74:
20:
69:
techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new
135:(eye-cups). Usually, both paintings (in both styles) on one vase are produced by the same artist. In some cases, however, this is controversial. This applies especially to the Andokides Painter, whose black-figure work is ascribed by some scholars to the
473:
106:
31:
563:
494:
976:
220:
425:
109:. Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the external surface. An exception to this is a
97:. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the
781:
347:
168:
556:
73:
19:
173:
707:
530:
549:
43:
902:
981:
520:
62:
27:
935:
751:
698:
572:
478:
229:
213:
738:
728:
77:
66:
799:
986:
872:
854:
832:
789:
723:
713:
596:
357:
809:
794:
756:
718:
662:
367:
284:
940:
761:
693:
677:
667:
616:
327:
206:
111:
746:
438:
400:
174:
Lysippides painter 530 BC. Black figure side of "Bilingual" vase: Herakles & sacrificial bull.
703:
634:
586:
525:
433:
342:
136:
624:
119:, on which the exterior is painted half in black-figure and half in red-figure. Apart from the
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601:
488:
332:
276:
120:
102:
515:
771:
766:
606:
505:
483:
375:
352:
840:
253:
970:
862:
822:
672:
266:
169:
Andocides painter 530 BC. Black figure side of "Bilingual" vase: Athena and
Herakles.
154:
98:
90:
915:
880:
817:
294:
261:
642:
405:
302:
243:
70:
red-figure style, although that style subsequently became dominant rather fast.
54:
945:
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390:
385:
955:
510:
500:
410:
380:
198:
128:
139:, who, in turn, is sometimes seen as identical with the Andokides Painter.
415:
337:
58:
53:
is a special form of ancient Greek vase painting. The term, derived from
23:
443:
116:
94:
453:
448:
395:
39:
132:
124:
72:
18:
545:
202:
89:
Bilingual vase painting was almost entirely restricted to
61:
one; it describes vases that are painted both in the
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831:
808:
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737:
686:
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579:
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315:
293:
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80:side of the vase illustrated above, same subject
557:
214:
123:, bilingual works were produced primarily by
8:
127:(especially belly amphorae), as well as by
805:
734:
612:
564:
550:
542:
421:
249:
221:
207:
199:
16:Ancient Greek method for painting pottery
32:a belly amphora by the Andokides Painter
185:
7:
977:Ancient Greek vase-painting styles
14:
192:Archaeological Museum, Inv. V 650
1:
115:by the Andokides Painter in
44:Staatliche Antikensammlungen
903:List of Greek vase painters
573:Ancient Greek vase painting
1003:
936:Corpus vasorum antiquorum
479:Corpus vasorum antiquorum
230:Pottery of ancient Greece
158:Vol. 2 (1997), Col. 677
51:Bilingual vase painting
81:
47:
316:Ancient Greece proper
76:
22:
941:East Greek Bird Bowl
521:Terracotta figurines
26:resting on a couch,
57:, is essentially a
687:Stylistic regions
587:Three-phase firing
526:Three-phase firing
137:Lysippides Painter
82:
48:
982:Archaic Greek art
964:
963:
951:Kalos inscription
921:Adolf Furtwangler
889:
888:
849:
848:
708:Pseudo-Chalkidian
656:Stylistic periods
651:
650:
602:Black-glazed Ware
539:
538:
489:Hellenistic glass
462:
461:
333:Black-glazed Ware
311:
310:
148:Irma Wehgartner:
121:Andokides Painter
103:Andokides Painter
93:of type B and to
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806:
735:
613:
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516:Tanagra figurine
422:
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967:
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905:
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867:
845:
827:
804:
776:
772:Caeretan hydria
733:
682:
647:
629:
611:
607:West Slope Ware
575:
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484:Disjecta membra
458:
420:
362:
353:West Slope Ware
307:
289:
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248:
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165:
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87:
17:
12:
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5:
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929:Special topics
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841:Centuripe ware
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668:Protogeometric
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467:Special topics
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426:Little Masters
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163:Other examples
161:
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155:Der Neue Pauly
150:Bilingue Vasen
144:
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91:belly amphorae
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15:
13:
10:
9:
6:
4:
3:
2:
999:
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987:Attic pottery
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863:Kabiria Group
861:
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839:
838:
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834:
830:
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823:Gnathia vases
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782:South Italian
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678:Orientalizing
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663:Sub-Mycenaean
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348:South Italian
346:
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304:
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285:Sub-Mycenaean
283:
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278:
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268:
267:Vasiliki ware
265:
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99:belly amphora
96:
92:
84:
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68:
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60:
56:
52:
45:
41:
37:
33:
29:
25:
21:
916:John Beazley
881:Pontic Group
818:Canosa vases
617:Black-figure
597:White-ground
591:
493:
474:Conservation
358:White ground
328:Black-figure
322:
262:Kamares ware
188:
153:
149:
143:Bibliography
110:
107:Munich 2301)
88:
63:black-figure
59:metaphorical
50:
49:
38:520/510 BC.
35:
28:black-figure
752:Klazomenian
406:Nikosthenes
303:Frying pans
244:Minyan ware
65:and in the
55:linguistics
971:Categories
946:Hadra vase
739:East Greek
729:Thessalian
704:Chalkidian
635:Red-figure
580:Techniques
531:Vase types
439:Hermogenes
401:Hypereides
391:Euthymides
386:Euphronios
343:Red-figure
180:References
78:Red-figure
67:red-figure
956:Name vase
894:Painters
800:Campanian
767:Wild Goat
673:Geometric
592:Bilingual
511:Symposium
501:Name vase
434:Ergoteles
411:Pamphaios
381:Ergotimos
323:Bilingual
277:Mycenaean
129:Epiktetos
910:Scholars
873:Etruscan
855:Boeotian
833:Sicilian
790:Lucanian
724:Laconian
714:Cycladic
416:Sophilos
338:Bucchero
295:Cycladic
95:eye-cups
30:side of
24:Heracles
810:Apulian
795:Paestan
757:Rhodian
719:Euboean
444:Phrynos
368:Potters
117:Palermo
101:by the
85:History
762:Samian
694:Argive
454:Tleson
449:Sokles
396:Gryton
376:Amasis
254:Minoan
237:Aegean
40:Munich
747:Ionic
699:Attic
643:Kerch
625:Six's
152:, in
133:Oltos
125:Psiax
112:kylix
36:circa
506:Slip
495:LIMC
131:and
973::
105:,
42::
34:,
710:)
706:(
565:e
558:t
551:v
222:e
215:t
208:v
46:.
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