315:
and the KKK made the situation even worse, which reflected in the music, instrumentation gradually changed and the lyrics told stories of fear ("KKK Blues"), aimless wandering ("Walkin' Country Blues"), alcoholism ("Too Much
Drinkin'"), but also the flight from prevailing conditions, maybe with another perspective for life and the future in the big cities ("Ticket for Chicago"). But also themes of movement ("Steam Train Blues") and the faith in God and religion ("If You've Got a Friend in Jesus") were made topics in the songs, as well as the occasional search for some recreation and a good time ("Dance All Night Long"). The social and personal problems found their way into the music and started to change the Blues on a profound level.
540:
Electric
Memphis and Texas Blues, remained, however became harder and edgier, instruments like the saxophone were incorporated into the music and gave this new hybrid a sometimes jazzy feel. Once again, the lyric themes shifted away from known territory and began to reflect the changed situation, drugs, alcohol, sex, women, money gained major importance, life in wintry ghettos and anonymous housing schemes contributed its share.
264:
vividly depicted in the song "The King Who Sold His Own". All in all it was an environment, where it was only natural for the Blues to develop, and even though the instrumentation and the construction of the songs was still very different from what we now know as Blues, the basics were already there: the sadness, the strain, the burdens, the depression, the feeling of "blue" and – of course – the underlying musical structure.
429:
to previously unbeknown heights: "Now I can play above the bar noise, Man I'm bigger than a crowd" as Rea states in the opener "Electric Guitar", which paraphrases what musicians must have felt after this milestone revolution. Nor did "electric" stop at the guitars – organs, pianos, keyboards, all was going electric, studios started to play around with the new electric sound, the possibilities seemed endless.
245:
instrumentation, style, lyrical expression and thematic implications. Thereby Chris Rea and his band imitate the various styles and lyrical topics, creating an instantly recognizable atmosphere on each record, with the first few songs usually setting up the direction in which the record is going and then developing to various styles within the field of each record.
483:
in Texas, all just as sad as the original Blues ("Lone Star Boogie", "No Wheels Blues"). The mixture of the basic Blues concept with more country and western styled instruments (slide guitars, harmonica) gave the Blues a rawer, yet again still instantly recognizable sound, which has played a major role in music ever since (up to Stevie
Vaughan and ZZ Top).
882:
album that Rea released in 2002, following the wake of his disease, his split with the record company and the process of coming to terms with his new style of music. The 75-minute DVD might be especially interesting to those who own the album; there are many interviews with Rea and the Band, a lot of
812:
A new time, a new generation, a new variation of the Blues. Things had started changing once again and once again, the whole 200-year-history of the Blues was thrown over in the split of a second, when Blues suddenly started to sound old again, respect was paid to the ancestors of modern Blues music,
428:
The Blues and Blues
Musicians finally could make themselves heard among the loud crowds and stuffed places, they usually used to play. It was a tremendous change in the way, the Blues could be approached, fine and subtle figures and fine chord structures could suddenly be played, the Blues was rising
252:
For each of the albums were studied their history and characteristics, and for the recording process and sessions in the studio were procured and used equipments which was used at the specific time, and the studio itself was set up in the way to best-possibly convey the sound of rooms of the previous
698:
The Blues went in yet another direction, when it started to mingle with Celtic and
Scottish/Irish influences, forming still another hybrid. The general feeling of sadness, loss and blues, which is inherent in the Scottish, Irish and Celtic roots anyway, together with an all new instrumentation could
596:
With the incorporation of the piano and other new elements, such as swing and jazz, according to Chris Rea a somehow "sleepy morphine-induced style" came to be Blues
Ballads. The original, primitive influences are no longer recognizable, replaced by a calmer, smoother, more polished, yet nonetheless
482:
And yet another direction, the Blues was morphing into. Take the basic concept, move it into the "modern wild west" and what you get out of it is straightforward Texas Blues. It's all in there, endless highways, run-down trucker bars, oil, dirt, cowboy boots, stories about life on the move, all down
314:
