Knowledge (XXG)

Das Dreimäderlhaus

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example, in Act I, Schubert writes "Ständchen" for Count Scharntoff, who plans to give it (as his own work) to his wife, who is in love with Schober. Schubert's friends arrange for Hannerl ("Mitzi" in this version) to have singing lessons with Schubert as the cover for why the other daughters are there, when the father appears. They then get him drunk so that he agrees to the double wedding. In Act III, some of Schubert's works are about to be given in a concert, but Schubert is too ill to attend. His friends return to his lodgings after the concert just before Schubert dies, surrounded by angels, as "Ave Maria" is heard.
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cheating on her. She assumes that Hannerl is the other woman and warns her to stay away from her man. Schubert, still unable to tell Hannerl that he loves her, instead asks Schober to sing a song that he has written for her ("Ungeduld"). Hannerl misunderstands Grisi's warning, believing it to be about Schubert rather than Schober. She turns away from the composer and falls in love with Schober.
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chaperoning her sisters. More of Schubert's friends come to visit. The father arrives in search of his daughters. Schubert's two roommates drink with Tschöll in their courtyard, underneath a Lilac tree, and he agrees to their engagements with his daughters. Schubert takes on Hannerl as his singing pupil, and although the two fall in love, they are each too shy to reveal their feelings.
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Donnelly changed the character names and several of the settings. The plot follows the basic story of the original, but many significant details are changed, well-known Schubert pieces are gratuitously inserted and historically inaccurate material familiar to Americans of the era is added. For
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In the spring of 1826, Schubert, a poor young composer, has quarters in an old Viennese house together with two friends. The three daughters of Christian Tschöll, the court glass maker, visit the three friends. Two of the girls are in love with Schubert's roommates, and the third, Hannerl, is
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A couple of months later, the first two daughters are marrying their fiancés at Tschöll's house, and the three roommates are all guests at the wedding. Actress Giuditta Grisi, the mistress of Baron Franz Schober, one of Schubert's friends, arrives. She is jealous and believes that he must be
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opened at the Ambassador Theatre on September 29, 1921, where it ran for 592 performances, starring Bertram Peacock and Olga Cook. It became the second longest-running Broadway musical of the 1920s and, after extensive tours, played Broadway again in 1939 and 1943. The show was staged by
555:. Clutsam, an Australian composer, moved to London and wrote, among other things, a 1912 biography of Schubert. Later, he turned to the more profitable field of composing scores for musical comedies. Clutsam's adaptation hews more closely to Berté's original than does Romberg's. 257:, the operetta's popularity was fueled by the public's taste for nostalgia, harnessing an old-fashioned, sentimental story and Schubert's familiar music. Schubert worked hard to become a successful opera composer but found little success in this genre of music. With 324:
The operetta received productions in over 60 countries and was translated into numerous languages. By 1961, the piece was estimated to have played over 85,000 performances worldwide. It still receives occasional productions.
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with a view to customising the operetta for American audiences. They hired Donnelly and Romberg (their house composer) to adapt the libretto and music. The same team, three years later, adapted
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on December 22, 1922, and ran for 626 performances. Both the Broadway and West End versions toured extensively in subsequent decades and were frequently revived until the 1950s.
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The original London cast recorded at least four double-sided 12" acoustic recordings of highlights for the Vocalian company in 1922. The songs recorded included the following:
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based on the film. Clutsam included more new material in this version. It debuted on tour in the British provinces, moving to the Lyric Theatre in London on 17 March 1942.
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on 15 January 1916 and ran for over 650 performances in its original run in Austria and for hundreds more in Germany, followed by many successful revivals. It starred
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on September 29, 1921, where it ran for 592 performances; it was revived several times on Broadway over the next two decades. In London, the operetta was called
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K-05065 – "The Golden Song" (Butterworth and Pounds); "Underneath the Lilac Bough" (Pounds, Butterworth, Heming, H. Cameron, J. Kelly and E. Morgan)
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the following morning, everyone assembles. Eventually, Schubert ends up alone, disappointed, but consoled by Hannerl's happiness and by his music.
