Knowledge (XXG)

Bosoms and Neglect

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263:'s "minimally revised" October 1979 production was "far better than the Broadway production"; although he still thought the play had "basic dramatic flaws", the new production humanized the characters (especially Henny) and offered "a clearer picture of the play's possibilities and the playwright's intentions." Gussow also reviewed a 1986 Off-Broadway production at the Perry Street Theatre and found that "the play has kept its assets and its flaws intact"; he thought that the play's structure "still seems like two disparate one-act dialogues sewn together to make up a full-length play" but that "it is more interesting than many other current plays" and that 552: 195:
at The Peter Norton Space on December 1, 1998 and closed on January 10, 1999. The play was directed by Nicholas Martin, with fight director Rick Sordelet, set design by James Noone, costume design by Gail Brassard, lighting design by Frances Aaronson, and sound design by Red Ramona. The cast starred
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is referenced in the play's title, and Scooper, her son; the first act involved Scooper and Deirdre, a girl who is another patient of Scooper's psychiatrist; and the second act focused again mainly on Henny and Scooper. This segmented structure, and the play's rapid shifts between comedy and
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that the play was the latest in a "series of unconsideredly churned-out catastrophes" that Guare had written after his early success. Simon characterized the play as having "three levels that stubbornly refuse to bend, and are not worth much individually either."
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had a similar opinion: "John Guare, whose recent plays contained a real allure in their crevices, has missed out completely this time. The crags of 'Bosoms and Neglect' show the geological markings of nothing much besides lead."
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Despite its failure on Broadway, the play soon received other productions, which met with more positive results and, over time, led to a re-evaluation of the play's position among Guare's works.
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Although the play had received positive reviews in its March 1979 tryout in Chicago, the initial New York production was not well received and closed after only four performances.
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The 1998 Signature Theatre Company production (which revised the structure to integrate the prologue into the first act) also met with critical approval. The
289:'s performance as the old lady" was "viciously articulate", and he characterized the play as "a way station between the playwright's first major work, 192: 649: 702: 628: 596: 440: 305:
a "finely balanced work which moves from wild comedy . . . to a beautifully modulated second act" and "one of Guare's best plays".
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A revised version was presented at the New York Theatre Workshop on March 26, 1986. Directed by Larry Arrick, the cast starred
377: 707: 574: 365: 316:"one of the more influential and devastating experiences in her years of going to the theatre" (In a 1997 interview with 742: 732: 533: 267:'s performance as Henny "reaches to the heart of the mother, offering a portrait of a woman flailing for life support." 722: 696: 685: 432: 291: 727: 260: 511: 486: 747: 407: 737: 588: 469: 460: 230: 225: 216:
In its original form, the play's prologue was a dialog between Henny, an aged, ailing mother whose
