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Cleansing's The Rain in
Endless Fall, Shadows Fall's With Somber Eyes to the Sky, and Unearth's Above the Fall of Man all being released within a year of each other (1998-99). It is unclear who first got the idea to combine the two styles. Darkest Hour had released an EP called The Misanthrope in 1996 which arguably contained elements of their later sound but was for the most part aggro-hardcore in the vein of Damnation a.d. On the other hand, Day of Suffering's 1997 album The Eternal Jihad is cited as an influence for many of the North Carolina bands that followed, such as Undying and Overcast is seen as having started the genre in Massachusetts.
1112:(SS Decontrol): The Boston Punk scene was a congregation of drugged-out losers. They had this elitist attitude. I could not get with it at all. It was an older thing: The Neighborhoods and Mission Of Burma the established bands - but they had no connection to me; the guitars weren't heavy. I remember I went to a Neighborhoods show in 1980 or 1981. There was this Punk there, Bob White, who was the first victim of some kind of ritual slam thing with me. The other guy I was with got busted because we slammed this Punk around so hard.
20:
2815:(Boston scene): Boston was much more violent than slamming I'd seen anywhere else. We described it as "punching penguins." It had a name — "The Boston Thrash." New York had that big circle-storm thing. DC wasn't as organized — more chaotic with more diving. LA was the king of running in circles with no sense of rhythm to it. When you watched The Decline Of Western Civilization you said, "That's slamdancing!" But Boston really changed things.
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2612:: To me, though, it was a light bulb moment, because I saw kids that looked cool to me and they were proud to be straight. I immediately saw the power of that, and for the first time ever I connected cool with being straight. I wanted to try to take that example of being straight edge and being cool, and bring that to Boston and basically spread it to the rest of the world. I wanted to run with it.
2617::I remember driving home to Boston that night with Al after the Black Flag show at Irving Plaza in New York. We had this talk that we were going to make a conscious decision to take on this whole straight edge thing. We weren't big drinkers. We'd drink a beer here and there. But when we saw those D.C. kids and how cohesive they were, we wanted to model the Boston scene on the whole D.C. scene.
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2607:: Straight edge hit me at a point in my life where drinking wasn't really important. Personally, drinking was already over for me. So when Henry told me about straight edge, it just became a very natural influence. I didn't ever say anything to the people with me, like, "Hey, we have to stop drinking and be straight edge." That was never said. Ever.
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Sciarappa and drummer Chris Foley - came through throat-shredding vocalist Phil "Springa" Spring; one of HC's great frontmen and a scrappy fucker, the former
Outlets roadie could slamdance and stagedive with the best of 'em. SS Decontrol's first album, 1982's The Kids Will Have Their Say (the debut on Al's X-Claim! label), certifies as a classic.
2638:: Minor Threat wrote the song "Straight Edge." Boston took it further by bringing that Boston-tough-guy thing into straight edge. Kids in D.C. were not slapping beers out of people's hands. They weren't preaching about lifting weights and eating red meat. We took it to a different place. The branding of straight edge was solidified in Boston.
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Greg W: In Boston, Ten Yard Fight and In My Eyes had been the bands that were setting the tone for kids my age. Then
American Nightmare got really big in Boston. I think that was a reaction to Ten Yard Fight and In My Eyes going on for so long. Kids didn't want to be the clean-cut straight edge; they
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Chris Wrenn: By 1999, Ten Yard Fight broke up, and In My Eyes and
Floorpunch broke up soon after. That was the time for the next shift. Tim Cossar from Ten Yard Fight was my roommate, and when that band was breaking up, he started putting together American Nightmare. American Nightmare weren't really
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The early '90s was full of bands who promoted a straight edge lifestyle, but sounded more metal and played slower. Then the mid'90s brought bands made up of older guys from the late '80s who wanted that more traditional sound. There were younger guys who wanted that as well. So around 1996 or 1997, a
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In the 1980s, the Boston scene made heavy use of slam dancing, influenced by that found in the Los
Angeles and Washington D.C. scene, however more violent, incorporating punching below the neck, a style called the "Boston thrash" or "punching penguins". Another style of moshing common was "pig piles"
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Howard ist in vielen belangen ein eher gelassener Typ, der seine
Meinung nicht unbedingt jedem aufbindet, dass wird auch sehr deutlich wenn man auf das Thema Straight Edge zu sprechen kommt: Ich denke, dass es für mich das Richtige ist, wenn es für jemanden anders aussieht, dann ist das in Ordnung.