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as Schubert and Anny Rainer as Hannerl. Schrödter was already 60 in 1916. In 1886, he had sung the part of the "Prince of Song" (i.e. Schubert) in
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X-9176 – "Dance of Bridesmaids and Children", Three Waltz Themes. Both sides by the Regent Symphony Orchestra under the direction of Raybould.
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Article discussing German, English and other versions of this piece from the Schubert Institute, with links to a synopsis and other materials
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K-05068 – "I Want to Carve Your Name" (Butterworth and Heming); "When the Lilac Bloom Uncloses" (Butterworth and Heming)
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in October 1921 . He presented a new version of it in London in 1933, sung in German but with the English title
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The Dreimäderlhaus in Vienna, associated with Schubert through the operetta, though he never lived here.
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then premiered in Paris on May 7, 1921, in a French adaptation by Hugues Delorme and Léon Abric called
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My Springtime Thou Art – Baron Franz Schober, Franz Schubert, Vogel, Kupelweiser, Von Schwind, *Girls
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released a recording of the opera in 2002. In 2005, UK label Classics for Pleasure, a branch of
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K-05067 – "Dream Enthralling" (Pounds); "Dear Flower, Small and Wise" (Butterworth and Pounds)
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K-05066 – "I am Singing, I Your Lover" (Heming); "The Three Little Girls" (Butterworth)
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Serenade – Baron Franz Schober, Franz Schubert, Vogel, Kupelweiser, Von Schwind, Hansy
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on December 22, 1922, and ran for 626 performances, The production was directed by
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Love Is a Riddle – Baron Franz Schober, Binder, Erkman, Mitzi, Fritzi, Kitzi, Girls
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Information about a 2008 production of the original version at Stadttheater Baden
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The tenor Richard Tauber played Schubert in several productions and tours of
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Enter the Playmakers: Directors and Choreographers on the New York Stage
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Information about the London version and the Park and Hanmer version
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When Skies Are Blue – Lili, Tilli, Willi, Schober, Binder and Braun
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Under the Lilac Bough – Schubert, Schober, Vogl, Schwind and Kappel
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Hark, Hark! The Lark! – Schubert, Schober, Vogl, Schwind and Kappel
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Only One Love Ever Fills the Heart – Mitzi, Baron Franz Schober
