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beginning of the fall in 1923 and for the next few weeks they hired performers and crew and developed their act, Broderick & Felsen. Broderick and Felsen toured in the
Midwest on the B.F. Keith Vaudeville Circuit during the last quarter of 1923 and into the second quarter of 1924. In January 1924, they hired Verne Rathaar for piano. Shortly before the summer of 1924, Broderick and Felsen contracted with the Pantages Vaudeville Circuit and performed across the American mid-west and the western United States and Canada through December.
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her leg. In
January 1925, Betty and Broderick ended their contract with the Pantages circuit and returned to the B.F. Keith circuit. They replaced Verne Rathaar with the Jud Hill Orchestra. Also in January, Betty convinced tap dancer Pincus Leff, aka Pinky Lee, to join their company; he soon became a featured dancer. The orchestra and Pincus Leff remained with the act throughout 1925.
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288:. Betty and Broderick was in the starring roles. Impresario Merriel Abbott, their friend and former teaching assistant for the Pavley-Ourainsky Ballet, sent a telegram congratulating them on their opening. After their opening week at the Palace, the production played for a week in St. Louis and another week back in Chicago.
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Betty opened her first school in
Worcester on November 1, 1928, in partnership with vaudeville dancer Danny Duggan. It was called the Danny Duggan-Betty Felsen School of The Dance, aka "School of Dancing". The classes included ballet, tap, jazz, and modern dance. Betty's school was variously known as
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in which they presented routines in their dance styles with costumes and sets. They contracted with impresario George Choos to produce it and manage the tour. The show opened on
September 30, 1926, in New York City at B.F. Keith's Riverside Theater on Broadway, playing for four weeks. Broderick &
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numerous times. She was one of six female slaves but appeared first performing a short solo dance, then danced with the ensemble of male and female slaves during which she performed several short solo dances. In late fall of 1922, Betty left the
Chicago Opera and began performing solo at Fred Mann's
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parents
Lillian and David Felsenthal. Her birth name was Bertha Felsenthal, which she never used professionally. She began practicing ballet at age seven where she took lessons from H.W. Miller. In programs and newspaper articles, Betty's first name appeared in different forms, namely Buddye, Buddy,
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and became a ballerina soloist in
December 1920. Felsen left the Chicago Opera in 1922 for a vaudeville career and with her new partner Jack Broderick, began touring the U.S. and Canada in their headline act, Broderick & Felsen. After Jack left the act near the end of 1927, Betty performed with
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dance— and modern (aka interpretive). One of Betty's most well-known ballet creations was titled "The
Butterfly Who Lived but a Day". In one of acts where Betty runs and leaps in a dive past Broderick and he catches her by the ankles and swings her around, Betty was injured with a torn ligament in
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In spring 1923, she and Frank
Lischeron began to collab. Beginning in June, they were requested by Balaban and Sam Katz to appear for one week each at many of their theaters. However, at the end of the summer, she and Frank separated. Betty formed a partnership with dancer Jack Broderick at the
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During the week of
November 18 Betty performed her cymbal dance at Worcester's Capitol Theater. This was followed by command performances at Worcester's Plymouth Theater, and again at the Capitol. The June 12 program at Mechanics Hall is typical of the programs that included Betty. During the
376:. From then until she retired in mid-1937, she operated her school under several different names. In early 1936, Betty had a short partnership with David Berke with whom she still sometimes performed. Her schools were variously known as:
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397:. This program included sixty-five students she selected from the students at the Betty Felsen Studios. Betty served as a judge of the singing and dancing performances. She extended professional courtesy to visitors.
