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164:“The PVC sheets that Barkat picks for her paintings differ from other more conventional supports first and foremost in their transparency, so that while each side carries its own self-contained painterly motif, it echoes at the same time the one found overleaf. The work process progresses on both sides simultaneously, in constant symbiosis, free of any predetermined precepts or hierarchies.” The centrepiece of her 2017 site-specific exhibition entitled
134:. Barkat experimented with new materials and architectural spaces. She dedicated herself to architectural projects such as the building and renovation of private homes, as well as communal spaces and libraries in elementary schools to improve the educational climate. In 2009 Barkat opened her own studio in Jerusalem. Her works have been presented internationally, in group and solo exhibitions.
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awarded the
Curator's Award at the 28th International Exhibition of Art & Design in Kyoto, Japan. Barkat started experimenting with new techniques, application methods and materials, the most prominent being the use of transparent PVC sheets as support for her paintings. These she paints in a manner reminiscent of
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from her formative years becoming more apparent. Although she continued to draw from life, she started to deconstruct the figure and at the same time, capture movement on a two-dimensional surface with dynamic lines. In 2014, her set of paintings were inspired by
Japanese calligraphy. She was
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In 1995, Barkat worked in glass art in the Czech
Republic and was invited to participate in an international glassblowing and sculpting symposium. From 2006 to 2009, Barkat studied painting in
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projects the spectator into another dimension, in which space is annulled and viewers find themselves in an imaginary place that evokes a story reaching back across the millennia."
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Kyoto Art Museum, Kyoto, Japan, 2014 The 28th
International Exhibition of Art & Design (Kyoto City International Foundation Curators' Award).
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161:. Sally Haftel Naveh, the curator of her 2017 exhibition in Venice, comments on her use of this new material in the exhibition catalogue:
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Luciano
Benetton Collection, Tel Aviv, Israel, 2015 Imago Mundi Israel / One – Contemporary Artists from Israel, curated by Naomi Aviv.
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375:[Beverly Barkat wants you to forget her husband, the mayor of Jerusalem, for a moment, and begin to focus on her art].
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to Louis and Lorna
Sakalovsky, both artists themselves. In 1976, the family immigrated to Israel. She finished her studies at
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that dialogues with the mural paintings of the tree-lined allées and gardens of Villa
Ludovisia, painted on the walls of the
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766:"Evocative Surfaces: mille cromature di emozioni [Evocative Surfaces: A thousand chromatic emotions]"
899:"'After the Tribes' : Beverly Barkat, much more than the mayor's wife - In Jerusalem - Jerusalem Post"
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Barkat’s early paintings were largely figurative and in keeping with the traditional
Western genres.
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Museo di
Palazzo Grimani, Venice, Italy, 2017 Evocative Surfaces, curated by Sally Haftel Naveh.
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Community House, Kyoto, Japan, 2014 The International Art & Design Exhibition.
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Museo Boncompagni Ludovisi, Rome, Italy, 2018 After the Tribes, curated by Dr. Giorgia Calo.
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was sponsored by Polo Museale del Lazio, Embassy of Israel in Italy and Nomas Foundation.
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144:#173 from the Japanese series, Kyoto City International Foundation Curators' Award 2014.
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N&N Aman Gallery, Tel Aviv, Israel 2013 N&N exhibition, curated by Naomi Aviv.
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Around 2009, her paintings took a turn towards formal abstraction, with influences of
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372:בוורלי ברקת רוצה שתשכחו לרגע את בעלה, ראש עיריית ירושלים, ותתחילו להתמקד באמנות שלה
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Model Series, Evocative Surfaces exhibition, Museo di Palazzo Grimani, Venice 2017
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was curated by Dr. Giorgia Calo, who explains in the exhibition catalogue:
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1054:(in Hebrew and English). Tel Aviv: Bet ha-omanim ʻa. sh. Yosef Zaritsḳi.
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Benetton, Luciano; Aviv, Naomi; Milo, Daniel S.; Ofrat, Gideon (2014).
1178:"Beverly Barkat: Evocative Surfaces arriva a Venezia, Palazzo Grimani"
233:. The work is currently installed at the Gottesman Family Aquarium in
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In 2018 Barkat held her second institutional exhibition in Italy, at
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Evocative Surfaces exhibition, Museo di Palazzo Grimani, Venice 2017.
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Artists' House Tel Aviv, Israel, 2013 Screening Layers, curated by
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After The Tribes exhibition, Museo Boncompagni Ludovisi, Rome 2018
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After The Tribes exhibition, Museo Boncompagni Ludovisi, Rome 2018
635:"The 29th Kyoto Art Festival and International Exhibition of Art"
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from the Department of Metalsmithing and Jewellery Design.