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Lonely Hearts – Mitzi, Fritzi, Kitzi, Greta, Franz Schubert
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Notes to Albany Records 2002 recording by Ohio Light Opera
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Keep It Dark – Bellabruna, Vogel, Von Schwind, Kupelweiser
1342:"Das Dreimädelhaus by Heinrich Berté performed in French" 862:
The following discs were also recorded at the same time:
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Finale Act 2 – Mitzi, Franz Schubert, Baron Franz Schober
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Opening – Greta, Kupelweiser, Von Schwind, Vogel, Chorus
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Four Jolly Brothers – Schober, Vogl, Schwind and Kappel
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Viennese pastiche operetta with music by Franz Schubert
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in the 1940s, which was briefly issued on LP. In 1959
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Strolling Through the Morning Air – Promenade Septet
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1928 International Columbia Graphophone Competition
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Regent Symphony Orchestra under the direction of 121: 109: 97: 76: 66: 39: 373:Five years after the Vienna opening, in 1921, the 977:Schubert and His World: A Biographical Dictionary 687:had starred in a new production in German at the 433:Three Little Maids – Mitzi, Fritzi, Kitzi, Chorus 287:, with a new arrangement of Schubert's music by 1007:Information from the Schubert Institute website 792:I Ask the Spring Blossom Laden – Finale Act III 457:Moment Musicale – Franz Schubert, Hansy, Dancer 691:, a new English production was mounted at the 463:Let Me Awake – Bellabruna, Baron Franz Schober 1705: 1541: 916:; the cast included Aimé Doniat as Schubert, 163:), adapted into English-language versions as 8: 726:Opening Number – Oh the Maytime is a Gaytime 1293:Information about the various film versions 1733: 1712: 1698: 1690: 1548: 1534: 1526: 1363:, ArkivMusic.com, accessed 12 October 2012 1210: 1208: 993:Information from exhibition and photo site 988: 986: 729:Just a Little Ring – Lili, Tilli and Willi 53: 36: 1496:Favorable analysis of the Romberg version 1283:, Weltbuch: Dresden/Sargans (2014), p. 58 940:in 1997, conducted by Alfred Walter, and 884:conducted an album of 10 selections from 771:I Want To Carve Your Name – Finale act II 656:Signorina Fiametta Marini – Doris Clayton 1394:Green, Stanley (1980). "Blossom Time". 970: 968: 964: 571:. The cast at the London premiere was: 2278:Arrangements of classical compositions 1449:Information about the American version 1417:(second ed.). London: Routledge. 