914:, an interval whose dissonance is used repeatedly in both slow and fast passages to evoke aching sadness/disquiet or danger/shock respectively. The minor second is referred to as the 'blood' motif, for it is used whenever Judith notices blood in the castle. Overall the music is not atonal, although it is often polytonal, with more than one key center operating simultaneously (e.g. the leadup to the climactic opening of the fifth door). However, there are some passages (for example, door 3) where the music is tonal and mostly consonant. Many critics have found an overall key plan, as one would find in a tonal piece of music. The opera starts in a mode of F
2870:
894:
to the events about to unfold. The prologue warns the audience that the morals of the tale can apply to the real world as well as to that of
Bluebeard and Judith. The character of the bard (or "regős" in the Hungarian language) is traditional in Hungarian folk music, and the words of the prologue (notably its opening lines "Haj, regő, rejtem") are associated with traditional Hungarian "regősénekek" (Regős songs), which Bartók had previously studied. The prologue is frequently omitted from performances.
235:
799:
blood; a silent silvery lake is all that lies within, "a lake of tears". Bluebeard begs Judith to simply love him, and ask no more questions. The last door must be shut forever. But she persists, asking him about his former wives, and then accusing him of having murdered them, suggesting that their blood was the blood everywhere, that their tears were those that filled the lake, and that their bodies lie behind the last door. At this, Bluebeard hands over the last key.
3681:
618:
3691:
803:
praise her as his fourth wife (of the night). She is horrified and begs him to stop, but it is too late. He dresses her in the jewellery they wear, which she finds exceedingly heavy. Her head drooping under the weight, she follows the other wives along a beam of moonlight through the seventh door. It closes behind her, and
Bluebeard is left alone as all fades to total darkness.
3717:
854:. The opera is preceded by a film that sets up the revised drama, using Bartok's "Concerto for Orchestra" as the audio backdrop. Judith is a Police Detective and expert in undercover work. Instead of becoming Bluebeard's next victim, she frees the three previous wives and kills the perpetrator. The reinterpretation has received many positive reviews, such as
42:
820:, although the composer himself was an intensely private man. Here the blood that pervades the story is the symbol of his suffering. The Prologue (often omitted) points to the story that is portrayed as occurring in the imagination of the audience. While Kertész felt Judith is a villain in this sense,
893:
The slow orchestral introduction to the work is preceded by a spoken prologue, also by Balázs, published as "Prologue of the Bard" independently of the play. This poses to the audience the questions "Where is the stage? Is it outside, or inside?" as well as offering a warning to pay careful attention
802:
Behind the door are
Bluebeard's three former wives, but still alive, dressed in crowns and jewellery. They emerge silently, and Bluebeard, overcome with emotion, prostrates himself before them and praises each in turn (as his wives of dawn, midday and dusk), finally turning to Judith and beginning to
790:
Judith and
Bluebeard arrive at his castle, which is all dark. Bluebeard asks Judith if she wants to stay and even offers her an opportunity to leave, but she decides to stay. Judith insists that all the doors be opened, to allow light to enter into the forbidding interior, insisting further that her
267:
In 1913 Balázs produced a spoken performance at which Bartók played some piano pieces on a separate part of the program. A 1915 letter to Bartók's young wife, Márta, (to whom he dedicated the opera) ends: "Now I know that I will never hear it in this life. You asked me to play it for you—I am afraid
263:
did not win. The Rózsavölgyi judges, after reviewing the composition, decided that the work (with only two characters and a single location) was not dramatic enough to be considered in the category for which it was entered: theatrical music. It is thought that the panel of judges who were to look at
214:
full score includes only the German and
English singing translations while the Dover edition reproduces the Universal Edition Hungarian/German vocal score (with page numbers beginning at 1 instead of 5). A revision of the UE vocal score in 1963 added a new German translation by Wilhelm Ziegler, but
866:
Traditionally, the set is a single dark hall surrounded by the seven doors around the perimeter. As each door is opened, a stream of symbolically colored light comes forth (except in the case of the sixth door, for which the hall is actually darkened). The symbolic colors of the seven doors are as
941:
The vocal parts are very challenging due to the highly chromatic and speech-rhythm-inflected style that Bartók uses. For non-native speakers, the
Hungarian-language libretto can also be difficult to master. These reasons, coupled with the static effect of the stage action, combine to make staged
815:
believed that we should not relate this to the fairy tale on which it was based, but that
Bluebeard was Bartók himself, and that it portrays his personal suffering and his reluctance to reveal the inner secrets of his soul, which are progressively invaded by Judith. In this way he can be seen as
798:
Bluebeard pleads with her to stop: the castle is as bright as it can get, and will not get any brighter, but Judith refuses to be stopped after coming this far, and opens the penultimate sixth door, as a shadow passes over the castle. This is the first room that has not been somehow stained with
794:
The first door opens to reveal a torture chamber, stained with blood. Repelled, but then intrigued, Judith pushes on. Behind the second door is a storehouse of weapons, and behind the third a storehouse of riches. Bluebeard urges her on. Behind the fourth door is a secret garden of great beauty;
1073:
The original German translation by
Wilhelm Ziegler appears in the 1921 first edition of the vocal score. In 1963 a revised singing translation by Wilhelm Ziegler replaced it. The English translation printed in the 1963 miniature score is by Christopher Hassall. The one in the full score is by
250:
in 1908, and wrote it during the following two years. It was first published serially in 1910 with a joint dedication to Kodály and Bartók, and in 1912 appeared with the prologue in the collection "Mysteries". Bartók was motivated to complete the opera in 1911 by the closing date of the
255:
Prize competition, for which it was duly entered. A second competition, organised by the music publishers Rózsavölgyi and with a closing date in 1912, encouraged Bartók to make some modifications to the work in order to submit it to the Rózsavölgyi competition.
791:
demands are based on her love for
Bluebeard. Bluebeard refuses, saying that there are private places not to be explored by others, and asking Judith to love him but ask no questions. Judith persists, and eventually prevails over his resistance.
897:
The stage directions call also for occasional ghostly sighs that seemingly emanate from the castle itself when some of the doors are opened. Productions implement these in different ways, sometimes instrumentally, sometimes vocally.
795:
behind the fifth, a window onto
Bluebeard's vast kingdom. All is now sunlit, but blood has stained the riches, watered the garden, and grim clouds throw blood-red shadows over Bluebeard's kingdom.
301:
the first Judith. Following Balázs' exile in 1919 and the ban on his work there were no revivals until 1936. Bartók attended rehearsals and reportedly sided with the new Bluebeard,
3772:
2222:
847:
on 14 February 2015, she stated that it does not matter who Judith is; she symbolises a human being who has to face up to all the fears that she brings from her past.
