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481:, Michael Kabran described the album as "easily one of the most enjoyable jazz releases of the last decade," and wrote: "Soulful, warm, and accessible... deftly toed the magical tightrope between post-bop and the avant-garde... its top-notch performances, infectious melodies, and propulsive rhythms resulted in something truly special."
431:, Thom Jurek wrote: "This is Garrett's strongest moment in an already enduring career; it's fully realized compositionally, and in terms of its arrangements and its playing, it's virtually flawless without sacrificing emotion or creative intent or aesthetic vision. Simply put, it's his masterpiece."
29:
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called the album "a dazzingly foray into the music, culture, and instruments of the Far East, reflected through the progressive jazz forms
Garrett is famous for," and "a beautiful album, rich in melody, groove, and progressive notions of what jazz can be."
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called the recording "one of the year's best albums," and stated: "Garrett holds his own in... heady company, warbling his alto sax like an
Islamic prayer horn one moment and shouting through it like an Alabama church choir the next."
458:
except, perhaps, in its unrelenting seriousness. Still, with a cast of players this strong, one can forgive its earnestness and revel in performances that bring Tyner's and
Coltrane's innovations into the 21st Century."
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stated that the album "is no gimmick, and its pancontinental jazz never feels contrived," and noted that
Garrett's experience climbing the Great Wall "unleashed a new source of creativity in him."
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embraces jazz in its original connotation, as a form so flexible and unrestricted that is both able to embrace the world and not be afraid to question its own foundations in the process."
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is very much a jazz suite... the project's core is pure, deep-rooted improvisation, with plenty of forthright tenor and alto from
Garrett, plus A-list sidemen."
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Garrett mixed
Chinese instrumentation with Western strings, creating an amalgam of musical styles, which hang together effortlessly. Some of the tracks on
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is a continuation of his fascination with and study of Asian cultures and philosophies. On
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commented: "It's hard to find fault with the deeply emotional ride of
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Kenny
Garrett – alto saxophone (tracks 1–4, 6–9), piano (track 5)
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1090:"Four Nonesuch Albums Nominated for 2006 Grammy Awards"
176:. Among the musicians are legendary tenor saxophonist
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977:"Kenny Garrett – Beyond the Wall – Nonesuch"
712:Rogerio Boccato – percussion (tracks 1, 3–8)
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1145:"Kenny Garrett: Seeds from the Underground"
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585:"Realization (Marching Towards The Light)"
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739:Geovanti Steward – vocals (tracks 6, 8)
1197:"Kenny Garrett Beyond The Wall Review"
1117:Himes, Geoffrey (September 15, 2006).
715:Jonathan Gandelsman – violin (track 5)
16:2006 studio album by Kenny Garrett
1358:Pursuance: The Music of John Coltrane
1005:Walters, John L. (December 6, 2006).
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770:Timmy Olmstead – engineer (assistant)
742:Kevin Wheatley – vocals (tracks 6, 8)
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1169:Greenlee, Steve (November 1, 2006).
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767:Jason Stasium – engineer (assistant)
764:David Stoller – engineer (assistant)
733:Dawn Caveness – vocals (tracks 6, 8)
384:The Penguin Guide to Jazz Recordings
207:relate specifically to his travels.
736:Genea Martin – vocals (tracks 6, 8)
730:Arlene Lewis – vocals (tracks 6, 8)
691:– tenor saxophone (tracks 1–4, 6–8)
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149:Sketches of MD: Live at The Iridium
888:"Beyond the Wall by Kenny Garrett"
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1247:Beyond the Wall by Kenny Garrett
1171:"Kenny Garrett: Beyond the Wall"
1143:Kabran, Michael (May 13, 2012).
1119:"Kenny Garrett: Beyond the Wall"
1007:"Kenny Garrett, Beyond the Wall"
949:"Kenny Garrett: Beyond the Wall"
918:"Kenny Garrett: Beyond the Wall"
782:– photography (of Kenny Garrett)
758:– producer, engineer (mastering)
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168:is the twelfth studio album by
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1:
1222:"Billboard Jazz Albums, 2006"
724:Susan Jolles – harp (track 5)
172:released in August 2006 from
823:Best Jazz Instrumental Album
721:Guowei Wang – erhu (track 5)
422:Best Jazz Instrumental Album
776:Mark Anderson – photography
500:s Lara Bellini commented: "
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1428:Sounds from the Ancestors!