1322: 1320: 1023: 1021: 789:Maiden Try To Smile – Lili and Schober 226:The original production opened at the 2273:Cultural depictions of Franz Schubert 1279:Sollfrank, Martin. "Richard Tauber", 1002: 1000: 466:Tell Me Daisy – Mitzi, Franz Schubert 7: 932:included a selection in their album 679:(1928), the Lyric (1930), and the 617:Moritz von Schwind – Herbert Cameron 442:Song of Love – Franz Schubert, Mitzi 1514:Antique programmes and images from 1489:Encyclopedia of the Musical Theatre 1396:Encyclopedia of the Musical Theatre 741:The Golden Song – Lili and Schubert 32:Das Dreimäderlhaus (disambiguation) 1108:Information including the plot of 786:My Sweetest Song Of All – Schubert 768:Girls and Boys – Mrs Veit and Veit 593:Ferdinand Binder – Griffin Campion 25: 1570:Blossom Time (Das Dreimäderlhaus) 1461:A review of Tauber's film called 1075:Hischak, Thomas S. (2006-01-01). 756:Dance of Bridesmaids and Children 614:Johann Michael Vogl – Eric Morgan 2206: 2197: 2196: 904:for HMV when they were stars of 377:acquired the American rights to 59:Fritz Schrödter as Schubert and 1938:opus/Deutsch number concordance 868:Lilac Time Selections 1 & 2 695:. The piece was revived at the 313:, using some of Berté's work. 190:(1857–1924), and a libretto by 1415:Operetta: A Theatrical History 765:The Flower – Lili and Schibert 305:, with an adapted libretto by 1: 1943:19th century complete edition 1509:Poster from French production 934:A Treasury of Great Operettas 341:lived in a house behind this. 45:or Blossom Time or Lilac Time 1487:Kurt Gänzl article from the 1281:Weltstar des 20. Jahrhundert 759:Dream Enthralling – Schubert 683:(1932). In 1933, soon after 596:Andreas Braun – Michael Cole 61:Anny Rainer as Hannerl, 1916 2268:Musicals by Sigmund Romberg 1776:Sonatas, duos and fantasies 1327:Broadway.com article about 1176:, December 28, 1928, p. 10 567:; the musical director was 291:and an adapted libretto by 2304: 2263:Plays based on real people 1995:Schubert's Dream of Spring 1413:Traubner, Richard (2003). 1218:, September 23, 1933, p. 8 1163:, December 28, 1922, p. 11 1150:, December 28, 1922, p. 24 948:, released on CD the 1959 623:Baron Franz von Schober – 430:Melody Triste – Bellabruna 29: 2192: 1564: 1398:. Boston: Da Capo Press. 1377:Gaye, Freda, ed. (1967). 1270:, February 25, 1949, p. 7 1266:"His Majesty's Theatre", 1231:, December 27, 1933, p. 8 1202:, December 27, 1932, p. 6 675:The piece was revived at 361:English-language versions 52: 2253:Musicals based on novels 2089:Dietrich Fischer-Dieskau 1636:The Passing Show of 1918 1629:The Passing Show of 1916 1501:Photos of postcards for 1379:Who's Who in the Theatre 1257:, October 14, 1942, p. 6 804: 611:Lili – Clara Butterworth 599:Schani – Albert Websdale 581:Mrs Weber – Gladys Hirst 161:House of the Three Girls 2003:Gently My Songs Entreat 912:) in 1962 conducted by 650:Mrs Viet – Florence Vie 647:Stingl – Ronald Pomeroy 493:Finale Act 3 – Ensemble 445:Finale Act 1 – Ensemble 295:. This debuted at the 18:Blossom Time (operetta) 2258:Musicals set in Vienna 2144:Johann Philipp Neumann 2129:Elizabeth Norman McKay 1314:, March 18, 1942, p. 6 1244:, July 30, 1936, p. 12 536: 525: 342: 309:and music arranged by 117:by Rudolf Hans Bartsch 2119:Eusebius Mandyczewski 2051:Angeli senza paradiso 1982:Schubert at the Piano 1806:Doubtful and spurious 1189:, May 27, 1930, p. 14 1038:Traubner, pp. 424–426 813:in Europe, first at 705:His Majesty's Theatre 653:Sally – Queenie Young 584:Rosi – Ethel Wellesby 539:In 1922, in England, 532:Piano sheet music of 531: 516: 391:, but in the case of 336: 103:Alfred Maria Willner 2283:Operas set in Vienna 2114:Anselm Hüttenbrenner 2099:Johann Nepomuk Fuchs 1948:New Schubert Edition 1781:Songs and part-songs 1650:Robinson Crusoe, Jr. 906:Sadler's Wells Opera 874:of the Lyric Theatre 641:Count Scharntorff – 192:Alfred Maria Willner 81:Alfred Maria Willner 30:For other uses, see 2184:Johann Michael Vogl 2019:The Great Awakening 1214:"Aldwych Theatre", 1081:. Scarecrow Press. 