36:
305:
429:
437:
403:
In 1997, Berthold Types acquired all of the copyright, trademark and design rights associated with the
Berthold Exklusiv Collection. Günter Gerhard Lange, Berthold Exklusiv Collection type director during H. Berthold AG era, worked for Berthold Types Limited as an exclusive artistic consultant until
515:
only, it being left to the operator to visualise final output. Keyboard operation was innovative, utilizing many keys with a single legend, such as <job>, <begin>, <set>, <end>, etc. System operation was therefore effected by a combination of keys, such as <job>, then
419:
During Harvey Hunt's tenure at
Berthold Types Limited, the company was accused of sending (frivolous) legal letters usually related to alleged trademark violations. This led to discussions of issues of Berthold not paying the original designers, such as Albert Boton.
71:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
473:
by the typing of a nonsense character sequence: "Hillimillihirtzheftpflasterentferner". Measuring the width of this 'word' at a specific font size would indicate if the character width and spacing was set correctly.
81:
466:
master. Character selection was by means of a trigger mounted on the front of the machine (giving rise to the colloquial naming of the machine as the "duck-shooter" (in the UK at least).
1122:
1107:
499:
The next incarnation of the
Diatronic system was widely adopted in the high-quality ad setting trade in Europe. Its major advantage was fine control of
91:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
99:
1092:
491:, composed on a code-driven system. A marching-character display provided editing capabilities only to the line currently being composed.
1117:
978:
909:
112:
Content in this edit is translated from the existing German
Knowledge (XXG) article at ]; see its history for attribution.
796:
1112:
1064:
1088:
459:
121:
328:
1069:
377:
embarked upon a long affiliation with the company, for which he designed various original typefaces, including
107:
128:
737:
711:
667:
657:
643:
621:
591:
545:
411:
announced the acquisition of
Berthold Types's inventory of typefaces (but not legal entity) in August 2022.
374:
251:
458:
The
Diatype was a relatively small desktop-sized headline-setting device (i.e. not intended for continuous
76:
647:
680:
822:
773:
508:
378:
352:
601:
947:
504:
366:
which prefigured by half a century the release of enormously popular neo-grotesque faces such as
151:
304:
308:
A 1905 advertisement for
Berthold in a Swedish printing journal, showcasing its Herold typeface
974:
897:
826:
452:
441:
103:
913:
725:
534:
469:
When changing font, it was a notable feature of the machine that it required calibration of
448:
408:
359:
317:
269:
203:
628:
1079:
400:
In 1996, Harvey Hunt (1949–2022) and his wife
Melissa, reestablished as Berthold Types.
331:
particularly after 1893. The company played a key role in the introduction of major new
580:
470:
340:
264:
1101:
573:
525:
371:
48:
873:
846:
701:
691:
611:
555:
348:
289:
281:
161:
1074:
1070:
Discussion about the copyright of
Berthold fonts in the forum of Typophile website
758:
Reynolds, Dan (2019). "The godfather: retracing the origins of
Akzidenz-Grotesk".
428:
17:
1084:
633:
488:
390:
344:
336:
939:
568:
500:
436:
363:
285:
1075:
Ulrich Stiehl document discussing the copyright of Berthold fonts (in German)
1080:
Ulrich Stiehl document in English discussing the copyright of Berthold fonts
367:
321:
293:
1031:
926:
358:
The H. Berthold foundry's most celebrated family of typefaces is arguably
512:
382:
332:
381:
and Imago, and oversaw the foundry's revivals of classic faces such as
110:
to the source of your translation. A model attribution edit summary is
858:
Schwemer-Scheddin, Yvonne (2003). "Sonderheft Günter Gerhard Lange".
487:
Berthold Diatronic systems were based on a glass grid master of each
394:
386:
313:
296:
successfully and only coming to dissolution in the digital type era.
232:
435:
427:
324:
303:
1038:. School of Computer Science, McGill University, Montreal, Canada
1059:
463:
68:
503:
thanks to continuously variable optics, allowing fractions of
29:
969:
Jaspert, W. Pincus; Berry, W. Turner; Johnson, A.F. (1983) .
