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Although he wrote both instrumental and vocal music, he is better known for his innovative instrumental compositions. He contributed to the early development of the string idiom by expanding the performance range of the solo and accompanied violin and incorporating
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tunings. He made contributions to most of the contemporary genres and investigated unusual compositional procedures, like constructing an entire sonata without a
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40:. His works were printed and influential throughout the European musical world. He traveled throughout his life, and occupied posts in
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Brunner, Georg (1997). "Biagio Marini. Die
Revolution in der Instrumentalmusik". Schrobenhausen: Verlag Benedikt Bickel.
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106:(in the sonata La Foscarina, op. 1 No. 14; 1617) effects into his music. He was also among the first composers, after
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in Italy. There is evidence that he married three times and fathered five children. He died in Venice.
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Per ogni sorte di strumento musicale diversi generi di sonate, da chiesa, e da camera (1655)
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Salmi per tutte le solennità dell’anno concertati nel moderno stile
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One latter-day champion of Marini's music is the
British violinist
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128:. In addition to his violin works, he wrote music for the
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and composer in the first half of the seventeenth century.
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22:(5 February 1594 – 20 March 1663) was an Italian
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This article about an
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322:. New York: Simon and Schuster. pp.
368:allmusic.com biography for Biagio Marini
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242:Vesperi per tutte le festività dell’anno
193:Le lagrime d’Erminia in stile recitativo
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218:Compositioni varie per musica di camera
155:devoted to Marini's music for strings.
230:Concerto terzo delle musiche da camera
248:Lagrime di Davide sparse nel miserere
36:. He may have studied with his uncle
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268:Dunn, Thomas D. "Marini, Biagio",
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580:Italian male classical violinists
199:Per le musiche di camera concerti
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153:Curiose e moderne inventioni
590:17th-century male musicians
318:Great Masters of the Violin
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180:Arie, madrigali et corenti
565:Italian Baroque composers
159:Surviving published works
314:Schwarz, Boris (1983).
44:, over thirty years in
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285:(subscription access).
187:Scherzi e canzonette
173:Madrigali e symfonie
122:Sonata senza cadenza
62:St. Mark's Cathedral
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351:Extended technique
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113:scordatura
50:DĂĽsseldorf
60:group at
27:violinist
345:See also
279:Archived
258:2 motets
126:tonality
42:Brussels
24:virtuoso
379:(IMSLP)
375:at the
263:Sources
252:Op. 22
246:Op. 21
240:Op. 20
234:Op. 18
228:Op. 16
222:Op. 15
216:Op. 13
138:sackbut
134:dulcian
130:cornett
118:cadence
103:tremolo
86:Brescia
82:Bergamo
74:Ferrara
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210:Op. 9
207:(1629)
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197:Op. 7
191:Op. 6
185:Op. 5
182:(1620)
178:Op. 3
175:(1618)
171:Op. 2
168:(1617)
164:Op. 1
136:, and
84:, and
54:Venice
52:, and
324:35–36
78:Milan
70:Parma
66:Padua
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328:ISBN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.