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in New York City. In these two scenes, sixteen-year-old ballerina Betty "Elise" Felsen danced as the Infanta, Oukrainsky danced as the dwarf, and Pavley danced as a Gypsy leader, as described in the February 3
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and at two independent vaudeville theater chains. Throughout their tours, Broderick & Felsen presented their program of original dance creations, which involved different styles of dance that included
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Betty moved to Cleveland and opened the Betty Felsen School of the Dance sometime in mid-1932. Her school was first located at 510 Carnegie Hall but in late 1934 was moved to 1706 Euclid Avenue in
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troupe were often among those who performed behind the curtain for the production. Toward the end of 1927, Broderick left the act and ended the partnership. Betty created a production called
626:"The Digital Research Library of Illinois History Journal™ : The Rainbo Building's History, 4812-4836 North Clark Street, Chicago (Uptown Community), Illinois"
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In 1916, shortly before her tenth birthday, her parents enrolled her at the Pavley-Oukrainsky Ballet School under the name Buddye Felsenthal. In 1919, the
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early-to-mid 1930s, Betty continued her school now known as the Betty Felsen Studio of the Dance or the Betty Felsen School of Stage Dancing and present
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because she passed the required tests. Betty was one of several Gypsies dancing while Carmen sings in Act 2 of the Chicago Opera's 1921 productions of
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Circuit throughout New England. In 1930, the revue toured from June 4, when they left Worcester, until September 14 when they returned home.
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her troupe as Betty Felsen & Company until November 1928. Betty then owned and operated a performing arts school, first in
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in June of 1915. The paper's Chicago representative, H.C. Danforth, wrote a letter on June 16, 1915, praising her abilities.
1182:"Newberry Library - Worcester MA, Capartol Theater, Sunday Telegram, review part 2, Betty Felsen papers, November 18, 1928"
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for the week of January 3, 1927. After that week, their tour continued for most of the year in the mid-west and northeast.
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Million Dollar Rainbo Room in the Rainbo Gardens. Under the name Buddye Felsen, Betty landed a dancing role and the singer
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844:"Newberry Library - Original Dance Creations, Ballet, Butterfly Dance, Betty, Solo pose, Betty Felsen papers, 1912-2000"
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From January 1927 into June 1928, a shadowgraph production appeared at many of the theaters on the same bill at which
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1318:(an archived newspaper, Professional Courtesy to Visitors). Vol. 10. Cleveland, Ohio. December 1936. p. 32
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1068:"Newberry Library - New York City NY, Riverside Theater, newspaper, review, Betty Felsen papers, October 16, 1926"
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tour of Keith-Albee circuit theaters in other cities before returning to New York City to present the show at the
1196:"Newberry Library - Worcester MA, Plymouth Theater, Evening Post, notice, Betty Felsen papers, November 24, 1928"
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923:"Newberry Library - New York City Colony Theater, Campus Capors photo, Betty Felsen papers, September 27, 1925"
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909:"Newberry Library - New York City NY, Variety, Colony Opening notice, Betty Felsen papers, September 23, 1925"
1096:"Newberry Library - Providence and Hartford billboard notice, Betty Felsen papers, 1912-2000, March 11, 1928"
1008:"Newberry Library - Hazleton PA, Capitol Theater, newspaper, Playbill, Betty Felsen papers, November 2, 1926"
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1082:"Newberry Library - Youngstown, OH, Palace Theater, Daily Vindicator review, Betty Felsen papers, 1912-2000"
1154:"Newberry Library - Worcester MA, Evening Post, school announcement, Betty Felsen papers, October 27, 1928"
830:"Newberry Library - Original Dance Creations, Modern, Betty and Jack, pose, Betty Felsen papers, 1912-2000"
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784:"Newberry Library - Original Dance Creations, Spanish, Betty, Solo pose, Betty Felsen papers, 1912-2000"