819:Theater an der Wien 620:Kappel – John Kelly 253:. Debuting during 223:of Schubert music. 216:Die schöne Müllerin 211:Rudolf Hans Bartsch 2288:Arts set in Vienna 2164:Ferdinand Schubert 2074:Otto Erich Deutsch 1974:Das Dreimäderlhaus 1678:Up in Central Park 1671:The Student Prince 1503:Das Dreimäderlhaus 1359:2016-03-04 at the 1298:2007-07-20 at the 1053:2008-02-28 at the 1012:2007-07-07 at the 938:Das Dreimäderlhaus 811:Das Dreimäderlhaus 753:Serenade – Schober 643:Jerrold Robertshaw 541:Das Dreimäderlhaus 537: 526: 393:The Student Prince 388:The Student Prince 379:Das Dreimäderlhaus 366:American version: 343: 297:Ambassador Theatre 265:Das Dreimäderlhaus 259:Das Dreimäderlhaus 156:Das Dreimäderlhaus 42:Das Dreimäderlhaus 2248:Broadway musicals 2243:West End musicals 2220: 2219: 2159:Franz von Schober 2035:La Belle Meunière 1956: 1955: 1933:Deutsch catalogue 1687: 1686: 1580:The Blue Paradise 1575: 1469:Sheet music from 1424:978-0-415-96641-2 1405:978-0-306-80113-6 1310:"Lyric Theatre", 1198:"Globe Theatre", 1185:"Lyric Theatre", 1088:978-0-8108-5747-6 872:Clarence Raybould 805:Tauber's versions 801: 800: 635:Christian Viet – 629:Franz Schubert – 608:Wili – Roy Wilson 569:Clarence Raybould 553:George H. Clutsam 506:British version: 502: 501: 311:George H. 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633: 627: 621: 618: 615: 612: 609: 606: 600: 597: 594: 591: 585: 582: 579: 559:opened at the 551:with music by 510: 504: 500: 499: 495: 494: 491: 488: 485: 481: 480: 475: 474: 473: 470: 467: 464: 461: 458: 454: 453: 448: 447: 446: 443: 440: 437: 434: 431: 428: 424: 423: 415: 413: 410: 383:Old Heidelberg 370: 364: 362: 359: 330: 327: 317:opened at the 228:Raimundtheater 196:Heinz Reichert 188:Heinrich Berté 184:Franz Schubert 182:with music by 150: 149: 123: 119: 118: 111: 107: 106: 105:Heinz Reichert 101: 95: 94: 85:Heinz Reichert 78: 74: 73: 71:Franz Schubert 68: 64: 63: 58: 50: 49: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2300: 2289: 2286: 2284: 2281: 2279: 2276: 2274: 2271: 2269: 2266: 2264: 2261: 2259: 2256: 2254: 2251: 2249: 2246: 2244: 2241: 2239: 2236: 2234: 2233:1916 musicals 2231: 2230: 2228: 2213: 2209: 2205: 2203: 2195: 2194: 2191: 2185: 2182: 2180: 2177: 2175: 2172: 2170: 2167: 2165: 2162: 2160: 2157: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 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1665: 1661: 1659: 1658: 1654: 1652: 1651: 1647: 1645: 1644: 1640: 1638: 1637: 1633: 1631: 1630: 1626: 1624: 1623: 1619: 1617: 1616: 1612: 1610: 1609: 1605: 1603: 1602: 1598: 1596: 1595: 1591: 1589: 1588: 1584: 1582: 1581: 1577: 1572: 1571: 1567: 1566: 1563: 1559: 1551: 1546: 1544: 1539: 1537: 1532: 1531: 1528: 1522: 1521: 1517: 1512: 1510: 1507: 