290:
glamor and celebrity. Marty even stays sober. On the night before Kirk is due to be executed, Marty cannot hold it in any more and declares his love for
Catherine. In spite of having "sacrificed her virtue" in getting close enough to Mr. Marko to rifle his safe, she tells Marty that Kirk had always been the only man for her, and would remain so. Devastated, Marty goes on a bender, and in a carousel of bars chances on a dame wearing the missing brooch. When she asks him where he has been since giving it to her, it comes clear that he had pinned it on her himself the night of the murder.
408:
285:
Since
Catherine used to sing some, Marty suggests they team up and audition for a spot in Marko's club. They get the job, and become convinced Marko is hiding a dark secret when Marty recognizes an envelope from Mavis' personal stationery in his office. Catherine schemes for a chance to search it in
301:
Come daylight, Catherine returns from a visit to the prison to say a final goodbye to Kirk. She finds and rouses Marty, who begins to reflexively confess. Flood glides into the room and hears it all. As fantastic as the story is, Marty seems sincere, and willing to accept the consequences. The
273:
Seen fleeing the scene, the married
Bennett is soon picked up by Captain Flood of the Los Angeles Police Department. He claims Mavis was blackmailing him to conceal their affair, but can offer no proof of someone else being there who would be responsible both for Mavis' death and the theft of her
293:
The shock of this discovery triggers a flashback. In his delirium, Marty realizes that it was actually he who had strangled Mavis and taken the brooch, then buried the traumatic memory in a drunken stupor. Paying the usual quarter, he had bribed his building's janitor to let him out of his room
289:
Between their detective leg work and cover as a performing duet
Catherine and Marty come to spend all their time together, with Marty becoming a welcome daytime visitor to her home. Their partnership blossoms into a songwriting collaboration; that, along with the nightclub act lead to a taste of
265:
She gives the word to the doorman at her swanky apartment that under no circumstances should Marty be allowed in the building. Marty does try to enter and the doorman gives him the bum's rush. Sulking on the sidewalk, he sees another man, obviously expected, ask to visit her and be welcomed up.
277:
Through it all his wife
Catherine has remained steadfast. Now, while Kirk's days on Death Row tick away toward the gas chamber, she mounts her own vigorous but clumsy investigation of his claims of innocence. One of her first leads takes her to Marty, whom she is convinced is the murderer. A
469:
author Geoff Mayer, there were many differences from the original story, and
Woolrich himself disliked the film. However, in the opinion of Woolrich biographer Thomas C. Renzi, of the several contemporary "adaptations based on Woolrich's novels, Neill's film ranks among the most competently
281:
Attracted to
Catherine, he volunteers to help her. When he sees a picture of Kirk he tells her that was not the man he saw whisked in to visit Mavis on the night of the murder. A chance clue leads them to a nightclub, then to its owner, Mr. Marko, whom Marty identifies as the mystery man.
269:
Later that evening Kirk
Bennett also shows up to visit Mavis. He too is welcomed up by the doorman, only to find Mavis murdered. He hears a prowler in her apartment, searches for them, but they get away. Meanwhile, the new brooch that had been pinned to Mavis' dress disappears.
286:
his absence. When she is caught, Captain Flood arrives in time to referee. Marko admits he had been being blackmailed by Mavis over his ex-con background, but the brooch they were sure he had in his safe is not there. He is cleared as a suspect.
297:
He tries to contact
Captain Flood to confess in time to save Kirk, but Flood is out on a case. After several failed efforts he leaves a message for Flood to call him at Catherine's home, but is passed out drunk when the phone rings.
482:
invest every shot with a visual style which translates
Woolrich as any novel needs to be translated: with total fidelity to its essence and little if any to its literal text." According to Hollywood observer John Howard Reid in
261:
It is their anniversary, and alcoholic pianist and composer Marty Blair wants to see his ex-wife Mavis Marlowe but she does not want to see him. Not even after she has received the giant ruby brooch he had sent her.
302:
missing brooch that he clutches in his hand cinches the deal. Flood gets on the phone to reach the governor for a stay of execution. Kirk will be saved. Catherine will go back to her unfaithful man.
