
371:
368:
364:
361:
357:
354:
351:
347:
344:
341:
338:
335:
331:
330:
326:
323:
318:
316:
312:
303:
299:
297:
296:Metamorphosis
293:
289:
285:
281:
277:
273:
268:
266:
262:
258:
254:
250:
246:
241:
235:Warthog, 1986
233:
226:
224:
222:
218:
214:
209:
207:
203:
199:
195:
191:
187:
183:
178:
174:
170:
166:
162:
153:
146:
144:
141:
140:near Guruve.
139:
135:
131:
127:
123:
120:
116:
107:
103:
100:
97:
93:
90:
87:
83:
79:
75:
72:
69:
65:
57:
53:
49:
31:
27:
20:
607:the original
597:
581:
572:
556:
543:(Paperback)
519:
503:
492:. Retrieved
488:the original
460:
418:
405:
398:
384:
373:
366:
359:
350:Philadelphia
320:
308:
295:
291:
287:
283:
271:
269:
242:
238:
217:Frank McEwen
210:
205:
158:
142:
114:
113:
60:(2002-03-04)
58:4 March 2002
662:2002 deaths
657:1946 births
423:Kew Gardens
280:Kew Gardens
202:Leman Moses
190:Josia Manzi
167:. He spoke
67:Nationality
651:Categories
494:2011-06-30
452:References
378:Wageningen
311:serpentine
292:Young Bull
177:serpentine
119:Zimbabwean
71:Zimbabwean
39:1946-01-14
253:Frankfurt
180:declared
126:Shona art
89:Sculpture
77:Education
440:See also
284:Chapungu
261:Titograd
122:sculptor
95:Movement
80:Informal
48:Zimbabwe
46:Guruve,
430:Gallery
640:
627:
589:
564:
547:
539:
511:
247:, the
169:Zezuru
161:Guruve
138:Harare
105:Awards
417:2000
404:1994
397:1992
383:1990
372:1989
365:1989
358:1988
130:Shona
638:ISBN
625:ISBN
587:ISBN
562:ISBN
545:ISBN
537:ISBN
509:ISBN
425:, UK
391:, UK
352:, US
334:MOMA
200:and
55:Died
29:Born
259:in
653::
528:^
475:^
421:,
263:.
196:,
192:,
188:,
497:.
41:)
37:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.