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Blood on the Moon

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by Luke Short, is solidly constructed and by not over-emphasizing Jim Garry's inherent honesty, she has permitted Mr. Mitchum to illuminate a character that is reasonable and most always interesting. The same can be said of the rancher's daughter, whom Miss Bel Geddes represents. Others who give worthy help include Walter Brennan, Mr. Preston, Phyllis Thaxter, Frank Faylen and Tom Tully. And a word should be said, too, for the direction by Robert Wise. A comparative newcomer to the directorial ranks, he has managed to keep the atmosphere of this leisurely paced film charged with impending violence.
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Riling. Riling and his men find the cattle eventually and stampede them back onto the reservation. There is not enough time to gather the herd together and move the herd. Garry becomes disgusted when a young man is killed in the stampede, and he switches sides. Amy still does not trust him. Eventually, she comes to trust and fall in love with Garry, especially after he stops two of Riling's men from gunning her father down.
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the stampede. They are joined by Amy. A gunfight erupts. Though wounded earlier, Garry sneaks out at night, knocks Pindalest out and dispatches Riling's two henchmen. That leaves the two old friends to face each other. Riling is fatally wounded. Pindalest is taken into custody, and Garry decides to give up his wandering ways, much to Amy's delight.
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still stands out from run-of-the-range action dramas. The reason is obvious enough. This picture has a sound, sensible story to tell and, besides, it is well acted. Robert Mitchum carries the burden of the film and his acting is superior all the way...Lillie Hayward's screen play, taken from a novel
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is a terse, tightly-drawn western drama. There's none of the formula approach to its story telling. Picture captures the crisp style used by Luke Short in writing his western novels...Picture's pace has a false sense of leisureliness that points up several tough moments of action. There is a deadly
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To buy time, Garry deceives Pindalest, who is unaware of his break with Riling, into sending a messenger to the government to extend the deadline. Garry then takes Pindalest prisoner. Riling and his gang track them down. Garry flees to the cabin of Kris Barden, the father of the young man killed in
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Pindalest has rejected Lufton's cattle as unfit to feed the Indians and ordered him to remove his herd from the reservation within a week. Meanwhile, Riling has organized the homesteaders into blocking the move, conning them into believing that he is working in their interest. With no other option,
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Lufton manages to outsmart Riling and move his herd off the reservation unimpeded. He and Amy assume incorrectly that Garry read the note, which described the route he wanted Riling to think he planned to take. Riling was actually tipped off by Lufton's other daughter, Carol, who is in love with
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Drifter Jim Garry is summoned by his friend, smooth-talking Tate Riling. Garry rides into an Indian reservation and finds himself in the middle of a conflict between a cattle owner and some homesteaders. He meets cattle owner John Lufton, who asks Garry to deliver a note to his family. While
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JOSEPH W. TAYLOR (April 15, 1948). "Horse Operas Western Films Are Hollywood's Sure-Fire Financial Winners: Range From $ 40,000 'Oaters' To $ 1.5 Million 'Epics'; Are 25% of Film Output Action, Danger and Chase Horse Operas: Western Films Are Hollywood's Financial Winners".
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Lufton would have to sell his herd at bargain prices or lose everything. Lufton would never sell to Riling, but he would to a stranger like Garry. Pindalest would then see that the government buys the herd. Riling offers Garry $ 10,000 for his part in the swindle.
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The bar brawl between Garry and Rilling took three days to shoot. Wise wanted a realistic fight where the winner comes out on top badly beaten and exhausted instead of the usual Western brawls and had Mitchum and Preston do the fight instead of stunt doubles.
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delivering the message, Garry is confronted by Lufton's daughter Amy, and eventually meets his other daughter, Carol. The Luftons suspect that Garry is on Riling's side and are initially hostile, especially Amy. Riling tells Garry that he and his partner,
