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Blue Velvet (film)

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428:", which moves Frank to tears. Afterwards, he and his gang take Jeffrey and Dorothy on a high-speed joyride to a sawmill yard, where he again attempts to sexually abuse Dorothy. When Jeffrey intervenes and punches him in the face, an enraged Frank and his gang pull him out of the car. Replaying the tape of "In Dreams", Frank smears lipstick on his face and violently kisses Jeffrey. Frank then has Jeffrey restrained and beats him unconscious, while Dorothy pleads for Frank to stop. Jeffrey awakens the next morning, bruised and bloodied. 1188: 377:, after his father, Tom, has a near-fatal attack from a medical condition. Walking home from the hospital, Jeffrey cuts through a vacant lot and discovers a severed human ear, which he takes to police detective John Williams. Williams' daughter Sandy tells Jeffrey that the ear somehow relates to a lounge singer named Dorothy Vallens. Intrigued, Jeffrey enters her apartment by posing as an exterminator. While there, he steals a spare key while she is distracted by a man in a distinctive yellow 753:, which also provided the exterior scenes of Lumberton. The scene with a raped and battered Dorothy proved to be particularly challenging. Several townspeople arrived to watch the filming with picnic baskets and rugs, against the wishes of Rossellini and Lynch. However, they continued filming as normal, and when Lynch yelled cut, the townspeople had left. As a result, police told Lynch they were no longer permitted to shoot in any public areas of Wilmington. 1375:, for its dark depiction of a suburban America. With its many VHS, LaserDisc and DVD releases, the film reached broader American audiences. It marked David Lynch's entry into the Hollywood mainstream and Dennis Hopper's comeback. Hopper's performance as Frank Booth has itself left an imprint on popular culture, with countless tributes, cultural references and parodies. The film's success also helped Hollywood address previously censored issues, as 638:. I went home and thought of the ear in the field." Production was announced in August 1984. Lynch wrote two more drafts before he was satisfied with the script of the film. The problem with them, Lynch has said, was that "there was maybe all the unpleasantness in the film but nothing else. A lot was not there. And so it went away for a while." Conditions at this point were ideal for Lynch's film: he had made a deal with 935:. The most consistent symbolism in the film is an insect motif introduced at the end of the first scene, when the camera zooms in on a well-kept suburban lawn until it unearths a swarming underground nest of bugs. This is generally recognized as a metaphor for the seedy underworld that Jeffrey will soon discover under the surface of his own suburban paradise. The severed ear he finds is being overrun by black 333:, it was credited for revitalizing Hopper's career and for providing Rossellini with a dramatic outlet beyond her previous work as a fashion model and a cosmetics spokeswoman. In the years since, the film has been re-evaluated, and it is now widely regarded as one of Lynch's major works and one of the greatest films of the 1980s. Publications including 774:. For example, when Frank slaps Dorothy after the first rape scene, the audience was supposed to see Frank actually hitting her. Instead, the film cuts away to Jeffrey in the closet, wincing at what he has just seen. This cut was made to satisfy the MPAA's concerns about violence, though Lynch thought that the change made the scene more disturbing. 1220:: "degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film." While Ebert in later years came to consider Lynch a great filmmaker, his negative view of 913:
family—"the child", Jeffrey Beaumont, and his "parents", Frank Booth and Dorothy Vallens—through deliberate references to film noir. Michael Atkinson claims that the resulting violence in the film can be read as symbolic of domestic violence within real families. He reads Jeffrey as an innocent youth
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Because the material was completely different from anything that would be considered mainstream at the time, De Laurentiis Entertainment Group's marketing employees were unsure of how to promote the film, or even if it would be promoted at all; it wasn't until the positive reception the film received
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The scene in which Dorothy appears naked outside was inspired by a real-life experience Lynch had during childhood when he and his brother saw a naked woman walking down a neighborhood street at night. The experience was so traumatic to the young Lynch that it made him cry, and he had never forgotten
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has been frequently compared to that ground-breaking film. It has become one of the most significant, well-recognized films of its era, spawning countless imitations and parodies in media. The film's dark, stylish and erotic production design has served as a benchmark for a number of films, parodies
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walked out on the film and gave the film a poor review upon its release, but revised his view of the film over time. In 2016, he remarked, "as a film critic, it taught me that when a film really gets under your skin and really provokes a visceral reaction, you have to be very careful about assessing
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based on 80 reviews with an average rating of 8.8/10. The website's critical consensus states: "If audiences walk away from this subversive, surreal shocker not fully understanding the story, they might also walk away with a deeper perception of the potential of film storytelling." The film also has
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approach to the film, considering it to be an expression of the traumatised innocence which characterises Lynch's work. He states, "Dorothy represents the sexual force of the mother because she is forbidden and because she becomes the object of the unhealthy, infantile impulses at work in Jeffrey's
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establishes Lynch's famous "askew vision" and introduces several common elements of his work, some of which would later become his trademarks, including distorted characters, a polarized world, and debilitating damage to the skull or brain. Perhaps the most significant Lynchian trademark in the film
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now frequently appears in various critical assessments of all-time great films, also ranked as one of the greatest films of the 1980s, one of the best examples of American surrealism and one of the finest examples of David Lynch's work. In a poll of 54 American critics ranking the "most outstanding
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on September 12, 1986, and a few days later in the United States. It debuted commercially in both countries on September 19, 1986, in 98 theatres across the United States. In its opening weekend, the film grossed a total of $ 789,409. It eventually expanded to another 15 theatres, and in the US and
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The Carolina Apartments in downtown Wilmington served as Dorothy's apartment building, with the adjacent Kenan fountain featured prominently in many shots. The building is also the birth place and death place of noted artist Claude Howell. The apartment building stands today, and the Kenan fountain
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The second idea was an image of a severed, human ear lying in a field. "I don't know why it had to be an ear. Except it needed to be an opening of a part of the body, a hole into something else ... The ear sits on the head and goes right into the mind so it felt perfect," Lynch remarked in a
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directed much praise toward the performances of Hopper and Rossellini: "Mr. Hopper and Miss Rossellini are so far outside the bounds of ordinary acting here that their performances are best understood in terms of sheer lack of inhibition; both give themselves entirely over to the material, which
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to say he is in the bedroom (to distract Frank, who has a police radio) before hiding in the closet. When Frank arrives, he starts shooting around the apartment, in the process killing Gordon. Frank deduces where Jeffrey is hiding, and Jeffrey kills Frank with Gordon's gun upon Frank opening the
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is the unearthing of a dark underbelly in a seemingly idealized small town; Jeffrey even proclaims in the film that he is "seeing something that was always hidden". Lynch's characterization of films, symbols, and motifs have become well known, and his particular style, characterised largely in
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script, but did not think it was something he wanted to produce. He asked Lynch if the filmmaker had any other scripts, but the director only had ideas. "I told him I had always wanted to sneak into a girl's room to watch her into the night and that, maybe, at one point or another, I would see
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When Dorothy calls Jeffrey "my secret lover", a distraught Sandy slaps him for cheating on her. Jeffrey asks Sandy to tell her father everything, and Detective Williams then leads a police raid on Frank's headquarters, killing Frank's men. Jeffrey returns alone to Dorothy's apartment, where he
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said "the film showcases a visual stylist utterly in command of his talents" and that Angelo Badalamenti "contributes an extraordinary score, slipping seamlessly from slinky jazz to violin figures to the romantic sweep of a classic Hollywood score," but stated that Lynch "isn't interested in
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for Frank to sell. After Jeffrey and Sandy declare their love for each other at a party, they are pursued by a car which they assume belongs to Frank; as they arrive at Jeffrey's home, Sandy realizes the driver is her ex-boyfriend, Mike. After Mike threatens to beat Jeffrey for stealing his
571:. We were in the woods all the time. I'd sorta had enough of the woods by the time I left, but still, lumber and lumberjacks, all this kinda thing, that's America to me like the picket fences and the roses in the opening shot. It's so burned in, that image, and it makes me feel so happy. 854:
for the first time, has been written about extensively using descriptions like "dreamlike", "ultraweird", "dark", and "oddball". Red curtains also appear in key scenes, specifically in Dorothy's apartment, which have since become a Lynch trademark. The film has been compared to
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The severed ear that Jeffrey discovers is also a key symbolic element, leading Jeffrey into danger. Indeed, just as Jeffrey's troubles begin, the audience is treated to a nightmarish sequence in which the camera zooms into the canal of the severed, decomposing ear.
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was met with uproar during its audience reception, with lines formed around city blocks in New York City and Los Angeles. There were reports of mass walkouts and refund demands during its opening week. At a Chicago screening, a man fainted and had to have his
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gangster and drug lord, arrives and interrupts their encounter. Frank beats and rapes Dorothy while inhaling gas from a canister, alternating between fits of sobbing and violent rage. After Frank leaves, Jeffrey sneaks away and seeks comfort from Sandy.
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When Frank catches Jeffrey leaving Dorothy's apartment, he abducts them and takes them to the lair of Ben, a criminal associate holding Don and Donnie hostage. Frank permits Dorothy to see her family and forces Jeffrey to watch Ben perform an impromptu
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discovers Don dead and Gordon mortally wounded. As Jeffrey leaves the apartment, the "Well-Dressed Man" arrives, sees Jeffrey in the stairs, and chases him back inside. Realizing that the "Well-Dressed Man" is Frank in disguise, Jeffrey uses Gordon's
276:. The film concerns a young college student who, returning home to visit his ill father, discovers a severed human ear in a field. The ear then leads him to uncover a vast criminal conspiracy and enter into a romantic relationship with a troubled 807: 810:"I guess it means there's trouble until the robins come": Throughout the film, a dream Sandy had is alluded to, in which the world was full of darkness and turmoil until a group of robins were set free, unleashing blinding light and love. 5674: 1537:
magazine listed Frank Booth, played by Dennis Hopper, as the 54th on its list of 'The 100 Greatest Movie Characters of All Time', calling him one of "the most monstrously funny creations in cinema history". The film was ranked 84th on
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Lynch's original rough cut ran for approximately four hours. He was contractually obligated to deliver a two-hour movie by De Laurentiis and cut many small subplots and character scenes. He also made cuts at the request of the
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has weathered the passage of time better than any other Oscar nominee that year, possibly better than any Hollywood movie of its decade. The shock of the new fades by definition, but if it has hardly done so in the case of
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for the first time in this film and asked him to write a score that had to be "like Shostakovich, be very Russian, but make it the most beautiful thing but make it dark and a little bit scary." Badalamenti's success with
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checked. Upon completion, he returned to the cinema to see the ending. At a Los Angeles cinema, two strangers became engaged in a heated disagreement, but decided to resolve the disagreement to return to the theatre.