3694:
855:
3393:
546:
in Tel Aviv. Vladimir Braun was Bluebeard and Svetlana Sandler sang Judith. Shirit Lee Weiss directed and Ilan Volkov conducted. The sets, originally used in the
3260:
215:
seems not to have corrected any errata. Universal Edition and Bartók Records has published a new edition of the work in 2005 with a new English translation by
3321:
385:
on 9 January 1949, followed by a concert performance at the Music Hall at Fair Park in Dallas, Texas, on 10 January. Both performances were led by conductor
439:
3120:
2085:
3280:
3140:
2820:
2814:
581:
2451:
2405:
2386:
2367:
2348:
3767:
824:, who had sung the role, disagreed, stating that she only voices all that she has heard about Bluebeard. She refers repeatedly to the rumours (
639:
516:(under conductor Yoichiro Fukunaga with piano accompaniment). The opera was presented with full orchestra in the 348th regular concert of the
2687:
2477:
2327:
1746:
389:, a former Bartók student. Other sources mention a 1946 concert performance in Dallas. The first fully staged American production was at the
3311:
1317:
3742:
3550:
3611:
2910:
2667:
2294:
Opera: An Encyclopedia of World Premieres and Significant Performances, Singers, Composers, Librettists, Arias and Conductors, 1597–2000
1082:
in 1989 (in British National Opera Guide No. 44, 1991). A reasonably faithful version in French is that of Natalia and Charles Zaremba (
3737:
3316:
3250:
3518:
2802:
2773:
2732:
2608:
2278:
665:
202:
48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the
3224:
3219:
3350:
3345:
3340:
3335:
3330:
3325:
3209:
3204:
3199:
2743:
2624:
1409:
812:
2236:
3400:
2139:
1682:
1286:
3113:
2841:
2258:
1899:
643:
3564:
3782:
2113:
1649:
1533:
1039:
3707:
1823:
1729:
3762:
1399:
532:
359:
1589:
1161:
945:
To support the psychological undertones, Bartók calls for a large orchestra. The instrumentation is as notated below:
509:
was Judith. A few years earlier, Chisholm had premièred this work in South Africa at the Little Theatre in Cape Town.
487:
234:
203:
130:
3497:
3460:
3386:
832:(Ah, truthful whispered rumours). Ludwig also believed that Judith was telling the truth every time she says to him,
628:
3684:
3557:
3234:
3229:
3214:
3106:
3077:
2109:
2023:
1741:
363:
319:
647:
632:
3543:
3511:
3491:
3466:
1931:
1506:
1414:
1383:
850:
In 2020, the Bayerische Staatsoper presented a transformed staging of Bluebeard's Castle into a work they titled
528:
455:
378:
2080:
1098:
In 2023 Bluebeard's Castle was staged in Ukrainian translation in Kyiv, but translator's name remained unknown.
883:(The kingdom) White (the stage directions read: "in a gleaming torrent, the light streams in", "blue mountains")
3658:
3435:
1847:
1624:
1561:
1484:
1356:
1302:
1089:
3455:
3449:
3442:
1196:
199:
1084:
3752:
3647:
3428:
3414:
3298:
3255:
3175:
2903:
2794:
2503:
2231:
1257:
1226:
589:
502:
2766:
Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious
1867:
3652:
2955:
2939:
2629:
1957:
1478:
1440:
1350:
1211:
517:
494:
355:
726:
584:
in Taipei on 30 December 2011. In January 2015, the Metropolitan Opera presented its first production of
287:
3642:
3015:
2988:
2979:
2963:
2947:
2830:
2028:
1948:
1862:
1698:
1107:
949:
371:
3305:
2716:
2402:
2383:
1796:
2432:
2364:
2345:
264:
the musical (rather than the theatrical) aspects of the competition entries never saw Bartók's entry.
3757:
3627:
3589:
3486:
3473:
2069:
1828:
1703:
1368:
1273:
1191:
1174:
1149:
506:
402:
323:
302:
2996:
2825:
2768:, with the collaboration of Juana Canabal Antokoletz. Oxford and New York: Oxford University Press.
2655:
1921:
1884:
1435:
1263:
1179:
745:
475:
306:
291:
3525:
3273:
3031:
2882:
2663:
2126:
2057:
2032:
2002:
1889:
1768:
1753:
1713:
1634:
1567:
1556:
1499:
1451:
1323:
771:
570:
536:
451:
414:
390:
331:
2481:
2169:
1763:
1494:
851:
247:
216:
3777:
3637:
3266:
3058:
2896:
2528:
2296:, p. 141: "Dallas, Texas, Fair Park Auditorium, Jan. 8, 1946 (concert performance, in English as
2017:
1987:
1786:
1639:
1577:
1373:
1242:
920:, modulating towards C in the middle of the piece (tonally, the greatest possible distance from F
844:
574:
483:
406:
239:
65:
3632:
3606:
2535:
1644:
1615:
1551:
1281:
211:
1184:
354:. This was followed by several other productions at major opera houses in Italy, including the
3665:
3182:
3129:
2864:
2848:
2798:
2769:
2728:
2695:
2604:
2598:
2274:
2262:
2135:
2053:
1992:
1961:
1791:
1463:
717:
524:
394:
278:
207:
169:
161:
81:
33:
3504:
2925:
2581:
2100:
2074:
1974:
1952:
1582:
1468:
1307:
547:
471:
177:
157:
108:
51:
2421:
2174:
2162:
221:
3747:
3480:
3368:
3085:
3039:
2869:
2409:
2390:
2371:
2352:
2332:
1708:
1445:
1430:
1389:
1252:
1075:
443:
418:
1833:
1378:
1154:
597:
425:
386:
327:
268:
I would not be able to get through it. Still I'll try so that we may mourn it together."
47:
2557:
2314:(1974): "Antal Dorati, who studied with the composer and gave the first U.S. reading of
2062:
3571:
2888:
2036:
1983:
1926:
1871:
1404:
1345:
1340:
1312:
1247:
1221:
1216:
1112:
1079:
1055:
942:
performances of the opera a comparative rarity; it more often appears in concert form.
886:(The pool of tears) Darkness; the main hall is darkened, as if a shadow had passed over
821:
566:
513:
447:
410:
335:
2634:
932:
towards the end. The text and setting at these points has suggested to some that the F
580:
The Taiwanese première, directed and conducted by Tseng Dau-Hsiong, took place in the
3731:
3421:
2971:
2836:
1978:
1916:
1905:
1857:
1734:
1672:
1667:
1610:
1539:
1473:
1420:
1051:
989:
981:
840:
750:
740:
721:
601:
593:
543:
498:
479:
459:
296:
192:); the two have just eloped and she is coming home to his castle for the first time.
3721:
3407:
2437:
1719:
1605:
1335:
911:
697:
551:
463:
343:
283:
252:
843:, had a somewhat different, more symbolic interpretation. In a broadcast from the
429:
512:
The work was first performed in Japan on 29 April 1954 by the Youth Group of the
2874:
2104:
2012:
1894:
1811:
1528:
1523:
993:
961:
617:
467:
398:
351:
339:
2310:
2130:
1677:
1595:
1292:
689:
180:, it lasts about an hour and deploys just two singing characters: Bluebeard (
2920:
1035:
1019:
1015:
367:
101:
2699:
454:
as Bluebeard. The first staged production of the work in France was at the
2855:, vol. XLVI, no. 178, Summer 2005 (includes literal translation of prolog)
2828:
from the 1965 DECCA recording, to accompany the German film of the opera,
322:
on 5 May 1938. The production was conducted by Sergio Failoni and starred
1998:
1937:
1003:
965:
817:
347:
282:
in 1917 paved the way for the May 1918 première with the same conductor,
165:
3690:
2858:
1078:. Another singing translation is that made by John Lloyd Davies for the
2691:
2042:
1842:
1047:
1038:(originally a keyboard xylophone – now usually played by two players),
1011:
985:
953:
736:
312:
Productions in Germany followed in Frankfurt (1922) and Berlin (1929).
41:
3716:
2558:"Музична скриня: Опера "Замок герцога Синя борода" прозвучала в Києві"
438:
received its French premiere on 17 April 1950 in a radio broadcast on
2786:
23:79–123. (Includes facsimile of 1912 ending, amongst other things.)
1804:
1031:
1027:
409:
mounted the opera for the first time on 10 June 1974 with conductor
2600:
Opera Discography: list of all audio and video complete recordings
233:
29:
1043:
1023:
1007:
957:
3102:
2892:
3098:
2878:
1655:
889:(The wives) Silvery (stage directions: "silver like the moon")
783:
Place: A huge, dark hall in a castle, with seven locked doors.