278:
mothering friend of his (who looks after him during his alcoholic binges) clears him, as had the police. Marty, it seems, had been locked tight in his own room at the time of the killing.
491:
for his interpretation of the part of Marty Blair, who "remains the most sympathetic character in the film and far worthier of the heroine than her weak and disloyal husband".
1385:
1375:
1410:
669:
1370:
1360:
1390:
1400:
1215:
1140:
1395:
1175:
1199:
526:
29:
1380:
881:
801:
638:
619:
793:
1355:
1231:
921:
761:
662:
579:
996:
809:
753:
470:
conceived and produced, even though its plot has only a superficial connection" with the original story line. According to
1405:
1287:
1223:
1012:
980:
1319:
1247:
1156:
873:
1148:
1084:
655:
1191:
128:
745:
1028:
961:
457:
249:
62:
1207:
1183:
1052:
1004:
945:
817:
777:
1239:
1132:
1108:
769:
495:
1068:
953:
913:
905:
865:
1350:
937:
849:
694:
1365:
1303:
1295:
1271:
1076:
1036:
329:
236:
143:
1100:
1092:
889:
841:
825:
679:
634:
615:
600:
522:
471:
462:
335:
232:
78:
42:
1263:
1255:
1020:
929:
857:
452:
347:
294:
that night, and stumbled up the stairs to Mavis' apartment when the doorman was distracted.
266:
Repulsed, enraged and dejected, Marty storms to his corner bar and drowns himself in booze.
244:
68:
1311:
1116:
1044:
737:
710:
368:
1060:
988:
897:
785:
702:
608:
353:
647:
407:
1344:
1279:
533:
an "Important, stylish B-noir, featuring Dan Duryea as the ironic central character".
374:
499:
341:
317:
224:
96:
82:
28:
563:
547:
1124:
833:
718:
323:
240:
228:
100:
488:
479:
311:
220:
110:
92:
444:
216:
362:
594:
651:
274:
broach. He is convicted of her murder and sentenced to death.
402:
380:
Archie Twitchell as George Mitchell (as Michael Branden)
419:
1167:
972:
729:
686:
200:
192:
182:
158:
150:
134:
124:
116:
106:
88:
74:
56:
48:
38:
21:
607:
663:
235:, it was his final feature film. Produced by
8:
560:Cornell Woolrich from Pulp Noir to Film Noir
476:Cornell Woolrich from Pulp Noir to Film Noir
670:
656:
648:
383:Maurice St. Clair as Dancer (as St. Clair)
27:
18:
1386:Films based on works by Cornell Woolrich
465:as his final feature film. According to
511:
1288:Sherlock Holmes and the House of Fear
1216:Sherlock Holmes and the Secret Weapon
610:Dark City The Lost World of Film Noir
521:, by Spencer Selby (McFarland, 1997,
7:
1376:Films directed by Roy William Neill
389:Robert Williams as Second Detective
1411:English-language crime drama films
14:
406:
33:Theatrical release insert poster
1232:Frankenstein Meets the Wolf Man
1371:Films based on American novels
1361:American black-and-white films
1:
1391:Films scored by Frank Skinner
1224:Sherlock Holmes in Washington
478:) "Neill and cinematographer
359:John Phillips as Kirk Bennett
1401:1940s English-language films
794:What's Wrong with the Women?
576:Movie Mystery & Suspense
485:Movie Mystery & Suspense
1248:Sherlock Holmes Faces Death
874:The Cowboy and the Countess
474:(quoted in Thomas Renzi's,
1427:
1396:American crime drama films
544:Encyclopedia of Film Noir
467:Encyclopedia of Film Noir
243:and broadly adapted from
26:
1381:Universal Pictures films
1141:Everything Happens to Me
519:Dark City: The Film Noir
487:, credit is also due to
443:Classed as a noteworthy
167:August 2, 1946
1149:A Gentleman's Gentleman
1029:The Circus Queen Murder
631:Dark City The Film Noir
498:show 'Noir Alley' with
1356:1946 crime drama films
1200:Eyes of the Underworld
778:The Conquest of Canaan
633:. McFarland Classics.
629:Spencer Selby (1984).
494:Has been shown on the
1240:Rhythm of the Islands
1133:Many Tanks Mr. Atkins
882:The Fighting Buckaroo
770:The Idol of the North
606:Eddie Muller (1998).