586:"Newberry Library - Chicago Roosevelt Theater, Aida Moorish Slaves solo, Betty Felsen papers, 1912-2000"
1210:"Newberry Library - Worcester, MA, Mechanics Hall, Evening Post header, Betty Felsen papers, 1912-2000"
994:"Newberry Library - St. Louis MO, newspaper, Orpheum Playbill, Betty Felsen papers, February 27, 1926"
798:"Newberry Library - Original Dance Creations, Argentine Tango, pose 2, Betty Felsen papers, 1912-2000"
415:"Newberry Library - Chicago Western Vaudeville Mgrs Assoc, New York Star, review, Betty Felsen papers"
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A debut occurred on September 20, 1925, at the B.S. Moss Colony Theater on Broadway at 53rd Street in
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1266:"Newberry Library - Cleveland OH, Masonic Hall, newspaper, notice 1, Betty Felsen papers, June, 1936"
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star, and teacher. After graduating from the Pavley-Oukrainsky Ballet School in 1919, she joined the
951:"Newberry Library - New York City NY, New York Star, notice, Betty Felsen papers, November 27, 1925"
602:[HD] Chi mai fra gl'inni... Dance of the Moorish slaves. La Scala. 2006. (from Verdi's Aida)
1168:"Newberry Library - Original Dance Creations, Symbol Dance, pose 2, Betty Felsen papers, 1912-2000"
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536:"Newberry Library - Manhattan Opera House, New York City, 2nd Week Program, Betty Felsen papers"
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Betty owned and operated performing arts schools from October 1928 through early 1937, first in
1238:"Newberry Library - Worcester MA, Evening Gazette, notice 2, Betty Felsen papers, June 4, 1930"
1224:"Newberry Library - Worcester MA, Evening Gazette, notice 1, Betty Felsen papers, June 4, 1930"
1022:"Newberry Library - Ballet Caprice, Betty and Jack, tango pose, Betty Felsen papers, 1912-2000"
561:"Newberry Library - Manhattan Opera House, New York Globe, Infanta review, Betty Felsen papers"
937:"Newberry Library - New York City NY, Variety, notice, Betty Felsen papers, November 18, 1925"
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ended. Their act continued for 19 or 20 weeks, finishing on January 30 or February 6 in 1926.
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and Buddie, while her last name was either Felsen of Felsenthal. She received praise from the
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858:"Newberry Library - Omaha NE, Newspaper 3, review, Full, Betty Felsen papers, April 21, 1925"
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On June 21, 1936, Betty presented her annual program, The Betty Felsen Revue, at Cleveland's
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1036:"Newberry Library - Ballet Caprice, Betty and Jack, pose 1, Betty Felsen papers, 1912-2000"
1252:"Newberry Library - Worcester, MA, Evening Gazette notice, Betty Felsen papers, 1912-2000"
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812:"Modern Dance - History, Styles, Dancers, Trends & Competitions | DanceUs.org"
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After Colony Theater, they joined a new production by actor-comedian Emil Boreo called
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was invited by the Chicago Opera to stage an original ballet. He developed a ballet of
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that would be shown beginning on November 28, 1925, after the ten-week engagement of
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980:"Newberry Library - Chicago Variety, review, Betty Felsen papers, February 24, 1926"
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Danny Duggan & Betty Felsen School of The Dance and School of Dancing, 1928
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This was a prologue Betty and Broderick created for the new Harold Lloyd film,
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Following a rest, Broderick and Felsen created their own production titled
759:"Orpheum Vaudeville Circuit | American entertainment company | Britannica"
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During the 1920–1921 and 1921–1922 opera seasons, Betty performed in the
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651:"Newberry Library - Rainbo Gardens, Rainbo Trails , Betty Felsen papers"
458:"Newberry Library - ID Card for Auditorium Theater, Betty Felsen papers"
45:
The references are somewhat unwieldy. Some might be better as Wikilinks.
446:(an archived letter). Chicago, United States. June 16, 1915. p. 1.
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1110:"The Yale Daily News 3 June 1927 — Yale Daily News Historical Archive"
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accepted Betty, sometimes referred to as Elise, as a member of the
1298:"Expo Crowd Cheers News Amateurs As Judges Pick Winners in Finals"
968:(an archived telegram message) – via Western Union Telegram.
