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132:, saying "it was disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully". Biagio went on to say that the painting was more suitable "for the public baths and taverns" than a papal chapel. In response, Michelangelo worked Biagio's face into the scene as
140:(indicating foolishness), while his nudity is covered by a coiled snake biting his penis. It was widely said that when Biagio complained to Pope Paul III, the pontiff joked that his jurisdiction did not extend to hell and the portrait would have to remain.
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priest and
Vatican official who served as Papal Master of Ceremonies. He is widely known for his negative reaction to the nude figures presented in
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In a story well known from the 16th century onwards, in a number of slightly different versions, Biagio is said to have complained about
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Historia di detti et fatti notabili di diversi
Principi & huommi privati moderni
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136:, judge of the underworld (in the far bottom-right corner of the fresco) with
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181:, vol. 32, no. 4, Ars Brevis Foundation, Inc., pp. 15–19,
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Land, Norman E. (Summer 2013), "Source: Notes in the
History of Art",
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A Concise
History of the Tale of Michelangelo and Biagio da Cesena
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88:(meaning "from Cesena", his native city), was a 16th-century
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In 1518, Biagio became Papal Master of
Ceremonies to
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207:Norman; in Domenichi's
84:1544), better known as
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245:People from Cesena
155:Lodovico Domenichi
130:The Last Judgment
99:The Last Judgment
74:Biagio Martinelli
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64:Denomination
240:1544 deaths
235:1463 births
138:donkey ears
56:Nationality
224:Categories
161:References
187:41955680
102:in the
90:Italian
80:1463 –
59:Italian
43:Diocese
198:Norman
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145:Vasari
121:, and
78:Cesena
183:JSTOR
134:Minos
82:Rome
46:Rome
147:'s
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169:^
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76:(
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