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Body and Soul (Joe Jackson album)

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464: 329: 301:, and he told Kershenbaum he was weary of the artificiality of much modern music, recorded piecewise in dead acoustic isolation. He wished for a return to classic musicianship, with a well-rehearsed band playing together in the same space. Agreeing with him, Kershenbaum expressed a desire to move Jackson into the modern digital age, embracing the recent debut of the 804: 766: 761: 728: 413: 452:" from 1981. The band rested briefly for a week, then the schedule resumed in July–August with concerts in Belgium, Italy, Australia and Japan. At the end of this, Jackson took a lengthy break. The tour had been, he later wrote, "the hardest I ever did; it came too soon after the last one, and by the end of it I was so burned out I swore I'd never tour again". 799: 794: 789: 784: 756: 751: 746: 723: 718: 713: 708: 420:
Jackson embarked on a world tour to support the album. Starting in April 1984, he and his band spent five weeks travelling through Ireland, England, The Netherlands, Switzerland, Germany and France. Vocalist Elaine Caswell accompanied Jackson for this European leg, but the tour continued without her
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as an alcoholic attorney making good. Three tracks on the album showed Jackson's affinity for film music: "The Verdict", the atmospheric instrumental "Loisaida", and the closing cut "Heart of Ice" – the latter starting as an instrumental, building slowly in intensity, and joined by harmony
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32-channel digital recording system. Most of the basic tracks were captured with the full band performing simultaneously, but for some songs the piano or the horn section was recorded separately, to get a cleaner mix. All the vocal parts were recorded separately, with Jackson backed by himself,
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published a positive review characterizing the album as "intelligent romantic ballads that legitimize naked emotions." The reviewer noted Jackson's "affecting vocals, flickering piano chords, honest lyrics". The instrumental tracks were praised for their arrangements, observing that some
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called the album a sonic "disappointment" despite Jackson's flair for "acute lyrics and classy, dynamic arrangements." The writer focussed on the "failure" of Kershenbaum and Jackson in their quest to use minimal microphone techniques to highlight the natural acoustic space.
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recording sessions. Their aim was to find a reverberant performance space that was not "sterile" or lifeless. Jackson also began evaluating the album's material by performing the songs with his band in small clubs in New York, Pennsylvania and Connecticut.
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on 7 February 1984. Kershenbaum said that he and Jackson had intended to finish the project faster, but getting the digital gear together took extra time, and a total of five weeks for the album was "a step in the right direction" after earlier excesses.
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in Los Angeles, reporting that Jackson was "in an impish mood" on stage, refusing to play his older hits to satisfy repeated requests from some of the 6,000 attendees, and instead delivering an impromptu rendition of the pop classic
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path, Kershenbaum oversaw the assembly of a new control room in an existing office at Vanguard, with wiring to connect to the Masonic. The initial tracking of the voices and instruments was laid down on a recently developed
903:" as "beautiful". After AllMusic moved online, Mike DeGagne re-appraised the album at 3.5 stars in a 2008 review, describing it as "Jackson at his smoothest", delivering an album dedicated to exploring aspects of jazz. 488:
The instrumental "Loisaida" features Tony Aiello carrying the theme on saxophone, accompanied by the band including Joe Jackson on piano. Toward the end, tinkling synthesizer chimes expand the piano texture into higher
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described "Loisaida" as "a mournful theme for sax and trumpet, which plumb the deepest lamplit sorrows while Jackson's piano chords flicker above like a starry night." Other styles on the album include
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were not successful in their sonic goal of true-to-life minimalism. Jackson toured through August 1984 to promote the album, commenting afterward that he was exhausted from so much time on the road.
