634:
121:
407:
520:
25:
66:
187:
222:
Blu's nomadic spirit peaked in 2005. From the end of that year, Blu spent most of his time jumping from place to place in self-guided travels, linking his itineraries to the festivals to which he was invited. During that time, he collaborated with
Ericailcane and several artists from
610:. In Bologna, he wrote most of his first works because of his studies at the city's university. In 2016, he deleted all murals painted in Bologna due to the decision taken by the municipality, which made an exhibition trying to profit from Blu's graffiti without his permission.
473:
called upon the overdue historical and social commemoration of the place's charged history and the unknown fates of the forced labourers who built it. The commissioned piece was destroyed in autumn 2013 in the course of renovation works.
247:, on the Avenida Bolivar, where, in 1979, Victor CanifrĂą celebrated the Sandinista revolution. This mural was then dubbed "Hombre Banano" (Banana Man) by the locals, referring to the protest of the workers on banana plantations.
352:
ordered the resulting mural to be whitewashed the day after it was finished, probably due to its political content. The mural represented two rows of coffins, each draped with a one-dollar bill in place of the
American flag.
531:. Thanks to his participation in several of the festivals "Backjump" and "Planetprozess," he had the opportunity to create some of his works, one of which was painted in combination with gigantic photos by the French artist
486:
and Willow Street and at the former headquarters of the art gallery website
Pictures on Walls. That same summer, he took part in a two-man exhibit with Ericailcane at the Lazarides Gallery. The following year, the
274:, for which Blu created a series of animated segments using digital software. The film also includes the first documented painted stop-motion animation by Blu. A year later, he was again in South America, in
538:
In 2006, during one of these trips, Blu made his first digital animation from images painted directly on a wall, a technique that would be a recurrent theme of many of his future videos, such as "Muto."
542:
In consultation with Blu, the two murals at
CuvrystraĂźe were covered with black paint in 2014 by a group of people as a sign of discontent with the city's urban development policies in the area.
361:
In 2007, Santa's Ghetto, a London-based art collective that organises annual happenings of painting performances and print trade fairs, invited Blu to a festival that took place in the
298:. This video is composed of hundreds of paintings on walls, made throughout many streets of Buenos Aires, and, frame by frame, creates more than seven minutes of an animated mural.
466:
550:
Italy, above any other country, can boast of having the majority of Blu's graffiti, both illegal and legal. Among the public projects worth noting are the façade of
1216:
867:
465:
to the heartlands of the German Reich. For the construction of the harbour basin and its five granaries between 1939 and 1942, the Nazi regime employed
527:
Blu worked in
Germany on many occasions between 2006 and 2009, mostly in Berlin and always around CuvrystraĂźe in a multi-ethnic neighborhood called
278:, Brazil, participating in the festival "A Conquista do Espaço" (Conquering Space). On that occasion, he came up with a new interpretation of the "
430:. First suggested in 1923 as one possibility for the expansion of Vienna's harbour facilities, Albern was selected for realisation by the German
345:
290:
is literally submerged by tons of guns and rifles. From the fall of 2007 to the spring of 2008, he lived in Buenos Aires, creating a video called
1309:
617:", places that are between squats and self-managed cultural centers. In Bologna his work is visible at XM24, TPO, Livello 57, Crash; in Rome at
558:, finished in 2008; the murals in that city's Bicocca and Lambrate train stations, done in 2008 and 2009; three editions of "Spina Festival" in
1067:
250:
The following year, from
October 2006 to December 2006, he returned to Central and South America for a long circuit of murals that included
614:
325:. In this huge mural, Blu seems to reinterpret the history of South America, a continent that has been violated by both ancient and modern
84:
76:
551:
1297:
1448:
173:
155:
102:
52:
140:
Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
1458:
582:
a gigantic silos next to the harbor waterfront. Other
Italian cities where Blu has left his mark are varied, among which are
676:". With the global economic crisis looming, Blu painted a threatening shark whose skin is completely covered in euro bills.
