404:. It had a capacity audience of 18,500. The first song performed was a reworking of "Hero Blues", a previously unreleased song that Dylan had recorded back in the early 1960s. Over the course of two hours, Dylan and the Band performed alternating sets broken down into three categories: Dylan performing his own songs backed by the Band, Dylan's solo acoustic set, and the Band's performances of their own songs. Although Dylan played harmonica during a rendition of
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587:' in 1955, it was sensitivity and power. In 1969, it was just full-out power. There was nothing other than just force behind that. I've fallen into that trap, too. Take the 1974 tour. It's a very fine line you have to walk to stay in touch with something once you've created it ... Either it holds up for you or it doesn't."
520:" would remain. Songs like "Hero Blues" and "Nobody 'Cept You" were also performed at some of the earlier shows, but such idiosyncratic choices would eventually disappear as well. Dylan's older, celebrated compositions were already heavily favored, but as the tour wore on, they would completely dominate the shows.
505:, was a showpiece number for the new arrangements and was highlighted as show opener or closer (as well as being the single released from the subsequent live album). Even though the set list was mostly static, the Band kept their interest going by making changes to how they played each song as they went along.
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Promotional activities in each city were greatly restricted, with no television cameras allowed in the hall, no backstage passes for press or celebrities, and no local radio station appearances. Audience age range for the shows ranged from teenagers to the grey-haired, but most were in their twenties
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While the shows were received with great enthusiasm on the part of the audiences, Dylan himself later disparaged the tour, feeling that it was overblown. "I think I was just playing a role on that tour, I was playing Bob Dylan and the Band were playing the Band. It was all sort of mindless. The only
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referred to the tour arrangements as both crazy and strong and wrote that "But while the Band sounds undisciplined, threatening to destroy their headlong momentum by throwing out one foot or elbow too many, they never abandon their enormous technical ability. ... voice settles in at a rich bellow,
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The Band's playing was more aggressive than it had been when they had recorded with Dylan and more akin to that of their famed 1966 live shows with Dylan, something that
Robertson would later acknowledge was a tendency of theirs. Helm later noted that this was the very thing they had been booed for
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estimated that some $ 92 million worth of ticket orders had been placed ($ 556 million in 2022). Graham said of the ticket sales process, "It was, uh, rather monumental." Although some hyperbole was involved in some of Geffen's and Graham's statements, there was in fact an intense level of fan and
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As Geffen said on the eve of the tour's first show, "We're trying to make this whole thing as uncrazy as possible. But the most significant thing of all about this tour has been the overwhelming response to it." Geffen claimed that up to twenty tickets could have been sold for each available seat.
333:
As Dylan's first full-fledged tour since 1966, the announcement received an enormous amount of coverage from the music and general press. The average ticket price was $ 8 ($ 48 adjusted for inflation). Top-dollar tickets were $ 9.50 (roughly $ 58 in 2022), considered quite a lot for a rock concert
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in early
November 1973 based on a conversation a reporter Tom Zito had with Robertson; it was big news because, as he wrote for the paper, "Bob Dylan, the reclusive songwriter who sparked a generation in the early 1960s ... and, by 1965, had become the single most generative force in rock music, is
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Tour ticket sales proved to Dylan that his commercial prospects were still strong on the road. Furthermore, his critical status beginning to grow again after years of minimal activity interspersed with indifferent releases; it would bound far higher with the following year's release of one of his
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In terms of box office performance, by one estimate, more than seven percent of the U.S. population had submitted orders for tickets (over 20 million tickets application), and while some shows faster than others, eventually all were sold out with a total of 658,000 tickets being mailed. The total
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subsequently wrote that in the shows of Tour '74, "Dylan reinterprets all of his old material drastically, singing the lyrics as though they mean nothing at all or something very different from what we've always understood them to signify." The guide said that this change was "discomforting" but
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Dylan and the Band were very aware of the nostalgic atmosphere surrounding the tour, even as they recast Dylan's back catalog in dramatic, new arrangements. Helm later recalled, "I sometimes had a funny sensation: that we were acting out the roles of Bob Dylan and the Band, and the audience was
184:, were in great demand. Shows on the concert featured segments with Dylan and the Band together, the Band by themselves, and Dylan by himself. Accounts of the shows emphasized the sometimes drastic rearrangements that Dylan's well-known songs were presented with. A live double album,
543:"; performed during Dylan's solo acoustic sets, it never failed to elicit cheers when Dylan got to the words, "Even the President of the United States sometimes must have to stand naked." (This reaction can be heard very explicitly on the recording of the song that appears on
579:. Dylan would write in his tour diary that, though he felt the Oakland shows went fairly well, he had done them on little sleep. Meanwhile, Dylan's performances became less and less restrained, and Dylan would later acknowledge this in an interview taken in 1980: "When
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album chart. Nevertheless, Dylan thought the record should have sold even more given the amount of publicity the tour received, and the experience overall with Geffen was not to Dylan's liking. Thus Dylan soon re-signed with
Columbia Records on more favorable terms.
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There was, in the words of one Dylan biographer, "an extravagant level of hype for this tour", with for instance Geffen claiming that it was "the biggest thing of its kind in the history of show business". As part of the attention, Dylan appeared on the cover of
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in San
Francisco stretched for five blocks when midnight struck. By three days later, there were so many mail requests for shows in New York, Philadelphia, Chicago and Los Angeles that Graham requested the postal service return them to the senders forthwith.
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Beginning with the next concert, the tour took on a standard formula: an opening six-song Dylan/Band set, a five-song Band set, three more Dylan/Band performances, a five-song Dylan acoustic set, a three- to four-song Band set, and a joint finale.
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Both Dylan and the Band made a lot of money from the tour, although some of it was spent on a luxurious traveling life. And some of Dylan and the Band's tour revenue was lost when the artists β against the advice of Levon Helm β invested it in
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planning to go on the road for the first time in eight years. Dylan will be accompanied in concert by the Band, the
American quintet widely regarded as one of the most important and innovative performing rock ensembles." Or as
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thing people talked about was energy this, energy that. The highest compliments were things like, 'Wow, lotta energy, man.' It had become absurd." By one account, Dylan liked the money but not the experience.
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There were a problems in a few cities with tickets being held back by local promoters and then sold for much higher prices. There were also reports of counterfeit tickets in circulation as well. In some cases
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227:, and Geffen during the summer of 1973. The intent was that Dylan would receive the bulk of the profits from the tour. Graham then booked a series of dates without telling the venues who the artist would be.
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The tour represented the beginning of Dylan's effort to come to terms with the material that had made him famous by heavily rearranging that material, a project that would continue with the 1975β76
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The 40-concert, 30-date, 21-city tour began on
January 3, 1974, and ended on February 14, 1974. The tour was one of the largest such undertakings of its era, and took place entirely in indoor
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325:. Long limousines and large hotel suites were also features of the tour. The traveling road crew for the tour numbered around fifteen people, with local labor augmenting them in each venue.