Country Blues was the natural development, the direction that the original Blues would take, once it had arrived in the
American South: it was a dark time, a time of fear, people had to work hard during slavery, even harder after they had been released, wandering around unemployed, aimlessly. Racism
644:
While the basic structures and rhythms of the Blues remained true to the original, still a new generation moved the Blues onwards, banjo style played on electric guitar became the electric "sitar", the sound hit the nerve of the Indy/Hippie generation, instantly recognisable – Tamla Motown. Softer
539:
Again it was movement that was pushing the Blues into a new direction, movement upwards North to
Chicago in the pursuit of jobs and a new life. People suddenly found themselves in a completely different situation and this instantly influenced the Blues, the electric style, developed earlier on in
248:
Initially 16 CDs were planned, but Rea noted his initial idea was too intellectual and did not intend for the work to be seen as an academic work, yet as a story. He noted that it's not meant to be played in one day, neither songs separately, as far the thread can be followed, but nevertheless it
219:
and can be called an "odyssey" in its own right, for depicting a journey through the various epochs of blues music, starting at its
African origins, then going through various American regional variations, different styles including Celtic & Irish and finishing with modern-time blues from the
374:
When the originally
African and South-influenced Blues were brought to Louisiana, New Orleans, the Mississippi Delta, new instruments were added – clarinet, brass, piano, mandolins, accordions – and along with the banjo mingled into an interesting mix, which would be known as New Orleans, Swamp,
263:
The first album of this set deals with the very beginnings of the Blues, tracing its ways back to its African roots. Living conditions were hard, many African natives were taken captives and transported across the ocean to be sold as slaves, sometimes even betrayed by their own people, which is
752:
Latin music may not be the most obvious direction to look for the Blues, still there were great influences from the African culture with slaves landing in Brazil, who influenced the Caribbeans from their own direction, Cuban guitar and some kind of trademark piano were added, creating a mix so
244:
The eleven separate records which compose "Blue Guitars" could as well stand on their own; in combination, however, they provide a journey through the different epochs of the Blues, showing the various components that have been added to the original African Blues over time, the changes in
236:". The earbook album sold over 150,000 copies in Europe, and 170,000 until 2017. Several live exhibitions of the album's artwork paintings were held, like in October 2005 at The Cork Street Gallery, Central London, England, and Spazio Oikos, Milan, Italy.
375:
Cajun or Riverboat Blues. The basics for directions like jazz, swing and even rock & roll were laid during this time and a distinctive, instantly recognizable sound was created, which would imminently be associated with the Blues.
249:
should be enjoyed in the prolonged period of time. He also expressed concern about the digitalization of modern generations whose musical perception lacks the attitude for making the record listening a specific enjoyable experience.
753:
different from Mississippi Blues, and yet, Bossa Nova Blues was a direction in its own right. The Blues was even swapping over into Reggae, but in spite of its "sunshine feeling" the themes and topics were just as sad.
203:
music with the 137 songs recorded over the course of 18 months with a work schedule—according to Rea himself—of twelve hours a day, seven days a week. 2007 saw the release of a 2-CD "best of" compilation
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but there was also Woodstock, the Flower Power Movement, all those kinds of currencies that were interpreting the Blues in their own way and gave it a new face.
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199:, consists of eleven CDs, one DVD and a full colour book, including paintings by the artist, liner notes and song lyrics. It is an ambitious project about
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footage from the writing and the recording sessions and a thorough depiction of the process of making an idea become reality.
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2004:
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486:"I still remember, the place we used to go, dreaming dreams of Texas, as we pushed hard through the snow" – Chris Rea
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still recognizable, style of Blues. All that constituted the Blues in the past is still there.
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lay the basis for a different kind of approach, giving the Blues the typical Celtic feel.