910:"Monotype Acquires Berthold's Renowned Typeface Inventory"
447:
As a typefounder, Berthold had no background in producing
347:
43. In 1979 the factory moved to another location between
80:
to this template: there are already 1,848 articles in the
797:"Note on the original design patent for Akzidenz-Grotesk"
507:
to be specified. Operator feedback was by means of a
64:
1085:
Documents and clippings about Berthold Type Foundry
1018:
1006:
994:
823:"New details about the origins of Akzidenz-Grotesk"
263:
239:
228:
209:
199:
167:
157:
147:
335:and was a successful player in the development of
973:(Enlarged 4th ed.). Blandford Press Lts.
940:"Phototypesetting with the Berthold 'diatype'"
106:accompanying your translation by providing an
55:Click for important translation instructions.
47:expand this article with text translated from
8:
142:
646:), also offered for machine composition by
280:was one of the largest and most successful
339:machines. The production premises were on
141:
1060:Berthold Types Limited– Official website
451:machinery until the introduction of the
1123:Manufacturing companies based in Berlin
750:
85:
1108:Letterpress font foundries of Germany
495:Berthold ADS (Akzidenz Dialog System)
7:
558:), cut in a light, medium, and bold.
284:in the world for most of the modern
1019:Jaspert, Berry & Johnson (1983)
1007:Jaspert, Berry & Johnson (1983)
995:Jaspert, Berry & Johnson (1983)
327:printer's rule. It then moved into
821:Reynolds, Dan (11 November 2019).
25:
684:, a late nineteenth-century face.
795:Reynolds, Dan (23 August 2019).
288:era, making the transition from
118:{{Translated|de|H. Berthold AG}}
34:
950:from the original on 2021-12-17
938:Hermann, Ralf (18 April 2016).
898:Günter Gerhard Lange at MyFonts
676:(1984, 1988, Bernd Möllenstädt)
407:Following Harvey Hunt's death,
971:The Encyclopedia of Type Faces
724:These types were produced for
343:No. 1 until 1868, and then on
116:You may also add the template
1:
516:<end> to save a file.
173:; 166 years ago
1089:20th Century Press Archives
860:Typografische Monatsblätter
528:were produced by Berthold:
440:A Diatronic plate, showing
312:H. Berthold was founded in
215:; 31 years ago
186:; 28 years ago
129:Knowledge (XXG):Translation
88:will aid in categorization.
1139:
776:. The Happy Dragon's Press
432:A Berthold Diatype machine
362:(released 1898), an early
63:Machine translation, like
1118:Commercial type foundries
462:), based on a glass disc
49:the corresponding article
509:green-screen CRT display
127:For more guidance, see
927:Berthold Types Limited
874:"Harvey Hunt Obituary"
444:
433:
309:
439:
431:
307:
100:copyright attribution
375:Günter Gerhard Lange
320:, initially to make
252:Günter Gerhard Lange
1113:Cold type foundries
1065:Luc Devroye website
946:. Typography.Guru.
878:Florida Times-Union
847:Berthold at MyFonts
415:Lawsuit controversy
404:his death in 2008.