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Greg W: When we formed the band Mental, it was a reaction to bands in our area like
American Nightmare and Panic. We wanted to do something that was different to what was going on at the time. Luckily, the older people who got me into hardcore as a kid put me onto classic New York hard-core. I could
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Alan Barile, a beer-drinkin' hockey jock from blue-collar Lynn, MA, transformed himself in 1981 after seeing Minor Threat at New York's Irving Plaza. He established what became Boston
Hardcore, and almost everyone fell in line with his uncompromising ethos. With shaved head, Straight Edge militancy
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Chris Wrenn: I saw Have Heart picking up the straight edge torch afte Mental. Bands like
American Nightmare and No Warning only had black T-shirts. When Bridge Nine Records started working with Have Heart, Pat's only concern was that we didn't make black T-shirts for the band, and I don't think we
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SS DECONTROL got started by Barile in the summer of 1981. Originally "Society System
Decontrol," they shortened the name to SS Decontrol, then again to SSD. For a year or two, they were incredible. The virulent anti-drug lyrics of vicious guitarist Al - driven by the potent rhythm of bassist Jaime
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Kids in the pit jumped on each other in "pig-piles." This unique local pastime, like the scene itself, often turned into a scary mess. At some point they'd throw some kid onstage and pigpile him right there. There'd be as many as twenty kids — stacked up so high they'd touch the lights — crushing
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The clique of twenty or so Straight Edge toughs that formed around Al Barile and SSD got known as Boston Crew. They shaved their heads both as a belligerent Hardcore statement and to differentiate themselves from New Wave types with dumb angular haircuts. Boston Crew are the ones running up the
1781:
While death metal and hardcore had always intermingled to an extent, the first clearly identifiable instances of melodic Swedish metal being combined with hardcore seem to have sprung almost simultaneously, with Undying's This Day All Gods Die, Darkest Hour's The Prophecy Fulfilled, Prayer for
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Straight edge remained prominent in Boston, with straight edge members being a part of Converge, Have Heart, American Nightmare, All That Remains and Killswitch Engage. It experienced a major resurgence in the 1990s with youth crew revival bands such as In My Eyes, Bane and Ten Yard Fight.
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who told them about straight edge. On their drive back to Boston, the members of the crew decided they "were going to make a conscious decision to take on this whole straight edge thing". Boston hardcore musicians and took a more militant stance to the ideology. In Tony Rettman's book
186:. Formed in 1981 and performing live for the first time on September 19 of the same year, SSD influenced the formation of a Boston hardcore scene. The groups of bands especially influenced by SSD and their straight edge philosophy called themselves the Boston Crew, which included
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were one of the earliest and most prominent groups from the city, formed in 1990. Using Rorschach's music as their sonic template, the band's experimental attitude, emotional lyrics and attention to dynamics led to them becoming one of the most influential bands in the genre.
966:. In reference to the event, Boston police spokeswoman Officer Nicole Grant stated "Dancing is a First Amendment right, but the behavior itself is a violation, especially when it becomes dangerous and a public safety hazard". On March 13, an article was published in the
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wanted something darker. Bands like Hope Conspiracy and Converge were more metal. Trust me, we were into American Nightmare, but it reached a point where every band was an American Nightmare junior. I was just so sick of seeing T-shirts with scratchy fonts and all that.
315:, a solo singer who contrary to straight edge used large amounts of drugs and alcohol, eventually dying of a heroin overdose. Allin's stage show included defecating on stage and then throwing his feces at the audience. At this time, a prominent venue was the
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capitol stairs on the first SSD album's cover. Crew bands included SSD, DYS and Negative FX. Other great Boston HC groups like Gang Green, The FU's, Jerry's Kids and The Freeze smoked weed or drank beer, thus exluding themselves from the Straight Edge pack.