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and Elaine Caswell; Caswell and Jackson sang as a duet on "Happy Ending". The musicians were at the Masonic for three weeks, then Jackson, Kershenbaum and Rik Pekkonen mixed the songs for a week at
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was released in September 1983, but the associated film was delayed because of a dispute between the director and the studio. Despite this setback, in December 1983 the soundtrack's single "
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M50 microphones. Kershenbaum and Jackson set the band up to play together, with each instrument close-miked for individual focus as needed. To update Vanguard's equipment for a fully
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Don Shewey reviewed the album in May 1984, giving it four out of five stars. Shewey said the album demonstrated a maturation of Jackson's musicality, comparing him to
3222: 473: 2900: 2886: 2174: 1797: 825:" reaching No. 77 in September. In the US, "You Can't Get What You Want" hit higher at No. 15 in June, with "Happy Ending" trailing at No. 57 in August. 2411: 320:, the winner to be announced in late February 1984. While this was happening in late 1983, Jackson and Kershenbaum scouted potential locations for the 3114: 644: 596:-flavoured production, and the 1960s pop sound of "Happy Ending", modernised for the 1980s with Elaine Caswell singing the lyric "It's '84 now." 279:
met with Jackson about the project, first discussing it in mid-1983. Kershenbaum had "discovered" Jackson in 1978, and helped him produce 1979's
3212: 2868: 1447: 263:(1957). Musically, critics commended Jackson's introspective lyrics and dynamic arrangements, but one reviewer felt that Jackson and producer 2586: 2833: 2776: 862:", as "a bracing, sophisticated tune that successfully incorporates pop lyricism, a tight funk band and jazz compositional structures". 3079: 3023: 2995: 2988: 2932: 2688: 2646: 853: 445: 287: 2667: 2524: 2112: 1953: 1921: 877: 440: 2960: 1890: 2946: 2914: 2730: 2263: 1281: 3058: 2769: 2639: 1021: 814: 434:" while the band watched. Vare praised Jackson's interpretations of songs from his last three albums, including "Memphis" from 281: 247: 2275: 2161: 2854: 481: 3217: 2847: 2801: 2486: 1471: 627: 292: 172: 2251: 3093: 2723: 2709: 1845: 1830: 866: 580: 2981: 2893: 2149: 671: 448:" – Jackson's debut single – delivered surprisingly on accordion, piccolo and violin. The final encore was " 426: 2967: 1670: 3167: 3044: 2419: 678:, whereas in the UK the album rose higher sooner, peaking at No. 14 on 7 April, staying on the chart for 14 weeks. 313: 2579: 393: 382:
In a nod to its jazz standards influence, the front and rear cover art imitated that of the 1957 saxophone album
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who shared an interest in "bridging the gap between pop music and serious music". Shewey was unhappy with the
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The album contains original pop songs written by Jackson, half of which were composed and arranged with a
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project, it peaked at No. 14 in the UK, while in the US it reached No. 20. Described by one reviewer as a
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in releasing "jazz-soul"–flavoured pop songs in the wake of the Style Council's influential hit single "
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Select "Album" in the "Tipo" field, type "Body and Soul" in the "Titolo" field and press "cerca".
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recordings. The hall's reverberant acoustics were captured by a matched stereo pair of expensive
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in the US, and Canada, starting in mid-May and running for six weeks. Canadian journalist
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Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers
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first assigned the album three stars out of five, publishing in the 2002 book
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The first song on the album, "The Verdict", was inspired by the 1982 film
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albums. At the time of their meeting, Jackson was working to finish the
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Kershenbaum and Jackson found the appropriate acoustics in Manhattan's
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sounds the same way they did live on stage, with Gary Burke emulating
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which spotlighted drummer Gary Burke, and several songs from
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Mr. Cool's Dream: The Complete History of The Style Council
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You Can't Get What You Want (Till You Know What You Want)
1948:(5th ed.). Edinburgh: Mojo Books. pp. 485–486. 985:
You Can't Get What You Want (Till You Know What You Want)
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You Can't Get What You Want (Till You Know What You Want)
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You Can't Get What You Want (Till You Know What You Want)
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You Can't Get What You Want (Till You Know What You Want)
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You Can't Get What You Want (Till You Know What You Want)
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You Can't Get What You Want (Till You Know What You Want)
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elements were carried forward from Jackson's 1982 album
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voices in the final affirmation of acceptance and hope.