1404:Seeds from the Underground
1224:. Billboard Magazine. 2006
1312:Introducing Kenny Garrett
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685:- piano (tracks 1–4, 6–9)
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1334:African Exchange Student
752:Kenny Garrett – producer
655:"May Peace Be Upon Them"
1556:Nonesuch Records albums
773:Doyle Partners – design
1471:Dreyfus Night In Paris
1412:Pushing the World Away
1195:Bellini, Lara (2006).
787:Awards and nominations
416:The album received a
69:Right Track Recording
1561:Kenny Garrett albums
1388:Standard of Language
216:Professional ratings
132:Standard of Language
60:February 19–21, 2006
1530:The Jazz Messengers
1463:Stars & Stripes
1123:The Washington Post
981:Audiophile Audition
613:"Kiss To The Skies"
509:Audiophile Audition
436:The Washington Post
309:Audiophile Audition
217:
1098:. December 6, 2006
983:. October 27, 2006
484:Steve Greenlee of
475:In an article for
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52:August 2006 (U.S.)
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1504:Casino Lights '99
1076:Recording Academy
1057:978-0-141-03401-0
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557:"Beyond The Wall"
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1523:Related articles
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1050:. p. 531.
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502:Beyond The Wall
470:Beyond the Wall
456:Beyond the Wall
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516:Track listing
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221:Review scores
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195:For Garrett,
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170:Kenny Garrett
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42:Kenny Garrett
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1490:Compilations
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1381:Happy People
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1226:. Retrieved
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1100:. Retrieved
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1016:. Retrieved
1012:The Guardian
1010:
985:. Retrieved
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927:. Retrieved
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818:Grammy Award
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465:The Guardian
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462:Writing for
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418:Grammy Award
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346:The Guardian
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188:and drummer
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131:
37:Studio album
1566:2006 albums
1512:V.A. Relief
1499:(1987,1992)
1447:Live albums
1374:Simply Said
1228:November 7,
1102:January 17,
899:January 17,
707:Brian Blade
190:Brian Blade
1550:Categories
1342:Black Hope
1149:PopMatters
871:References
814:Nominated
747:Production
571:"Qing Wen"
478:PopMatters
184:, pianist
122:chronology
1497:Old Folks
1320:Garrett 5
1175:JazzTimes
855:Billboard
848:position
803:Category
674:Musicians
669:Personnel
543:"Calling"
532:Writer(s)
487:JazzTimes
211:Reception
1366:Songbook
1350:Triology
1040:(2008).
953:AllMusic
429:AllMusic
273:AllMusic
104:Producer
57:Recorded
49:Released
39: by
1048:Penguin
1018:May 10,
958:May 10,
929:May 10,
861:(2006)
797:Result
709:– drums
641:"Gwoka"
153:(2008)
144:(2006)
135:(2003)
1515:(2021)
1507:(1999)
1482:(2008)
1474:(1994)
1466:(1993)
1458:(1991)
1455:Ja-Hed
1439:(2024)
1431:(2021)
1423:(2016)
1415:(2013)
1407:(2012)
1399:(2006)
1391:(2003)
1383:(2002)
1377:(1999)
1369:(1997)
1361:(1996)
1353:(1995)
1345:(1992)
1337:(1990)
1329:(1989)
1323:(1988)
1315:(1984)
1206:May 9,
1180:May 9,
1154:May 9,
1128:May 9,
1054:
987:May 9,
843:Chart
800:Award
703:– bass
535:Length
229:Rating
226:Source
111:&
65:Studio
811:2007
806:Work
794:Year
633:11:48
627:"Now"
529:Title
92:Label
80:Genre
1230:2013
1208:2023
1182:2023
1156:2023
1130:2023
1104:2021
1052:ISBN
1020:2023
989:2023
960:2023
931:2023
901:2021
846:Peak
661:8:15
647:9:14
619:9:40
605:4:47
591:6:10
577:9:46
563:7:33
549:9:37
493:The
85:Jazz
1201:BBC
864:13
525:No.
496:BBC
73:NYC
1552::
1199:.
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1121:.
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1074:.
1036:;
1009:.
997:^
979:.
968:^
951:.
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920:.
909:^
890:.
879:^
652:9.
638:8.
624:7.
610:6.
596:5.
582:4.
568:3.
554:2.
540:1.
440:s
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71:,
1280:e
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1266:v
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