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Israeli Artist Turns Plastic Pollution Into ‘Earth Poetica’
740:"מי אמר שוונציה שוקעת? (Who said that Venice is sinking?)"
1128:[Surface issues. Interview with Beverly Barkat].
843:"57th Venice Biennale Review - Riveting and Bewildering"
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The Gottesman Family Aquarium Jerusalem, Israel, 2022,
1152:"Beverly Barkat: Evocative Surfaces a Palazzo Grimani"
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curated by Dr. Raffaella Frascarelli, Nomas Foundation
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Beverly Sakalovsky (later Barkat) was born in 1966 in
1126:"Questione di superfici. Intervista a Beverly Barkat"
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Beverly Barkat working in her studio, in Jerusalem.
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496:. Vol. 12, nr. 46. p. 17. Archived from
610:. Italy: Marsilio Editori. pp. 21, 22, 24.
422:"MusEYEum Online Catalogue - Lorna Sakalovsky"
1204:"Venice Biennale 2017: 10 Best Fringe Events"
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1075:Israel/One. Contemporary artists from Israel
985:. Marsilio Editori. 2018. pp. 16–23.
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1278:Bezalel Academy of Arts and Design alumni
764:Camodeca, Domenico (September 11, 2017).
1268:20th-century South African women artists
1050:Sheffi, Smadar; Barkat, Beverly (2013).
582:. Italy: Marsilio Editori. p. 117.
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872:"The colors of the 12 tribes of Israel"
667:. Italy: Marsilio Editori. p. 26.
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206:is a large abstract, three-dimensional
1176:Caccavo, Paolo (September 12, 2017).
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1077:. Treviso: Fabrica. pp. 84–85.
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487:"Beverly Barkat - an SA-born girl"
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738:Gillerman, Dana (May 21, 2017).
712:Braga, Sonia S. (May 31, 2017).
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195:in Rome. The exhibition, titled
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455:: 3. April 1994. Archived from
1202:Field, Marcus (May 15, 2017).
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841:Cole, Alison (May 17, 2017).
689:"Outset - Supported projects"
369:Libsker, Ari (21 June 2017).
1150:Zanti, Igor (21 July 2017).
693:Outset Contemporary Art Fund
663:Haftel Naveh, Sally (2017).
606:Haftel Naveh, Sally (2017).
578:Haftel Naveh, Sally (2017).
170:Outset Contemporary Art Fund
99:Barkat is married to former
557:The Jerusalem Studio School
529:(in Hebrew). Archived from
494:South African Jewish Report
41:1966 (age 57–58)
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876:www.ilgiornaledellarte.com
193:Museo Boncompagni Ludovisi
86:Johannesburg, South Africa
72:(born 1966) is an Israeli
1298:Artists from Johannesburg
1024:"Gray is the new palette"
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932:(in Italian). 2018-10-11
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816:Sirlin, Deanna (2017).
790:Pagani, Angela (2017).
639:Viewed from the Outside
225:In 2022, she completed
124:Jerusalem Studio School
122:'s Master Class at the
105:Minister of the Economy
955:"History and Identity"
552:"Master Class Gallery"
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154:Abstract Expressionism
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926:"La torre di Beverly"
523:"Beverly Hills, 2008"
340:Visual arts in Israel
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718:Architectural Digest
295:Selected exhibitions
241:in lower Manhattan.
130:, Stuart Shils, and
212:Salone delle Vedute
92:in 1990, earning a
63:Sculpture, painting
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1030:The Jerusalem Post
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166:Evocative Surfaces
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953:Toscano, Franca.
818:"Women in Venice"
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45:South Africa
1258:1966 births
1208:Independent
746:(in Hebrew)
379:(in Hebrew)
239:Ground Zero
52:Nationality
1252:Categories
1213:2017-10-25
1188:2017-10-23
1162:2017-09-26
1136:2017-09-26
1110:2017-08-17
1036:2017-08-17
936:2019-03-04
908:2019-03-04
881:2019-03-04
852:2017-10-23
827:2017-10-23
802:2017-10-23
776:2017-09-26
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698:2017-12-30
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537:2017-12-30
507:2017-12-29
466:2017-12-29
431:2017-12-29
407:2017-12-29
383:2017-09-26
351:References
114:Art career
108:Nir Barkat
1130:Artribune
1060:894696419
377:Calcalist
235:Jerusalem
80:Biography
1156:Espoarte
334:See also
967:4 March
55:Israeli
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150:Cubism
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1079:ISBN
1056:OCLC
987:ISBN
969:2019
669:ISBN
612:ISBN
584:ISBN
152:and
38:Born
176:in
94:BFA
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475:^
451:.
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