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Black and White and Dead All Over

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neighborhoods. Through on-camera interviews with other Philadelphia journalism leaders and review of media coverage of the paper’s numerous changes in ownership, the film paints a picture in which shoe-leather reporting is devalued in the quest for corporate profits.
258:’s Stephen Silver added that the film was, “At its best when telling the specific stories about what has happened with the Philadelphia papers,” but added that he was “less impressed by the film’s overall take on the industry’s woes.” 569: 271:. Platt was portrayed negatively in the film as directing resources away from the paper's investigative journalism efforts, and he defended those decisions in 589: 564: 356: 485: 579: 406: 574: 559: 381: 463: 198:
The film showcases the work of Laker and Ruderman, investigative reporters for the paper, as they work their beats in low-income
584: 331: 279:, Feinberg thinks he’s revealing one thing, when he’s actually modeling industry-wide denial and allergy to change.” 211: 157: 360: 263: 215: 149: 58: 184: 275:. Platt repeatedly criticized the film's producer, Lenny Feinberg, writing, “Time and again throughout 451:
Grove, Lloyd (2013-12-17). "How the Newspaper Business Became a 'F**king Disgrace'". The Daily Beast.
230:, president of MAJ Productions, served as lead producer for the film, with Chris Foster as director. 139:
directed by Chris Foster. The film investigates the demise of American print journalism by following
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and editorial quality in the early 21st century. It primarily focuses on hardships within the
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To expand the discussion nationally, the film features interviews with notable journalists
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The film was produced by the Philadelphia-based documentary film company MAJ Productions.
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discussed the film with Feinberg, Foster, and Laker on his cable television show,
507:"Part 1:"Black & White and Dead All Over" on Voice of Reason with Larry Kane" 427: 245: 506: 283: 192: 160:
and the DC Labor Film Festival, and was also chosen for a select screening at
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Following its 2013 release, the film received mostly positive reviews, with
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presents a compelling psychological study of investigative reporters.”
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newspaper. It also interviews other highly regarded journalists.
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for distribution to several television affiliates nationwide.
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portrays the struggles of American newspapers to maintain
464:"Movie Review: "Black and White and Dead All Over"" 120: 112: 102: 78: 64: 42: 34: 26: 21: 332:"2013 San Antonio Film Festival: Official Lineup" 282:Renowned Philadelphia journalist and broadcaster 267:magazine by Larry Platt, a former editor of the 8: 156:The film was an Official Selection of the 18: 168:. In December 2013, it was picked up by 386:National Center for Business Journalism 299: 359:. Chesterfield Monthly. Archived from 7: 570:Documentary films about Philadelphia 407:"The Long Fall of Philly Newspapers" 357:"Black and White and Dead All Over" 308:"Black and White and Dead All over" 590:English-language documentary films 565:Documentary films about journalism 14: 535:Black and White and Dead All Over 250:Black and White and Dead All Over 181:Black and White and Dead All Over 132:Black and White and Dead All Over 22:Black and White and Dead All Over 248:stating, “At its most original, 195:proceedings in the past decade. 95: (San Antonio Film Festival) 382:"PBS love letter to newspapers" 462:Silver, Stephen (2015-01-18). 1: 580:2010s English-language films 234:Reception and Media Coverage 484:Platt, Larry (2015-02-14). 405:Mathis, Joel (2014-08-11). 