611:
558:
542:
In Israel, the opera premiered on 15 December 2010 at the New
2207:
Béla Bartók: Le Château de Barbe-Bleue. In: Kaminski, Piotr.
1065:('Stage music') of an extra 4 trumpets and 4 alto trombones.
259:
Little is known about the Ferenc Erkel Prize other than that
246:
Balázs originally conceived the libretto for his roommate
493:
The London première took place on 16 January 1957 at the
2478:"Metropolitan Opera Live HD Broadcast February 14 2015"
309:, who was insisting on fidelity to the printed score.
210:
published the vocal (1921) and full score (1925). The
3705:
2784:
Studia Musicologica Academiae Scientiarum Hungaricae
3620:
3599:
3581:
3535:
3378:
3360:
3290:
3243:
3192:
3167:
3149:
3069:
3050:
3007:
2932:
115:
95:
87:
77:
59:
23:
2727:, 14 . Diss. Helsinki University, Helsinki. 2006.
2422:Leslie Megahey Biography on Film Reference website
906:The most salient characteristic of the music from
550:'s 2007 performance were designed by glass artist
424:The South American premiere was in Buenos Aires's
2433:"Taiwan to stage premiere of Bartok's only opera"
350:debut occurred on 28 January 1954 with Petri and
600:of Buenos Aires broadcast a staging directed by
523:The opera's Austrian premiere took place at the
3394:Eight Improvisations on Hungarian Peasant Songs
2725:Studia musicologica Universitatis Helsingiensis
187:
181:
2845:– The Birth of Cinema from the Spirit of Opera
2717:"Principles of Pitch Organization in Bartók's
3114:
2904:
497:during the English tour of Scottish composer
46:Bluebeard and his wife in an illustration by
8:
2778:Kroó, György. 1981. "Data on the Genesis of
2546:Universal Edition published score (UE 13641)
470:. The first performance in Paris was at the
646:. Unsourced material may be challenged and
334:mounted the opera for the first time under
238:Olga Haselbeck, Oszkár Kálmán (Bluebeard),
226:, accompanied by an extensive errata list.
3121:
3107:
3099:
2911:
2897:
2889:
2868:
2203:
2201:
2199:
2197:
446:conducted the performance, which featured
377:The first American performance was by the
242:and Béla Bartók after the premiere in 1918
40:
20:
3773:Operas based on works by Charles Perrault
3281:Music for Strings, Percussion and Celesta
2821:International Music Score Library Project
2336:, 13 October 1952. Retrieved 5 June 2008.
666:Learn how and when to remove this message
2273:. Oxford University Press. p. 246.
1122:
938:-C dichotomy represents darkness/light.
677:
561:broadcast an adaptation of the opera as
3712:
2155:
2223:"Correcting Knowledge (XXG) on Bartok
1876:CD: Chandos Opera in English CHAN3133
1620:Orchestra of the Hungarian State Opera
1590:Orchestra of the Hungarian State Opera
1166:CD: Grandi Maestri alla Scala MC 2015
172:. Based on the French folk legend, or
2464:
2188:
1801:Radio Sinfonieorchester Stuttgart SWR
1747:Grammy Award for Best Opera Recording
7:
3312:Sonata for Two Pianos and Percussion
2586:on operadis-opera-discography.org.uk
2221:Cantrell, Scott (10 November 2014).
1966:CD: Philharmonia Orchestra SIGCD372
1318:Deutsches Symphonie-Orchester Berlin
644:adding citations to reliable sources
588:in the original Hungarian, starring
318:was first performed in Italy at the
440:Radiodiffusion-Télévision Française
1111:, a 1963 film version directed by
770:Bartók includes the Castle on the
14:
3519:Three Rondos on Slovak Folk Tunes
3261:Divertimento for String Orchestra
3043:(Emil Nikolaus von Reznicek 1920)
2748:. DECCA Records (liner notes for
2603:. Walter de Gruyter. p. 35.
2365:"Sandler Svetlana, mezzo-soprano"
680:Roles, voice types, premiere cast
486:and used a French translation by
482:. The production was directed by
428:, 23 September 1953 conducted by
393:on 2 October 1952 with conductor
3715:
3689:
3680:
3679:
2556:Безвухий, Півтон (13 May 2023).
1446:Orchestra of the Bolshoi Theatre
616:
527:on 4 August 1978 with conductor
3401:Fifteen Hungarian Peasant Songs
2346:"Braun Vladimir, bass-baritone"
2140:Helsinki Philharmonic Orchestra
1775:Budapest Philharmonic Orchestra
1683:BBC National Orchestra of Wales
1287:Budapest Philharmonic Orchestra
871:(The torture chamber) Blood-red
474:on 8 October 1959 with soprano
2686:, Paris Opera, 2015: Blu-ray (
2271:The Oxford Dictionary of Music
2261:; Joyce Kennedy, eds. (2012).
2179:, Bartók Records, August 2008]
1995:; recorded live, 14 February)
1900:Bournemouth Symphony Orchestra
1061:In addition, Bartók calls for
186:) and his newest wife Judith (
154:The Blue-Bearded Duke's Castle
1:
3768:Music for orchestra and organ
3612:Béla Bartók Music High School
2114:Bergen Philharmonic Orchestra
2092:CD: Hunnia Records HRCD 1733
1650:London Philharmonic Orchestra
1534:London Philharmonic Orchestra
2504:"Bartok: Bluebeard's Castle"
2384:"Lee Weiss Shirit, director"
290:was the first Bluebeard and
1838:Budapest Festival Orchestra
974:(1st and 2nd doubling two E
488:Michel-Dimitri Calvocoressi
204:Royal Hungarian Opera House
131:Royal Hungarian Opera House
3799:
3558:Twenty Hungarian Folksongs
2791:Inside Bluebeard's Castle.
2658:Iolanta/Bluebeard's Castle
2081:Dohnányi Orchestra Budafok
1742:Chicago Symphony Orchestra
1138:Opera house and orchestra
952:(3rd and 4th doubling two
874:(The armory) Yellowish-red
830:Jaj, igaz hír; suttogó hír
694:Premiere cast, 24 May 1918
364:Teatro Comunale di Bologna
320:Maggio Musicale Fiorentino
276:The success of the ballet
3738:Hungarian-language operas
3675:
3544:Eight Hungarian Folksongs
3512:Three Hungarian Folktunes
3467:Romanian Christmas Carols
3136:
2957:Secret Beyond the Door...
2680:Le château de barbe bleue
2625:"Duke Bluebeard's Castle"
1932:London Symphony Orchestra
1778:CD: Hungaroton HCD 11486
1549:Dietrich Fischer-Dieskau,
1507:Hungarian State Orchestra
1415:London Symphony Orchestra
1384:London Symphony Orchestra
910:is the importance of the
902:Music and instrumentation
880:(The garden) Bluish-green
529:George Alexander Albrecht
466:as Judith, and conductor
381:broadcast on NBC Radio's
379:Dallas Symphony Orchestra
360:Teatro dell'Opera di Roma
305:, over the new conductor
188:
182:
149:A kékszakállú herceg vára
70:A kékszakállú herceg vára
39:
28:
16:1918 opera by Béla Bartók
3659:Suite paysanne hongroise
3551:Five Hungarian Folksongs
3436:Nine Little Piano Pieces
2403:"Ilan Volkov, conductor"
2328:"Bluebeard on the Couch"
1848:Channel Classics Records
1562:Bavarian State Orchestra
1303:Dietrich Fischer-Dieskau
1197:Budapest Radio Orchestra
1162:Orchestra Opera Budapest
980:clarinets, 3rd doubling
926:), before returning to F
811:The Hungarian conductor
383:Orchestras of the Nation
3299:44 Duos for Two Violins
3176:The Miraculous Mandarin
2860:Duke Bluebeard's Castle
2853:The Hungarian Quarterly
2795:Oxford University Press
2780:Duke Bluebeard's Castle
2719:Duke Bluebeard's Castle
2597:Karsten Steige (2008).