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This is a little add-on to the overall collection of music, some kind of making-of the
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187:, released on 14 October 2005 by his independent record label Jazzee Blue and
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1347:[Chris Rea. Blue Guitars: The history of the blues in 11 CDs].
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1406:"Chris Rea on his guitar origins, Strats, the blues and La Passione"
208:, which with individual albums can be also found in digital format.
1441:"Chris Rea: Serious illness helped Chris Rea re-discover his muse"
1345:"Chris Rea. Blue Guitars: De geschiedenis van de blues in 11 cd's"
1181:"La sfida titanica di Chris Rea: "Ho rifatto la storia del blues""
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and easier accessible than previous hybrids of the Blues.
1378:. Edel Germany GmbH earBOOKS. p. 15. Archived from
1237:"Chris Rea – (Blue Guitars) - A Collection Of Songs -"
714:"'Til the Morning Sun Shines on My Love and Me" – 5:39
1470:(in Dutch). Hung Medien. Retrieved 14 January 2023.
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1800:
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127:
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85:
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639:Blue Guitars VIII – Gospel Soul Blues & Motown
1215:""Blue Guitars" von Chris Rea: 11 neue Alben!"
369:Blue Guitars III – Louisiana & New Orleans
357:"Somewhere Between Highway 61 & 49" – 6:06
1539:
708:"Celtic Blue (Celtic and Irish Blues)" – 8:11
384:"Two Days Missing Down the Viper Room" – 2:56
8:
855:"Ain't That Just the Prettiest Thing" – 5:20
232:s review, it should be considered as Rea's "
1710:The Return of the Fabulous Hofner Bluenotes
1468:"Dutchcharts.nl – Chris Rea – Blue Guitars"
1318:[Chris Rea, a dream called blues].
1546:
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1498:. Hung Medien. Retrieved 14 January 2023.
1496:"Lescharts.com – Chris Rea – Blue Guitars"
1434:
1432:
1430:
1428:
1072:
1025:
1000:Art direction and design – Jon Tricklebank
822:"My Baby Told Me" (Blues) (60s/70s) – 2:55
693:Blue Guitars IX – Celtic & Irish Blues
36:
27:
1784:Still So Far to Go: The Best of Chris Rea
991:Editing – Aiden Farrell and Chris Rodmell
774:"Screw You and Your Deep Blue Sea" – 4:43
1682:Dancing Down the Stony Road / Stony Road
777:"Nothing Seems to Matter No More" – 3:55
738:"'Til I Find My True Love's Name" – 3:42
657:"Break Another Piece of My Heart" – 4:39
609:"Maybe That's All I Need to Know" – 4:28
423:Blue Guitars IV – Electric Memphis Blues
342:"If You've Got a Friend in Jesus" – 4:24
191:. The Blue Guitars album, packaged as a
1213:Christian Schleifer (29 October 2005).
1208:
1206:
1204:
1111:
997:Production coordination – Janina Stamps
468:"The Soul of My Father's Shadow" – 3:52
408:"Only a Fool Plays by the Rules" – 4:00
1174:
1172:
1170:
768:"Still Trying to Clear My Name" – 4:26
558:"She's a Whole Heap of Trouble" – 2:30
549:"I'm Moving Up (Chicago Blues)" – 4:30
288:"Lord Tell Me It Won't Be Long" – 4:58
211:Initially the project was inspired by
1844:I Don't Know What It Is But I Love It
1373:"earBOOKS 2014/15 Complete Catalogue"
1121:
1119:
1117:
1115:
973:Producers – Chris Rea and Andy Wilman
7:
985:Recording engineer – Edward McDonald
675:"Just in Case You Never Knew" – 4:29
2084:New Orleans rhythm and blues albums
1570:Whatever Happened to Benny Santini?
1343:Michiels, Karel (29 October 2005).
1316:"Chris Rea Un sogno chiamato blues"
621:"My Soul Crying Out for You" – 3:38
206:Blue Guitars: A Collection of Songs
18:Blue Guitars (Stephen Bishop album)
1314:Gentile, Enzo (26 February 2006).