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soon became the center of a "national firestorm" in 1986, and over time became regarded as an American classic. In the late 1980s, and early 1990s, after its release on videotape, the film became a widely recognized
865:(1960) because of its stark treatment of evil and mental illness. The premise of both films is curiosity, leading to an investigation that draws the lead characters into a hidden, voyeuristic underworld of crime. 698:. MacLachlan later became a recurring collaborator with Lynch, who remarked: "Kyle plays innocents who are interested in the mysteries of life. He's the person you trust enough to go into a strange world with." 431:
While visiting the police station, Jeffrey discovers that the Yellow Man is Detective Williams's partner Tom Gordon, who has been murdering Frank's rival drug dealers and stealing confiscated narcotics from the
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that gave him complete artistic freedom and final cut privileges, with the stipulation that the filmmaker take a cut in his salary and work with a budget of only $ 6 million. This deal meant that
5660: 685:—the agency representing Rossellini—immediately dropped her as a client. Furthermore, the nuns at the school in Rome that Rossellini attended in her youth called to say they were praying for her. 287:
had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film
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initially received a divided critical response, with many stating that its explicit content served little artistic purpose. Nevertheless, the film earned Lynch his second nomination for the
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s approach to sexuality and violence. They asserted that this detracted from the film's seriousness as a work of art, and some condemned the film as pornographic. One of its detractors,
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that Frank wears and Jeffrey's exterminator disguise. One of Frank's accomplices is also consistently identified through the yellow jacket he wears, possibly referencing the name of a
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called the film "the most brilliantly disturbing film ever to have its roots in small-town American life," describing it as "shocking, visionary, rapturously controlled". Film critic
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communicating, he's interested in parading his personality. The movie doesn't progress or deepen, it just gets weirder, and to no good end." A general criticism from US critics was
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girlfriend, Dorothy appears on Jeffrey's porch naked, beaten, and confused. Mike backs down as Jeffrey and Sandy whisk Dorothy to Sandy's house to summon medical attention.
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during the scene in which Sandy and Jeffrey share a dance; however, he could not obtain the rights for the song at the time. He would go on to use this song in
2711: 997:. During filming, Lynch placed speakers on set and in streets and played Shostakovich to set the mood he wanted to convey. The score alludes to Shostakovich's 789:
as Jeffrey's college sweetheart Louise Wertham, whose entire role was cut from the theatrical release. The final cut of the film runs at just over two hours.
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review, critic Philip French wrote, "The film is wearing well and has attained a classic status without becoming respectable or losing its sense of danger."
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I was down so far that anything was up! So it was just a euphoria. And when you work with that kind of feeling, you can take chances. You can experiment."
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as one of the all-time best films in both a critics' list and a public poll, in 2006 and 2007, respectively. In December 2002, a UK film critics' poll in
4514: 4236: 1546:(2004). It is frequently sampled musically and an array of bands and solo artists have taken their names and inspiration from the film. In August 2012, 2017: 814:
is a strong symbolic aspect of the film, illustrated in this second shot which is lit from above before fading out, representing a return to normality.
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Some time later, Jeffrey and Sandy have continued their relationship, Tom Beaumont has recovered, and Dorothy has been reunited with her son.
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who is both horrified by the violence inflicted by Frank and tempted by it as the means of possessing Dorothy for himself. Atkinson takes a
892:(1955) and the entire notion of film noir. Lynch has called it a "film about things that are hidden—within a small city and within people." 6396: 1746: 1366:
Although it initially gained a relatively small theatrical audience in North America and was met with controversy over its artistic merit,
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has stated that Frank was written with him in mind)—accepted the role, reportedly having exclaimed, "I've got to play Frank! I am Frank!".
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because it was a bad film. I walked out on it because it was a really good film. The point was at the time I wasn't good enough for it."
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The film's story originated from three ideas that crystallized in the filmmaker's mind over a period of time starting as early as 1973.
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relationship with Dorothy, in which she encourages him to hit her. Jeffrey sees Frank attending Dorothy's show and later observes him
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Laura Dern, then 18 years old, was cast as Sandy after several already-successful actresses turned the role down; among these was
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digital restoration, the original stereo soundtrack and other special features, including a behind-the-scenes documentary titled
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was the smallest film on De Laurentiis's slate. Consequently, Lynch would be left mostly unsupervised during production. "After
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was released to a very polarized reception in the United States. The critics who did praise the film were often vociferous.
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was offered a role in the film, but he turned it down as felt it was too "graphic" for him; a decision he later regretted.
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s initial appearance as a mystery, the film operates on a number of thematic levels. The film owes a large debt to 1950s
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awards: Best Film, Best Director (Lynch), Best Cinematography (Frederick Elmes), and Best Supporting Actor (Hopper).
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in 2001, selecting cinema's most thrilling moments and ranked Frank Booth 36th of the 50 greatest villains in
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De Laurentiis PRODUCER'S PICTURE DARKENS: KNOEDELSEDER, WILLIAM K, Jr. Los Angeles Times August 30, 1987: 1.
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sampled several of Frank Booth's lines on the song "Cassie Eats Cockroaches" from their 1994 debut album
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had been Lynch's first choice for the role. Rossellini had gained some exposure before the film for her
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with his latest movie, 'Blue Velvet,' finds himself at the center of a national critical firestorm."
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and meeting with the Yellow Man. Jeffrey then sees the Yellow Man meeting with a "well-dressed man".
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ranked it on their list of 100 Greatest Films. In a 2007 poll of the online film community held by
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something that would be the clue to a murder mystery. Roth loved the idea and asked me to write a
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debut on November 8, 2011, with a special 25th-anniversary edition featuring never-before-seen
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In an American film poll of fifty-four critics, the top ten domestic movies of the 1980s were
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ranked the film fifth on their list of the 10 Best Films of the Last 25 Years. In a special
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Lynch met Isabella Rossellini at a restaurant, and offered her the role of Dorothy Vallens.
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Surmising that Frank has abducted Dorothy's husband Don, and son Donnie, to force her into
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for her performance. Lynch won Best Director and Hopper won Best Supporting Actor at the
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on the songs "Squeeze Me Macaroni", "Stubb (A Dub)", and "My Ass Is On Fire" from their
781:, long thought lost, had been discovered. The material was subsequently included on the 5739: 5591: 5157: 5104: 4836: 4736: 3436: 2797: 1669: 1621: 1321: 1064: 948: 898: 877: 842: 786: 727: 720: 688:
Kyle MacLachlan had played the central role in Lynch's critical and commercial failure
674: 635: 627:(1980), Lynch met producer Richard Roth over coffee. Roth had read and enjoyed Lynch's 492: 128: 105: 62: 3300: 6310: 6106: 5829: 5729: 5639: 5449: 5122: 5035: 4994: 4726: 4194: 3402: 1637: 1602: 1402: 1397: 1329: 1168: 1163: 1145: 951:
eating a bug on a fence becomes a topic of discussion in the last scene of the film.
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have ranked it among the greatest American films ever. In 2008, it was chosen by the
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based on 15 critics, indicating "generally favorable reviews". Looking back in his
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Dennis Hopper was the best-known actor in the film, having directed and starred in
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both turned down the role of Frank because of the violent content in the film.
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would lead him to contribute to all of Lynch's future full-length films until
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magazine cited it as one of the most "influential American films", as did
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The film is now widely considered a masterpiece and has a score of 95% on
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unveiled their latest list of the 250 greatest films of all time, with
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Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "
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Borden, Lizzie (September 23, 1986). "The World According to Lynch".
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began in August 1985 and completed in November. The film was shot at
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later explained: "The phrase occurs in David Lynch's comedy classic
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Kyle is dressed like me. My father was a research scientist for the
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seems to be exactly what's called for." She called it "an instant
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The first idea was only "a feeling" and the title, as Lynch told
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Robertson, Nan (October 11, 1986). "The All-American Guy Behind
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was acknowledged as the eighth best film in the mystery genre.
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37th of the greatest films of all time. The film was ranked by
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for his work on the film. Dennis Hopper was nominated for the
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remained unchanged after he revisited it in the 21st century.
4227:"Watch Lana Del Rey Sing 'Blue Velvet' in Mohair for H&M" 3138:"Snapping, Humming, Buzzing, Banging: Remembering Alan Splet" 2946:. New Brunswick: Rutgers University Press. pp. 160–167. 1706:
sampled the movie in their song "Jesus Built My Hotrod". The
1275:
Golden Globe Award for Best Supporting Actor – Motion Picture
757:
was refurbished in 2020 after sustaining heavy damage during
673:
ads in the early 1980s and for being the daughter of actress
6422:
National Society of Film Critics Award for Best Film winners
4156:"Watch Lana Del Rey Cover 'Blue Velvet' For H&M (VIDEO)" 2059:
Bouzereau, Laurent (1987). "An Interview with David Lynch".
1493:
issue, 100 new film classics were chosen from 1983 to 2008:
373:
College student Jeffrey Beaumont returns to his hometown of
2631:
Pervert in the Pulpit: Morality in the Works of David Lynch
1324:. On May 28, 2019, the film was re-released on Blu-ray by 1162:
on his list of the best films of 1986, at the fifth spot.
446:
door. Moments later, Sandy and Detective Williams arrive.
798:
at various film festivals that they began to promote it.