2452:"Teatro Colón Programe"
2298:Duke Bluebeard's Castle
2232:The Dallas Morning News
2024:Opéra national de Paris
2018:Ekaterina Gubanova
1258:New Orchestra of London
1227:Swedish Radio Orchestra
596:as Judith. In 2022 the
563:Duke Bluebeard's Castle
503:University of Cape Town
168:by his friend and poet
143:Duke Bluebeard's Castle
3653:Polymodal chromaticism
3317:Sonata for Solo Violin
3251:Concerto for Orchestra
3225:Violin Concerto No. 2
3220:Violin Concerto No. 1
2630:British Film Institute
2265:Duke Bluebard's Castle
1958:Philharmonia Orchestra
1479:BBC Symphony Orchestra
1441:Gennady Rozhdestvensky
1351:Philadelphia Orchestra
518:NHK Symphony Orchestra
514:Fujiwara Opera Company
495:Rudolf Steiner Theatre
458:on 29 April 1954 with
456:Opéra national du Rhin
356:Teatro Regio di Torino
338:on 19 April 1951 with
326:in the title role and
243:
147:
69:
3743:Operas by Béla Bartók
3016:Ariane et Barbe-bleue
2831:Herzog Blaubarts Burg
2793:Oxford and New York:
2764:Antokoletz, Elliott.
2742:A discussion between
2408:25 April 2011 at the
2389:27 April 2011 at the
2370:25 April 2011 at the
2351:24 April 2011 at the
2166:– English translation
2118:CD: Chandos CHSA5237
2029:Krzysztof Warlikowski
1868:Opera North Orchestra
1108:Herzog Blaubarts Burg
877:(The treasury) Golden
704:Prologue of the Bard
372:Teatro Regio di Parma
237:
120:24 May 1918
3783:Works set in castles
3628:Hungarian folk music
3590:Homage to Paderewski
3474:Romanian Folk Dances
3210:Piano Concerto No. 3
3205:Piano Concerto No. 2
3200:Piano Concerto No. 1
3141:List of compositions
2789:Leafstedt, Carl S.:
2670:, Met Opera Archive.
2660:" (14 February 2015)
2211:. Fayard, 2003, p57.
1704:Anne Sofie von Otter
1212:Bernhard Sonnerstedt
640:improve this section
505:Opera Company whose
3763:Expressionist music
3526:Two Romanian Dances
3422:Fourteen Bagatelles
2740:Smith, Erik. 1965.
2664:Met Opera on Demand
2536:Boosey & Hawkes
2532:performance details
2508:BBC Classical Music
2484:on 15 February 2015
2412:, The Israeli Opera
2393:, The Israeli Opera
2374:, The Israeli Opera
2355:, The Israeli Opera
2239:on 11 November 2014
2022:Esa-Pekka Salonen,
2003:Met Opera on Demand
1754:Deutsche Grammophon
1714:Berlin Philharmonic
1568:Deutsche Grammophon
1557:Wolfgang Sawallisch
1452:Westminster Records
1324:Deutsche Grammophon
1085:L'Avant-scène opéra
682:
462:in the title role,
391:New York City Opera
332:Teatro di San Carlo
272:Performance history
230:Composition history
212:Boosey & Hawkes
3638:Musical cryptogram
3565:Five Songs, Op. 15
3267:Hungarian Pictures
3158:Bluebeard's Castle
3024:Bluebeard's Castle
2837:Hungarian libretto
2816:Bluebeard's Castle
2750:Bluebeard's Castle
2584:Bluebeard's Castle
2530:Bluebeard's Castle
2441:, 22 December 2011
2316:Bluebeard's Castle
2225:Bluebeard's Castle
2209:Mille et Un Opéras
2164:Bluebeard's Castle
2144:CD: BIS-2388 SACD
1988:Metropolitan Opera
1690:(sung in English)
1640:Elizabeth Laurence
1578:Yevgeny Nesterenko
1455:(sung in Russian)
1360:(sung in English)
1115:, sung in German.
908:Bluebeard's Castle
845:Metropolitan Opera
786:Time: Not defined.
759:Bluebeard's wives
678:
586:Bluebeard's Castle
575:Elizabeth Laurence
520:on 16 March 1957.
436:Bluebeard's Castle
407:Metropolitan Opera
316:Bluebeard's Castle
261:Bluebeard's Castle
244:
196:Bluebeard's Castle
160:opera by composer
24:Bluebeard's Castle
3703:
3702:
3183:The Wooden Prince
3096:
3095:
2885:in the title role
2849:Nicholas Vazsonyi
2843:Bluebard's Castle
2510:. 20 January 2012
2318:in Dallas (1946)"
2148:
2147:
2039:, December 2015)
2035:; recorded live,
2027:(Stage director:
1993:Mariusz Trelinski
1962:Esa-Pekka Salonen
1803:(Live recording;
1792:Cornelia Kallisch
1511:CD: Art 21 Stúdió
1464:Siegmund Nimsgern
1327:(sung in German)
1234:(sung in German)
1192:Georges Sébastian
996:, 4 trumpets in B
768:
767:
676:
675:
668:
592:as Bluebeard and
573:as Bluebeard and
525:Salzburg Festival
395:Joseph Rosenstock
279:The Wooden Prince
208:Universal Edition
139:
138:
3790:
3720:
3719:
3711:
3693:
3683:
3682:
3505:Three Burlesques
3123:
3116:
3109:
3100:
3081:(Vonnegut novel)
3035:(Offenbach 1856)
2926:Charles Perrault
2913:
2906:
2899:
2890:
2881:production with
2872:
2826:English libretto
2819:: Scores at the
2753:
2746:and the producer
2736:
2703:
2677:
2671:
2653:
2647:
2646:
2644:
2642:
2637:on 11 March 2016
2633:. Archived from
2621:
2615:
2614:
2594:
2588:
2579:
2573:
2572:
2570:
2568:
2553:
2547:
2544:
2538:
2526:
2520:
2519:
2517:
2515:
2500:
2494:
2493:
2491:
2489:
2480:. Archived from
2474:
2468:
2462:
2456:
2455:
2448:
2442:
2430:
2424:
2419:
2413:
2400:
2394:
2381:
2375:
2362:
2356:
2343:
2337:
2325:
2319:
2307:
2301:
2291:
2285:
2284:
2255:
2249:
2248:
2246:
2244:
2235:. Archived from
2218:
2212:
2205:
2192:
2186:
2180:
2178:
2160:
2101:Michelle DeYoung
2089:
2078:
2066:
2045:: Arthaus Musik
2033:Stéphane Lissner
1975:Mikhail Petrenko
1953:Michelle DeYoung
1807:Nomination 2003)
1773:János Ferencsik,
1685:(Live recording)
1587:János Ferencsik,
1583:Elena Obraztsova
1513:Cat: Art-21 002
1504:János Ferencsik,
1469:Tatiana Troyanos
1229:(Live recording)
1188:
1123:
1093:
1001:
1000:
979:
978:
973:
972:
937:
936:
931:
930:
925:
924:
919:
918:
839:Another Judith,
772:dramatis personæ
754:
683:
681:
671:
664:
660:
657:
651:
620:
612:
590:Mikhail Petrenko
582:National Theater
548:Seattle Symphony
370:(1967), and the
300:
225:
191:
190:
185:
184:
178:Charles Perrault
127:
125:
111:
109:Charles Perrault
105:
44:
21:
3798:
3797:
3793:
3792:
3791:
3789:
3788:
3787:
3728:
3727:
3726:
3714:
3706:
3704:
3699:
3671:
3616:
3607:Bartók (crater)
3595:
3577:
3531:
3498:Ten Easy Pieces
3481:Slovakian Dance
3461:Rhapsody, Op. 1
3387:Allegro barbaro
3374:
3369:Cantata Profana
3356:
3322:String quartets
3286:
3239:
3215:Viola Concerto
3188:
3163:
3145:
3132:
3127:
3097:
3092:
3086:Very Blue Beard
3065:
3046:
3040:Ritter Blaubart
3003:
2928:
2917:
2811:
2761:
2759:Further reading
2739:
2735:(2nd ed. 2007.)
