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Big Fish, Little Fish

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The Swiss appointment falls through at the last minute. William nevertheless announces his intention to go to Europe on holiday, hosting a farewell party where he expresses his unhappiness with his friends. It is left ambiguous as to whether he will return to resume his place at the center of his New
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Shortly before his departure for Geneva, in conversation with Jimmie, William confesses that he was not the victim of an injustice at the university: the student's accusation was true. She was the daughter of a trustee who could secure William a position as president of the college. William proposed
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kept a diary of the original production. He reported that, during rehearsals, the cast and creative team engaged in long discussions about the homosexuality theme. He commented that attempts to "prejudge audience or critical reaction" could lead to a "safe but regretful" production. Cronyn praised
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wrote, "There is a softness at the core of the play because there is a disquieting elusiveness about the central character. If you can believe in him, and Jason Robards Jr. makes a brilliant effort to turn him into a credible human being, you may find the essential story deeply moving. But if you
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His middle-aged circle of friends, who all have emotional demands on him, are: Edith, a married woman with whom he sometimes sleeps; Jimmie, a schoolmaster with cultural aspirations and a crush on William; Basil, a retired publisher and lonely cat-lover; Hilda, a minor executive who aspires to be
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William has worked in a minor position in a publishing firm for more than two decades. Before that he was a rising academic, the youngest full professor at a prestigious university. He was forced out of the post after a scandal: a young female student broke into his room and committed suicide,
78:, who now works in a minor post at a publishing company. The play explores his relationships with his parasitic group of friends and treats issues of homosexuality, guilt and friendship. The work was Wheeler's first play, and afterwards he turned to playwriting full-time. 36: 177:
William's friends bicker with one another and sometimes with him, but the group is generally stable until the arrival of Ronnie, an ambitious young author. He has been asked to find someone to fill an unexpected senior vacancy in a publishing company in
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awards, for Best Director and Best Featured Actor, and was nominated for two more. A London production the following year was a failure, closing within two weeks. The piece has rarely been revived, but it was adapted for television in 1971.
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racy; and Viola, a former lover of William's, who is not seen but rings him frequently, usually when drunk. William is kind and sweet to his friends, but it is not clear how much he depends emotionally on being a big fish in a small pond.
182:, and he successfully seeks to interest William in the post. Most of William's friends resist, then accept with sadness, the prospect of his departure for Europe, but Basil is devastated and suffers a fatal heart attack from the shock. 223:... has written them. And yet these characters are, in a sense, set adrift by their intense devotion to the less interesting character played by Mr. Robards and by their old isolation from the rest of the world." In 229:, John Gassner shared his view that the central role was not the strong point of the play, but he praised both Wheeler and Cronyn for their sensitive and honest treatment of Jimmie's hidden homosexuality. 213:… Mr. Wheeler has not always steered a straight, clear course. But he writes of strange relationships with an integrity that is occasionally beguiling." The New York correspondent of 219:
praised the virtuosity of the cast and director, and said of the play, "Still, good parts require to be written, and Mr. Wheeler, hitherto known only as a writer of detective novels
