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Saturday blues program "Something Inside Me." He introduced Tom—and New York radio listeners—to his friend
Charles Walker, and they played a spontaneous acoustic duet. Pomposello sensed a window on a rare breed and immediately made plans to produce an entire album showcasing the New York blues
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was released in late 1974. It was the least successful album in
Oblivion's short history. Even blues speciality publications ignored the record, in part, speculated the label's owners, because of the incongruous mix of New York City and blues. The album went
223:
The final edited 2-track tapes were sequenced by
Pomposello and Seibert, then re-recorded with slight equalization and echo added by Kevin Behrman at Echo Sound Studio, a now defunct recording studio in
304:
On the 1st (and only) pressing of 1000 copies the cover sleeve consisted of very thick cardboard outer sleeve and the 12" vinyl record was protected with a white paper album liner printed with lyrics.
311:
standing on an eaten apple core) and design was by Frank
Olinsky, soon to be one of the designers of the MTV logo, and a major label album designer for bands that included
335:
The liner notes were credited to
Oblivion partner Dick Pennington, though the Oblivion blog attributes most of the actual research and writing to producer Pomposello.
114:, is the only album under the leadership of guitarist and vocalist Charles Walker. Featured players include New York City based musicians Lee Roy Little (
540:: piano and vocals played regularly with Charles Walker starting in 1959. Known as "Bluebird" (based on his song of the same name) Little was born in
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Bluebird's Blues (Medley) a. Bluebird b. Don't You Ever Get Tired of
Hurting Poor Me c. Your Evil Thoughts d. Hurry Baby, Please Come Home - 7:23
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327:, graphics to "The Oblivionettes" (Seibert) Both sides of the LP labels were printed in the same brown and blue picked up from the album cover.
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and former radio DJ, who has also written advertising and a number of articles on blues and rock for various music publications.
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504:(born: 1938) who introduced Oblivion to Charles Walker. Primarily known for his acoustic guitar playing and singing on
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586:: guitar gigged with many local New York bluesmen over the years. She co-authored one of the album's instrumentals,
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216:, through a custom designed radio recording board. Editing was done manually in Pomposello's living room on a
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480:: drums ran a record store in the Bronx at the time of these recordings, and played drums on the side.
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486:: bass guitar was a friend of Charles', primarily involved in the management of his son's soul group.
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in 1955, moving to New York the next year to record a single for Danny
Robinson's Holiday label.
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451:: guitar and vocals was born in 1922, 51 years old at the time of this release. Raised in
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467:: harmonica met Charles Walker in 1950, playing with him on and off in between gigs with
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The recording of this album began in March 1973 when contemporary country blues musician
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mastering and pressing were done at
Wakefield Pressing, Phoenix, Arizona.
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16:
1974 live album by
Charles Walker and the New York City Blues Band
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in 1926. He recorded for the Cee Jay label, and co-arranged much of
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Recording was done live to stereo two track Scully recorders, using
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held over one dozen sessions between April 1973 and May 1974 at
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832:"Blues from the Big Apple" Living Blues Magazine, Autumn 1974
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archive blog, and downloads and streaming are available at
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Currently, there are free MP3s of the LP at the official
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The cover illustration (of an electric guitar playing
146:), Bobby King (rigged snare drum), and Ola Mae Dixon (
319:. Photographs are credited to Christine Pomposello,
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560:and played bass guitar on the final recording of
414:Fast, Fast, Women and A Slow Race Horse - 3:43
41:Charles Walker and the New York City Blues Band
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500:: harmonica is a country blues musician from
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439:All personnel information taken from the
248:after its first pressing of 1000 copies.
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220:"prosumer" stereo machine, and at WKCR.
824:Complete liner notes and free MP3s for
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381:I'm A Good Man But A Poor Man - 2:18
7:
443:liner notes unless otherwise noted.
300:Packaging, album cover, and labelss
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265:Rhapsody (online music service)
323:, Roy Langbord, John Dunn and
1:
711:Frank Olinsky & The Blues
455:he began his music career in
819:on the Oblivion Records Blog
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713:, Oblivionrecords.tumblr.com
701:, Oblivionrecords.tumblr.com
681:, Oblivionrecords.tumblr.com
661:, Oblivionrecords.tumblr.com
526:: rigged snare drum is from
416:(Charles Walker/Sonny Moore)
873:
857:Albums recorded at WKCR-FM
784:Blues from the Big Apple.