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547:.) In some cases fans held lighters aloft during the concert, an early instance of this practice among rock audiences, and a photograph of one of these instances became the cover for the
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running over more than one of his old songs like a truck. Such a sacrilege. Uncle Bob purveying to the sports arena masses. We may never even be sure that this is a masterpiece."
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This was a high-profile comeback for both acts; in addition to Dylan's hiatus, the Band had only recently emerged from an eighteen-month interregnum itself, rooted in
Robertson's
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wrote, "Mr. Dylan is widely regarded as the most influential and significant star in the last 10 years of
American popular music, and this is his first tour in eight years."
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or thirties. Dylan's stage patter during the shows was generally minimal, sticking to brief mentions of the city they were playing in or other mentions of the intermission.
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Helm echoed those sentiments, writing in his autobiography: "The tour was damn good for our pocketbooks, but it just wasn't a very passionate trip for any of us."
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There was considerable confusion in some post offices and banks as fans unsure of the process tried to figure it out. The line outside the post office facility
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during those shows back then. In any case, the Band had a reputation for being at its best in concert, and received plaudits for their playing on these shows.
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1306:
How Much Is That in Real Money? A Historical Price Index for Use as a
Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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641:. By then, Danko, Manuel, and Helm were all having problems with their singing voices. The final song played on the tour was an added-to-the-setlist "
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for up to four tickets per request. The tickets went "on sale" on
December 2, 1973, meaning that was the first day that requests could be postmarked.
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label. Dylan, who by this point in his career had developed a strong interest in his financial position, had been dissatisfied with the terms of his
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January 23, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there was no 1/23/74 2nd show.
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January 17, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there was no 1/17/74 2nd show.
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January 12, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there was no 1/12/74 2nd show.
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January 19, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there were two 1/19/74 shows.
602:". Accompanied by Garth Hudson on accordion, it was only the song's second appearance on the entire tour, and would not be included on
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February 9, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there were two 2/9/74 shows.
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January 4, 1974 - The September 2024 box Bob Dylan & The Band "1974 Live Recordings" indicates that there was no 1/4/74 2nd show.
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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
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was released in June 1974, and contained a representative sample of the tour, drawn from shows in New York City and Los Angeles.
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412:" sung by Manuel, the Band elected not to include Dylan in their subsequent group performances in a meeting after the show.
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However, there were moments where contemporary events did connect with the proceedings: when the tour was going on, the
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As the Hawks, the little-known group had backed Dylan on his last prior full-scale tour, the exhaustive
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180:. The tour generated intense fan and media interest and tickets for the shows, available only through
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686:" from the tour in his "Treasure Island" list of essential recordings in the history of rock music.
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were performed in concert; however, as the tour wore on, these songs gradually disappeared from the
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Bob Dylan (center right) with the Band (Danko, Robertson, Helm) at one of the opening Chicago shows
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deal. Discussions about a tour took place among Dylan, the Band's guitarist and chief songwriter
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665:, who would write, "Dylan's sound and beat are of the past... the gestalt is anachronistic."
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594:, was present at those final shows. During the final show of the tour, which took place on
341:, as announced in newspaper advertisements in the various cities, with payment required by
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The show reunited Dylan with the Band on stage after the recording of Dylan's Band-backed
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2021:(Revised and updated ed.). New York: Random House/Rolling Stone Press. pp.
2015:
1989:
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While virtually all the songs in the shows were familiar and many were familiar from
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The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963β1965
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2010:
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was dominating the headlines. One of the most popular songs during the shows was "
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ran classified listings of people offering sexual favors in exchange for tickets.
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Bob Dylan, center, with the Band (Garth Hudson not visible) at the Ann Arbor show
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439:") were re-arranged and sung with a ferocity not found on the originals, while
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In Atlanta, Dylan and the Band visited notable fan and governor of the state
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preparing breakfast for them. The visit was reported on February 28, 1974's
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airplay, few of them sounded similar to their original versions. Driven by
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The Night They Drove Old Dixie Down: The Best of the Band Live in Concert
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598:, Dylan broke from the standard setlist to play Sara's favorite song, "
513:
2115:β News clippings, ads, and posters concerning The Band touring in 1974
431:'s syncopated, contrapuntal drumming, Dylan's songs (exemplified by a
1932:. 1985, Columbia Records C5X 38830 vinyl edition, liner notes, p. 22.
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959:
176:, in his first tour in eight years, performing with his old partners
674:"interesting" and sometimes even "fascinating". In his 1979 volume
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wrote at the time, Dylan was "putting new italics into old songs β
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705:, which became the first Dylan album to reach number one on the
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The tour generally got a positive reception from music critics.
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2601:
Bob Dylan β The Rolling Thunder Revue: The 1975 Live Recordings
2566:
Live 1961β2000: Thirty-Nine Years of Great Concert Performances
2122:
190:, was recorded during the tour and released later in the year.
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Toward the end of the tour, Dylan and the Band made a stop at
613:
drew a number of fellow musicians and celebrities, including
447:
embedded in the Lowery H25-3 organ that was adapted from the
2118:
1995:(1st ed.). New York: Random House/Rolling Stone Press.
1906:
1904:
443:'s experiments with the Lowery String Symphonizer (an early
254:. During this time there had been built up around Dylan, as
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1706:
1704:
1702:
1700:
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633:. Others who tried to attend but could not get in included
4428:
This Wheel's on Fire: Levon Helm and the Story of the Band
2914:
Vol. 17: Fragments β Time Out of Mind Sessions (1996β1997)
2081:
This Wheel's on Fire: Levon Helm and the Story of the Band
1604:
1602:
1600:
2837:
Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
2017:
The Rolling Stone Illustrated History of Rock & Roll
1879:
1877:
1875:
1873:
1871:
1685:
1683:
1681:
1679:
1677:
1675:
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3956:
The Bootleg Series Vol. 11: The Basement Tapes Complete
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1446:
1444:
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1362:
1360:
1358:
296:
in Los Angeles, with final soundchecks taking place at
2851:
Vol. 8: Tell Tale Signs: Rare and Unreleased 1989β2006
2830:
Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
690:
gross receipts for the tour were around $ 5 million.
532:
paying to see what they'd missed many years before."
4403:(1995, Bell, Ciarlante, Danko, Helm, Hudson, Weider)
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Gotta Serve Somebody: The Gospel Songs of Bob Dylan
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2085:(Updated ed.). Chicago: Chicago Review Press.
109:
101:
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82:
74:
66:
303:Throughout the tour, Dylan and the Band chartered
3988:Once Were Brothers: Robbie Robertson and the Band
2773:Bob Dylan: The Complete Album Collection Vol. One
2934:From Newport to the Ancient Empty Street in L.A.