1074:2007 weekly chart performance for
1027:2005 weekly chart performance for
606:"Last Call (Blues Ballads)" – 3:41
399:"Talking 'bout New Orleans" – 5:27
285:"Where the Blues Come From" – 6:18
279:"The King Who Sold His Own" – 5:18
14:
1179:Cruccu Matteo (27 October 2005).
982:Executive producer – John Knowles
864:"Blue Morning in the Rain" – 4:50
828:"My Baby Told Me" (Gospel) – 3:19
762:"Hey Gringo (Latin Blues)" – 6:04
495:"Lone Rider (Texas Blues)" – 4:44
471:"My Blue World Says Hello" – 4:06
1286:Mark Edwards (30 October 2005).
834:"Yes I Do" (instrumental) – 3:28
624:"If That's What You Want" – 4:18
591:Blue Guitars VII – Blues Ballads
345:"Head Out on the Highway" – 4:32
2109:Blues albums by English artists
1518:The Blue Guitars Project (2005)
1480:"Official Albums Chart Top 100"
807:Blue Guitars XI – '60s and '70s
684:"The Pain of Loving You" – 3:57
627:"There's No One Looking" – 5:34
615:"If I Ever Get Over You" – 5:08
579:"Since You've Been Gone" – 4:09
567:"That's the Way It Goes" – 3:32
534:Blue Guitars VI – Chicago Blues
441:"Electric Memphis Blues" – 4:15
309:Blue Guitars II – Country Blues
303:"Boss Man Cut My Chains" – 3:21
681:"I'll Be There for You" – 4:18
390:"What Made Me Love You" – 3:16
324:"Walkin' Country Blues" – 3:40
1:
1809:Fool (If You Think It's Over)
1749:New Light Through Old Windows
1486:. Retrieved 14 January 2023.
669:"Come Change My World" – 4:15
453:"What I'm Looking For" – 4:26
363:"Dance All Night Long" – 4:31
183:by British singer-songwriter
25:2005 box set by Chris Rea
1098:
1066:
1051:
792:"How I Know It's You" – 4:17
747:Blue Guitars X – Latin Blues
519:"Weekend Down Mexico" – 4:20
477:Blue Guitars V – Texas Blues
459:"What You Done to Me" – 3:28
354:"Going Up to Memphis" – 4:20
1942:That's What They Always Say
1404:David Mead (15 June 2016).
979:Narrator – Richard Williams
929:, bass, drums, percussion,
879:Dancing Down the Stony Road
870:Dancing Down the Stony Road
720:"What She Really Is" – 5:03
630:"What Became of You" – 4:54
402:"Le Fleur de la Vie" – 3:13
396:"One Night with You" – 5:29
360:"Ticket for Chicago" – 5:16
300:"Sing Out the Devil" – 6:08
258:Blue Guitars I – Beginnings
2125:
1921:Driving Home for Christmas
1763:The Very Best of Chris Rea
1520:at Blue Channel on YouTube
1259:"Chris Rea on Apple Music"
1153:"Chris Rea – Blue Guitars"
1003:Liner notes – Mark Edwards
849:"Never Tie Me Down" – 4:13
805:
765:"Immigration Blues" – 5:19
711:"Too Far from Home" – 7:28
633:"My Deep Blue Ways" – 4:25
612:"Deep Winter Blues" – 5:09
585:"Here She Come Now" – 4:14
522:"Texas Line Boogie" – 4:41
450:"Let's Start Again" – 3:52
387:"Who Cares If I Do" – 4:23
351:"Steam Train Blues" – 3:50
336:"Too Much Drinkin'" – 4:52
15:
1837:I Can Hear Your Heartbeat
1288:"Chris Rea: Blue Guitars"
1091:
1056:
1044:
861:"Waiting for Love" – 4:57
825:"Got to Be Moving" – 4:03
660:"Ball & Chain" – 5:08
570:"To Get Your Love" – 5:07
510:"The American Way" – 4:07
