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Berlin, Schoenhauser Corner

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244:. Before long Dieter wonders whether Karl-Heinz is really dead, and whether it would be safe to return to East Berlin. He is threatened by some of the young men in the home where they are staying. Kohle is concerned that the two friends will be separated. He drinks a solution of coffee and tobacco to feign illness, so he can't be sent away. The next morning, Dieter discovers Kohle dead, poisoned by the beverage. Dieter returns home, where Angela is pregnant with his child, and explains the situation to the police. He is released, while Karl-Heinz is imprisoned. 240:, where he murders a man while committing armed robbery. The police suspect that his friends assisted him. When he returns, Kohle and Dieter confront Karl-Heinz about an unpaid debt; he threatens them both with a pistol, and Kohle knocks him unconscious. Karl-Heinz recovers and runs away, but Dieter and Kohle believe they have killed Karl-Heinz. Kohle and Dieter get assistance in fleeing to West Berlin, and stay in a home with other young men in the western sector of the city. They plan to get to the 348:- and severely criticized by officials in the Ministry of Culture's Cinema Directorate upon its completion. It was seen by the authorities as portraying only the negative side of life in the country. Director Klein did not receive approval to begin filming, but did so anyhow, starting at October. When Klein held a screening of 376:
is one of numerous German-made films inspired by the American young rebel films of the 1950s that featured young, male protagonists rebelling against the rule of law and breaking societal norms. Such films were heavily criticized by German officials of the GDR who believed it was the goal of the West
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Mira and Antonin Liehm wrote that, while still attacking "West Berlin with the same propagandistic undertone of all DEFA films", it also "took into account the shady aspects of life in the East". Dagmar Schittly noted that the film acknowledged the East German youth's wish to emulate the life in
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in the Ministry of Culture, the officials present strongly disapproved of it, and intended to ban it. But when it was presented to the Central Committee of the
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praised Klein's work and declared that it would be beneficial for the populace. The film was approved for release.
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the West, at least partially: on one occasion, Angela states that her model of the ideal man figure is
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The film was viewed by 1.5 million watchers in the first twelve weeks after its premiere.
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Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen
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was selected as one of the 100 most important German films in history.
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to destabilize East German society through the release of such films.
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Das zweite Leben der Filmstadt Babelsberg. DEFA- Spielfilme 1946–1992
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The Most Important Art: Soviet and Eastern European Film After 1945
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was written in summer 1956 - during the early months of the
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Dieter, Angela, Kohle and Karl-Heinz are part of a group of
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Index

Berlin – Ecke Schönhauser…

Gerhard Klein
Ekkehard Schall
Evelyn Carow
DEFA
Progress Film
East Germany
German
‹See Tfd›
German
East German
crime film
Gerhard Klein
delinquent youths
Prenzlauer Berg
West Berlin
Federal Republic of Germany
Ekkehard Schall
Ilse Pagé
Ernst-Georg Schwill
Harry Engel
Raimund Schelcher
Helga Göring
Erika Dunkelmann
Maximilian Larsen
Ingeborg Beeske
Siegfried WeiĂź
Manfred Borges
Hartmut Reck

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