1468:
38:
134:
279:
975:
431:
129:
1463:
933:
881:
243:
called "Murales de
Octubre." During the festival, he painted a wall, significant in the history of South American
496:
382:
1329:
1083:
442:
958:
633:
259:
1453:
567:
393:. On a watchtower border, Blu painted a figure of a person trying to tear down the walls with his finger.
120:
618:
370:
457:
order, designated for the transshipment of grain from the annexed or economically colonized regions of
340:
In 2008, Blu accepted an invitation from the Deitch
Gallery in New York to paint the exterior of their
566:" (2008 and 2009). In this last one, Blu completed a video animation with the New York-based artist,
462:
374:
406:
1064:
725:
Mural Art, Volume 2: Murals on Huge Public
Surfaces Around the World from Graffiti to Trompe L'Oeil
817:
690:
672:. In Barcelona's Barrio Carmelo neighborhood, Blu took part in the 2008 edition of the festival "
579:
427:
423:
1191:
348:
to paint the exterior wall of the museum for its "Art in the Street" exhibition, its director
44:
1402:
1008:
661:
322:
295:
1378:
1354:
1071:
885:
673:
1122:
458:
378:
349:
326:
283:
255:
1442:
267:
197:
is the pseudonym of an Italian artist who conceals his real identity. He was born in
519:
491:
presented an exhibition on the phenomenon of street art and invited Blu, along with
332:
In 2013, he participated in the Bienal de Arte Urbano (BAU) in Cochabamba, Bolivia.
745:
Street Sketchbook: Inside the Journals of International Street and Graffiti Artists
454:
450:
446:
263:
504:
275:
482:
In 2007, Blu went to London for the first time, where he made many pieces around
1310:"Book Backjumps – The Live Issue #3, Kunstraum Kreuzberg, kunstraumkreuzberg.de"
1022:
693:" but his work on the side of the Geffen Contemporary Wing of MOCA was censored.
686:
532:
492:
488:
483:
341:
251:
563:
321:, where he painted the entire façade of an historical building in the central
306:
224:
206:
198:
1217:"Street Artist #Blu Is Erasing All The Murals He Painted in #Bologna - Giap"
979:
669:
559:
528:
438:
386:
362:
232:
228:
1428:
302:
908:
856:
Fair Bananas, Farmers, Workers, and Consumers Strive to Change an Industry
657:
653:
645:
599:
591:
587:
236:
1330:"Backjumps – The Live Issue #3, Kunstraum Kreuzberg, fromheretofame.com"
1110:
878:
270:, who documented the experience and turned it into the documentary film
1241:
500:
310:
301:
In 2009, Blu started his umpteenth tour around South America, visiting
240:
202:
1156:
644:
Blu has frequently visited Spain. At the festival "Segundo Asalto" in
570:. Blu has also taken part in many editions of the festival "Icone" in
1333:
665:
649:
607:
603:
575:
571:
419:
415:
390:
366:
287:
186:
1168:
896:
1042:
637:
632:
595:
583:
555:
518:
508:
470:
405:
294:(Silent), which received the Grand Prix 2009 from the Festival of
244:
185:
976:"Santa's Ghetto Bethlehem, Art-Das Kunst Magazine, Dec. 12, 2007"
1286:
656:
picking up an astonished man. Blu's murals can also be found in
622:
318:
314:
946:
1145:
114:
59:
18:
1179:
1023:
Braune Donau. Transportweg nationalsozialistischer Biopolitik
934:"Los Angeles MOCA Censors Street Artist's Commissioned Mural"
562:(2005, 2006, and 2007); and two editions of "Fame Festival a
1134:
1007:, Verlag fĂĽr moderne Kunst, Nuremberg 2014, p 206; see also
868:
Blu's First Stop-Motion Street Art Experiments in 'Megunica'
1275:
719:
The Art of Rebellion 2: World of Urban Art Activism (No. 2)
578:'s "Festival Pop Up" in 2008, where he painted, along with
1169:
Padiglione dell’Arte Contemporanea di Milano (PAC) Website
449:. The project was to serve as a logistic node of a future
266:(Argentina). He was followed during the trip by filmmaker
621:
and Collatino; in Milan at Cox 18 and Leoncavallo and in
1433:
1264:
1099:
1053:
1195:
705:
The Live Issue #3: Urban Communication and Aesthetics
652:, Nuria, and Nano, painted a mural of a colossal
313:, back to Buenos Aires, and, for the first time,
843:The murals of revolutionary Nicaragua, 1979-1992
365:. Blu was part of a group of artists, including
1005:Kör vie 07-10: Public Art in Vienna, 2007-2010
1065:Tate Gallery, Street Art Exhibition's Website
8:
756:Kör vie 07-10: Public art Vienna 2007 - 2010
1030:, Springer, Vienna/New York, 2008, p 240 f
707:, William Stratmann, ISBN 978-3-937946-27-6
53:Learn how and when to remove these messages
1159:, Blog, blublu.org, retrieved 6. June 2015
1026:, in: Christian Reder, Erich Klein (Hg.):
712:60: Innovators Shaping Our Creative Future
469:. Realized on one of the granaries, Blu's
1003:, in: Maria Taig, Barbara Horvath (Hg.):
305:for the festival "Memoria Canalla," then
174:Learn how and when to remove this message
156:Learn how and when to remove this message
103:Learn how and when to remove this message
845:, University of California Press, 1995.