1605:
of "Blue Velvet" in 2012. Used to endorse clothing line
1511:
has awarded the film three honors in its lists: 96th on
1410:, who dedicated a book to the film's themes and motifs. 1356:, that may be because its tone remains forever elusive. 785:
Disc release of the film. Among the deleted footage was
681:. After completion of the film, during test screenings, 1592:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
1285:
awards in 1987. That same year, the film received four
1277:
for his performance, while Isabella Rossellini won the
576:—David Lynch discusses the autobiographical content in 2155:. New York: Simon & Schuster Inc. pp. 38–42. 2896:. Suffolk: British Film Institute. pp. 137–154. 2516:; a two-part search for the film's deleted scenes at 1653:"Now It's Dark", a song by American heavy metal band 5684:
National Society of Film Critics Award for Best Film
2969:"Magnificent Film Obsession: The Ear in Blue Velvet" 6057: 5690: 5096: 5067: 5026: 4935: 4884: 4865: 4818: 4657: 4540: 4531: 2410:
Edge of Your Seat: The 100 Greatest Movie Thrillers
993:", juxtaposed with an orchestral score inspired by 829:, containing and exploring such conventions as the 219: 211: 203: 193: 154: 144: 134: 124: 114: 68: 58: 50: 40: 23: 5278:Boston Society of Film Critics Award for Best Film 4355:. Long Island, New York.: British Film Institute. 2890:Cult etherworlds and the Unconscious: Oedipus and 2796: 2434: 4190:"Lana Del Rey Debuts Lynchian H&M Commercial" 3073:. The British Film Resource. 1997. Archived from 1932:. They Shoot Pictures, Don't They. Archived from 662:included several then-relatively unknown actors. 3593:"Spirit Awards 26 years of nominees and winners" 3191:"SCREEN: 'BLUE VELVET,' COMEDY OF THE ECCENTRIC" 2765: 2763: 2346:"Interview: Michael Ironside (Extraterrestrial)" 1955: 1953: 1951: 1560:was also nominated for the following AFI lists: 1507:various "all-time greatest films" rankings, the 711:(1969). Hopper—said to be Lynch's third choice ( 4183: 4181: 4040:"The 100 Greatest Movie Characters of All Time" 2685:"Filmmakers on film: Tom Tykwer on Blue Velvet" 1471:came in at the 95th-greatest film of all time. 1346: 777:In 2011, Lynch announced that footage from the 561: 2286: 2284: 2282: 2280: 2237: 2235: 2233: 2231: 2229: 2227: 2225: 5668: 5262: 4452: 2039:Chute, David (October 1986). "Out to Lynch". 1523:in 2003. In June 2008, the AFI revealed its " 1279:Independent Spirit Award for Best Female Lead 307:, owned at the time by Italian film producer 8: 4368:Blue Velvet: Bloomsbury Pocket Movie Guide 3 3071:"The Films of David Lynch: 50 Percent Sound" 2242:Mysteries of Love: The Making of Blue Velvet 2196: 2194: 2192: 1569:AFI's 100 Years...100 Heroes & Villains 868:The film's thematic framework harks back to 3888: 3886: 3544:Academy of Motion Picture Arts and Sciences 3116:Academy of Motion Picture Arts and Sciences 2832:. Britain: Sage Publications. p. 247. 2190: 2188: 2186: 2184: 2182: 2180: 2178: 2176: 2174: 2172: 2054: 2052: 833:(Dorothy Vallens), a seemingly unstoppable 381:, whom Jeffrey nicknames the "Yellow Man". 5675: 5661: 5653: 5269: 5255: 5247: 5229: 4537: 4459: 4445: 4437: 4103:"The Top 1319 Sample Sources (version 60)" 2489:"Kenan Fountain being repaired, not moved" 1616:, the video drew influence from Lynch and 311:, agreed to finance and produce the film. 29: 20: 16:1986 American film directed by David Lynch 3562: 3560: 1834:"25 Best Horror Movies Since The Shining" 1384:and even Lynch's own later work, notably 1261:List of accolades received by Blue Velvet 543:as Detective Tom Gordon, the "Yellow Man" 3294: 3292: 2830:The cinematic society: The Voyeur's Gaze 2710:Stephanie, Zacharek (October 12, 2001). 2463:"Nine amazing facts about Claude Howell" 1865: 1863: 1861: 1859: 694:(1984), a science fiction epic based on 6367:De Laurentiis Entertainment Group films 4381:Lynch, David and Rodley, Chris (2005). 3918:"Top 100 Film Lists: Online Cinephiles" 3018:"Song to the Siren's irresistible tang" 2020:from the original on September 16, 2016 1731: 1455:in its list of the 100 Greatest Films. 1104:Canada grossed a total of $ 8,551,228. 1049:as well as the cult television program 4149: 4147: 3678:from the original on December 28, 2020 3521:from the original on November 10, 2021 3268:Attanasio, Paul (September 19, 1986). 3096:Chion, Michael (1995). "Blue Velvet". 2799:Hitchcock and Twentieth-century Cinema 2332:"Kilmer's regret over early decisions" 1873:(March 24, 2005). Chris Rodley (ed.). 1770: 1768: 1737: 1735: 1271:Golden Globe Award for Best Screenplay 839:questionable moral outlook of the hero 329:. As an example of a director casting 6437:English-language crime thriller films 6417:Films with screenplays by David Lynch 6357:American psychological thriller films 5760:The Discreet Charm of the Bourgeoisie 4122:"The Sight & Sound Top 250 Films" 3136:Woodward, Richard B. (May 13, 2014). 2921:. Taylor & Francis. p. 466. 1520:100 Years ... 100 Heroes and Villains 1445:book special released in 1999 ranked 1300:was released on VHS and LaserDisc by 1198:On the other hand, Paul Attanasio of 7: 4188:Nika, Colleen (September 17, 2012). 3859:"The 100 Greatest Films of All Time" 3568:"Golden Globes Awards - Blue Velvet" 3482:French, Philip (December 16, 2001). 3189:Maslin, Janet (September 19, 1986). 2712:"David Lynch's latest tour de force" 2533:. Film Buff Online. January 24, 2011 1987:Malcolm, Derek (February 17, 2000). 1747:British Board of Film Classification 1283:Los Angeles Film Critics Association 4329:from the original on April 18, 2012 4120:Franklin, Garth (August 17, 2012). 4101:CigĂ©hn, Peter (September 1, 2004). 3871:from the original on March 31, 2014 3572:Hollywood Foreign Press Association 3511:kermodeandmayo (December 2, 2016), 3299:Ebert, Roger (September 19, 1986). 3016:Aston, Martin (November 18, 2011). 1575:– ranked 36th-greatest film villain 363:ten greatest American mystery films 6432:English-language independent films 6392:Films scored by Angelo Badalamenti 6382:Films about violence against women 6337:1980s psychological thriller films 4717:Premonition Following an Evil Deed 4370:. Britain. Bloomsbury Publishing. 4276:from the original on July 20, 2012 4225:Hogan, Marc (September 17, 2012). 4020:from the original on June 19, 2008 3848:. (Milligan and Rowland, pg 23–29) 2772:The 25 Greatest Films of the 1980s 2740:Nochimson, Martha (Autumn 2002). " 2208:. London: British Film Institute. 1840:. October 25, 2013. Archived from 1265:David Lynch was nominated for the 297:style displayed in his first film 223:$ 8.6 million (North America) 14: 5920:The Unbearable Lightness of Being 4239:from the original on May 30, 2015 3350:Logan, Brian (December 6, 2001). 2248:Special Edition DVD documentary, 2014:"The 100 greatest American films" 1597:Inspired by the film, pop singer 305:De Laurentiis Entertainment Group 149:De Laurentiis Entertainment Group 4667:Six Men Getting Sick (Six Times) 3916:Thompson, Anne (July 31, 2007). 3540:"THE 59TH ACADEMY AWARDS | 1987" 3379:. August 2, 2007. Archived from 3333:. Retrieved September 30, 2007. 3043:"The saddest music in the world" 2579:"Blue Velvet â€” David Lynch" 2359:Harris, Will (October 3, 2013). 2258:Righetti, Jamie (May 24, 2018). 2114:Ebert, Roger (October 2, 1986). 1902:Ebert, Roger (October 2, 1986). 1640:approaches and unplugs a hidden 1287:National Society of Film Critics 1095:premiered in competition at the 323:National Society of Film Critics 6352:American mystery thriller films 5870:The Night of the Shooting Stars 5314:The Night of the Shooting Stars 3986:. June 18, 2008. Archived from 3956:. December 2002. Archived from 3906:. Retrieved September 11, 2007. 