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Elaine Caswell – backing vocals, duet on "Happy Ending"
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Three singles from the album charted in the UK: First "
2186:. Vol. 1, no. 12. 18 June 1984. p. 12. 674:. On 25 May, the LP peaked in the US at No. 20 on the 848:-derivative song "Go For It", which he likened to an 3177: 3145: 2924: 2878: 2818: 2793: 2754: 2631: 2205:"Offiziellecharts.de – Joe Jackson – Body and Soul" 941: 933: 369:, and the completed master tapes were delivered by 257:The album artwork emulated the smoky jazz style of 158: 142: 130: 114: 90: 66: 58: 50: 37: 23: 1994: 1992: 2264:"Swedishcharts.com – Joe Jackson – Body and Soul" 2164:(in Dutch). Hung Medien. Retrieved 18 July 2021. 510:flair. Latin elements heard on the album include 1874: 1872: 1870: 1868: 1866: 631:. Munn said that Jackson joined artists such as 2276:"Swisscharts.com – Joe Jackson – Body and Soul" 1702:"When Joe Jackson Got Jazzy on 'Body and Soul'" 1487:Shipments figures based on certification alone. 1071:Joe Jackson – vocals, acoustic piano, saxophone 2470:in the drop-down menu saying "Alle jaargangen" 2162:"Dutchcharts.nl – Joe Jackson – Body and Soul" 705: 2580: 1523: 1521: 1519: 1517: 1515: 1513: 1511: 1509: 1507: 1505: 589:on "You Can't Get What You Want", "Go For It" 8: 1726: 1724: 1722: 1695: 1693: 881:. In a negative review, audiophile magazine 858:(1980). Shewey praised Jackson's hit song, " 781: 743: 2022: 2020: 2887:Stepping Out: The Very Best of Joe Jackson 2587: 2573: 2565: 1970:"Joe Jackson Chart History: Billboard 200" 1664: 1662: 1636: 1634: 1632: 1431: 1352: 1179: 1139:Frank Dickinson – digital recording system 680: 666:was delayed until October; it carried the 29: 20: 2901:This Is It! (The A&M Years 1979–1989) 2252:"Charts.nz – Joe Jackson – Body and Soul" 1820: 1818: 1816: 1577: 1575: 821:" peaked at No. 70 in June, followed by " 2353:– via Library and Archives Canada. 2107:. Hal Leonard Corporation. p. 571. 2055:Hills, Simon (31 March 1984). "Albums". 1733:"Lost Gems: Joe Jackson 'Body and Soul'" 930: 444:(1982). One of the few older songs was " 388:, and the album's title was lifted from 2278:. Hung Medien. Retrieved 18 July 2021. 2266:. Hung Medien. Retrieved 18 July 2021. 2254:. Hung Medien. Retrieved 18 July 2021. 1501: 1483: 254:" enjoying moderate success in the UK. 246:". Two other singles fared well, with " 1671:"Joe Jackson got to me, Body and Soul" 1370:Australian Albums (Kent Music Report) 899:. Chris Woodstra called out the song " 496: 1548: 1546: 1152:Jeremy Darby – production coordinator 686: 7: 3223:Albums produced by David Kershenbaum 2834:Summer in the City: Live in New York 2325: 2127: 1583:"Joe Jackson Chart History: Hot 100" 1127:Joe Jackson – arrangements, producer 18:1984 studio album by Joe Jackson 2365:"Top 100 Album-Jahrescharts – 1984" 2099:Vladimir Bogdanov; Chris Woodstra; 1390:German Albums (Offizielle Top 100) 707: 250:" charting in five countries, and " 2418:. 31 December 1984. Archived from 1669:Magidsohn, Jon (15 January 2015). 1074:Ed Roynesdal – keyboards, violin, 817:" hit No. 58 in April 1984, then " 617:was representative of a string of 14: 2933:Is She Really Going Out with Him? 1844:Handelman, David (19 July 1999). 783: 745: 550:solo on "Not Here, Not Now", and 446:Is She Really Going Out with Him? 2194:– via World Radio History. 1928:First printed privately in 1996. 1731:Edwards, Stuart (2 April 2018). 