809:
772:, Special edition, Zooo Print and Press
410:Vienna, Albern harbour mural, 2010-2013
346:Museum of Contemporary Art, Los Angeles
1157:”When the finger points to the moon… “
897:Clermont-Ferrand Film Festival Website
344:location. After being invited by the
7:
936:. Huffington Post. 10 December 2010.
858:, University of Arizona Press, 2008.
959:Let us spray: Banksy hits Bethlehem
738:Street Art: The Graffiti Revolution
554:(the Contemporary Art Pavilion) in
511:, to paint its entire main façade.
1287:The Influencers Festival's Website
648:, he, along with the artists San,
389:that separates the West Bank from
75:tone or style may not reflect the
14:
613:Blu has also painted in several "
523:Murals in CuvrystraĂźe, 2007-2014.
34:This article has multiple issues.
1123:Street art to adorn Tate's walls
736:Lewisohn, Cedar, editor (2008).
119:
85:guide to writing better articles
64:
23:
717:Hundertmark, Christian (2006).
385:who painted on the wall around
42:or discuss these issues on the
1:
1429:buenosairesstreetart.com: Blu
798:25 disegni (with Ericailcane)
1084:Street art is now mainstream
1028:Graue Donau – Schwarzes Meer
1001:BLU - Untitled/it is obvious
879:Blu, Muto, 2008, via Youtube
752:BLU - Untitled/it is obvious
723:Iosifidis, Kiriakos (2009).
414:In 2010, Blu was invited to
1242:"BLU blog March 12th, 2016"
1135:Backjump Festival's Website
1054:Lazarides Gallery's Website
818:"Artist Retrospective: Blu"
437:in 1939, a year after the "
435:(Reichsverkehrsministerium)
432:Reich Ministry of Transport
262:(Costa Rica), and finally,
1487:
1192:"Icone Festival's Website"
1043:Pictures on Walls’ Website
758:, Verlag fĂĽr moderne Kunst
625:at Cantiere San Bernardo.
730:Lazarides, Steve (2009).
218:Central and South America
1449:Italian graffiti artists
957:Sheera Claire Frenkel, "
947:Santa's Ghetto's Website
750:Tschiedl, Roman (2014).
732:Outsiders: Art by People
710:Dietrich, Lucas (2009).
426:in the city district of
418:to paint a mural at the
1180:Fame Festival's Website
1070:March 23, 2010, at the
884:March 26, 2010, at the
800:, Zooo Print and Press.
793:, Zooo Print and Press.
743:Manco, Tristan (2007).
205:and has been active in
128:Some of this article's
79:used on Knowledge (XXG)
1459:People from Senigallia
1146:Planetprozess’ Website
1009:Untitled/it is obvious
779:, Zooo Print and Press
714:, Thames & Hudson.
641:
524:
411:
191:
83:See Knowledge (XXG)'s
1125:", BBC, April 2, 2008
1020:Ortrun Veichtlbauer:
636:
522:
409:
189:
16:Italian street artist
1469:Pseudonymous artists
754:, In: Taig, Maria :
689:for the exhibition "
463:south-eastern Europe
286:. In Blu's version,
965:, December 3, 2007.