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knock-down and drag-out fist fight between Mitchum and Preston; a long chase across snow-covered mountains and the climax gun battle between Preston's henchmen and Mitchum, Brennan and Bel Geddes that are loaded with suspense wallop.
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as director, but Schary refused the deal and backed up Wise as director. Wise enjoyed working with Mitchum and liked that he offered suggestions. When Mitchum showed up to the set dressed up in costume,
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Production of the film dragged on due to bad weather. Wise noted that none of the weather reports that the crew received got the weather forecast right. After the film was completed,
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utilized infrared film, which in Musuraca's opinion, could cause headaches regarding problems with color of clothing and tone of makeup.
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Gehring, Wes D.. Robert Wise: Shadowlands. Indianapolis, Indiana Historical Society Press, 2012.
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gave the film a good review and lauded Robert Mitchum's acting and Lillie Hayward's screenplay:
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Jake Pindalest, have devised an elaborate scheme to force Lufton into selling his herd cheaply.
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Server, Lee. Robert Mitchum: "Baby, I Don't Care". New York: St Martin's Press, 2001
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exclaimed: "That is the realest goddamnest cowboy I've ever seen!"
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Low Key And Lively Action, American Cinematographer December 1948
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began in February 1948 and ended in May of the same year, with
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This article is about the 1948 film. For the 1984 novel, see
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Talent agency Famous Artists offered RKO a deal with either
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serving as locations. Inspired by the production design of
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For the Chrome album, see 973:The House on Telegraph Hill 885:The Curse of the Cat People 1306: 1225:1948 Western (genre) films 1053:Somebody Up There Likes Me 220:$ 2.4 million (US rentals) 167:November 9, 1948 18: 879: 604:Warner Archive Collection 465:to write the screenplay. 46:Theatrical release poster 39: 25:Blood on the Moon (album) 21:Blood on the Moon (novel) 1250:Films scored by Roy Webb 639:"Top Grossers of 1948", 449:as a mood piece akin to 16:1948 film by Robert Wise 1061:This Could Be the Night 997:Something for the Birds 584: 566: 1270:Films shot in Arizona 1093:Odds Against Tomorrow 576: 557: 1285:1940s American films 1149:The Andromeda Strain 1077:Run Silent, Run Deep 1045:Tribute to a Bad Man 175: (United States) 732:. December 31, 1947 726:"Blood on the Moon" 706:. November 12, 1948 643:5 January 1949 p 46 626:Wall Street Journal 1275:RKO Pictures films 1125:The Sound of Music 1109:Two for the Seesaw 871:Films directed by 822:TCM Movie Database 704:The New York Times 552:The New York Times 535:Barbara Bel Geddes 331:Barbara Bel Geddes 251:Barbara Bel Geddes 153:RKO Radio Pictures 107:Barbara Bel Geddes 1207: 1206: 1197:A Storm in Summer 941:Blood on the Moon 933:Mystery in Mexico 901:The Body Snatcher 893:Mademoiselle Fifi 829:Blood On The Moon 817:Blood on the Moon 806:Blood on the Moon 795:Blood on the Moon 782:Blood on the Moon 655:Blood on the Moon 592:Blood on the Moon 579:Blood on the Moon 561:Blood on the Moon 546:Critical response 520:Nicholas Musuraca 490:Blood on the Moon 431:Blood on the Moon 421: 420: 406:as Nels Titterton 357:as Jake Pindalest 271:Nicholas Musuraca 228:Blood on the Moon 224: 223: 134:Samuel E. Beetley 125:Nicholas Musuraca 35:Blood on the Moon 1297: 1133:The Sand Pebbles 1005:Destination Gobi 989:The Captive City 865: 858: 851: 842: 832: 768: 767: 765: 763: 758:. 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Retrieved 755: 746: 734:. Retrieved 729: 720: 708:. 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Index

Blood on the Moon (novel)
Blood on the Moon (album)

Robert Wise
Lillie Hayward
Luke Short
Robert Mitchum
Barbara Bel Geddes
Robert Preston
Walter Brennan
Nicholas Musuraca
Roy Webb
RKO Radio Pictures
RKO
black-and-white
Western
film noir
Robert Mitchum
Barbara Bel Geddes
Robert Preston
Walter Brennan
Robert Wise
cinematography
Nicholas Musuraca
Sedona, Arizona
Luke Short
Indian agent
Robert Mitchum
Barbara Bel Geddes
Robert Preston

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