2714:
2711:
2706:
2684:La Voix humaine
2678:
2674:
2654:
2650:
2640:
2638:
2623:
2622:
2618:
2611:
2596:
2595:
2591:
2580:
2576:
2566:
2564:
2555:
2554:
2550:
2545:
2541:
2527:
2523:
2513:
2511:
2502:
2501:
2497:
2487:
2485:
2476:
2475:
2471:
2463:
2459:
2450:
2449:
2445:
2431:
2427:
2420:
2416:
2410:Wayback Machine
2401:
2397:
2391:Wayback Machine
2382:
2378:
2372:Wayback Machine
2363:
2359:
2353:Wayback Machine
2344:
2340:
2326:
2322:
2308:
2304:
2292:
2288:
2281:
2259:Michael Kennedy
2257:
2256:
2252:
2242:
2240:
2220:
2219:
2215:
2206:
2195:
2187:
2183:
2172:
2161:
2157:
2153:
2138:
2129:
2112:
2103:
2083:
2079:
2072:
2070:Gábor Hollerung
2060:
2056:
2026:
2016:
1990:
1977:
1960:
1951:
1930:
1920:
1898:
1888:
1870:
1860:
1845:
1837:
1827:
1814:
1802:
1800:
1790:
1774:
1767:
1744:
1740:
1733:
1712:
1709:Bernard Haitink
1702:
1689:
1681:
1671:
1658:
1648:
1638:
1619:
1609:
1588:
1581:
1560:
1550:
1532:
1522:
1512:
1505:
1498:
1477:
1467:
1454:
1444:
1434:
1431:Yevgeny Kibkalo
1413:
1403:
1390:Philips Records
1382:
1372:
1359:
1349:
1339:
1326:
1316:
1306:
1285:
1282:János Ferencsik
1277:
1256:
1253:Walter Susskind
1246:
1233:
1232:CD: Opera d'oro
1225:
1215:
1202:
1195:
1182:
1178:
1160:
1159:Sergio Failoni,
1153:
1137:
1132:
1130:
1121:
1104:
1102:Film adaptation
1087:
1076:Chester Kallman
1071:
1063:Musica di scena
998:
997:
976:
975:
970:
969:
934:
933:
928:
927:
922:
921:
916:
915:
904:
864:
836:(I love you!).
809:
780:
748:
695:
679:
672:
661:
655:
652:
637:
621:
610:
444:Ernest Ansermet
419:Shirley Verrett
403:Catherine Ayres
330:as Judith. The
294:
274:
232:
219:
174:conte populaire
164:to a Hungarian
156:) is a one-act
135:
134:
128:
123:
121:
106:
99:
73:
55:
17:
12:
11:
5:
3796:
3794:
3786:
3785:
3780:
3775:
3770:
3765:
3760:
3755:
3753:One-act operas
3750:
3745:
3740:
3730:
3729:
3725:
3724:
3701:
3700:
3698:
3697:
3687:
3676:
3673:
3672:
3670:
3669:
3662:
3655:
3650:
3645:
3640:
3635:
3630:
3624:
3622:
3618:
3617:
3615:
3614:
3609:
3603:
3601:
3597:
3596:
3594:
3593:
3585:
3583:
3582:Collaborations
3579:
3578:
3576:
3575:
3572:Village Scenes
3568:
3561:
3554:
3547:
3539:
3537:
3533:
3532:
3530:
3529:
3522:
3515:
3508:
3501:
3494:
3489:
3484:
3477:
3470:
3463:
3458:
3453:
3446:
3439:
3432:
3425:
3418:
3411:
3404:
3397:
3390:
3382:
3380:
3376:
3375:
3373:
3372:
3364:
3362:
3358:
3357:
3355:
3354:
3348:
3343:
3338:
3333:
3328:
3319:
3314:
3309:
3302:
3294:
3292:
3288:
3287:
3285:
3284:
3277:
3270:
3263:
3258:
3253:
3247:
3245:
3241:
3240:
3238:
3237:
3235:Rhapsody No. 2
3232:
3230:Rhapsody No. 1
3227:
3222:
3217:
3212:
3207:
3202:
3196:
3194:
3190:
3189:
3187:
3186:
3179:
3171:
3169:
3165:
3164:
3162:
3161:
3153:
3151:
3147:
3146:
3144:
3143:
3137:
3134:
3133:
3128:
3126:
3125:
3118:
3111:
3103:
3094:
3093:
3091:
3090:
3082:
3073:
3071:
3067:
3066:
3064:
3063:
3054:
3052:
3048:
3047:
3045:
3044:
3036:
3028:
3020:
3011:
3009:
3005:
3004:
3002:
3001:
2993:
2985:
2977:
2969:
2961:
2953:
2945:
2936:
2934:
2930:
2929:
2918:
2916:
2915:
2908:
2901:
2893:
2887:
2886:
2856:
2839:
2834:
2823:
2810:
2809:External links
2807:
2806:
2805:
2787:
2776:
2760:
2757:
2756:
2755:
2744:István Kertész
2737:
2710:
2707:
2705:
2704:
2672:
2648:
2616:
2609:
2589:
2582:Recordings of
2574:
2562:Музична скриня
2548:
2539:
2521:
2495:
2469:
2457:
2443:
2425:
2414:
2395:
2376:
2357:
2338:
2320:
2302:
2286:
2279:
2250:
2213:
2193:
2191:, p. 182.