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awards for the Broadway production, Gabel as Featured Actor, and Gielgud as Director, and was nominated for two more, Cronyn as Best Actor, and Grizzard as Featured Actor.
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marriage and then left the girl in the lurch, causing her to kill herself. William has been working in a lowly position ever since as a form of penance and expiation.
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Gielgud's process and his abilities as a "director-analyst". He also praised the talent, creativity and generosity of Wheeler and of the other actors in the cast.
93:. It ran for 101 performances, closing on July 10, 1961. The production did not make money at the box office, but despite only mixed to warm reviews, it won two 104:
was one of the first Broadway plays to explore frankly the issue of homosexuality, and Gielgud ignored advice to tone down the "implicit queerness".
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After an out-of-town tryout in Philadelphia beginning on February 27, 1961, the piece premiered on March 15 at
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leaving a note claiming that William seduced and then abandoned her. William's denials were not believed.
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The setting is William Baker's New York apartment in the East 30s. The time is the present (1961).
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as Hilda. The production closed less than two weeks later, on 29 September 1962.
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York circle. The play ends with him once more soothing Viola over the phone.
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A television version was broadcast in the US in January 1971, with
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American Theatre: A Chronicle of Comedy and Drama, 1930–1969
371:, Internet Broadway Database, retrieved 14 March 2014 551:, 29 September 1962, p. 2; and 1 October 1962, p. 2 322:Obituary: "Hugh Wheeler, Award Winning Playwright" 89:in New York City. The production was directed by 344:, July 1961, reproduced in Senelick, pp. 74–82 8: 328:, July 28, 1987, retrieved March 14, 2014 656:John Gielgud: Matinee Idol to Movie Star 336: 334: 780:History of gay men in the United States 618:, Tony Awards, retrieved March 14, 2014 352: 350: 313: 364: 362: 356:Wheeler, unnumbered introductory page 7: 694:Big Fish, Little Fish – A New Comedy 535:, Vol. 13, No. 2 (May 1961), p. 106 253:as Jimmie, Thomas Coley as William, 740:​Big Fish, Little Fish​ 721:​Big Fish, Little Fish​ 245:on 18 September 1962, directed by 14: 514:"Not so dramatic on Broadway", 677:. Routledge theatre classics. 70:. The story concerns a former 1: 340:Cronyn, Hume. "Dear Diary", 66:in three acts by playwright 16:Play written by Hugh Wheeler 673:Senelick, Laurence (2013). 636:. Oxford University Press. 596:, 18 September 1974, p. 32 209:can't, the work goes soggy. 198:Reviewing the premiere for 796: 775:Plays set in New York City 745:Internet Broadway Database 586:"Mainstream Drama Runs In 20: 632:Bordman, Gerald (1996). 572:, 6 January 1971, p. 75 292:production ran in 1974. 609:"Big Fish, Little Fish" 598:(subscription required) 574:(subscription required) 537:(subscription required) 504:(subscription required) 502:, 16 March 1961, p. 42 369:"Big Fish, Little Fish" 300:The production won two 237:The play opened at the 692:Wheeler, Hugh (1961). 675:Theatre Arts on Acting 239:Duke of York's Theatre 51: 760:1961 in LGBTQ history 588:Big Fish, Little Fish 564:Big Fish, Little Fish 342:Theatre Arts Magazine 288:leading the cast. An 102:Big Fish, Little Fish 56:Big Fish, Little Fish 38: 529:"Broadway in Review" 735:) at Playbill Vault 658:. A & C Black. 518:, 1 May 1961, p. 16 614:2016-08-31 at the 594:The New York Times 584:Thompson, Howard. 570:The New York Times 500:The New York Times 326:The New York Times 320:Hampton, Wilborn. 201:The New York Times 194:Critical reception 52: 698:Rupert Hart-Davis 494:Taubman, Howard. 