703:"The Keith/Albee Collection: The Vaudeville Industry, 1894-1935"
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for her new dance company known as Betty Felsen & Company.
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on January 14, 1922, followed by several performances at the
1129:"Jazz Riffing on a Lost Worcester: Jazz Dancer Danny Duggan"
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opened on December 15, 1922, and ran until March 1, 1923.
630:
The Digital Research Library of Illinois History Journal™
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503:"DANCE VIEW; CHICAGO WAS ONCE AMERICA'S BALLET CAPITAL"
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to it so that it can be listed with similar articles.
271:. They also created a new prologue act for the film
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Betty Felsen-Danny Duggan Studio of the Dance, 1929
386:Felsen & Berke Studios of Stage and Radio Arts
220:was hired as one of the lead singers. The show,
741:"Best Vaudeville Bill of Season Here This Week"
484:"Wandering Dancer (February 2005), Vol. 64 (2)"
1050:"George Choos: Credits, Bio, News & More"
8:
389:Betty Felsen Studios of Stage and Radio Arts
183:and decor by the American costume designer
614:Act 2, Scene 1, running from 2:41 to 4:20.
138:, for her performance at a meeting of the
187:. Two scenes were performed at Chicago's
146:From corps de ballet to ballerina soloist
68:Learn how and when to remove this message
488:Library of Congress Information Bulletin
482:Parker-jeanette, Cyrus (February 2005).
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140:Western Vaudeville Managers Association
345:Betty Felsen Studio of the Dance, 1930
136:The Vaudeville News and New York Star
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1127:Williamson, Chet (October 9, 2014).
348:Betty Felsen School of Stage Dancing
701:Kibler, M. Alison (April 1, 1992).
236:In late 1925, they appeared on the
117:Betty was born on June 9, 1905, in
16:Ballerina, vaudeville star, teacher
1349:needs additional or more specific
599:aidacollection (October 7, 2011).
14:
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1133:Jazz Riffing on a Lost Worcester
883:"Jud Hill's Chicago Blue Devils"
624:Gale, Neil (December 30, 2016).
501:Anderson, Jack (April 1, 1984).
380:Betty Felsen School of the Dance
134:, which for a time was known as
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179:with music by Chicago composer
1114:ydnhistorical.library.yale.edu
966:"Chicago ILL Feb 21 1926 809P"
360:at vaudeville theaters on the
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331:and then in Cleveland, Ohio.
261:with their production called
104:, until she retired in 1937.
1280:"Betty Felsen Revue of 1936"
296:Felsen then continued their
1406:20th-century ballet dancers
207:Dance of the Moorish Slaves
177:The Birthday of the Infanta
43:. The specific problem is:
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249:, Spanish—including their
238:Orpheum Vaudeville Circuit
152:Chicago Opera Association
100:, until 1932 and then in
862:collections.newberry.org
655:collections.newberry.org
565:collections.newberry.org
540:collections.newberry.org
462:collections.newberry.org
419:collections.newberry.org
329:Worcester, Massachusetts
274:The Phantom of the Opera
98:Worcester, Massachusetts
719:10.17077/0006-7474.1208
681:Encyclopedia of Chicago
323:Performing arts schools
311:played. Members of the
745:Green Bay Press-Gaztte
193:Manhattan Opera House
1284:Betty Felsen Studios
887:Cleveland Historical
612:– via YouTube.
383:Betty Felsen Studios
228:Broderick and Felsen
181:John Alden Carpenter
50:improve this article
39:to meet Knowledge's
1316:The American Dancer
747:. October 19, 1923.
362:Radio-Keith-Orpheum
185:Robert Edmond Jones
1312:"Student — Studio"
1300:. August 27, 1936.
763:www.britannica.com
507:The New York Times
440:"Newberry Library"
395:Masonic Auditorium
358:Betty Felsen Revue
302:Hippodrome Theater
189:Auditorium Theater
83:(1905–2000) was a
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675:Gomery, Douglas.
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