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on May 3, 1979, where it ran for 4 performances. Direction was by
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Henny's apartment, Deirdre's apartment, and Henny's hospital room.
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suffering, were not successful with early critics and audiences.
158:(Deirdre). For her performance, Kate Reid was nominated for the 165:
The play had premiered in a limited engagement at the
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Haun, Harry; Lefkowitz, David; and Simonson, Ribert.
512:"Theater: Guare's 'Bosoms and Neglect' at Yale Rep" 80: 70: 62: 44: 36: 26: 21: 206:Drama Desk Award for Outstanding Revival of a Play 160:Drama Desk Award for Outstanding Actress in a Play 429:John Guare: A Research and Production Sourcebook 301:(1990)." Later writers about Guare have called 184:(henny), Richard Cavanaugh, and April Shawhan. 204:(Henny). The production was nominated for the 8: 585:The New York Times Theatre Reviews 1999-2000 277:s Donald Lyons called it a "triumph", while 534:"Stage: John Guare's 'Bosoms And Neglect'" 18: 669:. New York: Dramatists Play Service 1980. 352: 350: 423: 421: 419: 417: 329: 360:, Dramatists Play Service Inc, 1999, 7: 623:(Cambridge University Press, 2000), 14: 583:, January 10, 1999, reprinted in 692:​Bosoms and Neglect​ 681:​Bosoms and Neglect​ 621:Modern American drama, 1945-2000 177:, that opened on March 1, 1979. 708:Internet Off-Broadway Database 393:Internet off-Broadway Database 103:, first staged in 1979 at the 1: 575:"Bosoms and Neglect" (review) 487:"Theater: Bosoms and Neglect" 403:"Drama Desk Loves A 'Parade'" 356:Guare, John. "Introduction", 196:David Aaron Baker (Scooper), 652:Playbill, September 26, 1998 553:"Don't Neglect a Guare Gem" 764: 697:Internet Broadway Database 686:Internet Broadway Database 433:Greenwood Publishing Group 295:(1971), and his last hit, 16:Play written by John Guare 298:Six Degrees of Separation 193:Signature Theatre Company 292:The House of Blue Leaves 497:(subscription required) 99:by American playwright 261:Yale Repertory Theater 427:Jane Kathleen Curry, 408:Daily News (New York) 589:Taylor & Francis 561:, December 16, 1998. 146:. The cast included 743:Fiction set in 1979 733:Plays by John Guare 520:, October 14, 1979. 723:Off-Broadway plays 703:Bosoms and Neglect 667:Bosoms and Neglect 633:Excerpts available 601:Excerpts available 580:The New York Times 539:The New York Times 517:The New York Times 492:The New York Times 445:Excerpts available 386:2014-02-23 at the 379:Bosoms and Neglect 358:Bosoms and Neglect 338:Bosoms and Neglect 303:Bosoms and Neglect 287:Mary Louise Wilson 256:The New York Times 242:The New York Times 202:Mary Louise Wilson 191:, produced by the 142:, and costumes by 124:Bosoms and Neglect 92:Bosoms and Neglect 22:Bosoms and Neglect 629:978-0-521-79410-7 597:978-0-415-93697-2 558:The New York Post 542:, April 13, 1986. 441:978-0-313-31252-6 88: 87: 63:Original language 755: 653: 646: 640: 614: 608: 568: 562: 549: 543: 527: 521: 505: 499: 498: 480: 474: 458: 452: 425: 412: 411:, April 20, 1999 400: 394: 375: 369: 354: 345: 334: 187:The play opened 132:Longacre Theatre 19: 763: 762: 758: 757: 756: 754: 753: 752: 713: 712: 676: 662: 660:Further reading 657: 656: 647: 643: 617:C. W. E. Bigsby 615: 611: 569: 565: 550: 546: 528: 524: 506: 502: 496: 481: 477: 473:, May 21, 1979. 