508:At the beginning of the tour, a few songs from
451:) further enriched the Band's timbral palette.
278:News of a tour first came out with a report in
4395:(1976, Danko, Helm, Hudson, Manuel, Robertson)
3874:The Bootleg Series Vol. 4: Bob Dylan Live 1966
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1621:
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1617:
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1471:
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260:stated, "the legend of a mysterious recluse".
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2816:Volumes 1β3 (Rare & Unreleased) 1961β1991
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4089:Most Likely You Go Your Way and I'll Go Mine
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684:Most Likely You Go Your Way and I'll Go Mine
499:Most Likely You Go Your Way and I'll Go Mine
32:
2013:(1980). "Bob Dylan". In Miller, Jim (ed.).
1965:Stranded: Rock and Roll for a Desert Island
1639:"Bob Dylan Bids a Restful Farewell to Tour"
676:Stranded: Rock and Roll for a Desert Island
3719:
3647:
3633:
3625:
2865:Vol. 10: Another Self Portrait (1969β1971)
2625:
2494:
2141:
2127:
2119:
292:Rehearsals for the tour took place at the
55:
31:
3590:Lost on the River: The New Basement Tapes
2907:Vol. 16: Springtime in New York 1980β1985
2844:Vol. 7: No Direction Home: The Soundtrack
1895:
1710:
1608:
1568:. p. 12A – via Newspapers.com.
698:schemes that went bad a few years later.
3254:The 30th Anniversary Concert Celebration
2541:The 30th Anniversary Concert Celebration
837:
267:and keyboardist/second drummer/vocalist
3413:Down the Highway: The Life of Bob Dylan
2051:Down the Highway: The Life of Bob Dylan
1556:"Bob Dylan readies 1st tour in 8 years"
1524:"Dylan: The Times Are AβChangin' Again"
1342:"Consumer Price Index (estimate) 1800β"
1291:
120:
4416:Endless Highway: The Music of the Band
2181:Bob Dylan songs based on earlier tunes
1941:
1910:
1883:
1862:
1838:"Dylan's tour causes a big stir in US"
1824:
1751:
1722:
1689:
1664:
1454:
1368:
458:and the 1978 shows that went into his
2823:Vol. 4: The Royal Albert Hall Concert
2587:In Concert β Brandeis University 1963
1340:Federal Reserve Bank of Minneapolis.
1248:OaklandβAlameda County Coliseum Arena
7:
3499:Artists who have covered Dylan songs
3420:The Cambridge Companion to Bob Dylan
3208:Rough and Rowdy Ways World Wide Tour
2872:Vol. 11: The Basement Tapes Complete
2858:Vol. 9: The Witmark Demos: 1962β1964
2787:The 50th Anniversary Collection 1964
2780:The 50th Anniversary Collection 1963
541:It's Alright, Ma (I'm Only Bleeding)
105:$ 5 million ($ 30.9 in 2023 dollars)
4053:The Night They Drove Old Dixie Down
3583:The Lost Notebooks of Hank Williams
2879:Vol. 12: The Cutting Edge 1965β1966
1421:"40 Arenas Sold Out for Dylan Tour"
562:, with an enjoyable stay capped by
2900:Vol. 15: Travelin' Thru, 1967β1969
2886:Vol. 13: Trouble No More 1979β1981
2658:Bob Dylan's Greatest Hits Volume 3
25:
3889:Live at the Academy of Music 1971
3427:Bob Dylan: Mixing Up the Medicine
2644:Bob Dylan's Greatest Hits Vol. II
1922:Dylan, Bob, in conversation with
1480:Felton, David (January 3, 1974).
649:Critical and commercial reception
211:album, and was the brainchild of
4384:The Muddy Waters Woodstock Album
4327:Bob Dylan and the Band 1974 Tour
3763:Northern Lights β Southern Cross
3609:
3608:
3310:Trouble No More β A Musical Film
2893:Vol. 14: More Blood, More Tracks
1814:– via robertchristgau.com.
1083:Tarrant County Convention Center
172:during early 1974 that featured
158:Bob Dylan and the Band 1974 Tour
136:Bob Dylan and the Band 1974 Tour
33:Bob Dylan and the Band 1974 Tour
18:Bob Dylan and The Band 1974 Tour
4379:(1965, Helm, Hudson, Robertson)
2766:The 50th Anniversary Collection
2285:Pat Garrett & Billy the Kid
400:The opening show took place at
61:Promotional poster for the tour
4211:The W.S. Walcott Medicine Show
4197:King Harvest (Has Surely Come)
2191:2016 Nobel Prize in Literature
1991:The Rolling Stone Record Guide
1987:; Swenson, John, eds. (1979).
1799:"The Christgau Consumer Guide"
1770:Studio A: The Bob Dylan Reader
1554:Zito, Tom (November 4, 1973).
670:The Rolling Stone Record Guide
91:
27:1974 concert tour by Bob Dylan
1:
3935:The Best of the Band, Vol. II
3540:Pat Garrett and Billy the Kid
3372:The Philosophy of Modern Song
2946:List of Basement Tapes songs
2673:The Best of Bob Dylan, Vol. 2
2222:The Times They Are a-Changin'
1969:. New York: Alfred A. Knopf.
1773:. W. W. Norton. p. 150.
661:A minority voice was that of
501:", a lesser-known track from
215:, who had lured Dylan to his
3399:Bob Dylan, Performing Artist
2759:The Original Mono Recordings
1844:. January 9, 1974. p. 8
1334:American Antiquarian Society
1314:American Antiquarian Society
717:Live recording and aftermath
376:media interest in the tour.
