Knowledge (XXG)

Black and Tan (film)

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After landing a dancing job at a club, Washington offers it as a venue to Ellington for his band. She says that she must be featured as the starring act, in order to land the contract offered by the club. Shown as deeply in love with Ellington, the dancer is revealed to have a heart condition that
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The film emphasizes the music and symbolism of African-American influence on jazz, the struggle and rage of people in 1920s Harlem, and some realities for African Americans, such as the Cotton Club being a place where they were hired to entertain, prepare food and drink, and serve, but were not
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puts her at risk. Although warned to give up dancing, Washington assures the Duke that she is healthy enough to perform. But she dances to her collapse to Ellington’s "Cotton Club Stomp." She later dies in their apartment as the band and a vocal chorus render Duke's new piece, “
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The film begins with a scene showing Duke Ellington struggling to get bookings for his band. His finances are so tight that he can't make payments on his piano and apartment. Two men arrive to take possession of Duke's piano.
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had only recently left the band when the film was shot, and all the solos we hear and see Whetsel play were originally performed by Miley.
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Murphy collaborated with Ellington to allow his choice of what music would be played. The orchestra's performance of “
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accepted as customers. One of Ellington's notable compositions played in the film is “Black Beauty”, which features
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Main characters of the film in the opening scene, L to R - Arthur Whetsel, Fredi Washington, Duke Ellington
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Both used their own names in the film, although they played thinly masked "fictional" characters.
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The first occasion for the final label was for a March 30, 1926 Gennett Session. (Gen 3291)
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Duke Ellington - This was the first film appearance for Duke Ellington and His Orchestra.
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Duke Ellington and His Washingtonians, Duke Ellington And His Kentucky Club Orchestra
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and His Orchestra performing as a jazz band, and was also the film debut of actress
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Murphy used much of the same set and production crew as for his other 1929 film,
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featuring Bessie Smith. He and his crew worked on both films concurrently.
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performing a trumpet solo as a melodic turn (in most of the recordings,
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Duke Ellington's ensemble used myriad titles including
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JazzTimes 10: Jazz on Film -Page 3 of 10 - JazzTimes
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Fredi Washington - She made her debut in this film.
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Index

Dudley Murphy
Dudley Murphy
Duke Ellington
Fredi Washington
Arthur Whetsel
Barney Bigard
Wellman Braud
Tricky Sam Nanton
RCA
RKO Radio Pictures
Dudley Murphy
Harlem Renaissance
Duke Ellington
Fredi Washington
Harlem Renaissance
Library of Congress
National Film Registry

Fredi Washington
Prohibition era
Black and Tan Fantasy
Arthur Whetsel
Barney Bigard
Wellman Braud
Tricky Sam Nanton
St. Louis Blues
Black and Tan Fantasy
Hall Johnson
National Film Registry
Arthur Whetsel

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