483:
By 1999 and 2000, the youth crew revival was in decline, with Ten Yard Fight, In My Eyes and Floorpunch all disbanding. As a reaction against the homogeneity and simplicity that scene had developed, Ten Yard Fight guitarist Tim Cossar and the band's roadie
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eventually classified FSU as a street gang, which used violent methods and repeatedly assault people at hardcore shows and on Boston streets. In conjunction with the gang activities, James eventually did time in jail for extortion. The group released two
2777:(Howard is in many respects a rather serene guy who does not necessarily tie his opinion to anyone, that is also very clear when the topic of straight edge comes: I think it's the right thing for me, if it looks different for someone, it's all right).
2810:: It's a Boston thing. I think I was the first person to push someone down and start the pile. This D.O.A. show at The Underground was the first pigpile I remember. It got so crazy the drummer trashed his kit and jumped on top of the pile...
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A local scene coalesced at early SSD shows. They first gigged September 19, 1981 at the Gallery East, second in Cape Cod that November at the Mill Hill Club in Yarmouth, MA, third on December 26 in Boston at Street's, an uncool Rock
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The dancefloor action could turn savage but it was never about hits above the shoulders or blatant shots to the face. There were plenty of bloody or broken noses, but after knocking someone down, you'd bend over and pick them
2602::Henry Rollins was the first one of the D.C. guys to talk to us. He said he heard from the Black Flag guys that the Boston Crew was cool. We hung out with him a little bit and Henry told us about the straight edge thing.
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stated that Converge "put the final sealing blow on their status as a legend in the world of metallic hardcore" with the album, calling it "an experience -- an encyclopedic envelopment of so much at once."
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By the 2000s, the melodic death metal-influenced style of metalcore had become increasingly prominent, with this bands soon separating themselves into their own scene, which Converge vocalist
124:
began making music influenced by its music but centred on darker and nihilistic lyrics. In the following years, a reaction also took place against this lyrical style, which led to the rise of
2956:"FBI — Alleged Founder of Street Gang that Uses Violence to Control Hardcore Punk Rock Music Scene Arrested on Extortion Charge for Shaking Down $ 5,000 from Recording Artist for Protection"
2263:
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3008:"Alleged Founder of Street Gang that Uses Violence to Control Hardcore Punk Rock Music Scene Arrested on Extortion Charge for Shaking Down $ 5,000 from Recording Artist for Protection"
326:, with the lattermost doing so also changing their name to Straw Dogs. By the end of the year, both SSD and DYS had disbanded. Members of the Boston Crew then went on to form the band
397:
As a reaction against the dominance of metal-influenced hardcore amongst straight edge bands, around 1996, a revival of the sound of the youth crew bands began. Bands including
2206:
2597:: The initial members of Boston Crew went to New York and saw Black Flag at Irving Plaza. Somehow I met Henry Rollins and he told me about the straight edge thing in D.C.
1804:
a crazy departure from Ten Yard Fight, but it was definitely darker. All of a sudden, all the bands that had red T-shirts or royal-blue T-shirts only sold black T-shirts.
984:, in which he stated he didn't agree with the police department's decision, and that he believed "Boston is just asking people to stop pumping money into their clubs".
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by Converge "the high watermark of the Boston scene ". Around this time, many of these acts international mainstream attention, with Cave In signing to the major label
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Converge's album was released on 4 September 2001 to universal critical and fan acclaim. The album influenced the development of the sound of other U.S. bands like
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and Floorpunch, used the key aspects of late 1980s bands such as the gang vocals, high tempos and lyrical themes of straight edge, unity and vegetarianism.