4460:Co-headlining concert tours
4232:When I Paint My Masterpiece
3029:Tour with the Grateful Dead
2107:Bjorner's Still on the Road
701:The tour helped to promote
160:β sometimes referred to as
148:(Dylan and others, 1975β76)
4481:
4218:Daniel and the Sacred Harp
3534:The Concert for Bangladesh
3494:Electric Dylan controversy
3392:The Bob Dylan Encyclopedia
2580:Live at Carnegie Hall 1963
2215:The Freewheelin' Bob Dylan
2109:β Tour dates and set lists
963:
560:Georgia Governor's Mansion
449:Freeman string symphonizer
252:The Concert for Bangladesh
234:, between the releases of
194:Announcement and itinerary
4322:Bob Dylan World Tour 1966
3722:
3662:
3604:
2752:Bob Dylan: The Collection
2637:Bob Dylan's Greatest Hits
2608:The Complete Budokan 1978
2573:Live at The Gaslight 1962
2236:Bringing It All Back Home
2229:Another Side of Bob Dylan
2156:
1266:
1261:
1246:
1241:
1211:
1206:
1191:
1186:
1136:
1131:
1116:
1111:
1096:
1091:
1061:
1056:
1041:
1036:
1006:
1001:
986:
981:
966:
958:
938:
933:
918:
915:
910:
890:
885:
865:
862:
857:
849:
846:
843:
840:
682:included a rendition of "
232:Bob Dylan World Tour 1966
121:
54:
37:
2594:The 1966 Live Recordings
2113:The Band in Concert 1974
1740:Marsh & Swenson 1979
475:say yer lookin' for some
437:All Along the Watchtower
4455:Bob Dylan concert tours
4422:The Complete Last Waltz
4162:Across the Great Divide
3928:Across the Great Divide
3854:(1978 soundtrack album)
2680:The Essential Bob Dylan
1561:The Des Moines Register
1233:Seattle Center Coliseum
736:most acclaimed albums,
609:The final shows at the
410:Share Your Love with Me
4274:It Makes No Difference
4042:The Unfaithful Servant
3554:Highway 61 Interactive
3365:Chronicles: Volume One
3035:Temples in Flames Tour
2987:Isle of Wight Festival
2439:Christmas in the Heart
2176:Songs written by Dylan
2055:. London: Black Swan.
1584:Morrison Hotel Gallery
1028:Hollywood Sportatorium
820:, organ, drums, vocals
585:That's All Right, Mama
528:
425:progressive rock radio
397:
382:alternative newspapers
3561:Theme Time Radio Hour
3358:Writings and Drawings
3317:Rolling Thunder Revue
3023:True Confessions Tour
2999:Rolling Thunder Revue
2687:The Best of Bob Dylan
2665:The Best of Bob Dylan
2432:Together Through Life
2397:Good as I Been to You
2186:Bob Dylan cover songs
1896:Helm & Davis 2013
1711:Helm & Davis 2013
1609:Helm & Davis 2013
1522:(February 10, 1974).
1482:"Bob Dylan Sells Out"
1138:Madison Square Garden
526:
456:Rolling Thunder Revue
435:-influenced take on "
395:
337:Tickets were sold by
145:Rolling Thunder Revue
4411:(2022, Helm, Weider)
4387:(1975, Helm, Hudson)
4295:What Am I Living For
4155:This Wheel's on Fire
4078:On a Night Like This
3907:The Best of the Band
3867:Live at Watkins Glen
3268:Masked and Anonymous
2534:Dylan & the Dead
2520:Bob Dylan at Budokan
2474:Rough and Rowdy Ways
2453:Shadows in the Night
2243:Highway 61 Revisited
1526:. Arts and Leisure.
678:, famed rock critic
516:. By the end, only "
461:Bob Dylan at Budokan
237:Highway 61 Revisited
4288:Blind Willie McTell
4049:Up on Cripple Creek
4031:I Shall Be Released
3728:Music from Big Pink
2306:Blood on the Tracks
2257:John Wesley Harding
1944:, pp. 267β268.
1913:, pp. 324β325.
1898:, pp. 246β247.
1865:, pp. 322β323.
1754:, pp. 323β324.
1725:, pp. 226β227.
1566:The Washington Post
1419:(January 2, 1974).
739:Blood on the Tracks
643:Blowin' in the Wind
281:The Washington Post
34:
4450:1974 concert tours
4281:Georgia on My Mind
4190:Look Out Cleveland
4091:" (with Bob Dylan)
4071:Life Is a Carnival
4013:The Stones I Throw
3816:The Basement Tapes
3489:Traveling Wilburys
3479:Recording Sessions
3406:Invisible Republic
3331:A Complete Unknown
2993:Tour with the Band
2941:Great White Wonder
2808:The Bootleg Series
2720:The Basement Tapes
2376:Down in the Groove
2369:Knocked Out Loaded
2313:The Basement Tapes
1637:(March 28, 1974).
1529:The New York Times
1426:The New York Times
1279:February 14, 1974
1274:February 14, 1974
1259:February 13, 1974
1254:February 11, 1974
1239:February 11, 1974
1063:Mid-South Coliseum
1008:Charlotte Coliseum
920:Maple Leaf Gardens
803:, acoustic piano,
600:Mr. Tambourine Man
529:
398:
323:the Rolling Stones
287:The New York Times
273:alcohol dependence
257:The New York Times
164:β was a two-month
117:concert chronology
4437:
4436:
4267:Acadian Driftwood
3949:A Musical History
3825:
3824:
3622:
3621:
3575:Chimes of Freedom
3383:Books about Dylan
3275:No Direction Home
3240:Renaldo and Clara
3041:Never Ending Tour
2803:
2802:
2617:
2616:
2390:Under the Red Sky
2334:Slow Train Coming
2264:Nashville Skyline
2092:978-1-55652-405-9
1795:Christgau, Robert
1780:978-0-393-05844-4
1580:"Bob Dylan, 1974"
1283:
1282:
1219:February 6, 1974
1204:February 6, 1974
1199:February 4, 1974
1184:February 4, 1974
1169:February 3, 1974
1154:February 2, 1974
1149:January 31, 1974
1144:January 31, 1974
1129:January 30, 1974
1124:January 29, 1974
1109:January 28, 1974
1104:January 26, 1974
1098:Hofheinz Pavilion
1089:January 26, 1974
1074:January 25, 1974
1054:January 23, 1974
1049:January 22, 1974
1034:January 21, 1974
999:January 17, 1974
994:January 16, 1974
979:January 15, 1974
974:January 14, 1974
956:January 14, 1974
946:January 12, 1974
931:January 11, 1974
926:January 10, 1974
611:Los Angeles Forum
537:Watergate scandal
313:famously used by
154:
153:
78:February 14, 1974
16:(Redirected from
4472:
4392:No Reason to Cry
4183:Jemima Surrender
4176:Whispering Pines
4064:The Shape I'm In
3981:Festival Express
3845:Before the Flood
3720:
3687:Robbie Robertson
3649:
3642:
3635:
3626:
3612:
3611:
3596:Bob Dylan Center
3233:Eat the Document
2626:
2506:Before the Flood
2495:
2418:"Love and Theft"
2411:Time Out of Mind
2404:World Gone Wrong
2362:Empire Burlesque
2250:Blonde on Blonde
2143:
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1797:(October 1974).
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908:January 9, 1974
903:January 7, 1974
898:January 6, 1974
883:January 6, 1974
873:January 4, 1974
855:January 3, 1974
838:
824:Robbie Robertson
730:Before the Flood
655:Robert Christgau
604:Before the Flood
549:Before the Flood
545:Before the Flood
503:Blonde on Blonde
489:
481:
471:
294:Village Recorder
271:'s longstanding
243:Blonde on Blonde
225:Robbie Robertson
221:Columbia Records
187:Before the Flood
93:
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50:
40:
35:
21:
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4342:The Weight Band
4300:
4135:Long Black Veil
4108:
4020:Go Go Liza Jane
3993:
3961:
3921:To Kingdom Come
3894:
3821:
3796:
3784:High on the Hog
3756:Moondog Matinee
3711:
3697:Randy Ciarlante
3658:
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1321:McCusker, J. J.