1505: 1504: 1499: 1497: 1494: 1492: 1490: 1485: 1482: 1478: 1475: 1473: 1472: 1467: 1465: 1464: 1459: 1458: 1454: 1450: 1447: 1445: 1442: 1440: 1437: 1436: 1432: 1426: 1420: 1416: 1411: 1407: 1401: 1397: 1392: 1388: 1384: 1380: 1375: 1374: 1370: 1362: 1358: 1355: 1350: 1347: 1343: 1338: 1335: 1332: 1330: 1323: 1321: 1317: 1313: 1307: 1304: 1301: 1297: 1294: 1289: 1286: 1282: 1276: 1273: 1269: 1263: 1260: 1256: 1250: 1247: 1243: 1237: 1234: 1230: 1224: 1221: 1217: 1211: 1209: 1205: 1201: 1195: 1192: 1188: 1182: 1179: 1175: 1169: 1166: 1162: 1156: 1153: 1149: 1146:"The Lyric", 1143: 1140: 1137:Gaye, p. 1534 1134: 1131: 1128: 1124: 1118: 1115: 1112: 1111: 1104: 1101: 1090: 1084: 1080: 1079: 1071: 1068: 1062: 1059: 1056: 1052: 1049: 1044: 1041: 1035: 1032: 1029: 1024: 1022: 1018: 1015: 1011: 1008: 1003: 1001: 997: 994: 989: 987: 983: 980: 978: 971: 969: 965: 958: 956: 955: 952:recording of 951: 947: 943: 939: 935: 931: 927: 923: 919: 915: 911: 907: 903: 899: 895: 894:June Bronhill 891: 887: 883: 876: 873: 869: 865: 864: 863: 857: 854: 851: 848: 847: 846: 840: 838: 836: 832: 829:in 1934 with 828: 824: 820: 816: 812: 797: 791: 788: 785: 782: 781: 777: 776: 775: 770: 767: 764: 761: 758: 755: 752: 751: 747: 746: 745: 740: 737: 734: 731: 728: 725: 724: 720: 719: 718: 717: 710: 708: 706: 703:in 1942, and 702: 701:Stoll Theatre 699:in 1936, the 698: 694: 690: 686: 682: 681:Globe Theatre 678: 668: 667: 662: 661: 660: 659: 655: 652: 649: 646: 644: 640: 638: 634: 632: 628: 626: 622: 619: 616: 613: 610: 607: 605: 601: 598: 595: 592: 590: 589:Robert Nainby 586: 583: 580: 578: 574: 573: 572: 570: 566: 562: 561:Lyric Theatre 558: 554: 550: 546: 542: 535: 530: 523: 519: 515: 509: 505: 498: 492: 489: 486: 483: 482: 478: 477: 476: 471: 468: 465: 462: 459: 456: 455: 451: 450: 449: 444: 441: 438: 435: 432: 429: 426: 425: 421: 420: 419: 418: 411: 409: 405: 403: 402:J. C. Huffman 398: 394: 390: 389: 384: 380: 376: 369: 365: 360: 358: 356: 351: 347: 340: 335: 328: 326: 322: 320: 319:Lyric Theatre 316: 312: 308: 304: 303: 298: 294: 290: 286: 285: 280: 276: 272: 271: 266: 262: 260: 256: 252: 248: 242: 237: 233: 229: 224: 222: 218: 217: 212: 208: 202: 197: 193: 189: 185: 181: 178: 174: 173: 168: 167: 162: 158: 157: 148: 143: 138: 133: 128: 124: 120: 116: 112: 108: 102: 100: 96: 91: 86: 82: 79: 75: 72: 69: 65: 56: 51: 48: 38: 33: 19: 2179:Rita Steblin 2109:Ernst Hilmar 2104:Therese Grob 2079:Walther Dürr 2049: 2041: 2033: 2025: 2017: 2009: 2001: 1993: 1980: 1973: 1972: 1968:Schubertiade 1926:Publications 1796:Arrangements 1751:Church music 1729:Compositions 1676: 1669: 1662: 1655: 1648: 1641: 1634: 1627: 1622:The New Moon 1620: 1613: 1606: 1599: 1592: 1585: 1578: 1569: 1568: 1556:Musicals by 1519: 1516:Blossom Time 1515: 1502: 1488: 1471:Blossom Time 1470: 1463:Blossom Time 1462: 1414: 1395: 1378: 1349: 1337: 1331:and Bronhill 1328: 1311: 1306: 1288: 1280: 1275: 1267: 1262: 1254: 1249: 1241: 1236: 1228: 1223: 1215: 1199: 1194: 1186: 1181: 1173: 1168: 1160: 1155: 1147: 1142: 1133: 1117: 1110:Blossom Time 1109: 1103: 1092:. Retrieved 1077: 1070: 1061: 1043: 1034: 976: 953: 937: 933: 928:as Nanette. 