3778:Walters, Ben (August 4, 2010). 3752:"Blue Velvet already a classic" 1930:"David Lynch's Acclaimed Films" 1904:"My Problem with 'Blue Velvet'" 1267:Academy Award for Best Director 546:Jon Jon Snipes as Little Donnie 516:Jack Harvey as Mr. Tom Beaumont 319:Academy Award for Best Director 303:(1977). The independent studio 4606:Twin Peaks: The Missing Pieces 3098:British Film Institute, London 2774:. Taschen Books. p. 325. 1073:(1979) and been nominated for 1030:soundtrack on its list of the 272:, and is named after the 1951 1: 6387:Films directed by David Lynch 6342:American crime thriller films 5132:The Angriest Dog in the World 4600:Twin Peaks: Fire Walk with Me 4385:. Faber and Faber: New York. 2919:Encyclopedia of Postmodernism 2803:. Wallflower Press. pp.  2433:Rossellini, Isabella (1997). 2412:. Citadel Press. p. 52. 1101:Toronto Festival of Festivals 1032:100 Greatest Film Soundtracks 973:soundtrack was supervised by 931:Symbolism is used heavily in 6402:Films shot in North Carolina 6372:1980s English-language films 6332:1980s mystery thriller films 4846:Shot in the Back of the Head 4707:The Cowboy and the Frenchman 3750:Carr, Jay (April 12, 1987). 3602:. p. 40. Archived from 3403:"Roger Ebert's Twitter Feed" 3218:"Blue Velvet (1986) Reviews" 2944:American Cinema of the 1980s 2894:", Fetishism And Curiosity 3 1565:AFI's 100 Years...100 Movies 1308:in 1991. After that, it was 1247:it ... I didn't walk out on 1232:a score of 75 out of 100 on 1191:Rossellini and Lynch at the 1097:MontrĂ©al World Film Festival 1063:and designer who had won an 178:September 19, 1986 163:September 12, 1986 6397:Films set in North Carolina 4105:. Sloth.org. Archived from 3834:Once Upon a Time in America 3632:There's More to the Mystery 2683:Said, SF (August 3, 2002). 1812:"25 Most Disturbing Movies" 1581:AFI's 100 Years...100 Songs 1433:(1982) and the German film 1184:the best film of the year. 1099:in August 1986, and at the 909:establishes a metaphorical 880:, as well as films such as 534:J. Michael Hunter as Hunter 6453: 6347:American independent films 5820:Get Out Your Handkerchiefs 5600:If Beale Street Could Talk 5306:E.T. the Extra-Terrestrial 4351:Atkinson, Michael (1997). 3810:E.T. the Extra-Terrestrial 3514:Kermode Uncut: Blue Velvet 3006:. Retrieved June 24, 2007. 2917:Taylor, Victor E. (2001). 2828:Denzin, Norman K. (1995). 2662:. Routledge. p. 270. 2606:Cambridge University Press 2520:. Retrieved July 24, 2007. 2441:. New York: Random House. 1989:"David Lynch: Blue Velvet" 1544:100 Scariest Movie Moments 1430:E.T. the Extra-Terrestrial 1421:was placed fourth, behind 1258: 962: 751:Wilmington, North Carolina 696:the novel of the same name 501:as Detective John Williams 6322:1986 crime thriller films 5284: 5244: 5188:David Lynch: The Art Life 5148:Industrial Symphony No. 1 4474: 4154:Rubenstein, Jenna Hally. 3600:Independent Spirit Awards 3337:October 14, 2007, at the 2967:AnOther (June 27, 2011). 1695:When the Kite String Pops 1514:100 Years ... 100 Thrills 1304:in 1987 and re-issued by 565:Department of Agriculture 537:Dick Green as Don Vallens 375:Lumberton, North Carolina 35:Theatrical release poster 28: 5378:The Silence of the Lambs 4366:Drazin, Charles (2001). 3902:August 13, 2017, at the 2942:Prince, Stephan (2007). 2660:Fifty Key American Films 1714:also sampled lines from 1326:the Criterion Collection 965:Blue Velvet (soundtrack) 519:Ken Stovitz as Mike Shaw 507:as Mrs. Frances Beaumont 244:written and directed by 6407:American neo-noir films 5800:All the President's Men 5362:Crimes and Misdemeanors 4014:American Film Institute 3826:Raiders of the Lost Ark 2997:"The City of Absurdity" 2770:MĂĽller, JĂĽrgen (2002). 2635:McFarland & Company 2408:Brode, Douglas (2003). 2387:London Evening Standard 1720:debut self-titled album 1586:"In Dreams" - nominated 1509:American Film Institute 1302:Karl-Lorimar Home Video 889:The Night of the Hunter 837:(Frank Booth), and the 359:American Film Institute 6327:1986 independent films 5880:Stranger Than Paradise 5780:Scenes from a Marriage 5506:No Country for Old Men 5217:David Lynch Foundation 4924:Twin Peaks: The Return 4515:Frequent collaborators 3980:"The New 100 Classics" 3818:Hannah and Her Sisters 3664:"A Deleted Scene From 3002:July 16, 2011, at the 2888:Mulvey, Laura (1996). 2600:Rubin, Martin (1999). 1497:was ranked at fourth. 1417:films of the decade", 1358: 1314:MGM Home Entertainment 1195: 815: 573: 5410:Sense and Sensibility 5198:Blue Velvet Revisited 5046:Catching the Big Fish 4872:Duran Duran: Unstaged 3609:on September 29, 2011 2557:Welcome to Twin Peaks 2495:on September 21, 2021 2469:on September 21, 2021 2151:Peary, Danny (1988). 1632:"Blue Velvet" when a 1542:'s four-hour program 1335:Blue Velvet Revisited 1190: 809: 739:Principal photography 325:. It came to achieve 274:song of the same name 6427:1980s American films 6377:Erotic mystery films 6030:Being John Malkovich 4109:on October 13, 2004. 3984:Entertainment Weekly 3864:Entertainment Weekly 3703:Criterion Collection 3698:"Blue Velvet (1986)" 3674:. November 7, 2011. 2658:White, John (2009). 1961:"Blue Velvet (1986)" 1776:"Blue Velvet (1986)" 1657:on their 1988 album 1490:Entertainment Weekly 1442:Entertainment Weekly 1316:. The film made its 1312:in 2000 and 2002 by 1193:Cannes Film Festival 1020:Entertainment Weekly 1015:eleven years later. 489:as Mrs. Pam Williams 348:Entertainment Weekly 250:psychological horror 186: (United States) 6197:Goodbye to Language 6187:Inside Llewyn Davis 6127:There Will Be Blood 6097:Million Dollar Baby 5520:Slumdog Millionaire 5056:Genealogies of Pain 5015:Cellophane Memories 4522:Unrealized projects 4270:Louise Blouin Media 4166:on January 18, 2013 4132:on January 21, 2013 3960:on October 13, 2018 3725:Berardinelli, James 3628:Wood, Bret (1991). 3383:on October 17, 2008 3275:The Washington Post 3051:. November 16, 2011 2757:Johnson, 2005, p. 6 2748:, 56 (1), pp. 37–45 2629:Johnson, J (2004). 2348:. October 16, 2014. 2334:. November 3, 2005. 1936:on January 15, 2017 1753:on January 14, 2015 1201:The Washington Post 1138:", concluding that 606:The third idea was 468:as Jeffrey Beaumont 460:Isabella Rossellini 262:Isabella Rossellini 234:is a 1986 American 81:Isabella Rossellini 6157:The Social Network 6000:Breaking the Waves 5536:The Social Network 5490:Brokeback Mountain 5322:The Killing Fields 5178:The Air Is on Fire 4975:Polish Night Music 4965:The Air Is on Fire 4787:Lady Blue Shanghai 4626:The Straight Story 3842:The King of Comedy 3672:The New York Times 3405:. January 20, 2009 3196:The New York Times 3077:on August 29, 2009 2866:The New York Times 2637:. pp. 38–39. 2083:The New York Times 2016:. BBC. July 2015. 1196: 1166:, film critic for 1127:The New York Times 1118:Critical reception 1070:The Black Stallion 1036:Angelo Badalamenti 975:Angelo Badalamenti 816: 759:Hurricane Florence 717:Harry Dean Stanton 679:Roberto Rossellini 640:Dino De Laurentiis 600:The New York Times 597:1986 interview to 462:as Dorothy Vallens 309:Dino De Laurentiis 283:The screenplay of 139:Angelo Badalamenti 6304: 6303: 6298: 6297: 6137:Waltz with Bashir 6087:American Splendor 6010:L.A. Confidential 5840:Melvin and Howard 5650: 5649: 5426:L.A. Confidential 5226: 5225: 4880: 4879: 4855:Came Back Haunted 4807:What Did Jack Do? 4391:978-0-571-22018-2 4323:"Back Stage Club" 4052:on March 17, 2008 4016:. June 17, 2008. 