802: 797: 792: 787: 782: 764: 759: 754: 749: 744: 726: 721: 716: 711: 706: 497:Problems playing this file? See 478: 2517:Australian Chart Book 1970–1992 2288:"Official Albums Chart Top 100" 1798:"Talent in Action: Joe Jackson" 1354:Year-end chart performance for 538:, augmented by Ed Roynesdal on 392:' 1939 saxophone recording of " 230:album, the tracks are a mix of 218:, released on 14 March 1984 by 78:Vanguard Studios (control room) 2462:in the "Artiest of titel" box. 2367:(in German). GfK Entertainment 1700:Lifton, Dave (14 March 2016). 934: 923:. Produced by Joe Jackson and 1: 3213:Joe Jackson (musician) albums 2915:Steppin' Out - The Collection 2487:British Phonographic Industry 2140:"Top RPM Albums: Issue 6754a" 2029:"Joe Jackson – Body and Soul" 1181:Weekly chart performance for 628:Introducing The Style Council 242:, showcasing the hit single " 214:by English singer-songwriter 2387:"Top Selling Albums of 1984" 2304:"Joe Jackson Chart History ( 1881:"Joe Jackson: Body and Soul" 1339: 1325: 1310: 1298: 1286: 1260: 1231: 1219: 1158:Charles Reilly – photography 1136:Dan Nash – mixdown assistant 1130:David Kershenbaum – producer 1105:Michael Morreale – trumpet, 1024:" (duet with Elaine Caswell) 613:Writer Iain Munn wrote that 2894:Joe Jackson - Greatest Hits 2150:Library and Archives Canada 1879:Shewey, Don (10 May 1984). 3239: 2316:. Retrieved 18 July 2021. 2294:. Retrieved 18 July 2021. 2211:. Retrieved 18 July 2021. 2152:. Retrieved 15 July 2022. 2027:DeGagne, Mike (May 2008). 1946:The Great Rock Discography 1916:. Wholepoint. p. 23. 1398:New Zealand Albums (RMNZ) 1095:Tony Aiello – saxophones, 891:In retrospective reviews, 625:'s first release in 1983: 416:Jackson performing in 1979 3094:(He's a) Shape in a Drape 2602: 2175:"European Top 100 Albums" 1484: 1469: 1454: 1446: 1443: 1440: 1405: 1397: 1389: 1377: 1369: 1364: 1361: 1330: 1315: 1303: 1291: 1279: 1265: 1253: 1236: 1224: 1210: 1198: 1191: 1188: 1155:Quantum – layout, artwork 1046: 1031: 1016: 1005: 994: 979: 968: 957: 946: 938: 694: 691: 526:. The musicians obtained 271:Background and production 166: 28: 3186:Laughter & Lust Live 2968:It's Different for Girls 2862:Live Music - Europe 2010 2412:"Top Pop Albums of 1984" 2339:"Top 100 Albums of 1984" 2209:GfK Entertainment Charts 1555:"Joe Jackson: Biography" 1428:Sales and certifications 1161:John Telfer – management 2908:Joe Jackson - Collected 2559:The Joe Jackson Archive 2292:Official Charts Company 2105:All Music Guide to Rock 2101:Stephen Thomas Erlewine 2089:, vol. 9, pp. 190, 210. 2004:Official Charts Company 1646:The Joe Jackson Archive 1378:Canada Top Albums/CDs ( 1211:Canada Top Albums/CDs ( 1149:(Hollywood, California) 1133:Rik Pekkonen – engineer 897:All Music Guide to Rock 641:Everything but the Girl 425:caught the show at the 3218:A&M Records albums 662:on 14 March 1984. The 658:was released in vinyl 467: 417: 336: 210:is the seventh studio 3115:Stranger than Fiction 2614:The Joe Jackson Band: 2556:album information at 1706:Ultimate Classic Rock 1610:"Artist: Joe Jackson" 852:track from the album 651:Release and reception 621:albums that followed 466: 415: 385:Sonny Rollins, Vol. 2 331: 260:Sonny Rollins, Vol. 2 2982:The Harder They Come 1642:"Body And Soul Tour" 1280:New Zealand Albums ( 682:Professional ratings 566:", which followed a 2696:Laughter & Lust 2422:on 31 December 2012 1912:Munn, Iain (2011). 1553:Ruhlmann, William. 