504:"Lone Star Boogie" – 5:16
330:"Can't Stay Blues" – 4:58
327:"Man Gone Missing" – 4:40
282:"White Man Coming" – 4:01
135:
35:
2074:Blues compilation albums
1949:Tell Me There's a Heaven
1668:The Road to Hell: Part 2
994:Director – Robert Payton
846:"Who Killed Love" – 4:27
789:"Lucifer's Angel" – 5:08
786:"Keep on Dancing" – 3:56
618:"I Love the Rain" – 4:35
573:"Chicago Morning" – 4:56
501:"No Wheels Blues" – 5:02
462:"Hobo Love Blues" – 3:38
438:"Electric Guitar" – 4:42
294:"Praise the Lord" – 4:41
16:Not to be confused with
2005:Soft Top, Hard Shoulder
1998:God's Great Banana Skin
1777:The Ultimate Collection
1647:God's Great Banana Skin
1484:Official Charts Company
1127:"Chris Rea's come-back"
988:Mixing – Douglas Dreger
858:"Nobody But You" – 3:55
843:"Clarkson Blues" – 5:09
840:"Cool Cool Blue" – 4:15
741:"Big White Door" – 5:36
732:"While I Remain" – 5:30
729:"No More Sorrow" – 6:05
582:"All Night Long" – 5:27
552:"Maxwell Street" – 4:39
444:"All Night Long" – 4:11
414:"Dance avec moi" – 3:15
411:"Baby Come Home" – 3:30
1977:Looking for the Summer
1823:Every Beat of My Heart
1626:Dancing with Strangers
952:Gerry O'Connor – banjo
687:"Are You Ready" – 6:08
576:"Catwalk Woman" – 3:35
528:"Houston Angel" – 3:59
456:"Rules of Love" – 3:12
417:"L'ete eternal" – 3:31
393:"You Got Dixie" – 4:41
339:"Catwalk Woman" – 4:32
123:Chris Rea, Andy Wilman
2089:Electric blues albums
1791:The Journey 1978–2009
1756:The Best of Chris Rea
1724:Road Songs for Lovers
1439:Hugh Fielder (2005).
949:Robert Ahwai – guitar
831:"Heartbreaker" – 2:58
798:"You Got Soul" – 5:27
723:"Wishing Well" – 4:11
663:"Gospel Trail" – 5:05
525:"Too Big City" – 5:02
507:"Blind Willie" – 6:48
405:"Catfish Girl" – 3:50
297:"Sweet Sunday" – 5:38
276:"Cry for Home" – 4:58
2099:Chicago blues albums
2079:Country blues albums
1741:Compilation releases
1512:Blue Guitars website
837:"Wasted Love" – 4:44
726:"Irish Blues" – 4:14
273:"West Africa" – 4:14
179:is the twenty-first
2019:'Disco' La Passione
1717:Santo Spirito Blues
1186:Corriere della Sera
1078:
1031:
913:, electric guitar,
801:"Bajan Blue" – 4:57
771:"Sun Is Hot" – 4:28
735:"Last Drink" – 5:17
672:"Call on Me" – 4:10
654:"Sweet Love" – 4:25
561:"Jazzy Blue" – 3:24
555:"Bob Taylor" – 5:15
516:"Truck Stop" – 4:49
498:"Texas Blue" – 5:10
465:"Pass Me By" – 3:06
195:in the style of an
2094:Texas blues albums
1217:(in German). Krone
1073:
1026:
976:Author – Chris Rea
955:Sylvin Marc – bass
905:– acoustic piano,
780:"Sometimes" – 5:00
717:"Lucky Day" – 5:16
678:"Let Me In" – 5:52
513:"Angellina" – 4:47
348:"Wild Pony" – 4:10
333:"KKK Blues" – 4:56
291:"Work Gang" – 4:32
110:Jazzee Blue &
2104:Soul blues albums
2051:
2050:
1914:Joys of Christmas
1689:Hofner Blue Notes
1675:King of the Beach
1605:Wired to the Moon
1385:on 14 August 2015
1103:
1102:
1071:
1070:
1018:
1017:
852:"Mindless" – 3:55
564:"Hip-Sway" – 3:39
447:"Born Bad" – 3:46
220:1960s and 1970s.