4010:"AFI's 10 Top 10" 3928:on April 22, 2008 3352:"A touch of evil" 3306:Chicago Sun-Times 2953:978-0-8135-4034-4 2928:978-0-415-15294-5 2903:978-0-671-64810-7 2869:. January 5, 1987 2839:978-0-521-58839-3 2814:978-1-904764-55-7 2781:978-3-8228-4783-1 2744:by David Lynch", 2722:on April 15, 2008 2669:978-0-415-77297-6 2644:978-0-7864-1753-7 2615:978-0-521-58839-3 2448:978-0-679-45252-2 2419:978-0-8065-2382-8 2215:978-0-85170-559-0 2202:Atkinson, Michael 2162:978-0-671-64810-7 2125:Chicago Sun-Times 2100:The Village Voice 1888:978-0-571-22018-2 1879:Faber & Faber 1877:. New York City: 1708:experimental rock 1660:State of Euphoria 1554:ranking at 69th. 1548:Sight & Sound 1484:Sight & Sound 1361:—Dennis Lim, 2016 1306:Warner Home Video 1238:Guardian/Observer 1151:Los Angeles Times 1003:Song to the Siren 883:Shadow of a Doubt 621:After completing 610:'s rendition of " 505:Priscilla Pointer 483:as Sandy Williams 336:Sight & Sound 256:, the film stars 227: 226: 6444: 6412:Postmodern films 6291: 6281: 6271: 6261: 6251: 6241: 6231: 6221: 6211: 6201: 6191: 6181: 6171: 6161: 6151: 6141: 6131: 6121: 6111: 6101: 6091: 6081: 6071: 6067:Mulholland Drive 6050: 6040: 6024: 6014: 6004: 5994: 5984: 5974: 5970:Schindler's List 5964: 5954: 5944: 5934: 5930:Drugstore Cowboy 5924: 5914: 5904: 5894: 5884: 5874: 5864: 5854: 5844: 5834: 5824: 5814: 5804: 5794: 5784: 5774: 5764: 5754: 5744: 5734: 5724: 5714: 5704: 5677: 5670: 5663: 5654: 5560:12 Years a Slave 5552:Zero Dark Thirty 5458:Mulholland Drive 5394:Schindler's List 5271: 5264: 5257: 5248: 5230: 5219: 5212: 5202: 5192: 5182: 5181:(art exhibition) 5172: 5162: 5152: 5142: 5135: 5126: 5117: 5108: 5089: 5080: 5077:The Elephant Man 5060: 5050: 5040: 5019: 5009: 4999: 4989: 4985:Crazy Clown Time 4979: 4969: 4959: 4949: 4928: 4918: 4908: 4898: 4858: 4849: 4840: 4831: 4811: 4801: 4791: 4781: 4771: 4761: 4751: 4741: 4731: 4721: 4711: 4701: 4691: 4681: 4671: 4650: 4640: 4636:Mulholland Drive 4630: 4620: 4610: 4594: 4584: 4574: 4564: 4560:The Elephant Man 4554: 4538: 4524: 4517: 4510: 4503: 4496: 4489: 4482: 4461: 4454: 4447: 4438: 4339: 4338: 4336: 4334: 4319: 4313: 4312: 4310: 4308: 4292: 4286: 4285: 4283: 4281: 4255: 4249: 4248: 4246: 4244: 4222: 4216: 4215: 4213: 4211: 4206:on April 3, 2014 4202:. 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Archived from 3239: 3233: 3232: 3230: 3228: 3214: 3208: 3207: 3205: 3203: 3186: 3180: 3179: 3177: 3175: 3159: 3153: 3152: 3150: 3148: 3142:The Paris Review 3133: 3127: 3126: 3124: 3122: 3108: 3102: 3101: 3093: 3087: 3086: 3084: 3082: 3067: 3061: 3060: 3058: 3056: 3039: 3033: 3032: 3030: 3028: 3013: 3007: 2990: 2984: 2983: 2981: 2979: 2964: 2958: 2957: 2939: 2933: 2932: 2914: 2908: 2907: 2885: 2879: 2878: 2876: 2874: 2853: 2844: 2843: 2825: 2819: 2818: 2802: 2795:Orr, J. (2005). 2792: 2786: 2785: 2767: 2758: 2755: 2749: 2742:Mulholland Drive 2738: 2732: 2731: 2729: 2727: 2718:. Archived from 2707: 2701: 2700: 2698: 2696: 2680: 2674: 2673: 2655: 2649: 2648: 2626: 2620: 2619: 2597: 2591: 2590: 2588: 2586: 2575: 2569: 2568: 2566: 2564: 2559:. March 28, 2019 2549: 2543: 2542: 2540: 2538: 2527: 2521: 2511: 2505: 2504: 2502: 2500: 2491:. Archived from 2485: 2479: 2478: 2476: 2474: 2465:. Archived from 2459: 2453: 2452: 2440: 2430: 2424: 2423: 2405: 2399: 2398: 2396: 2394: 2383:"A rant too far" 2379: 2373: 2372: 2370: 2368: 2356: 2350: 2349: 2342: 2336: 2335: 2328: 2322: 2316: 2310: 2309: 2307: 2305: 2300:. March 26, 2016 2288: 2275: 2274: 2272: 2270: 2255: 2249: 2239: 2220: 2219: 2198: 2167: 2166: 2148: 2142: 2141: 2139: 2137: 2128:. Archived from 2111: 2105: 2104: 2094: 2088: 2087: 2073: 2067: 2066: 2056: 2047: 2046: 2036: 2030: 2029: 2027: 2025: 2010: 2004: 2003: 2001: 1999: 1984: 1978: 1977: 1975: 1973: 1957: 1946: 1945: 1943: 1941: 1926: 1920: 1918: 1914: 1912: 1910: 1899: 1893: 1892: 1867: 1854: 1853: 1851: 1849: 1844:on July 16, 2015 1830: 1824: 1823: 1821: 1819: 1814:. gamesradar.com 1808: 1802: 1799: 1793: 1792: 1790: 1788: 1772: 1763: 1762: 1760: 1758: 1749:. Archived from 1739: 1700:industrial metal 1540:Bravo Television 1506: 1408:Michael Atkinson 1393:Mulholland Drive 1362: 1211: 1067:for his work on 1029: 1007:This Mortal Coil 857:Alfred Hitchcock 824: 713:Michael Ironside 624:The Elephant Man 580: 499:George Dickerson 331:against the norm 215:$ 6 million 185: 183: 170: 168: 101:George Dickerson 33: 21: 6452: 6451: 6447: 6446: 6445: 6443: 6442: 6441: 6307: 6306: 6305: 6300: 6299: 6294: 6284: 6274: 6264: 6254: 6244: 6234: 6224: 6214: 6204: 6194: 6184: 6174: 6164: 6154: 6147:The Hurt Locker 6144: 6134: 6124: 6117:Pan's Labyrinth 6114: 6104: 6094: 6084: 6074: 6064: 6053: 6043: 6027: 6017: 6007: 5997: 5987: 5977: 5967: 5957: 5947: 5937: 5927: 5917: 5907: 5897: 5887: 5877: 5867: 5857: 5847: 5837: 5827: 5817: 5807: 5797: 5787: 5777: 5767: 5757: 5747: 5737: 5727: 5717: 5707: 5697: 5686: 5681: 5651: 5646: 5632:Return to Seoul 5528:The Hurt Locker 5280: 5275: 5240: 5227: 5222: 5215: 5205: 5195: 5185: 5175: 5165: 5155: 5145: 5138: 5129: 5120: 5111: 5103: 5092: 5083: 5074: 5063: 5053: 5043: 5033: 5022: 5012: 5002: 4992: 4982: 4972: 4962: 4952: 4942: 4931: 4921: 4911: 4901: 4891: 4876: 4861: 4852: 4843: 4834: 4825: 4814: 4804: 4794: 4784: 4774: 4764: 4754: 4744: 4734: 4724: 4714: 4704: 4694: 4687:The Grandmother 4684: 4674: 4664: 4653: 4643: 4633: 4623: 4613: 4597: 4587: 4577: 4567: 4557: 4547: 4533: 4527: 4520: 4513: 4506: 4499: 4492: 4485: 4478: 4470: 4465: 4432:Box Office Mojo 4400: 4348: 4346:Further reading 4343: 4342: 4332: 4330: 4321: 4320: 4316: 4306: 4304: 4294: 4293: 4289: 4279: 4277: 4258:Freeman, Nate. 4257: 4256: 4252: 4242: 4240: 4224: 4223: 4219: 4209: 4207: 4187: 4186: 4179: 4169: 4167: 4153: 4152: 4145: 4135: 4133: 4119: 4118: 4114: 4100: 4099: 4095: 4085: 4083: 4082:on May 17, 2008 4070: 4069: 4065: 4055: 4053: 4038: 4037: 4033: 4023: 4021: 4008: 4007: 4003: 3993: 3991: 3978: 3977: 3973: 3963: 3961: 3953:Sight and Sound 3946: 3945: 3941: 3931: 3929: 3915: 3914: 3910: 3904:Wayback Machine 3891: 3884: 3874: 3872: 3857: 3856: 3852: 3803: 3799: 3789: 3787: 3777: 3776: 3772: 3762: 3760: 3749: 3748: 3744: 3734: 3732: 3723: 3722: 3718: 3708: 3706: 3696: 3695: 3691: 3681: 3679: 3662: 3661: 3657: 3647: 3645: 3627: 3626: 3622: 3612: 3610: 3606: 3595: 3591: 3590: 3586: 3576: 3574: 3566: 3565: 3558: 3548: 3546: 3538: 3537: 3533: 3524: 3522: 3510: 3509: 3505: 3495: 3493: 3481: 3480: 3476: 3466: 3464: 3456: 3455: 3451: 3441: 3439: 3432:Rotten Tomatoes 3425: 3424: 3420: 3408: 3406: 3401: 3400: 3396: 3386: 3384: 3375: 3374: 3370: 3360: 3358: 3349: 3348: 3344: 3339:Wayback Machine 3325: 3321: 3311: 3309: 3298: 3297: 3290: 3280: 3278: 3267: 3266: 3262: 3252: 3250: 3241: 3240: 3236: 3226: 3224: 3216: 3215: 3211: 3201: 3199: 3188: 3187: 3183: 3173: 3171: 3168:Box Office Mojo 3161: 3160: 3156: 3146: 3144: 3135: 3134: 3130: 3120: 3118: 3110: 3109: 3105: 3095: 3094: 3090: 3080: 3078: 3069: 3068: 3064: 3054: 3052: 3041: 3040: 3036: 3026: 3024: 3015: 3014: 3010: 3004:Wayback Machine 2991: 2987: 2977: 2975: 2966: 2965: 2961: 2954: 2941: 2940: 2936: 2929: 2916: 2915: 2911: 2904: 2887: 2886: 2882: 2872: 2870: 2861:best 1986 film" 2855: 2854: 2847: 2840: 2827: 2826: 2822: 2815: 2794: 2793: 2789: 2782: 2769: 2768: 2761: 2756: 2752: 2739: 2735: 2725: 2723: 2709: 2708: 2704: 2694: 2692: 2682: 2681: 2677: 2670: 2657: 2656: 2652: 2645: 2628: 2627: 2623: 2616: 2608:. p. 175. 