424:harbour near Albern
280:Christ of Corcovado
1359:/ SPECIAL EDITION"
1298:Censorship at MOCA
1082:Francesca Gavin, "
1011:, koer.or.at, 2010
747:, Chronicle Books.
703:Backjumps (2007).
691:Art in the Streets
685:He was invited in
642:
525:
412:
192:
1464:Anonymous artists
1265:El Tono's Website
854:Henry J. Frundt,
239:in a festival in
184:
183:
176:
166:
165:
158:
113:
112:
105:
77:encyclopedic tone
57:
1476:
1417:
1416:
1414:
1413:
1407:, Studio Cromie"
1399:
1393:
1392:
1390:
1389:
1375:
1369:
1368:
1366:
1365:
1351:
1345:
1344:
1342:
1341:
1332:. Archived from
1326:
1320:
1319:
1317:
1316:
1306:
1300:
1295:
1289:
1284:
1278:
1273:
1267:
1262:
1256:
1255:
1253:
1252:
1238:
1232:
1231:
1229:
1228:
1213:
1207:
1206:
1204:
1203:
1194:. Archived from
1188:
1182:
1177:
1171:
1166:
1160:
1154:
1148:
1143:
1137:
1132:
1126:
1119:
1113:
1108:
1102:
1097:
1091:
1090:, April 8, 2008.
1080:
1074:
1062:
1056:
1051:
1045:
1040:
1034:
1033:
1018:
1012:
999:Roman Tschiedl:
997:
991:
990:
988:
987:
978:. Archived from
972:
966:
955:
949:
944:
938:
937:
930:
924:
923:
921:
919:
905:
899:
894:
888:
876:
870:
865:
859:
852:
846:
839:
833:
832:
830:
829:
814:
619:Forte Prenestino
323:Avenida Arenales
296:Clermont-Ferrand
179:
172:
161:
154:
150:
147:
141:
123:
115:
108:
101:
97:
94:
88:
87:for suggestions.
68:
67:
60:
49:
27:
26:
19:
1486:
1485:
1479:
1478:
1477:
1475:
1474:
1473:
1439:
1438:
1425:
1420:
1411:
1409:
1401:
1400:
1396:
1387:
1385:
1377:
1376:
1372:
1363:
1361:
1353:
1352:
1348:
1339:
1337:
1328:
1327:
1323:
1314:
1312:
1308:
1307:
1303:
1296:
1292:
1285:
1281:
1276:Nuria's Website
1274:
1270:
1263:
1259:
1250:
1248:
1240:
1239:
1235:
1226:
1224:
1215:
1214:
1210:
1201:
1199:
1190:
1189:
1185:
1178:
1174:
1167:
1163:
1155:
1151:
1144:
1140:
1133:
1129:
1120:
1116:
1111:Gemeos’ Website
1109:
1105:
1098:
1094:
1081:
1077:
1072:Wayback Machine
1063:
1059:
1052:
1048:
1041:
1037:
1031:
1019:
1015:
998:
994:
985:
983:
974:
973:
969:
956:
952:
945:
941:
932:
931:
927:
917:
915:
907:
906:
902:
895:
891:
886:Wayback Machine
877:
873:
866:
862:
853:
849:
840:
836:
827:
825:
816:
815:
811:
807:
786:, Studio Cromie
765:
727:, Gingko Press.