172:
171:
168:
167:
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2064:Chris Rea albums
2029:Related articles
1935:The Road to Hell
1907:Loving You Again
1696:The Blue Jukebox
1633:The Road to Hell
1612:Shamrock Diaries
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1133:. 7 October 2005
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795:"Forever" – 5:03
783:"Lampiou" – 5:46
666:"Shy Boy" – 3:52
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1514:at ChrisReaUSA
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1506:External links
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223:According to
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217:Blues Odyssey
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1893:Hello Friend
1886:On the Beach
1830:Let It Loose
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1731:One Fine Day
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1703:Blue Guitars
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1451:. Retrieved
1449:. p. 28
1446:Classic Rock
1444:
1415:. Retrieved
1409:
1399:
1387:. Retrieved
1380:the original
1367:
1355:. Retrieved
1350:De Standaard
1348:
1338:
1326:. Retrieved
1324:(in Italian)
1319:
1309:
1297:. Retrieved
1291:
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1269:. Retrieved
1262:
1253:
1241:. Retrieved
1231:
1219:. Retrieved
1191:. Retrieved
1189:(in Italian)
1184:
1157:. Retrieved
1147:
1135:. Retrieved
1130:
1076:Blue Guitars
1075:
1029:Blue Guitars
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915:slide guitar
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189:Edel Records
181:studio album
176:Blue Guitars
175:
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151:Blue Guitars
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112:Edel Records
31:Blue Guitars
22:
2069:2005 albums
2042:La Passione
2036:Discography
1984:Winter Song
1900:Let's Dance
1417:10 December
1357:24 December
1328:24 December
1299:13 December
1271:24 December
1267:. Apple Inc
1264:Apple Music
1159:24 December
1008:Stuart Epps
234:magnum opus
100:97:00 (2CD)
2058:Categories
1851:Bombollini
1816:Loving You
1770:Heartbeats
1598:Water Sign
1411:MusicRadar
1353:(in Dutch)
1106:References
968:Production
939:vibraphone
213:Bill Wyman
160:Heartbeats
131:chronology
1872:Josephine
1591:Chris Rea
1555:Chris Rea
1293:The Times
1239:. Discogs
1155:. Discogs
1087:position
1058:UK Albums
1040:position
945:accordion
911:harmonica
903:Chris Rea
897:Musicians
887:Personnel
185:Chris Rea
129:Chris Rea
98:(box set)
69:2004–2005
51:Chris Rea
1453:31 March
1389:15 April
1243:15 April
1221:31 March
1193:31 March
1137:31 March
1131:BBC News
927:mandolin
119:Producer
66:Recorded
58:Released
48: by
1963:Auberge
1801:Singles
1640:Auberge
1577:Deltics
961:– drums
935:balafon
931:calimba
253:times.
240:Summary
197:earbook
193:box set
164:(2005)
155:(2005)
146:(2004)
46:Box set
1970:Heaven
1584:Tennis
1022:Charts
1013:
86:Length
2012:Julia
1956:Texas
1383:(PDF)
1376:(PDF)
923:dobro
919:banjo
230:'
201:blues
106:Label
80:Blues
75:Genre
1455:2015
1419:2017
1391:2015
1359:2020
1330:2020
1301:2017
1273:2020
1245:2015
1223:2015
1195:2015
1161:2020
1139:2015
1099:180
1094:SNEP
1085:Peak
1038:Peak
1067:85
1062:OCC
1052:29
872:DVD
215:'s
91:614
2060::
1482:.
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20:.
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