420:It's Changin' Time - 4:32
786:Living Blues Magazine #18
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623:
618:
562:Mississippi Fred McDowell
512:, here he plays acoustic
174:Producers Pomposello and
26:
391:Juice Head Woman - 4:09
852:Oblivion Records albums
556:: bass guitar produced
422:(Ann Yancey/Bill Dicey)
349:Scratch My Back - 3:23
659:"Scams and Flim Flams"
359:Black Cat Bone - 2:36
285:(12") record (stereo)
190:neighborhood of upper
126:), 'Foxy' Ann Yancey (
110:, released in 1974 by
313:The Smashing Pumpkins
58:April 1973 – May 1974
826:Blues from the Apple
817:Blues from the Apple
698:Blues from the Apple
678:Blues from the Apple
558:Blues from the Apple
546:Blues from the Apple
441:Blues from the Apple
375:Sonny Boy Williamson
241:Blues from the Apple
107:Blues from the Apple
22:Blues from the Apple
576:: bass guitar is a
426:Meeting You - 5:40
226:Levittown, New York
188:Morningside Heights
180:Columbia University
157:was interviewed on
760:Design in Oblivion
725:, Frankolinsky.com
588:It’s Changin’ Time
510:Blue Goose Records
457:Newark, New Jersey
371:Decoration - 3:10
261:MOG (online music)
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574:David Lee Reitman
473:John Hammond, Jr.
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309:Statue of Liberty
278:Release formats:
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567:Live in New York
530:and played with
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502:Atlanta, Georgia
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428:(Charles Walker)
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410:(Lee Roy Little)
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387:/Lee Roy Little)
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367:(Charles Walker)
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361:(Lee Roy Little)
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218:Teac Corporation
112:Oblivion Records
81:Oblivion Records
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128:electric guitar
118:& vocals),
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723:MTV Logo Story
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538:Lee Roy Little
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518:Decoration Day
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453:Macon, Georgia
449:Charles Walker
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365:Gladly - 2:40
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620:United States
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532:Larry Johnson
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497:Larry Johnson
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478:Ola Mae Dixon
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469:Louisiana Red
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351:(J.Moore aka
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339:Track listing
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211:Georg Neumann
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186:radio in the
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155:Larry Johnson
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132:Larry Johnson
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790:, Scribd.com
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743:. Retrieved
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624:Summer 1974
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548:with Walker.
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484:Sonny Harden
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395:Eddie Vinson
334:
331:Sleeve notes
325:Fred Seibert
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277:
250:
246:out of print
240:
239:
222:
200:
176:Fred Seibert
173:
152:
106:
105:
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98:Fred Seibert
788:Autumn 1974
528:New Orleans
492:: harmonica
403:LP Side two
344:LP Side one
317:Sonic Youth
214:microphones
166:community.
144:bass guitar
69:Urban blues
841:Categories
696:Recording
646:References
614:Catalogue
578:songwriter
524:Bobby King
490:Goody Hunt
464:Bill Dicey
385:Cecil Gant
353:Slim Harpo
273:Amazon.com
120:Bill Dicey
37:Live album
745:25 August
514:harmonica
434:Personnel
397:/L. Zito)
283:LP record
192:Manhattan
170:Recording
136:harmonica
124:harmonica
542:Virginia
295:(stereo)
196:New York
88:Producer
55:Recorded
47:Released
39: by
798:Sources
611:Format
602:Region
269:Spotify
236:Release
184:WKCR-FM
163:WKCR-FM
92:Honest
633:Stereo
608:Label
291:&
271:, and
257:iTunes
209:, and
96:&
605:Date
203:Shure
148:drums
116:piano
76:Label
64:Genre
747:2022
508:and
471:and
315:and
50:1974
516:on
289:MP3
182:'s
161:'s
138:),
130:),
843::
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686:^
666:^
636:LP
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259:,
230:LP
228:.
205:,
198:.
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749:.
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520:.
393:(
383:(
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142:(
134:(
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