1437: 1433:Certifications for 1358: 1306:Schweizer Hitparade 1199:Australian Albums ( 1185: 972:"Not Here, Not Now" 683: 672:analogue conversion 542:and Tony Aiello on 522:, and instrumental 3031:Breaking Us in Two 2879:Compilation albums 2869:Live at Rockpalast 2550:(list of releases) 2086:The Absolute Sound 1737:Black Country Rock 1535:(CD liner notes). 1432: 1353: 1256:Offizielle Top 100 1180: 1092:Gary Burke – drums 884:The Absolute Sound 681: 468: 418: 337: 332:Grand Hall of the 308:The soundtrack to 222:. Jackson's first 3195: 3194: 3129:Stranger Than You 2794:Soundtrack albums 2777:Heaven & Hell 2391:Recorded Music NZ 1942:Strong, Martin C. 1834:, vol. 49, p. 63. 1778:(7-inch single). 1760:(7-inch single). 1539:. 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AM 186. 1762:A&M Records 1756: 1755: 1751: 1741: 1739: 1730: 1729: 1720: 1710: 1708: 1699: 1698: 1691: 1681: 1679: 1668: 1667: 1660: 1650: 1648: 1640: 1639: 1630: 1620: 1618: 1608: 1607: 1603: 1593: 1591: 1581: 1580: 1573: 1563: 1561: 1552: 1551: 1544: 1537:A&M Records 1527: 1526: 1503: 1498: 1448:Certified units 1435:Body & Soul 1430: 1425: 1351: 1349:Year-end charts 1269:Musica e dischi 1254:German Albums ( 1238:European Albums 1193: 1178: 1168: 1147:A&M Studios 1145:– mastering at 1143:Bernie Grundman 1063: 1058: 909: 833: 803: 798: 793: 788: 765: 760: 755: 750: 727: 722: 717: 712: 653: 645:Long Hot Summer 590: 576:Lower East Side 504: 503: 495: 493: 492: 491: 490: 486: 479: 476: 469: 463: 458: 432:As Time Goes By 423:Ethlie Ann Vare 410: 390:Coleman Hawkins 380: 371:Bernie Grundman 273: 220:A&M Records 194: 185: 176: 123: 119: 118: 46: 19: 12: 11: 5: 3236: 3234: 3226: 3225: 3220: 3215: 3210: 3200: 3199: 3193: 3192: 3190: 3189: 3181: 3179: 3175: 3174: 3172: 3171: 3164: 3157: 3149: 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2091: 2079:"Joe Jackson: 2072: 2061:. p. 18. 2047: 2016: 1988: 1961: 1954: 1930: 1922: 1904: 1893:on 2 June 2008 1862: 1836: 1812: 1785: 1767: 1749: 1718: 1689: 1658: 1628: 1601: 1571: 1542: 1500: 1499: 1497: 1494: 1491: 1490: 1482: 1481: 1478: 1475: 1467: 1466: 1463: 1460: 1452: 1451: 1445: 1442: 1429: 1426: 1422: 1421: 1415: 1414: 1411: 1403: 1402: 1399: 1395: 1394: 1391: 1387: 1386: 1383: 1375: 1374: 1371: 1367: 1366: 1363: 1350: 1347: 1345: 1342: 1341: 1338: 1328: 1327: 1324: 1313: 1312: 1309: 1304:Swiss Albums ( 1301: 1300: 1297: 1289: 1288: 1285: 1277: 1276: 1273: 1263: 1262: 1259: 1251: 1250: 1247: 1234: 1233: 1230: 1225:Dutch Albums ( 1222: 1221: 1218: 1208: 1207: 1204: 1196: 1195: 1190: 1177: 1174: 1169: 1167: 1164: 1163: 1162: 1159: 1156: 1153: 1150: 1140: 1137: 1134: 1131: 1128: 1119: 1118: 1115: 1109: 1103: 1093: 1090: 1084: 1078: 1072: 1062: 1059: 1055: 1054: 1051: 1050:"Heart of Ice" 1048: 1044: 1043: 1040: 1033: 1029: 1028: 1025: 1018: 1014: 1013: 1010: 1007: 1003: 1002: 999: 996: 992: 991: 988: 981: 977: 976: 973: 970: 966: 965: 962: 961:"Cha Cha Loco" 959: 955: 954: 951: 948: 944: 943: 940: 937: 929: 908: 905: 850:Elvis Costello 809: 808: 779: 771: 770: 741: 733: 732: 703: 697: 696: 693: 689: 688: 652: 649: 534:on his normal 494: 487: 477: 472: 471: 470: 461: 460: 459: 457: 454: 409: 406: 379: 376: 272: 269: 201: 200: 197: 196: 187: 178: 164: 163: 156: 155: 146: 140: 139: 134: 128: 127: 116: 112: 111: 94: 88: 87: 86: 85: 79: 76: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 3235: 3224: 3221: 3219: 3216: 3214: 3211: 3209: 3206: 3205: 3203: 3188: 3187: 3183: 3182: 3180: 3176: 3169: 3165: 3162: 3161:On