2181:
2154:
2152:
2149:
2146:
2145:
2142:
2136:Susanna Mälkki
2133:
2124:
2120:
2119:
2116:
2110:Edward Gardner
2107:
2098:
2094:
2093:
2090:
2067:
2054:Krisztián Cser
2051:
2047:
2046:
2040:
2037:Palais Garnier
2020:
2010:
2006:
2005:
1996:
1984:Valery Gergiev
1981:
1972:
1968:
1967:
1964:
1955:
1949:John Tomlinson
1945:
1941:
1940:
1934:
1927:Valery Gergiev
1924:
1922:Elena Zhidkova
1913:
1909:
1908:
1902:
1892:
1885:Gustáv Beláček
1882:
1878:
1877:
1874:
1872:Richard Farnes
1865:
1863:John Tomlinson
1855:
1851:
1850:
1839:
1831:
1829:Ildikó Komlósi
1821:
1817:
1816:
1808:
1794:
1784:
1780:
1779:
1776:
1771:
1761:
1757:
1756:
1750:
1739:Pierre Boulez,
1737:
1727:
1723:
1722:
1716:
1706:
1699:John Tomlinson
1696:
1692:
1691:
1686:
1675:
1665:
1661:
1660:
1652:
1642:
1632:
1628:
1627:
1621:
1613:
1603:
1599:
1598:
1592:
1585:
1575:
1571:
1570:
1564:
1554:
1547:
1543:
1542:
1536:
1526:
1519:
1515:
1514:
1509:
1502:
1492:
1488:
1487:
1481:
1471:
1461:
1457:
1456:
1448:
1438:
1436:Nina Poliakova
1428:
1424:
1423:
1417:
1410:István Kertész
1407:
1405:Christa Ludwig
1397:
1393:
1392:
1386:
1376:
1369:Mihály Székely
1366:
1362:
1361:
1353:
1346:Eugene Ormandy
1343:
1341:Rosalind Elias
1333:
1329:
1328:
1320:
1313:Ferenc Fricsay
1310:
1300:
1296:
1295:
1289:
1279:
1278:Klára Palánkay
1274:Mihály Székely
1271:
1267:
1266:
1264:Bartók Records
1260:
1250:
1248:Judith Hellwig
1240:
1236:
1235:
1230:
1222:Ferenc Fricsay
1219:
1217:Birgit Nilsson
1209:
1205:
1204:
1201:CD: Arlecchino
1199:
1189:
1180:Klára Palánkay
1175:Mihály Székely
1172:
1168:
1167:
1164:
1157:
1150:Mihály Székely
1147:
1143:
1142:
1139:
1134:
1127:
1120:
1117:
1113:Michael Powell
1103:
1100:
1080:Scottish Opera
1070:
1067:
988:(4th doubling
903:
900:
891:
890:
887:
884:
881:
878:
875:
872:
863:
860:
822:Christa Ludwig
813:István Kertész
808:
805:
788:
787:
784:
779:
776:
766:
765:
763:
760:
756:
755:
746:Olga Haselbeck
743:
734:
730:
729:
724:
715:
711:
710:
708:
705:
701:
700:
692:
687:
674:
673:
624:
622:
615:
609:
606:
567:Leslie Megahey
507:Désirée Talbot
501:directing the
476:Berthe Monmart
450:as Judith and
411:Sixten Ehrling
336:Ferenc Fricsay
324:Mihály Székely
307:Sergio Failoni
303:Mihály Székely
292:Olga Haselbeck
273:
270:
231:
228:
137:
136:
129:
119:
117:
113:
112:
102:La Barbe bleue
97:
93:
92:
89:
85:
84:
79:
75:
74:
63:
61:
57:
56:
45:
37:
36:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
3795:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3735:
3733:
3723:
3718:
3713:
3709:
3696:
3692:
3688:
3686:
3678:
3677:
3674:
3668:
3667:
3663:
3661:
3660:
3656:
3654:
3651:
3649:
3646:
3644:
3643:Neoclassicism
3641:
3639:
3636:
3634:
3631:
3629:
3626:
3625:
3623:
3619:
3613:
3610:
3608:
3605:
3604:
3602:
3598:
3592:
3591:
3587:
3586:
3584:
3580:
3574:
3573:
3569:
3567:
3566:
3562:
3560:
3559:
3555:
3553:
3552:
3548:
3546:
3545:
3541:
3540:
3538:
3534:
3528:
3527:
3523:
3521:
3520:
3516:
3514:
3513:
3509:
3507:
3506:
3502:
3500:
3499:
3495:
3493:
3492:Suite, Op. 14
3490:
3488:
3485:
3483:
3482:
3478:
3476:
3475:
3471:
3469:
3468:
3464:
3462:
3459:
3457:
3454:
3452:
3451:
3447:
3445:
3444:
3440:
3438:
3437:
3433:
3431:
3430:
3426:
3424:
3423:
3419:
3417:
3416:
3412:
3410:
3409:
3405:
3403:
3402:
3398:
3396:
3395:
3391:
3389:
3388:
3384:
3383:
3381:
3377:
3371:
3370:
3366:
3365:
3363:
3359:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3307:
3303:
3301:
3300:
3296:
3295:
3293:
3289:
3283:
3282:
3278:
3276:
3275:
3271:
3269:
3268:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3248:
3246:
3242:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3216:
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3197:
3195:
3191:
3185:
3184:
3180:
3178:
3177:
3173:
3172:
3170:
3166:
3160:
3159:
3155:
3154:
3152:
3148:
3142:
3139:
3138:
3135:
3131:
3124:
3119:
3117:
3112:
3110:
3105:
3104:
3101:
3088:
3087:
3083:
3080:
3079:
3075:
3074:
3072:
3068:
3061:
3060:
3056:
3055:
3053:
3049:
3042:
3041:
3037:
3034:
3033:
3029:
3027:(Bartók 1911)
3026:
3025:
3021:
3018:
3017:
3013:
3012:
3010:
3006:
2999:
2998:
2994:
2991:
2990:
2986:
2983:
2982:
2978:
2975:
2974:
2970:
2967:
2966:
2962:
2959:
2958:
2954:
2951:
2950:
2946:
2943:
2942:
2938:
2937:
2935:
2931:
2927:
2923:
2922:
2914:
2909:
2907:
2902:
2900:
2895:
2894:
2891:
2884:
2880:
2876:
2871:
2866:
2862:
2861:
2857:
2854:
2850:
2846:
2844:
2840:
2838:
2835:
2833:
2832:
2827:
2824:
2822:
2818:
2817:
2813:
2812:
2808:
2804:
2803:0-19-510999-6
2800:
2796:
2792:
2788:
2785:
2781:
2777:
2775:
2774:0-19-510383-1
2771:
2767:
2763:
2762:
2758:
2751:
2747:
2745:
2738:
2734:
2733:952-10-3331-2
2730:
2726:
2722:
2720:
2715:Honti, Rita.
2713:
2712:
2708:
2701:
2697:
2693:
2689:
2685:
2681:
2676:
2673:
2669:
2665:
2661:
2659:
2652:
2649:
2636:
2632:
2631:
2626:
2620:
2617:
2612:
2610:9783110955965
2606:
2602:
2601:
2593:
2590:
2587:
2585:
2578:
2575:
2563:
2559:
2552:
2549:
2543:
2540:
2537:
2533:
2531:
2525:
2522:
2509:
2505:
2499:
2496:
2483:
2479:
2473:
2470:
2466:
2461:
2458:
2453:
2447:
2444:
2440:
2439:
2434:
2429:
2426:
2423:
2418:
2415:
2411:
2407:
2404:
2399:
2396:
2392:
2388:
2385:
2380:
2377:
2373:
2369:
2366:
2361:
2358:
2354:
2350:
2347:
2342:
2339:
2335:
2334:
2329:
2324:
2321:
2317:
2313:
2312:
2306:
2303:
2299:
2295:
2290:
2287:
2282:
2280:9780199578542
2276:
2272:
2268:
2266:
2260:
2254:
2251:
2238:
2234:
2233:
2228:
2226:
2217:
2214:
2210:
2204:
2202:
2200:
2198:
2194:
2190:
2185:
2182:
2176:
2171:
2167:
2165:
2159:
2156:
2150:
2143:
2141:
2137:
2134:
2132:
2128:
2127:Szilvia Vörös
2125:
2122:
2121:
2117:
2115:
2111:
2108:
2106:
2102:
2099:
2096:
2095:
2091:
2087:
2082:
2076:
2071:
2068:
2064:
2059:
2058:Andrea Meláth
2055:
2052:
2049:
2048:
2044:
2041:
2038:
2034:
2030:
2025:
2021:
2019:
2014:
2011:
2008:
2007:
2004:
2000:
1997:
1994:
1991:(Production:
1989:
1985:
1982:
1980:
1979:Nadja Michael
1976:
1973:
1970:
1969:
1965:
1963:
1959:
1956:
1954:
1950:
1946:
1943:
1942:
1939:
1935:
1933:
1928:
1925:
1923:
1918:
1917:Willard White
1914:
1911:
1910:
1907:
1903:
1901:
1896:
