126:, the first of the four nudes, took a notebook of studies and two weeks' work of cutting-and-arranging before the resulting artefact satisfied him. In the event, Matisse finally arrived at his favorite pose, for all four works—intertwining legs and an arm stretching behind the neck. The posture of the nude woman is like the posture of a number of seated nudes made in the first years of the 1920s, ultimately, the posture derives from the reposed figures of
116:, made from paper cut-outs depicting nude figures in various positions. Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right. The
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The color blue signified distance and volume to
Matisse. Frustrated in his attempts to successfully marry dominant and contrasting tones, the artist was moved to use solid slabs of single color early in his career, a technique that became known as
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Despite the flatness of paper, the cut-outs reflect
Matisse's earlier sculptures in their tangible, relief-like quality, especially the sense of volume created by the overlapping of the cut-outs.
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refers also to the editioned multiples based on the cut-outs. Matisse supervised the creation of these lithographs until his death in 1954.
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This article is about the cut-outs and the series of four lithographs. For his 1907 oil painting, see
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116.2 cm Ă— 88.9 cm (45.7 in Ă— 35 in)
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were inspired by
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215:"Henri Matisse (French, 1869-1954): Lithographs after paper-cutouts"
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After his death, the works were printed in a special 1956 issue of
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from
October 2014 to February 2015 as part of the exhibition
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155:. The painted gouache cut-outs that compose the
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396:A Glimpse of Notre-Dame in the Late Afternoon
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108:is a series of collages, and related color
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271:1001 Paintings You Must See Before You Die
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746:Young Woman in White on a Red Background
244:. New York: George Braziller. pp.
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762:Deux fillettes, fond jaune et rouge
730:Annelies, White Tulips and Anemones
273:. Cassell Illustrated. p. 758.
71:cut-outs stuck to paper mounted on
468:Self-Portrait in a Striped T-shirt
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848:Goldfish paintings and etchings
794:Black Leaf on Green Background
484:Blue Nude (Souvenir de Biskra)
190:List of works by Henri Matisse
21:Blue Nude (Souvenir de Biskra)
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285:"Henri Matisse: The Cut-Outs"
241:The Cut-Outs of Henri Matisse
132:. The second in the series,
91:Musée National d'Art Moderne
16:Lithographs by Henri Matisse
178:Henri Matisse: The Cut-Outs
174:Museum of Modern Art (MoMA)
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671:Odalisque with Raised Arms
269:Farthing, Stephen (2007).
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647:The Painter and His Model
551:Still Life with Geraniums
404:Luxury, Calm and Pleasure
238:Edlerfield, John (1978).
136:, was completed in 1952.
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706:Purple Robe and Anemones
380:Landscape, the Pink Wall
786:The Sorrows of the King
217:. Spaightwood Galleries
714:Woman in a Purple Coat
516:Portrait of Greta Moll
444:Landscape at Collioure
388:Academy Study of a Man
287:. Museum of Modern Art
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623:Woman on a High Stool
508:Bathers with a Turtle
873:Chapel of the Rosary
583:Zorah on the Terrace
312:(Souvenir de Biskra)
986:An Essay on Matisse
926:Lydia Delectorskaya
460:The Young Sailor II
452:Le bonheur de vivre
129:Le bonheur de vivre
989:(1996 documentary)
722:La Blouse Roumaine
639:Bathers by a River
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615:View of Notre-Dame
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591:Window at Tangier
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993:Matisse (crater)
679:Yellow Odalisque
663:The Piano Lesson
655:The Music Lesson
607:Arab Coffeehouse
567:The Conversation
428:Woman with a Hat
412:The Green Stripe
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145:La Serpentine
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289:. Retrieved
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219:. Retrieved
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134:Blue Nude II
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124:Blue Nude IV
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29:Blue Nude II
893:(1947 book)
850:(1912–1929)
844:(1909–1930)
802:La NĂ©gresse
690:1930s–1950s
610:(1912–1913)
570:(1908–1912)
527:1910s–1920s
391:(1900-1901)
364:1890s–1900s
141:Blue Nude I
110:lithographs
1008:Categories
916:(grandson)
855:Blue Nudes
291:2015-02-28
255:0807608866
221:2019-03-12
196:References
157:Blue Nudes
118:Blue Nudes
105:Blue Nudes
79:Dimensions
953:Le Cateau
934:(teacher)
882:Art books
810:The Snail
310:Blue Nude
67:-painted
1024:Nude art
818:The Boat
575:Goldfish
184:See also
87:Location
980:Fauvism
973:Related
942:Museums
928:(model)
866:Chapels
153:Fauvism
65:Gouache
901:People
858:(1952)
833:Series
821:(1953)
813:(1953)
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781:(1950)
773:(1948)
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749:(1946)
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733:(1944)
725:(1940)
717:(1937)
709:(1937)
701:(1932)
682:(1926)
674:(1923)
666:(1918)
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415:(1905)
407:(1904)
399:(1902)
383:(1898)
375:(1894)
252:
161:Tahiti
73:canvas
43:Artist
910:(son)
543:Music
535:Dance
356:Works
169:Verve
112:, by
95:Paris
69:paper
963:Nice
890:Jazz
738:Asia
250:ISBN
102:The
61:Type
56:1952
53:Year
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248:.
246:27
230:^
204:^
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23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