2599: 2598: 2594: 2584: 2582: 2577: 2576: 2572: 2562: 2560: 2551: 2550: 2546: 2536: 2534: 2529: 2528: 2524: 2512: 2508: 2498: 2496: 2487: 2486: 2482: 2472: 2470: 2461: 2460: 2456: 2449: 2432: 2431: 2427: 2420: 2407: 2406: 2402: 2392: 2390: 2389:. June 14, 1998 2381: 2380: 2376: 2366: 2364: 2358: 2357: 2353: 2344: 2343: 2339: 2330: 2329: 2325: 2317: 2313: 2303: 2301: 2290: 2289: 2278: 2268: 2266: 2257: 2256: 2252: 2240: 2223: 2216: 2200: 2199: 2170: 2163: 2150: 2149: 2145: 2135: 2133: 2132:on May 23, 2007 2113: 2112: 2108: 2096: 2095: 2091: 2075: 2074: 2070: 2058: 2057: 2050: 2038: 2037: 2033: 2023: 2021: 2012: 2011: 2007: 1997: 1995: 1986: 1985: 1981: 1971: 1969: 1966:Rotten Tomatoes 1959: 1958: 1949: 1939: 1937: 1928: 1927: 1923: 1916: 1908: 1906: 1901: 1900: 1896: 1889: 1869: 1868: 1857: 1847: 1845: 1832: 1831: 1827: 1817: 1815: 1810: 1809: 1805: 1800: 1796: 1786: 1784: 1781:Box Office Mojo 1774: 1773: 1766: 1756: 1754: 1741: 1740: 1733: 1728: 1504: 1500:In addition to 1436:Wings of Desire 1390:(1990–91), and 1364: 1360: 1344: 1295: 1263: 1257: 1229:Rotten Tomatoes 1209: 1178:Martin Scorsese 1120: 1090: 1085: 1027: 967: 961: 929: 870:Edgar Allan Poe 822: 804: 802:Interpretations 795: 767: 747:EUE/Screen Gems 736: 656: 582: 575: 559: 554: 549: 513:as Aunt Barbara 466:Kyle MacLachlan 455: 406:sadomasochistic 371: 258:Kyle MacLachlan 196: 189: 181: 179: 166: 164: 157: 119:Frederick Elmes 110: 76:Kyle MacLachlan 36: 17: 12: 11: 5: 6450: 6448: 6440: 6439: 6434: 6429: 6424: 6419: 6414: 6409: 6404: 6399: 6394: 6389: 6384: 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6309: 6308: 6302: 6301: 6296: 6295: 6293: 6292: 6282: 6272: 6262: 6252: 6242: 6232: 6222: 6212: 6202: 6192: 6182: 6172: 6162: 6152: 6142: 6132: 6122: 6112: 6102: 6092: 6082: 6072: 6061: 6059: 6055: 6054: 6052: 6051: 6041: 6025: 6015: 6005: 5995: 5985: 5975: 5965: 5955: 5945: 5935: 5925: 5915: 5905: 5895: 5885: 5875: 5865: 5855: 5845: 5835: 5825: 5815: 5805: 5795: 5785: 5775: 5765: 5755: 5745: 5735: 5725: 5715: 5705: 5694: 5692: 5688: 5687: 5682: 5680: 5679: 5672: 5665: 5657: 5648: 5647: 5645: 5644: 5636: 5628: 5620: 5612: 5604: 5596: 5592:Phantom Thread 5588: 5580: 5572: 5564: 5556: 5548: 5540: 5532: 5524: 5510: 5502: 5494: 5486: 5478: 5470: 5462: 5454: 5446: 5438: 5430: 5422: 5414: 5406: 5398: 5390: 5382: 5374: 5366: 5358: 5350: 5346:Hope and Glory 5342: 5334: 5326: 5318: 5310: 5302: 5294: 5285: 5282: 5281: 5276: 5274: 5273: 5266: 5259: 5251: 5245: 5242: 5241: 5233: 5224: 5223: 5221: 5220: 5213: 5203: 5193: 5183: 5173: 5171:(opera) (2003) 5163: 5158:Lynch on Lynch 5153: 5143: 5136: 5127: 5118: 5109: 5105:Jennifer Lynch 5100: 5098: 5094: 5093: 5091: 5090: 5081: 5071: 5069: 5068:Awards by film 5065: 5064: 5062: 5061: 5051: 5041: 5030: 5028: 5024: 5023: 5021: 5020: 5010: 5000: 4990: 4980: 4970: 4960: 4950: 4939: 4937: 4933: 4932: 4930: 4929: 4919: 4909: 4899: 4888: 4886: 4882: 4881: 4878: 4877: 4869: 4867: 4863: 4862: 4860: 4859: 4850: 4841: 4832: 4822: 4820: 4816: 4815: 4813: 4812: 4802: 4792: 4782: 4772: 4762: 4752: 4742: 4732: 4722: 4712: 4702: 4692: 4682: 4672: 4661: 4659: 4655: 4654: 4652: 4651: 4641: 4631: 4621: 4611: 4595: 4585: 4575: 4565: 4555: 4544: 4542: 4535: 4529: 4528: 4526: 4525: 4518: 4511: 4504: 4497: 4490: 4483: 4475: 4472: 4471: 4466: 4464: 4463: 4456: 4449: 4441: 4435: 4434: 4423: 4412: 4399: 4398:External links 4396: 4395: 4394: 4383:Lynch on Lynch 4379: 4364: 4347: 4344: 4341: 4340: 4314: 4287: 4250: 4217: 4177: 4143: 4112: 4093: 4063: 4031: 4001: 3971: 3948:"Modern Times" 3939: 3908: 3882: 3850: 3838:Prizzi's Honor 3797: 3770: 3742: 3716: 3689: 3655: 3638:Video Watchdog 3630:"Blue Velvet: 3620: 3584: 3556: 3531: 3503: 3474: 3449: 3437:Fandango Media 3418: 3394: 3368: 3342: 3329:review at the 3319: 3288: 3260: 3234: 3209: 3181: 3154: 3128: 3103: 3088: 3062: 3034: 3008: 2995:film score at 2985: 2959: 2952: 2934: 2927: 2909: 2902: 2880: 2857:"Critics vote 2845: 2838: 2820: 2813: 2787: 2780: 2759: 2750: 2746:Film Quarterly 2733: 2702: 2675: 2668: 2650: 2643: 2621: 2614: 2592: 2570: 2544: 2522: 2506: 2480: 2454: 2447: 2425: 2418: 2400: 2374: 2351: 2337: 2323: 2311: 2276: 2250: 2221: 2214: 2168: 2161: 2143: 2106: 2089: 2068: 2048: 2031: 2005: 1979: 1947: 1921: 1894: 1887: 1875:Lynch on Lynch 1855: 1825: 1803: 1794: 1764: 1730: 1729: 1727: 1724: 1673:, and drummer 1670:Roll the Bones 1622:Dean Stockwell 1595: 1594: 1589: 1588: 1587: 1578: 1577: 1576: 1567: 1345: 1343: 1340: 1328:, featuring a 1322:deleted scenes 1294: 1291: 1256: 1253: 1119: 1116: 1089: 1086: 1084: 1081: 1076:Never Cry Wolf 963:Main article: 960: 957: 928: 925: 901:film theorist 899:psychoanalytic 878:gothic fiction 843:cinematography 803: 800: 794: 791: 787:Megan Mullally 779:deleted scenes 766: 763: 735: 732: 728:Molly Ringwald 721:Steven Berkoff 675:Ingrid Bergman 655: 652: 560: 558: 555: 553: 550: 548: 547: 544: 538: 535: 532: 526: 520: 517: 514: 508: 502: 496: 493:Dean Stockwell 490: 484: 478: 469: 463: 456: 454: 451: 370: 367: 361:as one of the 225: 224: 221: 217: 216: 213: 209: 208: 205: 201: 200: 197: 194: 191: 190: 188: 187: 176: 160: 158: 155: 152: 151: 146: 145:Distributed by 142: 141: 136: 132: 131: 129:Duwayne Dunham 126: 122: 121: 116: 115:Cinematography 112: 111: 109: 108: 106:Dean Stockwell 103: 98: 93: 88: 83: 78: 72: 70: 66: 65: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 6449: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6420: 6418: 6415: 6413: 6410: 6408: 6405: 6403: 6400: 6398: 6395: 6393: 6390: 6388: 6385: 6383: 6380: 6378: 6375: 6373: 6370: 6368: 6365: 6363: 6362:BDSM in films 6360: 6358: 6355: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6314: 6312: 6289: 6288: 6283: 6279: 6278: 6273: 6269: 6268: 6263: 6259: 6258: 6253: 6249: 6248: 6243: 6239: 6238: 6233: 6229: 6228: 6223: 6219: 6218: 6213: 6209: 6208: 6203: 6199: 6198: 6193: 6189: 6188: 6183: 6179: 6178: 6173: 6169: 6168: 6163: 6159: 6158: 6153: 6149: 6148: 6143: 6139: 6138: 6133: 6129: 6128: 6123: 6119: 6118: 6113: 6109: 6108: 6103: 6099: 6098: 6093: 6089: 6088: 6083: 6079: 6078: 6073: 6069: 6068: 6063: 6062: 6060: 6056: 6048: 6047: 6042: 6038: 6037: 6032: 6031: 6026: 6022: 6021: 6016: 6012: 6011: 6006: 6002: 6001: 5996: 5992: 5991: 5986: 5982: 5981: 5976: 5972: 5971: 5966: 5962: 5961: 5956: 5952: 5951: 5950:Life Is Sweet 5946: 5942: 5941: 5936: 5932: 5931: 5926: 5922: 5921: 5916: 5912: 5911: 5906: 5902: 5901: 5896: 5892: 5891: 5886: 5882: 5881: 5876: 5872: 5871: 5866: 5862: 5861: 5856: 5852: 5851: 5850:Atlantic City 5846: 5842: 5841: 5836: 5832: 5831: 5830:Breaking Away 5826: 5822: 5821: 5816: 5812: 5811: 5806: 5802: 5801: 5796: 5792: 5791: 5786: 5782: 5781: 5776: 5772: 5771: 5770:Day for Night 5766: 5762: 5761: 5756: 5752: 5751: 5750:Claire's Knee 5746: 5742: 5741: 5736: 5732: 5731: 5726: 5722: 5721: 5716: 5712: 5711: 5706: 5702: 5701: 5696: 5695: 5693: 5689: 5685: 5678: 5673: 5671: 5666: 5664: 5659: 5658: 5655: 5642: 5641: 5640:The Holdovers 5637: 5634: 5633: 5629: 5626: 5625: 5621: 5618: 5617: 5613: 5610: 5609: 5605: 5602: 5601: 5597: 5594: 5593: 5589: 5586: 5585: 5581: 5578: 5577: 5573: 5570: 5569: 5565: 5562: 5561: 5557: 5554: 5553: 5549: 5546: 5545: 5541: 5538: 5537: 5533: 5530: 5529: 5525: 5522: 5521: 5516: 5515: 5511: 5508: 5507: 5503: 5500: 5499: 5495: 5492: 5491: 5487: 5484: 5483: 5479: 5476: 5475: 5471: 5468: 5467: 5463: 5460: 5459: 5455: 5452: 5451: 5450:Almost Famous 5447: 5444: 5443: 5439: 5436: 5435: 5431: 5428: 5427: 5423: 5420: 5419: 5418:Trainspotting 5415: 5412: 5411: 5407: 5404: 5403: 5399: 5396: 5395: 5391: 5388: 5387: 5383: 5380: 5379: 5375: 5372: 5371: 5367: 5364: 5363: 5359: 5356: 5355: 5351: 5348: 5347: 5343: 5340: 5339: 5335: 5332: 5331: 5327: 5324: 5323: 5319: 5316: 5315: 5311: 5308: 5307: 5303: 5300: 5299: 5295: 5292: 5291: 5287: 5286: 5283: 5279: 5272: 5267: 5265: 5260: 5258: 5253: 5252: 5249: 5243: 5239: 5238: 5231: 5218: 5214: 5210: 5209: 5204: 5200: 5199: 5194: 5190: 5189: 5184: 5180: 5179: 5174: 5170: 5169: 5164: 5160: 5159: 5154: 5150: 5149: 5144: 5141: 5137: 5134: 5133: 5128: 5125: 5124: 5123:Ronnie Rocket 5119: 5115: 5110: 5106: 5102: 5101: 5099: 5095: 5088: 5087: 5082: 5079: 5078: 5073: 5072: 5070: 5066: 5058: 5057: 5052: 5048: 5047: 5042: 5038: 5037: 5032: 5031: 5029: 5025: 5017: 5016: 5011: 5007: 5006: 5001: 4997: 4996: 4995:The Big Dream 4991: 4987: 4986: 4981: 4977: 4976: 4971: 4967: 4966: 4961: 4957: 4956: 