261:The film was criticized in 606: 575:Mass media in Philadelphia 560:American documentary films 158:San Antonio Film Festival 336:Underground Film Journal 488:. Philadelphia magazine 428:"About MAJ Productions" 409:. Philadelphia magazine 189:Philadelphia Daily News 150:Philadelphia Daily News 87:June 20, 2013 312:American Film Showcase 147:, journalists for the 585:2010s American films 200:North Philadelphia 16:2013 American film 277:Black & White 128: 127: 597: 521: 520: 518: 517: 503: 497: 496: 494: 493: 481: 475: 474: 472: 471: 466:. TechnologyTell 459: 453: 452: 448: 442: 441: 439: 438: 424: 418: 417: 415: 414: 402: 396: 395: 393: 392: 378: 372: 371: 369: 368: 352: 346: 345: 343: 342: 328: 322: 321: 319: 318: 304: 137:documentary film 94: 92: 19: 605: 604: 600: 599: 598: 596: 595: 594: 545: 544: 530: 525: 524: 515: 513: 505: 504: 500: 491: 489: 483: 482: 478: 469: 467: 461: 460: 456: 450: 449: 445: 436: 434: 432:MAJ Productions 426: 425: 421: 412: 410: 404: 403: 399: 390: 388: 380: 379: 375: 366: 364: 355:Pearson, Greg. 354: 353: 349: 340: 338: 330: 329: 325: 316: 314: 306: 305: 301: 296: 288:Voice of Reason 241:The Daily Beast 236: 224: 178: 162:Washington D.C. 105: 98: 90: 88: 81: 74: 73:MAJ Productions 69: 67: 17: 12: 11: 5: 603: 601: 593: 592: 587: 582: 577: 572: 567: 562: 557: 547: 546: 543: 542: 529: 528:External links 526: 523: 522: 498: 476: 454: 443: 419: 397: 373: 347: 323: 298: 297: 295: 292: 256:TechnologyTell 235: 232: 228:Lenny Feinberg 223: 220: 177: 174: 145:Wendy Ruderman 126: 125: 122: 118: 117: 114: 110: 109: 106: 103: 100: 99: 97: 96: 84: 82: 79: 76: 75: 72: 70: 65: 62: 61: 47:Wendy Ruderman 44: 40: 39: 38:Lenny Feinberg 36: 32: 31: 28: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 602: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 552: 550: 541: 537: 536: 532: 531: 527: 512: 508: 502: 499: 487: 480: 477: 465: 458: 455: 447: 444: 433: 429: 423: 420: 408: 401: 398: 387: 383: 377: 374: 363:on 2015-09-23 362: 358: 351: 348: 337: 333: 327: 324: 313: 309: 303: 300: 293: 291: 289: 285: 280: 278: 274: 270: 266: 265: 259: 257: 253: 251: 247: 243: 242: 233: 231: 229: 222:Creative team 221: 219: 217: 213: 212:Charles Lewis 209: 204: 201: 196: 194: 190: 186: 182: 175: 173: 171: 167: 163: 159: 154: 152: 151: 146: 142: 141:Barbara Laker 138: 134: 133: 123: 119: 116:United States 115: 111: 107: 101: 86: 85: 83: 77: 71: 63: 60: 56: 52: 51:Barbara Laker 48: 45: 41: 37: 33: 29: 25: 20: 534: 514:. Retrieved 510: 501: 490:. Retrieved 479: 468:. Retrieved 457: 446: 435:. Retrieved 431: 422: 411:. Retrieved 400: 389:. Retrieved 385: 376: 365:. Retrieved 361:the original 350: 339:. Retrieved 335: 326: 315:. Retrieved 311: 302: 287: 281: 276: 273:Philadelphia 272: 268: 264:Philadelphia 262: 260: 255: 254: 249: 239: 237: 225: 208:Bob Woodward 205: 197: 188: 180: 179: 155: 148: 131: 130: 129: 104:Running time 80:Release date 55:Bob Woodward 30:Chris Foster 246:Lloyd Grove 185:circulation 35:Produced by 27:Directed by 555:2013 films 549:Categories 516:2015-07-17 492:2015-07-16 470:2015-07-16 437:2015-07-16 413:2015-07-16 391:2015-07-15 367:2015-07-16 341:2015-07-16 317:2015-07-17 294:References 284:Larry Kane 269:Daily News 216:David Carr 193:bankruptcy 135:is a 2013 108:84 minutes 91:2013-06-20 66:Production 59:David Carr 176:Synopsis 121:Language 43:Starring 511:YouTube 166:Newseum 124:English 113:Country 89: ( 68:company 214:, and 540:IMDb 143:and 538:at 244:’s 170:PBS 164:’s 551:: 509:. 430:. 384:. 334:. 310:. 290:. 218:. 210:, 57:, 53:, 49:, 519:. 495:. 473:. 440:. 416:. 394:. 370:. 344:. 320:. 93:)

Index

Wendy Ruderman
Barbara Laker
Bob Woodward
David Carr
documentary film
Barbara Laker
Wendy Ruderman
Philadelphia Daily News
San Antonio Film Festival
Washington D.C.
Newseum
PBS
circulation
bankruptcy
North Philadelphia
Bob Woodward
Charles Lewis
David Carr
Lenny Feinberg
The Daily Beast
Lloyd Grove
Philadelphia
Larry Kane
"Black and White and Dead All over"
"2013 San Antonio Film Festival: Official Lineup"
"Black and White and Dead All Over"
the original
"PBS love letter to newspapers"
"The Long Fall of Philly Newspapers"
"About MAJ Productions"

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