144:
27:German type foundry
648:Intertype (Berlin)
445:
434:
329:casting metal type
310:
152:Aktiengesellschaft
108:interlanguage link
18:Berthold (company)
827:Klim Type Foundry
726:photo-composition
351:and Wiesenweg in
275:
274:
140:
139:
56:
16:(Redirected from
1130:
1048:
1047:
1045:
1043:
1028:
1022:
1016:
1010:
1004:
998:
992:
986:
984:
966:
960:
959:
957:
955:
935:
929:
924:
918:
917:
906:
900:
895:
889:
888:
886:
884:
870:
864:
863:
855:
849:
844:
838:
837:
835:
833:
818:
812:
811:
809:
807:
792:
786:
785:
783:
781:
770:
764:
763:
755:
535:Akzidenz-Grotesk
360:Akzidenz-Grotesk
318:Hermann Berthold
270:Monotype Imaging
248:Hermann Berthold
223:
221:
216:
204:Hermann Berthold
194:
192:
187:
181:
179:
174:
145:
119:
113:
87:
86:|topic=
84:, and specifying
69:Google Translate
54:
38:
37:
30:
21:
1138:
1137:
1133:
1132:
1131:
1129:
1128:
1127:
1098:
1097:
1056:
1051:
1041:
1039:
1030:
1029:
1025:
1017:
1013:
1005:
1001:
993:
989:
981:
968:
967:
963:
953:
951:
937:
936:
932:
925:
921:
908:
907:
903:
896:
892:
882:
880:
872:
871:
867:
857:
856:
852:
845:
841:
831:
829:
820:
819:
815:
805:
803:
794:
793:
789:
779:
777:
772:
771:
767:
757:
756:
752:
748:
743:
722:
717:
598:Brudi Mediaeval
522:
497:
485:
480:
426:
417:
302:
259:
242:
219:
217:
214:
190:
188:
185:
183:
177:
175:
172:
136:
135:
134:
117:
111:
57:
39:
35:
28:
23:
22:
15:
12:
11:
5:
1136:
1134:
1126:
1125:
1120:
1115:
1110:
1100:
1099:
1096:
1095:
1082:
1077:
1072:
1067:
1062:
1055:
1054:External links
1052:
1050:
1049:
1032:"Martin Wilke"
1023:
1021:, p. 391.
1011:
1009:, p. 368.
999:
997:, p. 363.
987:
979:
961:
930:
919:
901:
890:
865:
850:
839:
813:
787:
765:
749:
747:
744:
742:
741:
730:
721:
720:Cold Typefaces
718:
716:
715:
705:
695:
685:
677:
671:
661:
651:
637:
625:
615:
605:
595:
585:
577:
565:
559:
549:
539:
530:
521:
518:
496:
493:
484:
481:
479:
476:
471:letter-spacing
460:justified text
425:
422:
416:
413:
341:Wilhelmstrasse
301:
298:
282:type foundries
278:H. Berthold AG
273:
272:
267:
261:
260:
258:
257:
254:
249:
245:
243:
240:
237:
236:
230:
226:
225:
211:
207:
206:
201:
197:
196:
169:
165:
164:
159:
155:
154:
149:
143:H. Berthold AG
138:
137:
133:
132:
125:
114:
92:
89:
77:adding a topic
72:
61:
58:
44:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1135:
1124:
1121:
1119:
1116:
1114:
1111:
1109:
1106:
1105:
1103:
1094:
1090:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1057:
1053:
1037:
1033:
1027:
1024:
1020:
1015:
1012:
1008:
1003:
1000:
996:
991:
988:
982:
980:0-7137-1347-X
976:
972:
965:
962:
949:
945:
941:
934:
931:
928:
923:
920:
916:. 2022-08-25.
915:
911:
905:
902:
899:
894:
891:
879:
875:
869:
866:
861:
854:
851:
848:
843:
840:
828:
824:
817:
814:
802:
798:
791:
788:
775:
774:"Brass Rules"
769:
766:
761:
754:
751:
745:
739:
735:
732:
731:
729:
728:by Berthold:
727:
719:
713:
709:
706:
703:
699:
696:
693:
689:
686:
683:
682:
678:
675:
672:
669:
665:
662:
659:
655:
652:
649:
645:
641:
638:
635:
631:
630:
626:
623:
619:
616:
613:
609:
606:
603:
599:
596:
593:
589:
586:
583:
582:
578:
575:
574:Herbert Bayer
571:
570:
566:
563:
560:
557:
553:
550:
547:
543:
540:
537:
536:
532:
531:
529:
527:
526:foundry types
519:
517:
514:
511:showing code
510:
506:
502:
494:
492:
490:
482:
477:
475:
472:
467:
465:
461:
456:
454:
450:
443:
438:
430:
423:
421:
414:
412:
410:
405:
401:
398:
396:
392:
388:
384:
380:
376:
373:
372:type designer
369:
365:
361:
356:
354:
350:
346:
342:
338:
334:
330:
326:
323:
319:
315:
306:
299:
297:
295:
291:
287:
283:
279:
271:
268:
266:
262:
255:
253:
250:
247:
246:
244:
238:
234:
231:
227:
212:
208:
205:
202:
198:
170:
166:
163:
160:
156:
153:
150:
146:
130:
126:
123:
115:
109:
105:
101:
97:
93:
90:
83:
82:main category
79:
78:
73:
70:
66:
62:
60:
59:
52:
50:
45:You can help
41:
32:
31:
19:
1040:. Retrieved
1035:
1026:
1014:
1002:
990:
970:
964:
952:. Retrieved
943:
933:
922:
904:
893:
881:. Retrieved
877:
868:
859:
853:
842:
830:. Retrieved
816:
804:. Retrieved
800:
790:
778:. Retrieved
768:
759:
753:
733:
723:
707:
702:Martin Wilke
697:
692:Martin Wilke
687:
679:
673:
663:
653:
639:
627:
617:
612:Martin Wilke
607:
602:Walter Brudi
597:
587:
579:
567:
561:
556:Martin Wilke
554:(1933-1936,
551:
544:(1951-1959,
541:
533:
523:
498:
486:
478:Digital Type
468:
457:
446:
418:
406:
402:
399:
357:
353:Lichterfelde
349:Teltow Canal
311:
290:foundry type
277:
276:
229:Headquarters
162:Type foundry
148:Company type
104:edit summary
95:
75:
46:
1036:Luc Devroye
883:24 December
832:26 November
806:26 November
738:G. G. Lange
712:G. G. Lange
668:G. G. Lange
658:G. G. Lange
644:G. G. Lange
634:Georg Trump
622:G. G. Lange
592:G. G. Lange
546:G. G. Lange
505:point sizes
489:font weight
391:Baskerville
370:. In 1950,
345:Mehringdamm
337:typesetting
316:in 1858 by
286:typographic
256:Harvey Hunt
1102:Categories
746:References
698:Picadilly
600:(1953-54,
569:Bayer Type
501:typography
364:sans-serif
241:Key people
224:(original)
195:(relaunch)
182:(original)
1042:1 January
760:Footnotes
588:Boulevard
564:(1905-25)
520:Typefaces
513:mnemonics
483:Diatronic
455:in 1958.
449:cold type
424:Cold Type
368:Helvetica
333:typefaces
294:cold type
235:, Germany
122:talk page
74:Consider
51:in German
948:Archived
914:Monotype
780:30 April
708:Solemnis
688:Palette
664:El Greco
640:Concorde
618:Champion
608:Caprice
562:Augustea
552:Ariston
409:Monotype
383:Garamond
379:Concorde
322:machined
158:Industry
98:provide
1091:of the
1087:in the
944:YouTube
801:TypeOff
736:(1982,
710:(1954,
700:(1968,
690:(1951,
674:Formata
666:(1964,
656:(1953,
642:(1968,
632:(1930,
620:(1957,
610:(1939,
590:(1955,
572:(1935,
453:Diatype
300:History
218: (
210:Defunct
200:Founder
189: (
176: (
168:Founded
120:to the
102:in the
977:
681:Herold
584:(1908)
538:(1898)
524:These
442:Futura
395:Bodoni
393:, and
387:Caslon
314:Berlin
265:Parent
233:Berlin
954:3 May
734:Imago
654:Derby
581:Block
542:Arena
325:brass
65:DeepL
1044:2021
975:ISBN
956:2021
885:2023
834:2019
808:2019
782:2020
762:(3).
629:City
464:font
220:1993
213:1993
191:1996
184:1996
178:1858
171:1858
96:must
94:You
1093:ZBW
292:to
67:or
53:.
1104::
1034:.
942:.
912:.
876:.
825:.
799:.
704:)
694:).
397:.
389:,
385:,
355:.
1046:.
985:.
983:.
958:.
887:.
862:.
836:.
810:.
784:.
740:)
714:)
670:)
660:)
650:.
636:)
624:)
614:)
604:)
594:)
576:)
548:)
222:)
193:)
180:)
131:.
124:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.