4951: 4947: 4946: 4941: 4940: 4938: 4934: 4926: 4925: 4920: 4916: 4915: 4910: 4906: 4905: 4900: 4896: 4895: 4890: 4889: 4887: 4883: 4874: 4873: 4868: 4866:Concert films 4864: 4856: 4851: 4847: 4842: 4838: 4833: 4829: 4824: 4823: 4821: 4817: 4809: 4808: 4803: 4799: 4798: 4793: 4789: 4788: 4783: 4779: 4778: 4773: 4769: 4768: 4763: 4759: 4758: 4753: 4749: 4748: 4743: 4739: 4738: 4733: 4729: 4728: 4727:Darkened Room 4723: 4719: 4718: 4713: 4709: 4708: 4703: 4699: 4698: 4693: 4689: 4688: 4683: 4679: 4678: 4673: 4669: 4668: 4663: 4662: 4660: 4656: 4648: 4647: 4646:Inland Empire 4642: 4638: 4637: 4632: 4628: 4627: 4622: 4618: 4617: 4612: 4608: 4607: 4602: 4601: 4596: 4592: 4591: 4590:Wild at Heart 4586: 4582: 4581: 4576: 4572: 4571: 4566: 4562: 4561: 4556: 4552: 4551: 4546: 4545: 4543: 4541:Feature films 4539: 4536: 4530: 4523: 4519: 4516: 4512: 4509: 4505: 4502: 4498: 4495: 4491: 4488: 4484: 4481: 4477: 4476: 4473: 4469: 4462: 4457: 4455: 4450: 4448: 4443: 4442: 4439: 4433: 4429: 4428: 4424: 4422: 4418: 4417: 4413: 4411: 4407: 4406: 4402: 4401: 4397: 4392: 4388: 4384: 4380: 4377: 4376:0-7475-5176-6 4373: 4369: 4365: 4362: 4361:0-85170-559-6 4358: 4354: 4350: 4349: 4345: 4328: 4324: 4318: 4315: 4303: 4302: 4297: 4291: 4288: 4275: 4271: 4267: 4266: 4261: 4254: 4251: 4238: 4234: 4233: 4228: 4221: 4218: 4210:September 20, 4205: 4201: 4197: 4196: 4195:Rolling Stone 4191: 4184: 4182: 4178: 4165: 4161: 4157: 4150: 4148: 4144: 4131: 4127: 4126:Dark Horizons 4123: 4116: 4113: 4108: 4104: 4097: 4094: 4081: 4077: 4073: 4067: 4064: 4051: 4047: 4046: 4041: 4035: 4032: 4019: 4015: 4011: 4005: 4002: 3989: 3985: 3981: 3975: 3972: 3959: 3955: 3954: 3949: 3943: 3940: 3932:September 20, 3927: 3923: 3919: 3912: 3909: 3905: 3901: 3898: 3894: 3889: 3887: 3883: 3870: 3866: 3865: 3860: 3854: 3851: 3847: 3843: 3839: 3835: 3831: 3827: 3823: 3822:Atlantic City 3819: 3815: 3811: 3807: 3801: 3798: 3785: 3781: 3774: 3771: 3759: 3758: 3753: 3746: 3743: 3730: 3729:"Blue Velvet" 3726: 3720: 3717: 3705: 3704: 3699: 3693: 3690: 3677: 3673: 3669: 3667: 3659: 3656: 3643: 3639: 3635: 3633: 3624: 3621: 3605: 3601: 3594: 3588: 3585: 3573: 3569: 3563: 3561: 3557: 3545: 3541: 3535: 3532: 3520: 3516: 3515: 3507: 3504: 3491: 3490: 3485: 3484:"Blue Velvet" 3478: 3475: 3463: 3459: 3458:"Blue Velvet" 3453: 3450: 3438: 3434: 3433: 3428: 3427:"Blue Velvet" 3422: 3419: 3416: 3404: 3398: 3395: 3382: 3378: 3372: 3369: 3357: 3353: 3346: 3343: 3340: 3336: 3332: 3331:"Movie Snobs" 3328: 3323: 3320: 3308: 3307: 3302: 3301:"Blue Velvet" 3295: 3293: 3289: 3277: 3276: 3271: 3270:"Blue Velvet" 3264: 3261: 3248: 3244: 3238: 3235: 3223: 3219: 3213: 3210: 3198: 3197: 3192: 3185: 3182: 3170: 3169: 3164: 3163:"Blue Velvet" 3158: 3155: 3143: 3139: 3132: 3129: 3117: 3113: 3107: 3104: 3099: 3092: 3089: 3076: 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Finally, a 946: 942: 938: 934: 926: 924: 922: 917: 912: 908: 904: 900: 897: 893: 891: 890: 885: 884: 879: 875: 871: 866: 864: 863: 858: 853: 848: 844: 840: 836: 832: 828: 821: 813: 808: 801: 799: 792: 790: 788: 784: 780: 775: 773: 764: 762: 760: 754: 752: 748: 744: 740: 733: 731: 729: 724: 722: 718: 714: 710: 709: 703: 701: 697: 693: 692: 686: 684: 680: 677:and director 676: 672: 668: 663: 661: 653: 651: 649: 645: 641: 637: 632: 631: 630:Ronnie Rocket 626: 625: 619: 615: 613: 609: 604: 602: 601: 594: 592: 591: 585: 581: 579: 572: 570: 566: 556: 551: 545: 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 488: 485: 482: 479: 477: 473: 472:Dennis Hopper 470: 467: 464: 461: 458: 457: 452: 450: 447: 444: 443:walkie-talkie 438: 435: 434:evidence room 429: 427: 423: 419: 413: 411: 410:selling drugs 407: 403: 398: 395: 391: 387: 382: 380: 376: 368: 366: 364: 360: 356: 355: 350: 349: 344: 343: 338: 337: 332: 328: 324: 320: 316: 312: 310: 306: 302: 301: 296: 292: 291: 286: 281: 279: 278:lounge singer 275: 271: 267: 266:Dennis Hopper 263: 259: 255: 251: 247: 243: 242:thriller film 240: 237: 233: 232: 222: 218: 214: 210: 207:United States 206: 202: 198: 192: 177: 174: 162: 161: 159: 156:Release dates 153: 150: 147: 143: 140: 137: 133: 130: 127: 123: 120: 117: 113: 107: 104: 102: 99: 97: 94: 92: 89: 87: 86:Dennis Hopper 84: 82: 79: 77: 74: 73: 71: 67: 64: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 19: 6285: 6275: 6267:Drive My Car 6265: 6255: 6245: 6235: 6225: 6215: 6205: 6195: 6185: 6175: 6165: 6155: 6145: 6135: 6125: 6115: 6105: 6095: 6085: 6075: 6065: 6058:2001–present 6044: 6034: 6028: 6020:Out of Sight 6018: 6008: 5998: 5988: 5980:Pulp Fiction 5978: 5968: 5958: 5948: 5938: 5928: 5918: 5908: 5899: 5898: 5888: 5878: 5868: 5858: 5848: 5838: 5828: 5818: 5808: 5798: 5788: 5778: 5768: 5758: 5748: 5738: 5728: 5718: 5708: 5698: 5638: 5630: 5624:Drive My Car 5622: 5614: 5608:Little Women 5606: 5598: 5590: 5582: 5574: 5566: 5558: 5550: 5542: 5534: 5526: 5518: 5512: 5504: 5498:The Departed 5496: 5488: 5480: 5474:Mystic River 5472: 5464: 5456: 5448: 5440: 5434:Out of Sight 5432: 5424: 5416: 5408: 5402:Pulp Fiction 5400: 5392: 5384: 5376: 5368: 5360: 5352: 5344: 5337: 5336: 5328: 5320: 5312: 5304: 5296: 5288: 5236: 5206: 5196: 5186: 5176: 5168:Lost Highway 5166: 5156: 5146: 5130: 5121: 5084: 5075: 5054: 5044: 5034: 5013: 5005:Thought Gang 5003: 4993: 4983: 4973: 4963: 4953: 4943: 4922: 4912: 4902: 4892: 4870: 4819:Music videos 4805: 4795: 4785: 4775: 4765: 4755: 4745: 4735: 4725: 4715: 4705: 4695: 4685: 4677:The Alphabet 4675: 4665: 4644: 4634: 4624: 4616:Lost Highway 4614: 4604: 4598: 4588: 4579: 4578: 4568: 4558: 4548: 4501:Bibliography 4426: 4415: 4404: 4382: 4367: 4352: 4331:. Retrieved 4325:. 2112.net. 4317: 4305:. Retrieved 4299: 4290: 4278:. Retrieved 4263: 4253: 4241:. Retrieved 4230: 4220: 4208:. Retrieved 4204:the original 4193: 4168:. Retrieved 4164:the original 4134:. Retrieved 4130:the original 4125: 4115: 4107:the original 4096: 4084:. Retrieved 4080:the original 4066: 4054:. Retrieved 4050:the original 4043: 4034: 4022:. Retrieved 4004: 3992:. Retrieved 3988:the original 3983: 3974: 3964:February 13, 3962:. Retrieved 3958:the original 3951: 3942: 3930:. Retrieved 3926:the original 3921: 3911: 3897:Filmsite.org 3892: 3873:. Retrieved 3862: 3853: 3845: 3841: 3837: 3833: 3829: 3825: 3821: 3817: 3813: 3809: 3805: 3800: 3788:. Retrieved 3784:The Guardian 3783: 3773: 3761:. Retrieved 3755: 3745: 3733:. Retrieved 3719: 3709:February 16, 3707:. Retrieved 3701: 3692: 3682:December 11, 3680:. Retrieved 3671: 3665: 3658: 3646:. Retrieved 3641: 3637: 3631: 3623: 3611:. Retrieved 3604:the original 3587: 3575:. Retrieved 3547:. Retrieved 3534: 3523:, retrieved 3513: 3506: 3494:. Retrieved 3489:The Guardian 3487: 3477: 3465:. Retrieved 3452: 3440:. Retrieved 3430: 3421: 3407:. Retrieved 3397: 3385:. Retrieved 3381:the original 3371: 3359:. Retrieved 3356:The Guardian 3355: 3345: 3326: 3322: 3310:. Retrieved 3304: 3279:. Retrieved 3273: 3263: 3251:. Retrieved 3247:the original 3237: 3227:September 3, 3225:. Retrieved 3212: 3200:. Retrieved 3194: 3184: 3172:. Retrieved 3166: 3157: 3145:. Retrieved 3141: 3131: 3119:. Retrieved 3115: 3112:"Alan Splet" 3106: 3097: 3091: 3079:. Retrieved 3075:the original 3065: 3053:. Retrieved 3046: 3037: 3025:. Retrieved 3022:The Guardian 3021: 3011: 2992: 2988: 2976:. Retrieved 2972: 2962: 2943: 2937: 2918: 2912: 2893: 2889: 2883: 2871:. Retrieved 2864: 2858: 2829: 2823: 2798: 2790: 2771: 2753: 2745: 2741: 2736: 2724:. Retrieved 2720:the original 2715: 2705: 2693:. Retrieved 2688: 2678: 2659: 2653: 2630: 2624: 2601: 2595: 2583:. Retrieved 2573: 2561:. Retrieved 2556: 2547: 2535:. Retrieved 2525: 2513: 2509: 2497:. Retrieved 2493:the original 2483: 2471:. Retrieved 2467:the original 2457: 2436: 2428: 2409: 2403: 2391:. Retrieved 2386: 2377: 