Your Radio 3158: 3155: 3151: 3150: 3148: 3144: 3137: 3133: 3130: 3126: 3123: 3119: 3116: 3112: 3109: 3105: 3102: 3098: 3095: 3091: 3088: 3084: 3081: 3077: 3074: 3070: 3067: 3063: 3060: 3056: 3053: 3049: 3046: 3042: 3039: 3035: 3032: 3028: 3025: 3021: 3018: 3014: 3011: 3007: 3004: 3000: 2997: 2993: 2990: 2986: 2983: 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2000:"Joe Jackson" 1995: 1993: 1989: 1977: 1976: 1971: 1965: 1962: 1957: 1955:1-84195-017-3 1951: 1947: 1943: 1937: 1935: 1931: 1925: 1923:9780955144318 1919: 1915: 1908: 1905: 1892: 1888: 1887: 1886:Rolling Stone 1882: 1875: 1873: 1871: 1869: 1867: 1863: 1851: 1847: 1840: 1837: 1833: 1832: 1831:Stereo Review 1827: 1826:Body and Soul 1821: 1819: 1817: 1813: 1809:. p. 52. 1808: 1807: 1799: 1795: 1789: 1786: 1781: 1777: 1771: 1768: 1763: 1759: 1753: 1750: 1738: 1734: 1727: 1725: 1723: 1719: 1707: 1703: 1696: 1694: 1690: 1678: 1677: 1672: 1665: 1663: 1659: 1647: 1643: 1637: 1635: 1633: 1629: 1617: 1616: 1615:Grammy Awards 1611: 1605: 1602: 1590: 1589: 1584: 1578: 1576: 1572: 1560: 1556: 1549: 1547: 1543: 1538: 1534: 1533:Body and Soul 1530: 1524: 1522: 1520: 1518: 1516: 1514: 1512: 1510: 1508: 1506: 1502: 1495: 1489: 1479: 1476: 1473: 1468: 1464: 1461: 1458: 1455:Netherlands ( 1453: 1449: 1444:Certification 1439: 1436: 1427: 1420: 1412: 1409: 1404: 1400: 1396: 1392: 1388: 1384: 1381: 1376: 1372: 1368: 1362:Chart (1984) 1360: 1357: 1356:Body and Soul 1348: 1346: 1337: 1335: 1329: 1322: 1318: 1314: 1307: 1302: 1295: 1290: 1283: 1278: 1274: 1271: 1270: 1264: 1257: 1252: 1248: 1245: 1244: 1239: 1235: 1228: 1227:Album Top 100 1223: 1216: 1215: 1209: 1205: 1202: 1197: 1189:Chart (1984) 1187: 1184: 1183:Body and Soul 1176:Weekly charts 1175: 1173: 1172: 1165: 1160: 1157: 1154: 1151: 1148: 1144: 1141: 1138: 1135: 1132: 1129: 1126: 1125: 1124: 1123: 1116: 1113: 1110: 1108: 1104: 1102: 1098: 1094: 1091: 1088: 1085: 1082: 1079: 1077: 1073: 1070: 1069: 1068: 1067: 1060: 1052: 1049: 1045: 1041: 1038: 1034: 1030: 1026: 1023: 1019: 1015: 1011: 1008: 1004: 1000: 997: 993: 989: 986: 982: 978: 974: 971: 967: 963: 960: 956: 952: 950:"The Verdict" 949: 945: 932: 928: 926: 922: 918: 914: 907:Track listing 906: 904: 902: 898: 894: 889: 886: 885: 880: 879: 878:Night and Day 874: 869: 868: 867:Stereo Review 863: 861: 857: 856: 851: 847: 843: 839: 832: 831: 830:Rolling Stone 826: 824: 820: 816: 780: 778: 777: 776:Rolling Stone 773: 772: 742: 740: 739: 738:Record Mirror 735: 734: 704: 702: 699: 698: 690: 687:Review scores 685: 679: 677: 676:Billboard 200 673: 669: 665: 661: 657: 656:Body and Soul 650: 648: 646: 642: 638: 634: 630: 629: 624: 620: 616: 615:Body and Soul 611: 608: 604: 603: 597: 595: 588: 583: 582: 581:Stereo Review 577: 573: 569: 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 525: 521: 517: 513: 509: 502: 500: 475: 456:Musical style 455: 453: 451: 447: 443: 442: 441:Night and Day 437: 436:Mike's Murder 433: 428: 427:Greek Theatre 424: 414: 407: 405: 403: 399: 395: 394:Body and Soul 391: 387: 386: 377: 375: 372: 368: 364: 359: 354: 350: 346: 342: 335: 330: 326: 323: 322:Body and Soul 319: 315: 311: 310:Mike's Murder 306: 304: 300: 299: 298:Mike's Murder 294: 290: 289: 284: 283: 278: 270: 268: 266: 262: 261: 255: 253: 249: 245: 241: 237: 233: 229: 225: 224:fully digital 221: 217: 213: 209: 208: 207:Body and Soul 193: 192: 188: 184: 183: 182:Body and Soul 179: 175: 174: 173:Mike's Murder 170: 169: 165: 161: 157: 154: 150: 147: 145: 141: 