700:
682:
674:The Influencers
631:
548:
517:
480:
404:
399:
359:
338:
220:
215:
180:
169:
168:
167:
162:
151:
145:
142:
139:
124:
109:
98:
92:
89:
82:
73:This article's
69:
65:
28:
24:
17:
12:
11:
5:
1484:
1483:
1480:
1472:
1471:
1466:
1461:
1456:
1451:
1441:
1440:
1437:
1436:
1431:
1424:
1423:External links
1421:
1419:
1418:
1394:
1381:MINIMA MURALIA
1370:
1357:MINIMA MURALIA
1346:
1321:
1301:
1290:
1279:
1268:
1257:
1233:
1208:
1183:
1172:
1161:
1149:
1138:
1127:
1114:
1103:
1092:
1075:
1057:
1046:
1035:
1013:
992:
967:
950:
939:
925:
900:
889:
871:
860:
847:
841:David Kunzle,
834:
808:
806:
803:
802:
801:
794:
787:
780:
777:Minima muralia
773:
770:Minima muralia
764:
761:
760:
759:
748:
741:
734:
728:
721:
715:
708:
699:
696:
695:
694:
681:
678:
630:
627:
615:Centri Sociali
547:
544:
516:
513:
479:
476:
403:
400:
398:
395:
358:
355:
350:Jeffrey Deitch
337:
334:
327:conquistadores
284:Rio de Janeiro
256:Guatemala City
219:
216:
214:
211:
201:. He lives in
182:
181:
164:
163:
130:listed sources
127:
125:
118:
111:
110:
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1482:
1481:
1470:
1467:
1465:
1462:
1460:
1457:
1455:
1454:Living people
1452:
1450:
1447:
1446:
1444:
1435:
1432:
1430:
1427:
1426:
1422:
1408:
1406:
1405:Blu 2004-2007
1398:
1395:
1384:
1382:
1374:
1371:
1360:
1358:
1350:
1347:
1336:on 2008-05-17
1335:
1331:
1325:
1322:
1311:
1305:
1302:
1299:
1294:
1291:
1288:
1283:
1280:
1277:
1272:
1269:
1266:
1261:
1258:
1247:
1243:
1237:
1234:
1222:
1218:
1212:
1209:
1198:on 2010-03-04
1197:
1193:
1187:
1184:
1181:
1176:
1173:
1170:
1165:
1162:
1158:
1153:
1150:
1147:
1142:
1139:
1136:
1131:
1128:
1124:
1118:
1115:
1112:
1107:
1104:
1101:
1100:J-R's Website
1096:
1093:
1089:
1085:
1079:
1076:
1073:
1069:
1066:
1061:
1058:
1055:
1050:
1047:
1044:
1039:
1036:
1029:
1025:
1024:
1017:
1014:
1010:
1006:
1002:
996:
993:
982:on 2009-03-04
981:
977:
971:
968:
964:
960:
954:
951:
948:
943:
940:
935:
929:
926:
914:
913:BAU-mARTadero
910:
904:
901:
898:
893:
890:
887:
883:
880:
875:
872:
869:
864:
861:
857:
851:
848:
844:
838:
835:
823:
822:StreetArtNews
819:
813:
810:
804:
799:
795:
792:
788:
785:
784:Blu 2004-2007
781:
778:
774:
771:
767:
766:
762:
757:
753:
749:
746:
742:
739:
735:
733:
729:
726:
722:
720:
716:
713:
709:
706:
702:
701:
697:
692:
688:
684:
683:
680:US censorship
679:
677:
675:
671:
667:
663:
659:
655:
651:
647:
639:
635:
628:
626:
624:
620:
616:
611:
609:
605:
601:
597:
593:
589:
585:
581:
577:
573:
569:
565:
561:
557:
553:
545:
543:
540:
536:
534:
530:
521:
514:
512:
510:
506:
502:
498:
494:
490:
485:
477:
475:
472:
468:
467:forced labour
464:
460:
456:
452:
448:
444:
440:
436:
433:
429:
425:
421:
417:
408:
401:
396:
394:
392:
388:
384:
380:
376:
372:
368:
364:
356:
354:
351:
347:
343:
336:North America
335:
333:
330:
328:
324:
320:
316:
312:
308:
304:
299:
297:
293:
289:
285:
281:
277:
273:
269:
268:Lorenzo Fonda
265:
261:
257:
253:
248:
246:
242:
238:
234:
230:
226:
217:
212:
210:
208:
204:
200:
196:
188:
178:
175:
160:
157:
149:
137:
136:
131:
126:
122:
117:
116:
107:
104:
96:
86:
80:
78:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1410:. Retrieved
1404:
1397:
1386:. Retrieved
1380:
1373:
1362:. Retrieved
1356:
1349:
1338:. Retrieved
1334:the original
1324:
1313:. Retrieved
1304:
1293:
1282:
1271:
1260:
1249:. Retrieved
1245:
1236:
1225:. Retrieved
1223:. 2016-03-12
1220:
1211:
1200:. Retrieved
1196:the original
1186:
1175:
1164:
1152:
1141:
1130:
1117:
1106:
1095:
1088:The Guardian
1087:
1078:
1060:
1049:
1038:
1027:
1021:
1016:
1004:
1000:
995:
984:. Retrieved
980:the original
970:
962:
953:
942:
928:
916:. Retrieved
912:
903:
892:
874:
863:
855:
850:
842:
837:
826:. Retrieved
824:. 2021-12-15
821:
812:
797:
796:Blu (2005).
