79:. This has been an important motif in Burmese art since the seventh century, and was believed to possess the ideal qualities of purity and gentleness. It is chicken-like in its appearance with its feet, curled wings, pointed beak, wealth of overlapping body feathers, curled wings and upturned tail. The waisted stand is decorated with panels of floral ornament and at each end a leaf-shaped extension with foliage motifs, curved upwards to support the body of the stand.
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in 1885 and remained under the custodianship of the
Victoria and Albert Museum from 1886 until 1964, when they were returned to Myanmar. This container was given to the Museum by the Government and people of Myanmar in recognition of its care of the regalia.
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Although containers in this form are common enough in
Myanmar, this particular object is of great historical significance since it formed part of the Burmese
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61:, a mild stimulant chewed throughout tropical Asia. Betel is traditionally made from
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in London is a gold and jewelled container in the shape of a bird. It was made in
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Betel container, 19th century V&A Museum no. IS.246&A-1964
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leaf. The container is in the form of a mythical bird known as a
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work set with rubies and emeralds and was designed to hold
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The Betel container at the
Victoria and Albert Museum
136:Asian objects in the Victoria and Albert Museum
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50:(now Myanmar) in the nineteenth century.
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53:It was made of embossed gold and
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107:V&A: A Hundred Highlights
105:Jackson, Anna, ed. (2001).
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109:. V&A Publications.
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141:Culture of Myanmar
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63:areca nuts
42:) in the
32:betel box
76:karaweik
55:filigree
40:ကွမ်းအစ်
84:regalia
36:Burmese
71:betel
59:betel
48:Burma
67:lime
65:and
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