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At the beginning of the 2000s, many of the bands from Boston's 1990s metalcore began becoming increasingly experimental, with Cave In starting to make
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496:. American Nightmare's influence was apparent promptly in their home of Boston, then expanded nationally with the release of their 2001 debut album
907:(2017), multiple proponents say that although straight edge was first thought of in Washington D.C., it was "solidified" as an ideology in Boston.
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2656:
1123:: SSD were the guys. Without SSD, there wouldn't've been a Boston Crew, a Hardcore scene or a Straight Edge scene. Give credit where it's due.
492:. Although still musically rooted in the youth crew revival, the band's negative, poetic lyrics of self-loathing were inspired by groups like
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on February 21 of the same year where sixty concertgoers moshed, during which one person was knocked to the ground and received a
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released a statement announcing that they would crack down on moshing during live events. This came following a performance by
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Straight edge has long been impactful on Boston hardcore. The ideology came to Boston after the members of the Boston Crew saw
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68:(1982). By 1986, many of these bands had either disbanded or departed from the hardcore genre, instead beginning to play
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in which one person was pushed to the ground and others would begin to pile on top of them. This originated during a
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and take-no-prisoners physicality, Al embodied modern HC stereotypes. He was the Pavarotti of shots to the body...
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gained prominence in the national hardcore scene during the 2010s for their fusion of 1990s style metalcore, with
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1911:"Have Heart announce final show with Bane, Shipwreck a.d." punknews.org. August 22, 2009. Retrieved May 13, 2010.
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Hughes, Josiah. "American Nightmare Announce New Album, Share "The World Is Blue"". Retrieved November 25, 2019.
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1009:, a musician involved in the militant faction of the Boston straight edge scene, helped found the organization
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bands in the late 2000s and early 2010s. Their discography narrates an overarching story of a working class
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and Unearth criticised this decision. On 2 April, the person who was concussed was interviewed by the blog
112:. By 2000, the youth crew revival had declined, and in response to its lyrical positivity, bands including
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into old New York and D.C. hardcore. We worshipped it, and we wanted to bring that style of music back...
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A reaction against this movement also took place, which began with Mental, who were quickly followed by
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never connect to any of that baggy-pants Victory Records stuff too much. The guys in Mental and I were
1013:. By the early 2000s, there were FSU chapters in Philadelphia, Chicago, Arizona, Los Angeles, Seattle,
267:, who described them as the fastest band he had ever heard. Numerous pioneering bands establishing the
96:
genre. However, a reaction against this metal influence quickly took place, which led to the mid-1990s
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823:, which, as of 1 October 2008, sold 175,000 copies in the United States. All That Remains' 2008 album
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2013:
1749:"Remembering the Rat, the Famously Violent Boston Punk Club That's Now a Luxury Hotel Suite"
1695:"Wesley Eisold of American Nightmare Talks Legacy, Mental Health and Stripped Back Hardcore"
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During the 1990s, Boston hardcore show attracted increased violence, with a 2014 article by
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began to have success among heavy metal fans in 2004 with the release of their second album
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named it their 2001 Album of the Year, and it was named the greatest album of the 2000s by
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2643:: I think that Minor Threat wrote the script, and then SS Decontrol codified the message.
1920:
Break-ups: Verse (2003–2009) Punknews.org, February 9, 2009. Retrieved February 13, 2009.
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genre. The first band to make use of this fusion was Overcast, who were soon followed by
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formed a hardcore nascent scene in the city that was notably captured on the compilation
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As the 1990s drew to a close, a wave of metalcore bands began incorporating elements of
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476:, but the band's negative, poetic lyrics of self-loathing were inspired by groups like
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subgenres in the 1980s cited Siege as a formative influence, including British groups
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240:, a compilation album of the Boston hardcore scene. In addition to Modern Method was
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2425:"ALL THAT REMAINS: Behind-The-Scenes Footage From 'Two Weeks' Video Shoot Available"
1508:"Jonathan Anastas (DYS, Slapshot, Decadence) Looks Back on His Boston Hardcore Days"
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Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces
1486:"The Mighty Mighty Bosstones Complete a Trilogy They Started Nearly 10 Years Ago"
1026:
movies featuring interviews with members, fights and live performances by bands.