138: 135: 133: 129: 117: 113: 110: 106: 102: 98: 95: 93: 89: 83: 80: 77: 74: 71: 70: 69: 65: 61: 57: 54:14 March 1984 53: 49: 45: 40: 36: 32: 27: 24:Body and Soul 22: 16: 3184: 3154:Got the Time 3122:Obvious Song 3059:Happy Ending 3024:Steppin' Out 3010:Jumpin' Jive 2913: 2906: 2899: 2892: 2885: 2867: 2860: 2853: 2846: 2839: 2832: 2827:Live 1980/86 2825: 2807: 2800: 2782: 2775: 2768: 2761: 2743: 2736: 2731:Fast Forward 2729: 2722: 2715: 2708: 2701: 2694: 2687: 2680: 2674: 2673: 2666: 2661:Jumpin' Jive 2659: 2652: 2645: 2638: 2624:Gary Sanford 2613: 2558: 2541: 2516: 2505:Bibliography 2490:. Retrieved 2477: 2469: 2465: 2461: 2457: 2449:. Retrieved 2444:(in Dutch). 2436: 2424:. Retrieved 2420:the original 2415: 2406: 2394:. Retrieved 2381: 2369:. Retrieved 2359: 2342: 2333: 2321: 2312: 2305: 2299: 2283: 2271: 2259: 2247: 2240: 2232:. Retrieved 2230:(in Italian) 2225: 2216: 2200: 2183:Eurotipsheet 2181: 2169: 2157: 2143: 2135: 2123: 2104: 2094: 2084: 2080: 2075: 2056: 2050: 2038:. Retrieved 2032: 2007:. Retrieved 1979:. Retrieved 1973: 1964: 1945: 1913: 1907: 1895:. Retrieved 1891:the original 1884: 1853:. Retrieved 1850:Observer.com 1849: 1839: 1829: 1825: 1804: 1788: 1775: 1770: 1758:Happy Ending 1757: 1752: 1740:. Retrieved 1736: 1709:. Retrieved 1705: 1680:. Retrieved 1676:The Guardian 1674: 1649:. Retrieved 1645: 1619:. Retrieved 1613: 1604: 1592:. Retrieved 1586: 1562:. Retrieved 1532: 1485: 1434: 1418: 1407: 1379: 1355: 1333: 1267: 1243:Eurotipsheet 1241: 1212: 1182: 1121: 1120: 1081:Vinnie Zummo 1065: 1064: 1022:Happy Ending 910: 896: 890: 882: 876: 865: 864: 854: 842:Randy Newman 828: 827: 815:Happy Ending 812: 774: 736: 664:compact disc 655: 654: 626: 619:sophisti-pop 614: 612: 605:, featuring 600: 598: 579: 552:Vinnie Zummo 505: 489:frequencies. 450:Jumpin' Jive 439: 435: 419: 383: 381: 341:Masonic Hall 338: 334:Masonic Hall 321: 318:Grammy Award 309: 307: 303:compact disc 297: 286: 280: 274: 258: 256: 248:Happy Ending 228:sophisti-pop 206: 205: 204: 189: 181: 180: 171: 109:sophisti-pop 73:Masonic Hall 62:January 1984 39:Studio album 15: 3208:1984 albums 3146:Other songs 3038:A Slow Song 2961:I'm the Man 2819:Live albums 2770:Night Music 2647:I'm the Man 2640:Look Sharp! 2620:Graham Maby 2607:Discography 2596:Joe Jackson 2513:Kent, David 2083:" (1984). 1828:" (1984). 1682:21 November 1112:Ellen Foley 1087:Graham Maby 998:"Go for It" 921:Joe Jackson 855:Get Happy!! 607:Paul Newman 602:The Verdict 572:Graham Maby 560:jazz guitar 516:cha-cha-chá 363:Ellen Foley 288:I'm the Man 282:Look Sharp! 240:Latin music 216:Joe Jackson 160:Joe Jackson 153:Joe Jackson 44:Joe Jackson 3202:Categories 3003:Beat Crazy 2996:One to One 2989:Mad at You 2975:Kinda Kute 2855:At the BBC 2763:Will Power 2654:Beat Crazy 2396:2 February 2040:15 January 2009:15 January 1981:15 January 1897:15 January 1855:15 January 1742:15 January 1711:15 January 1621:15 January 1594:15 January 1496:References 1122:Production 1107:flugelhorn 1009:"Loisaida" 911:All songs 873:Latin jazz 838:Paul Simon 668:SPARS code 633:Simply Red 587:post-disco 548:flugelhorn 499:media help 474:"Loisaida" 293:soundtrack 162:chronology 75:(tracking) 3136:In 20-0-3 3087:Home Town 2848:Afterlife 2682:Big World 2351:0033-7064 2326:Kent 1993 2313:Billboard 2306:Billboard 2128:Kent 1993 2067:0144-5804 1975:Billboard 1806:Billboard 1588:Billboard 1408:Billboard 1365:Position 1334:Billboard 1317:UK Albums 1194:position 1083:– guitars 1066:Musicians 1061:Personnel 660:LP format 568:funk bass 345:classical 275:Producer 191:Big World 3017:Real Men 2724:The Duke 2710:Volume 4 2515:(1993). 