1319:
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1301:McCusker, J. J.
1299:
1297:
1293:
1288:
1213:Denver Coliseum
1193:St. Louis Arena
1118:Nassau Coliseum
867:Chicago Stadium
836:
818:electric pianos
816:β acoustic and
756:acoustic guitar
748:
728:The live album
719:
651:
596:Valentine's Day
564:Rosalynn Carter
487:
479:
469:
466:Ben Fong-Torres
402:Chicago Stadium
390:
343:certified check
331:
248:George Harrison
196:
147:
138:
129:
70:January 3, 1974
62:
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4404:
4396:
4388:
4380:
4372:
4368:Basement Tapes
4363:
4359:Basement Tapes
4354:
4349:
4344:
4339:
4337:Ronnie Hawkins
4334:
4329:
4324:
4319:
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4169:When You Awake
4165:
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4149:Lonesome Suzie
4145:
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3984:
3977:
3974:The Last Waltz
3969:
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3960:
3959:
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3945:
3938:
3931:
3924:
3917:
3910:
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3900:
3896:
3895:
3893:
3892:
3885:
3883:(2002 box set)
3881:The Last Waltz
3877:
3870:
3863:
3856:
3852:The Last Waltz
3848:
3841:
3833:
3831:
3827:
3826:
3823:
3822:
3820:
3819:
3812:
3804:
3802:
3801:with Bob Dylan
3798:
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3787:
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3682:Richard Manuel
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3547:Hearts of Fire
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3514:Helena Springs
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3450:Carolyn Dennis
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3324:Shadow Kingdom
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3257:
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3247:Hard to Handle
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3226:Dont Look Back
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2101:External links
2099:
2098:
2097:
2091:
2075:Davis, Stephen
2067:
2061:
2045:Sounes, Howard
2041:
2035:
2007:
2001:
1981:
1975:
1961:, ed. (1979).
1953:
1950:
1947:
1946:
1934:
1915:
1900:
1888:
1886:, p. 324.
1867:
1855:
1829:
1827:, p. 268.
1817:
1786:
1779:
1756:
1744:
1742:, p. 115.
1727:
1715:
1713:, p. 241.
1694:
1692:, p. 323.
1669:
1667:, p. 227.
1657:
1613:
1611:, p. 242.
1596:
1571:
1543:
1500:
1459:
1457:, p. 321.
1440:
1417:Rockwell, John
1373:
1371:, p. 322.
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988:Capital Centre
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831:
830:
821:
814:Richard Manuel
811:
794:
784:
774:
747:
746:Tour musicians
744:
718:
715:
650:
647:
627:Jack Nicholson
590:Dylan's wife,
486:ain't me, babe
389:
386:
330:
327:
269:Richard Manuel
265:writer's block
217:Asylum Records
195:
192:
152:
151:
150:
149:
142:
140:
133:
131:
124:
119:
118:
107:
106:
103:
99:
98:
95:
88:
87:
84:
80:
79:
76:
72:
71:
68:
64:
63:
60:
52:
51:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4477:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4447:
4445:
4430:
4429:
4425:
4423:
4420:
4418:
4417:
4413:
4410:
4409:
4408:Carry Me Home
4405:
4402:
4401:
4397:
4394:
4393:
4389:
4386:
4385:
4381:
4378:
4377:
4376:So Many Roads
4373:
4371:
4369:
4364:
4362:
4360:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4338:
4335:
4333:
4332:Cate Brothers
4330:
4328:
4325:
4323:
4320:
4318:
4315:
4313:
4310:
4309:
4307:
4303:
4296:
4292:
4289:
4285:
4282:
4278:
4275:
4271:
4268:
4264:
4261:
4257:
4254:
4253:Mystery Train
4250:
4247:
4243:
4240:
4236:
4233:
4229:
4226:
4222:
4219:
4215:
4212:
4208:
4205:
4201:
4198:
4194:
4191:
4187:
4184:
4180:
4177:
4173:
4170:
4166:
4163:
4159:
4156:
4152:
4150:
4146:
4143:
4139:
4136:
4132:
4129:
4125:
4122:
4121:Tears of Rage
4118:
4117:
4115:
4111:
4104:
4103:Atlantic City
4100:
4097:
4093:
4090:
4086:
4083:
4079:
4075:
4072:
4068:
4065:
4061:
4057:
4054:
4050:
4046:
4043:
4039:
4035:
4032:
4028:
4024:
4021:
4017:
4014:
4010:
4007:
4003:
4002:
4000:
3996:
3990:
3989:
3985:
3983:
3982:
3978:
3976:
3975:
3971:
3970:
3968:
3964:
3958:
3957:
3953:
3951:
3950:
3946:
3944:
3943:
3942:Greatest Hits
3939:
3937:
3936:
3932:
3930:
3929:
3925:
3923:
3922:
3918:
3916:
3915:
3911:
3909:
3908:
3904:
3903:
3901:
3897:
3891:
3890:
3886:
3884:
3882:
3878:
3876:
3875:
3871:
3869:
3868:
3864:
3862:
3861:
3857:
3855:
3853:
3849:
3847:
3846:
3842:
3840:
3839:
3835:
3834:
3832:
3828:
3818:
3817:
3813:
3811:
3810:
3806:
3805:
3803:
3799:
3793:
3792:
3788:
3786:
3785:
3781:
3779:
3778:
3774:
3772:
3771:
3767:
3765:
3764:
3760:
3758:
3757:
3753:
3751:
3750:
3746:
3744:
3743:
3739:
3737:
3736:
3732:
3730:
3729:
3725:
3724:
3721:
3718:
3716:Studio albums
3714:
3708:
3705:
3703:
3700:
3698:
3695:
3693:
3690:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3668:
3665:
3664:
3661:
3657:
3650:
3645:
3643:
3638:
3636:
3631:
3630:
3627:
3615:
3607:
3606:
3603:
3597:
3594:
3592:
3591:
3587:
3585:
3584:
3580:
3578:
3576:
3572:
3570:
3569:
3565:
3563:
3562:
3558:
3556:
3555:
3551:
3549:
3548:
3544:
3542:
3541:
3537:
3535:
3532:
3530:
3529:
3525:
3523:
3521:
3520:The Telegraph
3517:
3515:
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3485:
3482:
3480:
3477:
3476:
3474:
3470:
3463:
3460:
3457:
3454:
3452:(second wife)
3451:
3448:
3445:
3442:
3441:
3439:
3435:
3429:
3428:
3424:
3422:
3421:
3417:
3415:
3414:
3410:
3408:
3407:
3403:
3401:
3400:
3396:
3394:
3393:
3389:
3388:
3386:
3384:
3380:
3374:
3373:
3369:
3367:
3366:
3362:
3360:
3359:
3355:
3353:
3352:
3348:
3347:
3345:
3343:
3339:
3333:
3332:
3328:
3326:
3325:
3321:
3319:
3318:
3314:
3312:
3311:
3307:
3305:
3304:
3300:
3298:
3297:
3293:
3289:
3286:
3285:
3284:
3283:
3282:I'm Not There
3279:
3277:
3276:
3272:
3270:
3269:
3265:
3263:
3262:
3261:MTV Unplugged
3258:
3256:
3255:
3251:
3249:
3248:
3244:
3242:
3241:
3237:
3235:
3234:
3230:
3228:
3227:
3223:
3222:
3220:
3216:
3209:
3206:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3182:
3179:
3177:
3174:
3172:
3169:
3167:
3164:
3162:
3159:
3157:
3154:
3152:
3149:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3054:
3052:
3049:
3047:
3044:
3043:
3042:
3039:
3036:
3033:
3030:
3027:
3024:
3021:
3018:
3017:European Tour
3015:
3012:
3009:
3006:
3003:
3000:
2997:
2994:
2991:
2988:
2985:
2982:
2979:
2976:
2973:
2972:
2970:
2968:
2967:Concert tours
2964:
2956:
2953:
2951:
2948:
2947:
2945:
2943:
2942:
2938:
2936:
2935:
2931:
2930:
2928:
2926:
2922:
2916:
2915:
2911:
2909:
2908:
2904:
2902:
2901:
2897:
2895:
2894:
2890:
2888:
2887:
2883:
2881:
2880:
2876:
2874:
2873:
2869:
2867:
2866:
2862:
2860:
2859:
2855:
2853:
2852:
2848:
2846:
2845:
2841:
2839:
2838:
2834:
2832:
2831:
2827:
2825:
2824:
2820:
2818:
2817:
2813:
2812:
2810:
2806:
2796:
2795:
2791:
2789:
2788:
2784:
2782:
2781:
2777:
2775:
2774:
2770:
2768:
2767:
2763:
2761:
2760:
2756:
2754:
2753:
2749:
2747:
2746:
2742:
2741:
2739:
2735:
2729:
2728:
2724:
2722:
2721:
2717:
2715:
2714:
2710:
2709:
2707:
2703:
2697:
2696:
2692:
2690:
2688:
2684:
2682:
2681:
2677:
2675:
2674:
2670:
2668:
2666:
2662:
2660:
2659:
2655:
2653:
2652:
2648:
2646:
2645:
2641:
2639:
2638:
2634:
2633:
2631:
2627:
2624:
2620:
2610:
2609:
2605:
2603:
2602:
2598:
2596:
2595:
2591:
2589:
2588:
2584:
2582:
2581:
2577:
2575:
2574:
2570:
2568:
2567:
2563:
2562:
2560:
2556:
2550:
2549:
2548:MTV Unplugged
2545:
2543:
2542:
2538:
2536:
2535:
2531:
2529:
2528:
2524:
2522:
2521:
2517:
2515:
2514:
2510:
2508:
2507:
2503:
2502:
2500:
2496:
2493:
2489:
2483:
2482:
2478:
2476:
2475:
2471:
2469:
2468:
2464:
2462:
2461:
2460:Fallen Angels
2457:
2455:
2454:
2450:
2448:
2447:
2443:
2441:
2440:
2436:
2434:
2433:
2429:
2427:
2426:
2422:
2420:
2419:
2415:
2413:
2412:
2408:
2406:
2405:
2401:
2399:
2398:
2394:
2392:
2391:
2387:
2385:
2384:
2380:
2378:
2377:
2373:
2371:
2370:
2366:
2364:
2363:
2359:
2357:
2356:
2352:
2350:
2349:
2345:
2343:
2342:
2338:
2336:
2335:
2331:
2329:
2328:
2324:
2322:
2321:
2317:
2315:
2314:
2310:
2308:
2307:
2303:
2301:
2300:
2296:
2294:
2293:
2289:
2287:
2286:
2282:
2280:
2279:
2275:
2273:
2272:
2271:Self Portrait
2268:
2266:
2265:
2261:
2259:
2258:
2254:
2252:
2251:
2247:
2245:
2244:
2240:
2238:
2237:
2233:
2231:
2230:
2226:
2224:
2223:
2219:
2217:
2216:
2212:
2210:
2209:
2205:
2204:
2202:
2200:Studio albums
2198:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2158:
2155:
2151:
2144:
2139:
2137:
2132:
2130:
2125:
2124:
2121:
2114:
2111:
2108:
2105:
2104:
2100:
2094:
2088:
2083:
2082:
2076:
2072:
2068:
2064:
2062:0-552-99929-6
2058:
2053:
2052:
2046:
2042:
2038:
2036:0-394-51322-3
2032:
2028:
2024:
2019:
2018:
2012:
2011:Maslin, Janet
2008:
2004:
2002:0-394-41096-3
1998:
1993:
1992:
1986:
1982:
1978:
1976:0-394-50828-9
1972:
1967:
1966:
1960:
1959:Marcus, Greil
1956:
1955:
1951:
1943:
1938:
1935:
1931:
1930:
1925:
1924:Cameron Crowe
1919:
1916:
1912:
1907:
1905:
1901:
1897:
1892:
1889:
1885:
1880:
1878:
1876:
1874:
1872:
1868:
1864:
1859:
1856:
1843:
1839:
1833:
1830:
1826:
1821:
1818:
1806:
1805:
1800:
1796:
1790:
1787:
1782:
1776:
1772:
1771:
1766:
1760:
1757:
1753:
1748:
1745:
1741:
1736:
1734:
1732:
1728:
1724:
1719:
1716:
1712:
1707:
1705:
1703:
1701:
1699:
1695:
1691:
1686:
1684:
1682:
1680:
1678:
1676:
1674:
1670:
1666:
1661:
1658:
1646:
1645:
1644:Rolling Stone
1640:
1636:
1630:
1628:
1626:
1624:
1622:
1620:
1618:
1614:
1610:
1605:
1603:
1601:
1597:
1589:September 21,
1585:
1581:
1575:
1572:
1567:
1563:
1562:
1557:
1550:
1548:
1544:
1531:
1530:
1525:
1521:
1515:
1513:
1511:
1509:
1507:
1505:
1501:
1489:
1488:
1487:Rolling Stone
1483:
1476:
1474:
1472:
1470:
1468:
1466:
1464:
1460:
1456:
1451:
1449:
1447:
1445:
1441:
1428:
1427:
1422:
1418:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1396:
1394:
1392:
1390:
1388:
1386:
1384:
1382:
1380:
1378:
1374:
1370:
1365:
1363:
1361:
1359:
1355:
1343:
1335:
1328:
1327:
1322:
1315:
1308:
1307:
1302:
1295:
1292:
1285:
1278:
1277:
1273:
1272:
1269:
1264:
1258:
1257:
1253:
1252:
1249:
1244:
1238:
1237:
1234:
1231:
1229:
1226:
1223:
1222:
1218:
1217:
1214:
1209:
1203:
1202:
1198:
1197:
1194:
1189:
1183:
1182:
1179:
1178:Assembly Hall
1176:
1174:
1171:
1168:
1167:
1164:
1163:Crisler Arena
1161:
1159:
1156:
1153:
1152:
1148:
1147:
1143:
1142:
1139:
1134:
1133:New York City
1128:
1127:
1123:
1122:
1119:
1114:
1108:
1107:
1103:
1102:
1099:
1094:
1088:
1087:
1084:
1081:
1079:
1076:
1073:
1072:
1068:
1067:
1064:
1059:
1053:
1052:
1048:
1047:
1044:
1039:
1033:
1032:
1029:
1026:
1024:
1021:
1018:
1017:
1013:
1012:
1009:
1004:
998:
997:
993:
992:
989:
984:
978:
977:
973:
972:
969:
968:Boston Garden
961:
955:
954:
950:
949:
945:
944:
941:
936:
930:
929:
925:
924:
921:
913:
907:
906:
902:
901:
897:
896:
893:
888:
882:
881:
877:
876:
872:
871:
868:
860:
854:
853:
839:
833:
829:
825:
822:
819:
815:
812:
810:
806:
802:
798:
795:
792:
788:
785:
782:
778:
775:
773:
769:
765:
761:
760:rhythm guitar
757:
753:
750:
749:
745:
743:
741:
740:
733:
731:
726:
723:
716:
714:
711:
709:
704:
699:
697:
691:
687:
685:
681:
677:
672:
671:
666:
664:
659:
656:
648:
646:
644:
640:
636:
635:Roger McGuinn
632:
631:Warren Beatty
628:
624:
620:
616:
612:
607:
605:
601:
597:
593:
588:
586:
582:
578:
577:Oakland Arena
573:
571:
570:
569:Rolling Stone
565:
561:
557:
552:
550:
546:
542:
538:
533:
525:
521:
519:
518:Forever Young
515:
511:
506:
504:
500:
495:
491:
485:
478:
474:
467:
463:
462:
457:
452:
450:
446:
442:
438:
434:
430:
426:
421:
417:
413:
411:
407:
403:
394:
387:
385:
383:
377:
374:
368:
366:
365:
358:
355:
350:
348:
344:
340:
335:
328:
326:
324:
320:
316:
312:
308:
307:
301:
299:
295:
290:
288:
283:
282:
276:
274:
270:
266:
261:
259:
258:
253:
249:
245:
244:
239:
238:
233:
228:
226:
222:
218:
214:
210:
209:
203:
201:
200:sports arenas
193:
191:
189:
188:
183:
179:
175:
171:
167:
163:
159:
146:
143:
141:
137:
134:
132:
128:
125:
123:
122:
116:
112:
108:
104:
100:
96:
89:
85:
81:
77:
73:
69:
65:
58:
53:
49:
45:
36:
30:
19:
4426:
4414:
4406:
4398:
4390:
4382:
4374:
4370:songs (1975)
4367:
4358:
4326:
4239:4% Pantomime
4225:Stage Fright
4060:Time to Kill
4038:Rag Mama Rag
3986:
3979:
3972:
3954:
3947:
3940:
3933:
3926:
3919:
3912:
3905:
3899:Compilations
3887:
3880:
3872:
3865:
3858:
3851:
3843:
3838:Rock of Ages
3836:
3814:
3809:Planet Waves
3807:
3789:
3782:
3775:
3768:
3761:
3754:
3747:
3742:Stage Fright
3740:
3733:
3726:
3702:Stan Szelest
3692:Richard Bell
3677:Garth Hudson
3588:
3581:
3574:
3566:
3559:
3552:
3545:
3538:
3526:
3519:
3446:(first wife)
3425:
3418:
3411:
3404:
3397:
3390:
3370:
3363:
3356:
3349:
3329:
3322:
3315:
3308:
3301:
3296:65 Revisited
3294:
3280:
3273:
3266:
3259:
3252:
3245:
3238:
3231:
3224:
2992:
2975:England Tour
2939:
2932:
2912:
2905:
2898:
2891:
2884:
2877:
2870:
2863:
2856:
2849:
2842:
2835:
2828:
2821:
2814:
2792:
2785:
2778:
2771:
2764:
2757:
2750:
2743:
2725:
2718:
2711:
2693:
2686:
2678:
2671:
2664:
2656:
2651:Masterpieces
2649:
2642:
2635:
2622:Compilations
2606:
2599:
2592:
2585:
2578:
2571:
2564:
2546:
2539:
2532:
2525:
2518:
2511:
2504:
2498:Contemporary
2479:
2472:
2465:
2458:
2451:
2444:
2437:
2430:
2425:Modern Times
2423:
2416:
2409:
2402:
2395:
2388:
2381:
2374:
2367:
2360:
2353:
2348:Shot of Love
2346:
2339:
2332:
2327:Street-Legal
2325:
2318:
2311:
2304:
2299:Planet Waves
2297:
2290:
2283:
2276:
2269:
2262:
2255:
2248:
2241:
2234:
2227:
2220:
2213:
2206:
2171:Bibliography
2080:
2050:
2016:
1990:
1964:
1952:Bibliography
1937:
1927:
1918:
1891:
1858:
1846:. Retrieved
1841:
1832:
1820:
1810:December 26,
1808:. Retrieved
1802:
1789:
1769:
1759:
1747:
1718:
1660:
1648:. Retrieved
1642:
1587:. Retrieved
1583:
1574:
1559:
1534:. Retrieved
1527:
1520:Hentoff, Nat
1491:. Retrieved
1485:
1431:. Retrieved
1429:. p. 54
1424:
1347:February 29,
1345:. Retrieved
1325:
1305:
1294:
892:The Spectrum
887:Philadelphia
797:Garth Hudson
737:
734:
729:
727:
724:
720:
707:
703:Planet Waves
702:
700:
692:
688:
680:Greil Marcus
675:
668:
667:
660:
652:
639:Jerry Garcia
608:
603:
589:
574:
567:
556:Jimmy Carter
553:
551:live album.