790:
789:Blu (2006).
783:
782:Blu (2008).
776:
775:Blu (2018).
769:
768:Blu (2018).
755:
751:
744:
740:, HNA Books.
737:
731:
724:
718:
711:
704:
698:Bibliography
643:
612:
549:
541:
537:
526:
481:
455:biopolitical
447:Nazi Germany
434:
413:
371:Mark Jenkins
360:
339:
331:
300:
291:
271:
264:Buenos Aires
249:
221:
209:since 1999.
194:
193:
170:
152:
143:
132:
99:
90:
74:
50:
43:
37:
36:Please help
33:
1032:(in German)
687:Los Angeles
580:Ericailcane
568:David Ellis
489:Tate Modern
484:Camden Town
375:Ron English
342:Long Island
258:, Managua,
252:Mexico City
133:may not be
1443:Categories
1412:2021-05-02
1388:2021-05-02
1364:2021-05-02
1340:2021-05-02
1315:2021-05-02
1251:2018-02-18
1246:blublu.org
1227:2018-02-18
1202:2019-10-18
986:2010-03-06
828:2023-09-01
805:References
598:, Ancona,
564:Grottaglie
307:Montevideo
225:Costa Rica
207:street art
199:Senigallia
190:Blu's logo
39:improve it
963:The Times
909:"Blu-BAU"
670:Barcelona
560:Comacchio
529:Kreuzberg
505:Os GĂŞmeos
439:Anschluss
428:Simmering
387:Bethlehem
363:West Bank
357:West Bank
276:SĂŁo Paulo
233:Guatemala
229:Nicaragua
146:June 2011
93:June 2011
45:talk page
1068:Archived
918:25 March
882:Archived
763:Editions
658:Valencia
654:minotaur
646:Zaragoza
600:Rovereto
592:Grosseto
588:Florence
272:Megunica
260:San José
237:Honduras
135:reliable
662:Linares
640:, 2012.
574:and in
515:Germany
501:Sixeart
478:England
459:eastern
443:Austria
402:Austria
311:Uruguay
241:Managua
203:Bologna
1403:"Book
1379:"Book
1355:"Book
666:Madrid
650:Eltono
608:Pesaro
604:Verona
576:Ancona
572:Modena
503:, and
453:- and
422:River
420:Danube
416:Vienna
397:Europe
391:Israel
381:, and
367:Banksy
303:Bogotá
288:Christ
245:murals
235:, and
213:Places
791:Nulla
638:Ordes
629:Spain
596:Turin
584:Prato
556:Milan
546:Italy
509:Nunca
497:Faile
471:mural
441:" of
383:Faile
379:Swoon
282:" of
1221:Giap
920:2020
668:and
623:Pisa
606:and
461:and
319:Peru
315:Lima
292:Muto
1434:Blu
961:",
552:PAC
451:geo
445:to
195:Blu
1445::
1244:.
1219:.
1086:,
911:.
820:.
664:,
660:,
602:,
594:,
590:,
586:,
535:.
533:JR
507:e
499:,
495:,
493:JR
377:,
373:,
369:,
329:.
317:,
309:,
254:,
231:,
227:,
48:.
1415:.
1391:.
1383:"
1367:.
1343:.
1318:.
1254:.
1230:.
1205:.
1121:"
989:.
922:.
831:.
177:)
171:(
159:)
153:(
148:)
144:(
138:.
106:)
100:(
95:)
91:(
81:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.