2365:. Retrieved 2354: 2340: 2326: 2318: 2314: 2304:September 4, 2302:. Retrieved 2295: 2267:. Retrieved 2263: 2253: 2245: 2241: 2205: 2152: 2146: 2136:February 16, 2134:. Retrieved 2130:the original 2123: 2117: 2109: 2098: 2092: 2081: 2077: 2071: 2060: 2042:Film Comment 2040: 2034: 2022:. Retrieved 2008: 1996:. Retrieved 1993:The Guardian 1992: 1982: 1970:. Retrieved 1964: 1938:. Retrieved 1934:the original 1924: 1907:. Retrieved 1897: 1874: 1871:Lynch, David 1846:. Retrieved 1842:the original 1828: 1816:. Retrieved 1806: 1797: 1785:. Retrieved 1779: 1755:. Retrieved 1751:the original 1715: 1693: 1686:sludge metal 1683: 1678: 1668: 1658: 1652: 1645: 1617: 1599:Lana Del Rey 1596: 1557: 1556: 1551: 1547: 1543: 1532: 1528: 1518: 1512: 1501: 1499: 1494: 1488: 1482: 1478: 1472: 1468: 1462: 1456: 1452:The Guardian 1450: 1446: 1440: 1434: 1428: 1422: 1418: 1413: 1412: 1401: 1391: 1385: 1380: 1379:(1960) had. 1376: 1367: 1365: 1359: 1353: 1348: 1347: 1333: 1297: 1296: 1264: 1248: 1244:Mark Kermode 1242: 1237: 1226: 1221: 1206: 1199: 1197: 1181: 1167: 1159: 1149: 1144: 1139: 1136:cult classic 1131:Janet Maslin 1126: 1122: 1121: 1105: 1092: 1091: 1074: 1068: 1061:sound editor 1050: 1044: 1040: 1031: 1024: 1018: 1017: 1012:Lost Highway 1010: 995:Shostakovich 979:Bobby Vinton 970: 968: 953: 945:type of wasp 932: 930: 921:subconscious 906: 905:argues that 903:Laura Mulvey 894: 887: 881: 876:, and early 867: 860: 851: 846: 831:femme fatale 819: 817: 796: 793:Distribution 776: 768: 755: 742: 737: 725: 706: 704: 689: 687: 683:ICM Partners 667:Helen Mirren 664: 659: 658:The cast of 657: 647: 643: 628: 622: 620: 616: 608:Bobby Vinton 605: 598: 595: 588: 586: 583: 577: 574: 562: 541:Fred Pickler 448: 439: 430: 414: 399: 394:psychopathic 383: 372: 354:BBC Magazine 352: 346: 340: 334: 314: 313: 298: 288: 284: 282: 230: 229: 228: 195:Running time 18: 6167:Melancholia 6077:The Pianist 6036:Topsy-Turvy 5900:Blue Velvet 5466:The Pianist 5442:Three Kings 5354:Bull Durham 5338:Blue Velvet 5290:Raging Bull 5237:Blue Velvet 5235:Awards for 5140:Frank Booth 5086:Blue Velvet 4897:(1990–1991) 4828:Wicked Game 4697:The Amputee 4658:Short films 4580:Blue Velvet 4532:Directorial 4494:Discography 4487:Filmography 4468:David Lynch 4427:Blue Velvet 4416:Blue Velvet 4405:Blue Velvet 4353:Blue Velvet 4333:October 25, 4265:Art+Auction 4076:BRAVOtv.com 3893:Blue Velvet 3875:December 2, 3814:Blue Velvet 3806:Raging Bull 3731:. Reelviews 3666:Blue Velvet 3644:(4): 32, 44 3613:October 17, 3496:October 30, 3409:January 20, 3327:Blue Velvet 3312:October 30, 3281:October 30, 3202:October 30, 3174:October 30, 2993:Blue Velvet 2892:Blue Velvet 2859:Blue Velvet 2604:. Britain: 2537:January 24, 2514:Blue Velvet 2246:Blue Velvet 2206:Blue Velvet 2118:Blue Velvet 2078:Blue Velvet 1998:November 3, 1940:November 3, 1838:Vulture.com 1787:January 14, 1757:January 14, 1716:Blue Velvet 1679:Blue Velvet 1636:dressed as 1630:lip-syncing 1618:Blue Velvet 1601:recorded a 1573:Frank Booth 1558:Blue Velvet 1552:Blue Velvet 1529:Blue Velvet 1525:ten Top Ten 1502:Blue Velvet 1495:Blue Velvet 1479:Blue Velvet 1469:Blue Velvet 1447:Blue Velvet 1439:(1987). An 1424:Raging Bull 1419:Blue Velvet 1414:Blue Velvet 1381:Blue Velvet 1368:Blue Velvet 1354:Blue Velvet 1349:Blue Velvet 1298:Blue Velvet 1249:Blue Velvet 1222:Blue Velvet 1214:Roger Ebert 1207:Blue Velvet 1182:Blue Velvet 1174:Woody Allen 1160:Blue Velvet 1156:Gene Siskel 1140:Blue Velvet 1123:Blue Velvet 1106:Blue Velvet 1093:Blue Velvet 1041:Blue Velvet 1025:Blue Velvet 987:Roy Orbison 983:Blue Velvet 971:Blue Velvet 933:Blue Velvet 907:Blue Velvet 886:(1943) and 874:Henry James 852:Blue Velvet 847:Blue Velvet 820:Blue Velvet 743:Blue Velvet 660:Blue Velvet 644:Blue Velvet 612:Blue Velvet 578:Blue Velvet 523:Brad Dourif 511:Frances Bay 476:Frank Booth 422:Roy Orbison 402:sex slavery 390:Frank Booth 386:Blue Velvet 327:cult status 315:Blue Velvet 285:Blue Velvet 248:. Blending 246:David Lynch 231:Blue Velvet 199:120 minutes 63:Fred Caruso 59:Produced by 54:David Lynch 45:David Lynch 41:Directed by 24:Blue Velvet 6317:1986 films 6311:Categories 6287:Past Lives 5960:Unforgiven 5940:Goodfellas 5810:Annie Hall 5584:La La Land 5544:The Artist 5386:Unforgiven 5370:Goodfellas 5107:(daughter) 4945:Eraserhead 4914:Hotel Room 4904:On the Air 4894:Twin Peaks 4885:Television 4797:Idem Paris 4757:Bug Crawls 4550:Eraserhead 4480:Early life 4307:October 5, 4280:October 5, 4243:October 3, 4170:October 5, 4136:August 25, 3790:August 25, 3735:August 28, 3648:August 24, 3462:Metacritic 3387:August 24, 3222:Metacritic 3081:August 31, 2978:January 9, 2695:August 25, 2581:. LynchNet 2437:Some of Me 1909:January 4, 1726:References 1712:Mr. Bungle 1675:Neil Peart 1626:pantomimes 1474:Total Film 1387:Twin Peaks 1293:Home media 1259:See also: 1234:Metacritic 1088:Box office 1057:Alan Splet 1052:Twin Peaks 959:Soundtrack 749:studio in 708:Easy Rider 700:Val Kilmer 569:Washington 552:Production 529:Jack Nance 525:as Raymond 487:Hope Lange 481:Laura Dern 379:sport coat 300:Eraserhead 295:surrealist 270:Laura Dern 220:Box office 182:1986-09-19 167:1986-09-12 96:Hope Lange 91:Laura Dern 51:Written by 6257:Nomadland 6237:The Rider 6227:Lady Bird 6217:Moonlight 6207:Spotlight 5790:Nashville 5691:1966–2000 5616:Nomadland 5576:Spotlight 5114:In Heaven 4508:Accolades 4056:March 26, 3549:March 31, 3361:April 18, 3253:March 27, 3147:April 30, 3121:March 31, 3048:Indiewire 2602:Thrillers 2363:. AV/Film 2264:IndieWire 2024:August 2, 1848:August 2, 1818:August 2, 1690:Acid Bath 1667:'s album 1458:Film Four 1373:cult film 1255:Accolades 1158:included 1111:pacemaker 1083:Reception 991:In Dreams 927:Symbolism 827:film noir 636:treatment 593:in 1987. 426:In Dreams 254:film noir 125:Edited by 6247:Parasite 5910:The Dead 5482:Sideways 5208:Lynch/Oz 4857:" (2013) 4848:" (2009) 4839:" (1995) 4830:" (1990) 4747:DumbLand 4603:(1992) ( 4421:AllMovie 4327:Archived 4274:Archived 4237:Archived 4086:June 17, 4045:Premiere 4024:June 18, 4018:Archived 3994:March 2, 3900:Archived 3869:Archived 3786:. London 3676:Archived 3519:archived 3492:. London 3335:Archived 3055:June 20, 3027:June 20, 3000:Archived 2726:April 7, 2691:. London 2585:June 11, 2563:June 27, 2518:DVD Talk 2269:June 17, 2204:(1997). 2062:Cineaste 2018:Archived 1972:June 17, 1704:Ministry 1642:Victrola 1611:post-war 1534:Premiere 1427:(1980), 1396:(2001). 1269:and the 1218:misogyny 1079:(1983). 941:gas mask 916:Freudian 896:Feminist 818:Despite 812:Lighting 734:Shooting 590:Cineaste 418:lip-sync 236:neo-noir 135:Music by 69:Starring 5860:Tootsie 5740:M*A*S*H 5710:Persona 5568:Boyhood 5097:Related 4955:BlueBOB 4837:Longing 4777:Absurda 4737:Rabbits 4609:(2014)) 3922:Variety 3846:The Fly 3830:Platoon 3763:July 5, 3577:July 2, 3525:May 12, 3467:July 9, 2973:AnOther 1655:Anthrax 1647:Artinfo 1614:America 1607:H&M 1477:ranked 1464:Variety 1318:Blu-ray 1180:called 1148:of the 1129:critic 1023:ranked 911:Oedipal 835:villain 783:Blu-ray 765:Editing 671:LancĂ´me 654:Casting 531:as Paul 239:mystery 204:Country 180: ( 173:Toronto 165: ( 6290:(2023) 6280:(2022) 6270:(2021) 6260:(2020) 6250:(2019) 6240:(2018) 6230:(2017) 6220:(2016) 6210:(2015) 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Index


David Lynch
Fred Caruso
Kyle MacLachlan
Isabella Rossellini
Dennis Hopper
Laura Dern
Hope Lange
George Dickerson
Dean Stockwell
Frederick Elmes
Duwayne Dunham
Angelo Badalamenti
De Laurentiis Entertainment Group
Toronto
neo-noir
mystery
thriller film
David Lynch
psychological horror
film noir
Kyle MacLachlan
Isabella Rossellini
Dennis Hopper
Laura Dern
song of the same name
lounge singer
Dune
surrealist
Eraserhead

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