282:Louis Gossett Jr. 233:Later productions 148:Edith Maitland – 136:Ronnie Johnson – 74:, disgraced by a 72:college professor 787: 709: 688: 669: 652:Croall, Jonathan 647: 619: 606: 600: 599: 582: 576: 575: 558: 552: 545: 539: 538: 525: 519: 512: 506: 505: 492: 486: 483: 477: 474: 468: 465: 459: 456: 450: 447: 441: 438: 432: 429: 423: 422:Wheeler, pp. 3–5 420: 414: 411: 405: 399: 393: 390: 384: 378: 372: 366: 357: 354: 345: 338: 329: 318: 290:Off-Off-Broadway 259:Frederick Jaeger 255:Frank Pettingell 222: 212: 156:Elizabeth Wilson 142:Paul Stumpfig – 124:William Baker – 795: 794: 790: 789: 788: 786: 785: 784: 750: 749: 716: 691: 685: 672: 666: 650: 644: 631: 628: 623: 622: 616:Wayback Machine 607: 603: 597: 583: 579: 573: 559: 555: 546: 542: 536: 533:Theatre Journal 527:Gassner, John. 526: 522: 513: 509: 503: 493: 489: 485:Wheeler, p. 115 484: 480: 476:Wheeler, p. 109 475: 471: 467:Wheeler, p. 105 466: 462: 458:Wheeler, p. 100 457: 453: 448: 444: 439: 435: 430: 426: 421: 417: 412: 408: 400: 396: 392:Senelick, p. 74 391: 387: 379: 375: 367: 360: 355: 348: 339: 332: 319: 315: 310: 298: 235: 226:Theatre Journal 220: 210: 196: 164: 144:George Voskovec 138:George Grizzard 130:Basil Smythe – 118:Jimmie Luton – 115: 33: 28:Bob the Builder 23:Bob the Builder 17: 12: 11: 5: 793: 791: 783: 782: 777: 772: 770:Broadway plays 767: 762: 752: 751: 748: 747: 736: 715: 714:External links 712: 711: 710: 689: 684:978-1134723751 683: 670: 665:978-1408131077 664: 648: 643:978-0195358087 642: 627: 624: 621: 620: 601: 577: 553: 540: 520: 507: 487: 478: 469: 460: 451: 449:Wheeler, p. 33 442: 433: 431:Wheeler, p. 13 424: 415: 413:Wheeler, p. 48 406: 394: 385: 373: 358: 346: 330: 312: 311: 309: 306: 297: 294: 278:William Windom 234: 231: 206:Howard Taubman 195: 192: 163: 160: 159: 158: 152: 146: 140: 134: 128: 122: 114: 111: 83:ANTA Playhouse 15: 13: 10: 9: 6: 4: 3: 2: 792: 781: 778: 776: 773: 771: 768: 766: 763: 761: 758: 757: 755: 746: 742: 741: 737: 734: 730: 728: 723: 722: 718: 717: 713: 707: 703: 699: 695: 690: 686: 680: 676: 671: 667: 661: 657: 653: 649: 645: 639: 635: 630: 629: 625: 617: 613: 610: 605: 602: 595: 591: 589: 581: 578: 571: 567: 565: 560:Gussow, Mel. 557: 554: 550: 544: 541: 534: 530: 524: 521: 517: 511: 508: 501: 497: 491: 488: 482: 479: 473: 470: 464: 461: 455: 452: 446: 443: 440:Wheeler, p. 5 437: 434: 428: 425: 419: 416: 410: 407: 404: 398: 395: 389: 386: 383: 377: 374: 370: 365: 363: 359: 353: 351: 347: 343: 337: 335: 331: 327: 323: 317: 314: 307: 305: 303: 295: 293: 291: 287: 283: 279: 274: 272: 269:as Edith and 268: 267:Jessica Tandy 264: 260: 256: 252: 248: 247:Frith Banbury 244: 240: 232: 230: 228: 227: 218: 217: 207: 203: 202: 193: 191: 187: 183: 181: 175: 171: 167: 161: 157: 154:Hilda Rose – 153: 151: 147: 145: 141: 139: 135: 133: 129: 127: 126:Jason Robards 123: 121: 117: 116: 112: 110: 107: 103: 99: 96: 92: 88: 84: 79: 77: 73: 69: 65: 62: 58: 57: 49: 45: 44:Jason Robards 41: 37: 31: 29: 24: 19: 739: 726: 720: 693: 674: 655: 633: 604: 593: 587: 580: 569: 563: 556: 548: 547:"Theatres", 543: 532: 523: 515: 510: 499: 490: 481: 472: 463: 454: 445: 436: 427: 418: 409: 397: 388: 376: 341: 325: 316: 299: 275: 241:in London's 236: 224: 214: 199: 197: 188: 184: 176: 172: 168: 165: 132:Martin Gabel 101: 100: 91:John Gielgud 80: 68:Hugh Wheeler 55: 54: 53: 40:Martin Gabel 27: 22: 18: 261:as Ronnie, 251:Hume Cronyn 120:Hume Cronyn 106:Hume Cronyn 76:sex scandal 48:Hume Cronyn 765:1961 plays 754:Categories 696:. London: 626:References 286:Bill Bixby 271:Viola Lyel 263:Carl Jaffé 257:as Basil, 150:Ruth White 25:song, see 549:The Times 516:The Times 380:Bordman, 265:as Paul, 216:The Times 30:§ Singles 727:Playbill 706:11219792 654:(2011). 612:Archived 566:returns" 401:Croall, 243:West End 87:Broadway 50:in Act I 21:For the 743:at the 733:archive 724:at the 249:, with 704:  681:  662:  640:  403:p. 463 382:p. 375 296:Awards 221:  211:  180:Geneva 61:comedy 729:Vault 308:Notes 59:is a 702:OCLC 679:ISBN 660:ISBN 638:ISBN 302:Tony 284:and 162:Plot 113:Cast 95:Tony 64:play 46:and 85:on 756:: 700:. 592:, 568:, 531:, 498:, 361:^ 349:^ 333:^ 324:, 280:, 204:, 42:, 731:( 708:. 687:. 668:. 646:. 590:" 562:" 32:.

Index

Bob the Builder § Singles

Martin Gabel
Jason Robards
Hume Cronyn
comedy
play
Hugh Wheeler
college professor
sex scandal
ANTA Playhouse
Broadway
John Gielgud
Tony
Hume Cronyn
Hume Cronyn
Jason Robards
Martin Gabel
George Grizzard
George Voskovec
Ruth White
Elizabeth Wilson
Geneva
The New York Times
Howard Taubman
The Times
Theatre Journal
Duke of York's Theatre
West End
Frith Banbury

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