496:Turner Classic Movies
1406:1940s American films
1176:His Brother's Keeper
954:San Francisco Nights
866:Greater Than a Crown
802:The Man from M.A.R.S
614:. St. Martin Press.
320:as Catherine Bennett
175: (United States)
922:The Arizona Wildcat
850:Marriage in Transit
762:Something Different
695:The Mother Instinct
562:, McFarland, 2015,
546:, ABC-CLIO, 2007,
215:is a 1946 American
1304:Pursuit to Algiers
1296:The Woman in Green
1272:The Pearl of Death
1037:Fury of the Jungle
997:Fifty Fathoms Deep
810:Toilers of the Sea
754:Dangerous Business
678:Films directed by
578:, Lulu.com, 2006,
574:John Howard Reid,
461:, and directed by
418:. You can help by
350:as Hotel Caretaker
330:Broderick Crawford
237:Universal Pictures
154:Universal Pictures
144:Universal Pictures
1338:
1337:
1192:The Good Old Days
890:A Man Four-Square
680:Roy William Neill
558:Thomas C. Renzi,
472:Francis M. Nevins
463:Roy William Neill
436:
435:
336:Constance Dowling
233:Roy William Neill
208:
207:
79:Roy William Neill
43:Roy William Neill
1418:
1264:The Scarlet Claw
1256:The Spider Woman
1021:Above the Clouds
981:Just Like Heaven
930:The Olympic Hero
858:The Kiss Barrier
672:
665:
658:
649:
644:
625:
613:
582:
572:
566:
556:
550:
540:
534:
516:
453:Cornell Woolrich
431:
428:
410:
403:
386:Vilova as Dancer
348:Hobart Cavanaugh
338:as Mavis Marlowe
332:as Captain Flood
245:Cornell Woolrich
174:
172:
120:Saul A. Goodkind
69:Cornell Woolrich
31:
19:
1426:
1425:
1421:
1420:
1419:
1417:
1416:
1415:
1341:
1340:
1339:
1334:
1320:Dressed to Kill
1312:Terror by Night
1163:
1157:Murder Will Out
1117:Simply Terrific
1045:The Ninth Guest
968:
818:By Divine Right
738:The Woman Gives
725:
711:Vive la France!
682:
676:
641:
628:
622:
605:
591:
586:
585:
573:
569:
557:
553:
541:
537:
517:
513:
508:
458:The Black Angel
441:
432:
426:
423:
416:needs expansion
401:
396:
371:as Dr. Courtney
369:Junius Matthews
314:as Martin Blair
308:
259:
250:The Black Angel
239:, it is set in
185:
178:
170:
168:
161:
146:
139:
137:
99:
95:
81:
66:
63:The Black Angel
34:
17:
12:
11:
5:
1424:
1422:
1414:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1343:
1342:
1336:
1335:
1333:
1332:
1324:
1316:
1308:
1300:
1292:
1284:
1276:
1268:
1260:
1252:
1244:
1236:
1228:
1220:
1212:
1204:
1196:
1188:
1180:
1171:
1169:
1165:
1164:
1162:
1161:
1153:
1145:
1137:
1129:
1121:
1113:
1105:
1097:
1089:
1085:The Black Room
1081:
1073:
1065:
1057:
1049:
1041:
1033:
1025:
1017:
1009:
1001:
993:
989:The Melody Man
985:
976:
974:
970:
969:
967:
966:
958:
950:
942:
934:
926:
918:
910:
902:
898:Black Paradise
894:
886:
878:
870:
862:
854:
846:
838:
830:
826:Vanity's Price
822:
814:
806:
798:
790:
786:The Iron Trail
782:
774:
766:
758:
750:
742:
733:
731:
727:
726:
724:
723:
715:
707:
703:The Price Mark
699:
690:
688:
684:
683:
677:
675:
674:
667:
660:
652:
646:
645:
639:
626:
620:
603:
590:
589:External links
587:
584:
583:
567:
551:
535:
527:978-0786404780
510:
509:
507:
504:
455:'s novel 1943