1893:
1891:
1890:Andrea Meláth
1886:
1883:
1880:
1879:
1875:
1873:
1869:
1866:
1864:
1859:
1858:Sally Burgess
1856:
1853:
1852:
1849:
1844:
1840:
1835:
1832:
1830:
1825:
1824:László Polgár
1822:
1819:
1818:
1813:
1809:
1806:
1798:
1795:
1793:
1788:
1785:
1782:
1781:
1777:
1772:
1770:
1769:Katalin Kasza
1765:
1762:
1759:
1758:
1755:
1751:
1748:
1743:
1738:
1736:
1735:Jessye Norman
1731:
1730:László Polgár
1728:
1725:
1724:
1721:
1717:
1715:
1710:
1707:
1705:
1700:
1697:
1694:
1693:
1688:CD: BBC MM114
1687:
1684:
1679:
1676:
1674:
1673:Sally Burgess
1669:
1668:Gwynne Howell
1666:
1663:
1662:
1657:
1653:
1651:
1646:
1643:
1641:
1636:
1633:
1630:
1629:
1626:
1622:
1617:
1614:
1612:
1607:
1604:
1601:
1600:
1597:
1593:
1591:
1586:
1584:
1579:
1576:
1573:
1572:
1569:
1565:
1563:
1558:
1555:
1553:
1548:
1545:
1544:
1541:
1540:Decca Records
1537:
1535:
1530:
1527:
1525:
1521:Kolos Kováts,
1520:
1517:
1516:
1510:
1508:
1503:
1501:
1500:Eszter Kovács
1496:
1493:
1490:
1489:
1486:
1482:
1480:
1475:
1474:Pierre Boulez
1472:
1470:
1465:
1462:
1459:
1458:
1453:
1449:
1447:
1442:
1439:
1437:
1432:
1429:
1426:
1425:
1422:
1421:Decca Records
1418:
1416:
1411:
1408:
1406:
1401:
1398:
1395:
1394:
1391:
1387:
1385:
1380:
1377:
1375:
1370:
1367:
1364:
1363:
1358:
1354:
1352:
1347:
1344:
1342:
1337:
1334:
1331:
1330:
1325:
1321:
1319:
1314:
1311:
1309:
1308:Hertha Töpper
1304:
1301:
1298:
1297:
1294:
1290:
1288:
1283:
1280:
1275:
1272:
1269:
1268:
1265:
1261:
1259:
1254:
1251:
1249:
1244:
1241:
1238:
1237:
1231:
1228:
1223:
1220:
1218:
1213:
1210:
1207:
1206:
1200:
1198:
1193:
1190:
1186:
1181:
1176:
1173:
1170:
1169:
1165:
1163:
1158:
1156:
1151:
1148:
1145:
1144:
1140:
1135:
1128:
1125:
1124:
1118:
1116:
1114:
1110:
1109:
1101:
1099:
1096:
1094:
1091:
1086:
1081:
1077:
1068:
1066:
1064:
1059:
1057:
1053:
1049:
1045:
1041:
1037:
1033:
1029:
1025:
1021:
1017:
1013:
1009:
1005:
995:
991:
990:contrabassoon
987:
983:
982:bass clarinet
967:
963:
959:
955:
951:
946:
943:
939:
913:
909:
901:
899:
895:
888:
885:
882:
879:
876:
873:
870:
869:
868:
861:
859:
857:
853:
848:
846:
842:
841:Nadja Michael
837:
835:
831:
827:
823:
819:
814:
806:
804:
800:
796:
792:
785:
782:
781:
777:
775:
773:
764:
761:
758:
757:
752:
747:
744:
742:
741:mezzo-soprano
738:
735:
732:
731:
728:
727:Oszkár Kálmán
725:
723:
722:bass-baritone
719:
716:
713:
712:
709:
706:
703:
702:
699:
693:
691:
688:
685:
684:
670:
667:
659:
649:
645:
641:
635:
634:
630:
625:This section
623:
619:
614:
613:
607:
605:
603:
602:Sophie Hunter
599:
595:
594:Nadja Michael
591:
587:
583:
578:
576:
572:
569:. It starred
568:
564:
560:
555:
553:
549:
545:
544:Israeli Opera
540:
538:
537:Katalin Kasza
534:
530:
526:
521:
519:
515:
510:
508:
504:
500:
499:Erik Chisholm
496:
491:
489:
485:
481:
480:Xavier Depraz
477:
473:
472:Opéra-Comique
469:
465:
461:
460:Heinz Rehfuss
457:
453:
452:Lucien Lovano
449:
445:
441:
437:
433:
431:
427:
422:
420:
416:
412:
408:
404:
400:
396:
392:
388:
384:
380:
375:
373:
369:
365:
361:
357:
353:
349:
346:. The work's
345:
341:
337:
333:
329:
325:
321:
317:
313:
310:
308:
304:
298:
293:
289:
288:Oszkár Kálmán
285:
281:
280:
271:
269:
265:
262:
257:
254:
249:
248:Zoltán Kodály
241:
236:
229:
227:
223:
218:
213:
209:
206:in Budapest.
205:
201:
197:
193:
179:
176:, as told by
175:
171:
167:
163:
159:
155:
151:
150:
145:
144:
132:
118:
114:
110:
104:
103:
98:
94:
90:
86:
83:
80:
76:
72:
71:
67:
62:
58:
53:
49:
43:
38:
35:
31:
27:
22:
19:
3664:
3657:
3633:Magyar Rádió
3588:
3570:
3563:
3556:
3549:
3542:
3524:
3517:
3510:
3503:
3496:
3479:
3472:
3465:
3456:Piano Sonata
3450:Petite Suite
3448:
3443:Out of Doors
3441:
3434:
3427:
3420:
3413:
3408:For Children
3406:
3399:
3392:
3385:
3367:
3304:
3297:
3279:
3272:
3265:
3181:
3174:
3157:
3156:
3084:
3076:
3057:
3038:
3030:
3023:
3022:
3019:(Dukas 1907)
3014:
2995:
2987:
2980:
2972:
2964:
2956:
2948:
2940:
2919:
2883:Robert Lloyd
2859:
2852:
2842:
2829:
2815:
2790:
2783:
2779:
2765:
2749:
2741:
2724:
2718:
2709:Bibliography
2683:
2679:
2675:
2668:"CID:355813"
2657:
2651:
2639:. Retrieved
2635:the original
2628:
2619:
2599:
2592:
2583:
2577:
2565:. Retrieved
2561:
2551:
2542:
2529:
2524:
2512:. Retrieved
2507:
2498:
2486:. Retrieved
2482:the original
2472:
2460:
2446:
2438:Taipei Times
2436:
2428:
2417:
2398:
2379:
2360:
2341:
2331:
2323:
2315:
2309:
2305:
2297:
2293:
2289:
2270:
2264:
2253:
2241:. Retrieved
2237:the original
2230:
2224:
2216:
2208:
2184:
2170:Péter Bartók
2163:
2158:
2031:; Director:
1834:Iván Fischer
1797:Péter Eötvös
1764:György Melis
1720:EMI Classics
1645:Ádám Fischer
1635:Robert Lloyd
1616:Ádám Fischer
1606:Samuel Ramey
1552:Júlia Várady
1495:Kolos Kováts
1400:Walter Berry
1379:Antal Doráti
1336:Jerome Hines
1203:Cat: ARL109
1155:Ella Némethy
1106:
1105:
1097:
1083:
1072:
1069:Translations
1062:
1060:
1030:, suspended
947:
944:
940:
912:minor second
907:
905:
896:
892:
865:
849:
838:
833:
829:
825:
810:
801:
797:
793:
789:
769:
698:Egisto Tango
662:
653:
638:Please help
626:
598:Teatro Colón
585:
579:
571:Robert Lloyd
565:directed by
562:
557:In 1988 the
556:
552:Dale Chihuly
541:
533:Walter Berry
522:
511:
492:
464:Elsa Cavelti
435:
434:
426:Teatro Colón
423:
413:and singers
397:and singers
387:Antal Doráti
382:
376:
344:Ira Malaniuk
328:Ella Némethy
315:
314:
311:
284:Egisto Tango
277:
275:
266:
260:
258:
253:Ferenc Erkel
245:
217:Péter Bartók
195:
194:
173:
153:
152:, literally
148:
146:(Hungarian:
142:
141:
140:
100:
64:
60:Native title
48:Gustave Doré
18:
3758:1911 operas
3648:Night music
3429:Mikrokosmos
3415:Four Dirges
3256:Dance Suite
3193:Concertante
3130:Béla Bartók
3089:(1979 film)
3032:Barbe-bleue
2997:Kékszakállú
2989:Barbe Bleue
2941:Barbe-bleue
2875:Prix Italia
2873:, the 1989
2488:15 February
2243:11 November
2173: [
2105:John Relyea
2084: [
2073: [
2061: [
2013:John Relyea
1895:Marin Alsop
1815:Cat: 93070
1787:Peter Fried
1529:Georg Solti
1524:Sylvia Sass
1374:Olga Szőnyi
1243:Endre Koréh
1183: [
1131:(Bluebeard,
1088: [
962:cor anglais
749: [
696:Conductor:
577:as Judith.
