Knowledge (XXG)

Birotron

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76:. He used the keyboard from an old piano and parts from a local hardware store, plus a set of automotive eight-track decks from a junkyard. Biro built the prototype in his father's garage with "no plans, no drawings. nothing. All I remember is that absolutely no one thought it could work". Despite several faults, Biro persuaded Wakeman to financially invest in the instrument after meeting him backstage at a concert later that year. As part of the deal, Wakeman retained full rights with an offer of compensation to Biro should the instrument become successful. Development progressed in 1975, when Wakeman had Biro produce a working model with help from his technicians at his factory and rehearsal facility in 120:
the UK, and a decision had yet to be made to either produce several models to work on different voltages, or add a built-in transformer. Wakeman said a key problem was that the instrument had "teething problems" that did not bother him, but would be unacceptable to the general public. A further problem was the increasing popularity of
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In late 1978, Wakeman said that between 30 and 35 unfinished models had been built, and the instrument performed to his satisfaction in a studio setting, but problems arose when it was used on tour with Yes a year prior. Its precise voltage requirements made it unsuitable for use in countries outside
124:, which could reproduce a similar sound without any mechanical issues. Ultimately, few models were manufactured and the instrument never entered regular production. Wakeman later said he lost around £50,000 in the investment. 83:
The Birotron was announced in September 1975 and marketed by Complex 7, a group of companies that Wakeman directed to help build and market the instrument. Pete Robinson was in charge of operations. Advance orders came from
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The instrument has 37 keys and features 19 eight-track cartridges. Tapes could be easily exchanged or replaced, and it was intended that musicians could add their own recordings to the instrument.
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in a loop. As such tapes never need rewinding, this avoided the problem that the Mellotron had, where a sound would stop playing after around eight seconds.
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Keyboard Magazine Presents Vintage Synthesizers: Pioneering Designers, Groundbreaking Instruments, Collecting Tips,Mutants of Technology
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The Birotron was named after its inventor, Dave Biro, and developed with investment from regular Mellotron player
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Biro first started designing a tape-replay instrument in 1974 after hearing Wakeman play the Mellotron on
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and Tom Rhea. As of 2019, only two working models are known to exist.
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The only musicians other than Wakeman to have bought a Birotron are
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Mellotron: The Machines and the Musicians that Revolutionised Rock
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musical instrument designed as a successor to the similar
457:- Birotron page featuring an interview with Rick Wakeman 426:
Classic Keys: Keyboard Sounds That Launched Rock Music