2192:29800226 2034:AllMusic 1944:(2000). 1559:AllMusic 917:arranged 893:AllMusic 701:AllMusic 570:solo by 536:drum kit 532:timbales 144:Producer 84:(mixing) 59:Recorded 51:Released 41: by 3168:Come On 3045:Memphis 2925:Singles 2548:Discogs 2492:16 July 2451:16 July 2426:15 July 2371:15 July 2234:15 July 1480:60,000 1477:Silver 1465:50,000 1450:/sales 1441:Region 913:written 558:-style 524:canción 400:" and " 378:Artwork 349:Neumann 314:Memphis 195:(1986) 186:(1984) 177:(1983) 137:A&M 2809:Tucker 2523:  2466:Select 2464:  2458:Enter 2349:  2190:  2111:  2065:  1952:  1920:  1651:8 July 1419: 1166:Charts 1101:claves 1089:– bass 942:Length 846:Motown 834:'s 695:Rating 692:Source 594:Motown 591:'s 544:claves 520:bolero 115:Length 67:Studio 3178:Video 2468:1984 2308:200)" 2178:(PDF) 1801:(PDF) 1564:4 May 1462:Gold 1097:flute 1076:güiro 939:Title 556:bebop 540:güiro 512:salsa 508:Latin 212:album 132:Label 101:Latin 92:Genre 2738:Fool 2717:Rain 2521:ISBN 2494:2022 2453:2022 2428:2022 2398:2022 2373:2022 2347:ISSN 2236:2022 2188:OCLC 2109:ISBN 2063:ISSN 2042:2021 2011:2021 1983:2021 1950:ISBN 1918:ISBN 1899:2021 1857:2021 1744:2021 1713:2021 1684:2017 1653:2021 1623:2021 1596:2021 1566:2009 1457:NVPI 1410:200 1282:RMNZ 1192:Peak 1053:6:53 1042:4:18 1027:3:39 1012:5:33 1001:4:18 990:4:50 975:5:27 964:4:47 953:5:31 915:and 840:and 639:and 637:Sade 562:in " 408:Tour 285:and 238:and 236:jazz 105:jazz 2546:at 2343:RPM 2145:RPM 1472:BPI 1413:66 1406:US 1401:49 1393:67 1385:46 1380:RPM 1373:62 1340:20 1336:200 1331:US 1326:14 1321:OCC 1311:11 1299:41 1275:16 1261:21 1220:13 1214:RPM 1206:21 935:No. 919:by 647:". 554:'s 404:". 295:of 232:pop 97:Pop 3204:: 2485:. 2414:. 2389:. 2341:. 2310:. 2290:. 2224:. 2180:. 2148:. 2142:. 2031:. 2019:^ 2002:. 1991:^ 1972:. 1933:^ 1883:. 1865:^ 1848:. 1815:^ 1803:. 1735:. 1721:^ 1704:. 1692:^ 1673:. 1661:^ 1644:. 1631:^ 1612:. 1585:. 1574:^ 1557:. 1545:^ 1504:^ 1474:) 1459:) 1382:) 1323:) 1308:) 1296:) 1287:8 1284:) 1272:) 1258:) 1249:7 1246:) 1232:2 1229:) 1217:) 1203:) 1099:, 1047:9. 1032:8. 1017:7. 1006:6. 995:5. 980:4. 969:3. 958:2. 947:1. 927:. 635:, 578:. 518:, 514:, 358:3M 305:. 234:, 151:, 124:31 120:45 107:, 103:, 99:, 3170:" 3166:" 3163:" 3159:" 3156:" 3152:" 3138:" 3134:" 3131:" 3127:" 3124:" 3120:" 3117:" 3113:" 3110:" 3106:" 3103:" 3099:" 3096:" 3092:" 3089:" 3085:" 3082:" 3078:" 3075:" 3071:" 3068:" 3064:" 3061:" 3057:" 3054:" 3050:" 3047:" 3043:" 3040:" 3036:" 3033:" 3029:" 3026:" 3022:" 3019:" 3015:" 3012:" 3008:" 3005:" 3001:" 2998:" 2994:" 2991:" 2987:" 2984:" 2980:" 2977:" 2973:" 2970:" 2966:" 2963:" 2959:" 2956:" 2952:" 2949:" 2945:" 2942:" 2938:" 2935:" 2931:" 2588:e 2581:t 2574:v 2529:. 2496:. 2472:. 2455:. 2430:. 2400:. 2375:. 2238:. 2117:. 2069:. 2044:. 2013:. 1985:. 1958:. 1926:. 1901:. 1859:. 1746:. 1715:. 1686:. 1655:. 1625:. 1598:. 1568:. 1319:( 1240:( 1039:" 1035:" 1020:" 987:" 983:" 501:. 430:" 122::

Index


Studio album
Joe Jackson
Masonic Hall
Atlantic Studios
Genre
Pop
Latin
jazz
sophisti-pop
Label
A&M
Producer
David Kershenbaum
Joe Jackson
Joe Jackson
Mike's Murder
Big World
album
Joe Jackson
A&M Records
fully digital
sophisti-pop
pop
jazz
Latin music
You Can't Get What You Want (Till You Know What You Want)
Happy Ending
Be My Number Two
Sonny Rollins, Vol. 2

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