548:
544:
534:
530:
510:Planet Waves
509:
507:
502:
496:
492:
483:
476:
472:
459:
453:
441:Garth Hudson
433:Jimi Hendrix
422:
418:
414:
399:
378:
369:
362:
359:
354:Rincon Annex
351:
336:
332:
329:Ticket sales
319:Led Zeppelin
306:The Starship
304:
302:
291:
286:
279:
277:
262:
255:
241:
235:
229:
213:David Geffen
208:Planet Waves
206:
204:
197:
185:
166:concert tour
161:
157:
155:
135:
29:
4400:Let It Rock
4312:Discography
4246:Don't Do It
4142:Chest Fever
4128:We Can Talk
4113:Other songs
3830:Live albums
3509:Suze Rotolo
3462:Jakob Dylan
3456:Jesse Dylan
3210:(2021β2024)
3011:Gospel Tour
3001:(1975β1976)
2491:Live albums
2278:New Morning
2161:Discography
2071:Helm, Levon
1985:Marsh, Dave
1942:Marcus 1979
1911:Sounes 2002
1884:Sounes 2002
1863:Sounes 2002
1825:Marcus 1979
1752:Sounes 2002
1723:Maslin 1980
1690:Sounes 2002
1665:Maslin 1980
1650:October 13,
1536:October 13,
1532:. p. 1
1493:October 13,
1455:Sounes 2002
1433:October 13,
1369:Sounes 2002
1318:1700β1799:
1298:1634β1699:
1173:Bloomington
828:lead guitar
805:synthesizer
696:tax shelter
663:Nat Hentoff
619:Ringo Starr
615:Carole King
445:synthesizer
406:Bobby Bland
373:Bill Graham
347:money order
311:private jet
4444:Categories
4352:Shangri-La
4027:The Weight
3791:Jubilation
3707:Jim Weider
3672:Levon Helm
3667:Rick Danko
3444:Sara Dylan
3288:Soundtrack
3005:World Tour
2981:World Tour
2467:Triplicate
1842:New Nation
1286:References
1078:Fort Worth
834:Tour dates
787:Levon Helm
777:Rick Danko
464:album. As
429:Levon Helm
367:magazine.
339:mail order
315:Elton John
182:mail order
168:staged in
127:World Tour
102:Box office
67:Start date
4317:Bob Dylan
4082:Bob Dylan
3914:Anthology
3504:Joan Baez
3351:Tarantula
3013:(1979β80)
2527:Real Live
2513:Hard Rain
2208:Bob Dylan
2150:Bob Dylan
2077:(2013) .
2047:(2002) .
1268:The Forum
1263:Inglewood
1188:St. Louis
1158:Ann Arbor
1113:Uniondale
1003:Charlotte
764:harmonica
752:Bob Dylan
708:Billboard
623:Joan Baez
371:Promoter
334:in 1974.
298:The Forum
174:Bob Dylan
111:Bob Dylan
44:Bob Dylan
4465:The Band
4366:List of
4357:List of
4347:Big Pink
4260:Holy Cow
4204:Sleeping
4080:" (with
4006:Uh-Uh-Uh
3735:The Band
3656:The Band
3614:Category
3528:Festival
3522:magazine
3484:The Band
3342:Writings
2925:Bootlegs
2745:Biograph
2737:Box sets
2558:Archival
2383:Oh Mercy
2355:Infidels
1929:Biograph
1848:April 6,
1767:(2004).
1323:(1992).
1303:(1997).
1043:The Omni
983:Landover
935:Montreal
847:Country
809:clavinet
793:, vocals
783:, vocals
482:... 'It
388:The show
364:Newsweek
178:the Band
162:Tour '74
115:the Band
94:of shows
75:End date
48:the Band
4305:Related
4096:Ophelia
3998:Singles
3777:Jericho
3770:Islands
3749:Cahoots
3577:(album)
3472:Related
2446:Tempest
1243:Oakland
1228:Seattle
1093:Houston
1058:Memphis
1038:Atlanta
916:Canada
912:Toronto
859:Chicago
558:at the
514:setlist
3437:Family
3037:(1987)
3031:(1987)
3025:(1986)
3019:(1984)
3007:(1978)
2995:(1974)
2989:(1969)
2983:(1966)
2977:(1965)
2705:Themed
2689:(2005)
2667:(1997)
2320:Desire
2166:Awards
2089:
2059:
2033:
1999:
1973:
1777:
1208:Denver
960:Boston
850:Venue
772:vocals
629:, and
170:arenas
139:(1974)
130:(1966)
4361:songs
4062:" / "
4051:" / "
4040:" / "
4029:" / "
3966:Films
3464:(son)
3458:(son)
3218:Films
2727:Blues
2713:Dylan
2695:Dylan
2341:Saved
2292:Dylan
1804:Creem
1330:(PDF)
1310:(PDF)
844:City
841:Date
801:organ
791:drums
768:piano
583:did '
581:Elvis
484:still
480:'
470:'
3201:2019
3196:2018
3191:2017
3186:2016
3181:2015
3176:2014
3171:2013
3166:2012
3161:2011
3156:2010
3151:2009
3146:2008
3141:2007
3136:2006
3131:2005
3126:2004
3121:2003
3116:2002
3111:2001
3106:2000
3101:1999
3096:1998
3091:1997
3086:1996
3081:1995
3076:1994
3071:1993
3066:1992
3061:1991
3056:1990
3051:1989
3046:1988
2955:1975
2950:1967
2794:1970
2629:Hits
2087:ISBN
2057:ISBN
2031:ISBN
1997:ISBN
1971:ISBN
1850:2024
1812:2013
1775:ISBN
1652:2022
1591:2019
1538:2022
1495:2022
1435:2022
1349:2024
781:bass
637:and
592:Sara
408:'s "
321:and
309:, a
240:and
156:The
113:and
83:Legs
46:and
39:Tour
2027:227
2023:219
710:200
645:".
490:".
477:one
345:or
250:at
92:No.
41:by
4446::
2073:;
2029:.
1926:.
1903:^
1870:^
1840:.
1801:.
1730:^
1697:^
1672:^
1641:.
1616:^
1599:^
1582:.
1564:.
1558:.
1546:^
1503:^
1484:.
1462:^
1443:^
1423:.
1376:^
1357:^
1332:.
1312:.
826:β
807:,
799:β
789:β
779:β
770:,
766:,
762:,
758:,
754:β
742:.
625:,
621:,
617:,
606:.
572:.
473:Ya
317:,
300:.
275:.
202:.
97:40
4297:"
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4033:"
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4008:"
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3648:e
3641:t
3634:v
2142:e
2135:t
2128:v
2095:.
2065:.
2039:.
2025:β
2005:.
1979:.
1852:.
1783:.
1654:.
1593:.
1540:.
1497:.
1437:.
1351:.
1336:.
1316:.
497:"
488:'
86:1
20:)
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