459: 455: 426: 415: 401: 397: 391:Lortel Archives 388:Wayback Machine 376: 372: 355: 348: 335: 331: 326: 259:wrote that the 214: 167:Goodman Theatre 154:(Scooper), and 121: 105:Goodman Theatre 51: 49:Goodman Theatre 45:Place premiered 17: 12: 11: 5: 761: 759: 751: 750: 745: 740: 735: 730: 728:Broadway plays 725: 715: 714: 711: 710: 699: 688: 675: 674:External links 672: 671: 670: 661: 658: 655: 654: 641: 609: 563: 551:Donald Lyons, 544: 522: 500: 495:, May 4, 1979 475: 465:"Folie a Deux" 453: 413: 395: 370: 346: 328: 327: 325: 322: 213: 210: 200:(Deidre), and 198:Katie Finneran 120: 117: 86: 85: 82: 78: 77: 72: 68: 67: 64: 60: 59: 46: 42: 41: 38: 37:Date premiered 34: 33: 28: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 760: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 720: 718: 709: 705: 704: 700: 698: 694: 693: 689: 687: 683: 682: 678: 677: 673: 668: 665:Guare, John, 664: 663: 659: 651: 645: 642: 638: 634: 630: 626: 622: 618: 613: 610: 606: 602: 598: 594: 590: 586: 582: 581: 576: 572: 571:Vincent Canby 567: 564: 560: 559: 554: 548: 545: 541: 540: 535: 531: 526: 523: 519: 518: 513: 509: 504: 501: 494: 493: 488: 484: 479: 476: 472: 471: 466: 462: 457: 454: 450: 446: 442: 438: 434: 430: 424: 422: 420: 418: 414: 410: 409: 404: 399: 396: 392: 389: 385: 382: 380: 374: 371: 367: 363: 359: 353: 351: 347: 344: 341: 339: 333: 330: 323: 321: 319: 315: 311: 306: 304: 300: 299: 294: 293: 288: 284: 280: 279:Vincent Canby 276: 274: 273:New York Post 268: 266: 262: 258: 257: 252: 247: 244: 243: 238: 233: 232: 227: 222: 219: 218:breast cancer 211: 209: 207: 203: 199: 194: 190: 185: 183: 178: 176: 172: 168: 163: 161: 157: 156:Marian Mercer 153: 149: 145: 141: 138:, scenery by 137: 133: 129: 125: 118: 116: 114: 110: 106: 102: 98: 94: 93: 83: 79: 76: 73: 69: 65: 61: 58: 54: 50: 47: 43: 39: 35: 32: 29: 25: 20: 748:Comedy plays 701: 691: 680: 666: 644: 637:Google Books 620: 612: 605:Google Books 584: 578: 566: 556: 547: 537: 525: 515: 503: 490: 483:Richard Eder 478: 468: 456: 449:Google Books 428: 406: 398: 378: 373: 357: 337: 332: 317: 313: 307: 302: 296: 290: 282: 271: 269: 254: 248: 240: 237:Richard Eder 229: 223: 215: 189:Off-Broadway 186: 179: 164: 123: 122: 91: 90: 89: 75:Black comedy 443:, p. 20ff. 310:Paula Vogel 308:Playwright 136:Mel Shapiro 119:Productions 738:1979 plays 717:Categories 631:, p.381. 530:Mel Gussow 508:Mel Gussow 461:John Simon 366:0822217287 324:References 320:On Line). 265:Anne Meara 251:Mel Gussow 226:John Simon 182:Anne Meara 126:opened on 101:John Guare 31:John Guare 27:Written by 591:, 2002), 435:, 2002), 285:thought " 228:wrote in 212:Reception 152:Paul Rudd 150:(Henny), 148:Kate Reid 144:Willa Kim 140:John Wulp 470:New York 384:Archived 343:IBDB.com 318:Playbill 231:New York 175:Illinois 128:Broadway 113:Illinois 57:Illinois 706:at the 695:at the 684:at the 599:, p.9. 381:listing 340:listing 312:called 281:in the 171:Chicago 130:at the 109:Chicago 81:Setting 66:English 53:Chicago 627:  595:  439:  368:, p. 4 364:  314:Bosoms 283:Times 95:is a 71:Genre 625:ISBN 593:ISBN 437:ISBN 362:ISBN 97:play 40:1979 635:at 603:at 447:at 253:of 239:of 169:in 107:in 719:: 619:, 577:, 573:, 555:, 536:, 532:, 514:, 510:, 489:, 485:, 467:, 463:, 416:^ 405:, 349:^ 208:. 173:, 162:. 115:. 111:, 55:, 639:. 607:. 587:( 451:. 431:( 275:'

Index

John Guare
Goodman Theatre
Chicago
Illinois
Black comedy
play
John Guare
Goodman Theatre
Chicago
Illinois
Broadway
Longacre Theatre
Mel Shapiro
John Wulp
Willa Kim
Kate Reid
Paul Rudd
Marian Mercer
Drama Desk Award for Outstanding Actress in a Play
Goodman Theatre
Chicago
Illinois
Anne Meara
Off-Broadway
Signature Theatre Company
Katie Finneran
Mary Louise Wilson
Drama Desk Award for Outstanding Revival of a Play
breast cancer
John Simon

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