484:Marcel Lamy
468:Ernest Bour
448:Renée Gilly
399:James Pease
352:Dorothy Dow
340:Mario Petri
295: [
240:Dezső Zádor
220: [
183:Kékszakállú
170:Béla Balázs
162:Béla Bartók
82:Béla Balázs
34:Béla Bartók
3732:Categories
3244:Orchestral
2924:(1697) by
2700:1124087076
2692:B07C57GM9K
2465:Smith 1965
2311:Opera News
2189:Honti 2006
2151:References
2131:Mika Kares
1678:Mark Elder
1611:Éva Marton
1596:Hungaroton
1293:Hungaroton
1136:Conductor,
1119:Recordings
968:in A and B
834:Szeretlek!
714:Bluebeard
690:Voice type
415:David Ward
133:, Budapest
124:1918-05-24
78:Librettist
3778:Bluebeard
3600:Namesakes
3306:Contrasts
3078:Bluebeard
3059:Bluebeard
2981:Bluebeard
2965:Bluebeard
2949:Bluebeard
2921:Bluebeard
1745:(Winner,
1095:, 1992).
1036:xylophone
1020:side drum
1016:bass drum
1004:trombones
966:clarinets
867:follows:
807:Symbolism
656:June 2017
627:does not
478:and bass
430:Karl Böhm
368:La Fenice
158:Symbolist
91:Hungarian
66:Hungarian
3685:Category
3666:Triptych
3487:Sonatina
2877:winning
2694:); DVD (
2406:Archived
2387:Archived
2368:Archived
2349:Archived
1999:HD video
1938:LSO Live
1812:Hänssler
1749:, 1999)
1133:Judith)
1040:triangle
999:♭
986:bassoons
977:♭
971:♭
954:piccolos
935:♯
929:♯
923:♯
917:♯
856:this one
852:"Judith"
818:Everyman
778:Synopsis
374:(1970).
366:(1966),
362:(1962),
358:(1961),
348:La Scala
166:libretto
116:Premiere
96:Based on
88:Language
52:Perrault
3621:Related
3291:Chamber
3274:Kossuth
3168:Ballets
3070:Related
2641:21 July
2514:4 April
2043:Blu-ray
1843:Philips
1056:strings
1048:celesta
1032:cymbals
1028:cymbals
1012:timpani
862:Staging
762:silent
737:soprano
733:Judith
707:spoken
648:removed
633:sources
122: (
54:'s tale
3748:Operas
3708:Portal
3361:Choral
3062:(1896)
3051:Ballet
3000:(2016)
2992:(2009)
2984:(1972)
2976:(1963)
2973:Landru
2968:(1951)
2960:(1948)
2952:(1944)
2944:(1901)
2867:
2801:
2772:
2731:
2698:
2690:
2607:
2567:13 May
2277:
1846:SACD:
1805:Grammy
1654:Film:
1141:Label
1054:, and
1024:tamtam
950:flutes
774:page.
405:. The
3722:Opera
3695:Audio
3536:Songs
3379:Piano
3351:No. 6
3346:No. 5
3341:No. 4
3336:No. 3
3331:No. 2
3326:No. 1
3150:Opera
3008:Opera
2177:]
2123:2021
2097:2019
2088:]
2077:]
2065:]
2050:2018
2009:2015
1971:2015
1944:2014
1906:Naxos
1854:2006
1659:DVD:
1187:]
1126:Year
1092:]
1052:organ
1044:harps
994:horns
992:), 4
984:), 4
958:oboes
956:), 2
753:]
686:Role
608:Roles
299:]
224:]
189:Judit
30:Opera
2933:Film
2865:IMDb
2799:ISBN
2770:ISBN
2729:ISBN
2696:OCLC
2688:ASIN
2643:2019
2605:ISBN
2569:2023
2516:2023
2490:2015
2333:Time
2275:ISBN
2245:2014
1947:Sir
1936:CD:
1915:Sir
1912:2009
1904:CD:
1881:2007
1861:Sir
1841:CD:
1820:2002
1810:CD:
1783:2002
1760:2000
1752:CD:
1726:1999
1718:CD:
1695:1996
1664:1992
1631:1988
1625:Sony
1623:CD:
1602:1987
1594:CD:
1574:1981
1566:CD:
1546:1979
1538:CD:
1518:1979
1491:1976
1485:Sony
1483:CD:
1460:1976
1450:LP:
1427:1973
1419:CD:
1396:1965
1388:LP:
1365:1962
1357:Sony
1355:LP:
1332:1962
1322:CD:
1299:1958
1291:LP:
1270:1956
1262:LP:
1239:1955
1208:1953
1171:1951
1146:1936
1129:Cast
1042:, 2
1008:tuba
1002:, 4
964:, 3
718:bass
631:any
629:cite
535:and
417:and
401:and
342:and
50:for
2879:BBC
2863:at
2847:by
2782:".
1656:BBC
828:),
826:hír
739:or
720:or
642:by
559:BBC
200:Sz.
107:by
32:by
3734::
2851:,
2797:.
2723:.
2702:).
2666:;
2662:,
2627:.
2560:.
2534:,
2506:.
2435:,
2330:,
2300:)"
2269:.
2229:.
2196:^
2175:hu
2168:,
2086:hu
2075:hu
2063:hu
2001::
1986:,
1185:hu
1090:fr
1058:.
1050:,
1046:,
1034:,
1026:,
1022:,
1018:,
1014:,
1010:,
1006:,
960:,
948:4
858:.
751:hu
604:.
554:.
539:.
531:,
490:.
442:.
432:.
421:.
297:hu
286:.
222:hu
198:,
68::
3710::
3353:)
3324:(
3122:e
3115:t
3108:v
2912:e
2905:t
2898:v
2754:.
2752:)
2721:"
2682:/
2656:"
2645:.
2613:.
2571:.
2518:.
2492:.
2467:.
2454:.
2283:.
2267:"
2263:"
2247:.
2227:"
2015:,
1929:,
1919:,
1897:,
1887:,
1836:,
1826:,
1799:,
1789:,
1766:,
1732:,
1711:,
1701:,
1680:,
1670:,
1647:,
1637:,
1618:,
1608:,
1580:,
1559:,
1531:,
1497:,
1476:,
1466:,
1443:,
1433:,
1412:,
1402:,
1381:,
1371:,
1348:,
1338:,
1315:,
1305:,
1284:,
1276:,
1255:,
1245:,
1224:,
1214:,
1194:,
1177:,
1152:,
669:)
663:(
658:)
654:(
650:.
636:.
126:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