922:Lina Dachary 920:as Schober, 909: 901: 898:Thomas Round 886:Blossom Time 885: 880: 867: 861: 844: 835:Blossom Time 834: 822: 810: 808: 795: 674: 664: 637:Edmund Gwenn 625:Percy Heming 577:Barbara Gott 575:Mrs Grimm – 556: 544: 540: 538: 533: 521: 507: 496: 406: 397:Blossom Time 396: 392: 386: 382: 378: 372: 368:Blossom Time 367: 352: 348: 344: 323: 314: 301: 300: 284:Blossom Time 283: 282: 275:Song of Love 274: 269: 268: 264: 263: 258: 250: 225: 214: 206: 171: 170: 166:Blossom Time 165: 164: 160: 155: 154: 153: 114: 40: 2238:1916 operas 2169:Johann Senn 2054:(1970 film) 2046:(1953 film) 2038:(1949 film) 2030:(1947 film) 2022:(1941 film) 2014:(1940 film) 2006:(1933 film) 1998:(1931 film) 1791:Stage works 1785:song cycles 1766:Piano music 1615:My Maryland 1477:Information 926:Freda Betti 831:Jane Baxter 604:Moya Nugent 549:Adrian Ross 307:Adrian Ross 255:World War I 239: [ 199: [ 122:Productions 113:1912 novel 88: [ 2227:Categories 1770:piano solo 1760:Symphonies 1574:(arranger) 1520:Lilac Time 1479:about the 1433:References 1329:Lilac Time 1094:2014-05-30 954:Lilac Time 902:Lilac Time 890:RCA Victor 882:Al Goodman 866:K-05064 – 841:Recordings 823:Lilac Time 587:Novotny – 557:Lilac Time 545:Lilac Time 534:Lilac Time 522:Lilac Time 508:Lilac Time 315:Lilac Time 302:Lilac Time 207:Schwammerl 172:Lilac Time 115:Schwammerl 1312:The Times 1268:The Times 1255:The Times 1242:The Times 1229:The Times 1216:The Times 1200:The Times 1187:The Times 1174:The Times 1148:The Stage 1121:WorldCat 900:recorded 707:in 1949. 339:Beethoven 221:pasticcio 2202:Category 2011:Serenade 1738:By genre 1608:May Wine 1357:Archived 1296:Archived 1127:11199303 1051:Archived 1010:Archived 663:Source: 385:to make 329:Synopsis 279:Broadway 180:operetta 177:pastiche 147:West End 142:Broadway 1917:undated 1815:By year 1657:Rosalie 1601:Maytime 1387:5997224 1371:Sources 1161:The Era 979:, p. 14 778:Act III 666:The Era 602:Tili – 479:Act III 353:In the 251:Hannerl 2062:People 1801:Copies 1664:Sinbad 1491:(2001) 1421:  1402:  1385:  1125:  1085:  815:Plauen 796: 748:Act II 524:, 1922 497: 452:Act II 355:Prater 232:Vienna 132:Berlin 127:Vienna 77:Lyrics 2212:Audio 1961:Media 1587:Bombo 959:Notes 721:Act I 422:Act I 243:] 203:] 145:1922 140:1921 137:Paris 135:1921 130:1916 125:1916 110:Basis 92:] 67:Music 1822:1810 1518:and 1419:ISBN 1400:ISBN 1383:OCLC 1123:OCLC 1083:ISBN 896:and 888:for 194:and 169:and 99:Book 1912:'28 1907:'27 1902:'26 1897:'25 1892:'24 1887:'23 1882:'22 1877:'21 1872:'20 1867:'19 1862:'18 1857:'17 1852:'16 1847:'15 1842:'14 1837:'13 1832:'12 1827:'11 950:HMV 946:EMI 547:by 281:as 230:in 209:by 2229:: 1319:^ 1207:^ 1020:^ 999:^ 985:^ 967:^ 404:. 241:de 201:de 90:de 1787:) 1783:( 1772:) 1768:( 1762:) 1758:( 1713:e 1706:t 1699:v 1549:e 1542:t 1535:v 1427:. 1408:. 1389:. 1097:. 669:. 273:( 159:( 34:. 20:)

Index

Blossom Time (operetta)
Das Dreimäderlhaus (disambiguation)

Franz Schubert
Alfred Maria Willner
Heinz Reichert
de
Book
Vienna
Berlin
Paris
Broadway
West End
pastiche
operetta
Franz Schubert
Heinrich Berté
Alfred Maria Willner
Heinz Reichert
de
Rudolf Hans Bartsch
Die schöne Müllerin
pasticcio
Raimundtheater
Vienna
Fritz Schrödter
de
Franz von Suppé
World War I
Broadway

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