154: 152: 150: 148: 368: 231: 187: 104:. Wakeman used the instrument on his solo album 342:"Rick Wakeman: On the Road and Beyond with Yes" 198: 196: 300:. No. 152. January 1976. pp. 62–63. 8: 477:Electric and electronic keyboard instruments 316:International Musician & Recording World 275:International Musician & Recording World 249:International Musician & Recording World 335: 333: 312:"Music News - Wakeman goes into business" 424:Lenhoff, Alan; Robertson, David (2019). 144: 16:Electro-mechanical musical instrument 7: 170: 158: 14: 340:Milano, Dominic (February 1979). 277:(Sep 1975): 77–82. September 1975 463:NAMM Oral History Library (2013) 430:University of North Texas Press 318:(Oct 1975): 71–73. October 1975 251:(Sep 1975): 6–9. September 1975 1: 69:Tales from Topographic Oceans 369:Lenhoff & Robertson 2019 232:Lenhoff & Robertson 2019 188:Lenhoff & Robertson 2019 498: 298:Beat Instrumental Magazine 390:. Bennett & Bloom. 271:"Music News - Birotron" 346:Contemporary Keyboard 326:– via Muzines. 285:– via Muzines. 259:– via Muzines. 212:Essays: The Believer 461:Dave Biro Interview 405:Vail, Mark (2000). 386:Awde, Nick (2008). 122:string synthesizers 455:Eight Track Heaven 409:. Backbeat Books. 206:(June–July 2007). 131:(who bought two), 31:, and financed by 25:electro-mechanical 482:Analogue samplers 439:978-1-57441-776-0 416:978-0-87930-603-8 397:978-1-898948-02-5 296:"Complex Seven". 489: 443: 420: 401: 372: 366: 357: 356: 354: 352: 337: 328: 327: 325: 323: 308: 302: 301: 293: 287: 286: 284: 282: 267: 261: 260: 258: 256: 241: 235: 229: 223: 222: 220: 218: 200: 191: 185: 174: 168: 162: 156: 53:eight-track tape 497: 496: 492: 491: 490: 488: 487: 486: 467: 466: 451: 446: 440: 423: 417: 404: 398: 385: 381: 376: 375: 367: 360: 350: 348: 339: 338: 331: 321: 319: 310: 309: 305: 295: 294: 290: 280: 278: 269: 268: 264: 254: 252: 243: 242: 238: 230: 226: 216: 214: 202: 201: 194: 186: 177: 169: 165: 157: 146: 141: 129:Tangerine Dream 107:Criminal Record 98:John Paul Jones 64: 41: 17: 12: 11: 5: 495: 493: 485: 484: 479: 469: 468: 465: 464: 458: 450: 449:External links 447: 445: 444: 438: 421: 415: 402: 396: 382: 380: 377: 374: 373: 371:, p. 278. 358: 329: 303: 288: 262: 245:"Rick Wakeman" 236: 234:, p. 277. 224: 192: 190:, p. 276. 175: 173:, p. 232. 163: 143: 142: 140: 137: 90:Paul McCartney 63: 60: 51:, but it used 40: 37: 15: 13: 10: 9: 6: 4: 3: 2: 494: 483: 480: 478: 475: 474: 472: 462: 459: 456: 453: 452: 448: 441: 435: 431: 427: 422: 418: 412: 408: 403: 399: 393: 389: 384: 383: 378: 370: 365: 363: 359: 347: 343: 336: 334: 330: 317: 313: 307: 304: 299: 292: 289: 276: 272: 266: 263: 250: 246: 240: 237: 233: 228: 225: 213: 209: 205: 204:Collins, Paul 199: 197: 193: 189: 184: 182: 180: 176: 172: 167: 164: 161:, p. 97. 160: 155: 153: 151: 149: 145: 138: 136: 134: 133:Klaus Schulze 130: 125: 123: 117: 115: 114: 110:and on Yes's 109: 108: 103: 99: 95: 94:Keith Emerson 91: 87: 81: 79: 75: 71: 70: 61: 59: 56: 54: 50: 49:magnetic tape 46: 38: 36: 34: 30: 26: 22: 425: 406: 387: 349:. Retrieved 345: 320:. Retrieved 315: 306: 297: 291: 279:. Retrieved 274: 265: 253:. Retrieved 248: 239: 227: 215:. Retrieved 211: 208:"Ker-Chunk!" 166: 126: 118: 111: 105: 82: 78:High Wycombe 67: 65: 57: 45:Rick Wakeman 42: 33:Rick Wakeman 20: 18: 351:27 December 322:28 December 281:28 December 255:28 December 217:28 December 86:John Lennon 80:, England. 471:Categories 139:References 102:Elton John 62:Production 171:Awde 2008 159:Vail 2000 29:Mellotron 39:Features 21:Birotron 379:Sources 113:Tormato 23:was an 436:  413:  394:  434:ISBN 411:ISBN 392:ISBN 353:2023 324:2023 283:2023 257:2023 219:2023 100:and 19:The 116:. 74:Yes 72:by 473:: 432:. 428:. 361:^ 344:. 332:^ 314:. 273:. 247:. 210:. 195:^ 178:^ 147:^ 96:, 92:, 88:, 35:. 442:. 419:. 400:. 355:. 221:.

Index

electro-mechanical
Mellotron
Rick Wakeman
Rick Wakeman
magnetic tape
eight-track tape
Tales from Topographic Oceans
Yes
High Wycombe
John Lennon
Paul McCartney
Keith Emerson
John Paul Jones
Elton John
Criminal Record
Tormato
string synthesizers
Tangerine Dream
Klaus Schulze




Vail 2000
Awde 2008



Lenhoff & Robertson 2019

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