440:
437:
434:
433:
413:
411:
400:
397:
395:
392:
391:
390:
387:
384:
381:
378:
372:
366:
360:
357:
354:Freddie Steele
351:
345:
339:
333:
327:
321:
315:
307:
304:
258:
255:
247:'s 1943 novel
231:. Directed by
206:
205:
202:
198:
197:
194:
190:
189:
186:
183:
180:
179:
177:
176:
164:
162:
159:
156:
155:
152:
151:Distributed by
148:
147:
142:
140:
135:
132:
131:
126:
122:
121:
118:
114:
113:
108:
107:Cinematography
104:
103:
90:
86:
85:
76:
72:
71:
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1423:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1348:
1346:
1330:
1329:
1325:
1322:
1321:
1317:
1314:
1313:
1309:
1306:
1305:
1301:
1298:
1297:
1293:
1290:
1289:
1285:
1282:
1281:
1280:Gypsy Wildcat
1277:
1274:
1273:
1269:
1266:
1265:
1261:
1258:
1257:
1253:
1250:
1249:
1245:
1242:
1241:
1237:
1234:
1233:
1229:
1226:
1225:
1221:
1218:
1217:
1213:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1193:
1189:
1186:
1185:
1181:
1178:
1177:
1173:
1172:
1170:
1166:
1159:
1158:
1154:
1151:
1150:
1146:
1143:
1142:
1138:
1135:
1134:
1130:
1127:
1126:
1122:
1119:
1118:
1114:
1111:
1110:
1106:
1103:
1102:
1098:
1095:
1094:
1090:
1087:
1086:
1082:
1079:
1078:
1074:
1071:
1070:
1066:
1063:
1062:
1058:
1055:
1054:
1050:
1047:
1046:
1042:
1039:
1038:
1034:
1031:
1030:
1026:
1023:
1022:
1018:
1015:
1014:
1013:That's My Boy
1010:
1007:
1006:
1002:
999:
998:
994:
991:
990:
986:
983:
982:
978:
977:
975:
971:
964:
963:
959:
956:
955:
951:
948:
947:
943:
940:
939:
935:
932:
931:
927:
924:
923:
919:
916:
915:
911:
908:
907:
903:
900:
899:
895:
892:
891:
887:
884:
883:
879:
876:
875:
871:
868:
867:
863:
860:
859:
855:
852:
851:
847:
844:
843:
839:
836:
835:
831:
828:
827:
823:
820:
819:
815:
812:
811:
807:
804:
803:
799:
796:
795:
791:
788:
787:
783:
780:
779:
775:
772:
771:
767:
764:
763:
759:
756:
755:
751:
748:
747:
743:
740:
739:
735:
734:
732:
728:
721:
720:
716:
713:
712:
708:
705:
704:
700:
697:
696:
692:
691:
689:
685:
681:
673:
668:
666:
661:
659:
654:
653:
650:
642:
640:0-7864-0478-7
636:
632:
627:
623:
621:0-312-18076-4
617:
612:
611:
604:
602:
598:
597:
593:
592:
588:
581:
577:
571:
568:
565:
561:
555:
552:
549:
545:
542:Geoff Mayer,
539:
536:
532:
528:
524:
520:
515:
512:
505:
503:
501:
497:
492:
490:
486:
481:
477:
473:
468:
464:
460:
459:
454:
451:was based on
450:
446:
438:
430:
427:December 2023
421:
417:
414:This section
412:
409:
405:
404:
398:
393:
388:
385:
382:
379:
376:
375:Marion Martin
373:
370:
367:
364:
361:
358:
355:
352:
349:
346:
343:
340:
337:
334:
331:
328:
325:
322:
319:
316:
313:
310:
309:
305:
303:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
256:
254:
252:
251:
246:
242:
238:
234:
230:
226:
222:
218:
214:
213:
203:
199:
196:United States
195:
191:
187:
181:
166:
165:
163:
157:
153:
149:
145:
141:
133:
130:
129:Frank Skinner
127:
123:
119:
115:
112:
109:
105:
102:
98:
94:
91:
87:
84:
80:
77:
73:
70:
65:
64:
59:
55:
51:
49:Screenplay by
47:
44:
41:
37:
30:
25:
20:
1327:
1326:
1318:
1310:
1302:
1294:
1286:
1278:
1270:
1262:
1254:
1246:
1238:
1230:
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1155:
1147:
1139:
1131:
1123:
1115:
1107:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1027:
1019:
1011:
1003:
995:
987:
979:
960:
952:
944:
938:Lady Raffles
936:
928:
920:
912:
904:
896:
888:
880:
872:
864:
856:
848:
840:
832:
824:
816:
808:
800:
792:
784:
776:
768:
760:
752:
744:
736:
717:
709:
701:
693:
630:
609:
595:
575:
570:
559:
554:
543:
538:
530:
529:) who calls
518:
514:
500:Eddie Muller
493:
484:
475:
466:
456:
448:
442:
439:Film writers
424:
420:adding to it
415:
399:Film critics
365:as Bartender
342:Wallace Ford
318:June Vincent
300:
296:
292:
288:
284:
280:
276:
272:
268:
264:
260:
248:
225:June Vincent
211:
210:
209:
184:Running time
160:Release date
97:June Vincent
83:Tom McKnight
61:
52:Roy Chanslor
1328:Black Angel
1125:Thank Evans
1077:Eight Bells
1061:I'll Fix It
962:Wall Street
834:Broken Laws
719:The Bandbox
596:Black Angel
531:Black Angel
449:Black Angel
324:Peter Lorre
241:Los Angeles
229:Peter Lorre
212:Black Angel
101:Peter Lorre
75:Produced by
39:Directed by
22:Black Angel
1351:1946 films
1345:Categories
1208:Madame Spy
1184:Hoots Mon!
1101:Doctor Syn
1053:Black Moon
1005:The Menace
946:The Viking
746:Yes or No?
506:References
489:Dan Duryea
480:Paul Ivano
312:Dan Duryea
221:Dan Duryea
188:81 minutes
171:1946-08-02
136:Production
111:Paul Ivano
93:Dan Duryea
60:the novel
1366:Film noir
1109:The Viper
445:film noir
377:as Millie
219:starring
217:film noir
117:Edited by
16:1946 film
1069:Jealousy
914:Marriage
906:The City
548:pp.106-8
394:Response
363:Ben Bard
356:as Lucky
326:as Marko
201:Language
125:Music by
89:Starring
57:Based on
204:English
193:Country
169: (
138:company
1331:(1946)
1323:(1946)
1315:(1946)
1307:(1945)
1299:(1945)
1291:(1945)
1283:(1944)
1275:(1944)
1267:(1944)
1259:(1944)
1251:(1943)
1243:(1943)
1235:(1943)
1227:(1943)
1219:(1943)
1211:(1942)
1203:(1942)
1195:(1940)
1187:(1940)
1179:(1940)
1160:(1939)
1152:(1939)
1144:(1938)
1136:(1938)
1128:(1938)
1120:(1938)
1112:(1938)
1104:(1937)
1096:(1937)
1088:(1935)
1080:(1935)
1072:(1934)
1064:(1934)
1056:(1934)
1048:(1934)
1040:(1933)
1032:(1933)
1024:(1933)
1016:(1932)
1008:(1932)
1000:(1931)
992:(1930)
984:(1930)
965:(1929)
957:(1928)
949:(1928)
941:(1928)
933:(1928)
925:(1927)
917:(1927)
909:(1926)
901:(1926)
893:(1926)
885:(1926)
877:(1926)
869:(1925)
861:(1925)
853:(1925)
845:(1925)
837:(1924)
829:(1924)
821:(1924)
813:(1923)
805:(1922)
797:(1922)
789:(1921)
781:(1921)
773:(1921)
765:(1920)
757:(1920)
749:(1920)
741:(1920)
722:(1919)
714:(1918)
706:(1917)
698:(1917)
637:
618:
525:
344:as Joe
1168:1940s
1093:Gypsy
973:1930s
842:Percy
730:1920s
687:1910s
564:p.220
635:ISBN
616:ISBN
601:IMDb
580:p.36
523:ISBN
306:Cast
257:Plot
227:and
599:at
422:.
67:by
1347::
502:.
447:,
253:.
223:,
671:e
664:t
657:v
643:.
624:.
429:)
425:(
173:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