244:, who released material by a number of the aforementioned Boston hardcore bands.
2799:
1558:"UNEARTH Names The 11 Best Lesser-Known Metalcore Classics, Announces New Album"
1398:
Steven Blush. American Hardcore: a Tribal History. Feral House, 2010. p. 190-191
1330:
1327:"GG Allin: the Gruesome Life and Tragic Death of the Most Shocking Man in Music"
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chart on 17 July 2004. On that same day, the album peaked at number 105 on the
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formed in Boston in 2008. The band went on to be one of the forefront acts in
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1846:"Charts", Billboard. August 23, 2008, pp. 40–41. Retrieved December 25, 2011.
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chart, respectively. All That Remains achieved success with their 2006 album
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By 1986, the scene was in decline, SSD, DYS and the F.U.'s has begun to play
2264:"American album certifications – Killswitch Engage – The End of Heartache"
374:
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referred to as the "commercial metalcore scene". This scene was fronted by
152:
214:, although a part of this scene were set apart significantly due to their
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2037:"Converge's Jane Doe: revisiting the album that changed hardcore forever"
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2282:"American album certifications – Killswitch Engage – As Daylight Dies"
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and New Jersey, and they were considered to have about 200 members. The
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from the scene. By the end of the decade it had succeeded in this goal.
571:," the group's leanings toward the mainstream are undeniable throughout
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as three bands who in particular "left a noteworthy mark" in the scene.
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into their sound. This formed an early version of what would become the
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Despite writing a mere 20 minutes of music and never playing outside of
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that "While you wouldn't go quite as far as calling Energy "a hardcore
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426:, writer John Liam Policastro called it "Boston's legendary shithole".
85:
2128:"Sputnikmusic - Top 100 Albums of the Decade (10-1) « Staff Blog"
757:(RIAA) in 2007 and 2009, respectively. Killswitch Engage's 2002 album
159:
was formed in 1985 by members of early Boston hardcore acts including
43:
1229:
Choosing Death: The Improbable History of Death Metal and Grindcore
763:, as of 3 July 2004, has sold 114,000 copies in the United States.
1984:"The Year In Post-Hardcore: Has the New Wave Crested? – Pitchfork"
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151:
18:
2678:"Have Heart return, announce five shows spanning the U.S. and UK"
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in the hands of fans as they kicked the crap out of each other".
2871:"Boston Concussion Victim Speaks Out Against City's Moshing Ban"
2835:"House of Blues cited as city cracks down on dance-floor mayhem"
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called them "the most explosive live act in hardcore today" and
1641:"Top 10 Best '90s Proto-Metalcore Albums That Shaped the Genre"
871:
called them "the group on a mission to push hardcore forward".
307:, both of whom would come to Boston to play shows. From nearby
2478:"6 Underground Metalcore Bands Redefining The Scene Right Now"
1724:"Chain of Strength The One Thing That Still Holds True (1996)"
1665:
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537:. Have Heart's success led to the rise in popularity of other
1353:"The Ballad of a Bloody, Poop-Throwing Punk-Rock 'Terrorist'"
2534:"Meet Vein, the group on a mission to push hardcore forward"
182:
perform in New York City, Boston's first hardcore band was
31:
had the highest attendance of any hardcore show in history.
1068:"Have Heart's Reunion Was The Biggest Hardcore Show Ever"
998:
FSU formed in Boston in the 1980s in an attempt to expel
381:
who formed in 1990. Much of this scene were based around
2932:"Left Hook: A Brief History of Nazi Punching in America"
2453:"All That Remains Chart History (Mainstream Rock Songs)"
1168:"The Return of Boston Hardcore Anomaly, The Proletariat"
2207:"Shadows Fall to Co-Headline Sounds of the Underground"
1900:
ever did; red and royal blue definitely, but not black.
2700:"Boston Was The Reason Why Wesley Eisold Felt So Blue"
2153:"Killswitch Engage Chart History (Heatseekers Albums)"
3084:"RECALL: BOSTON BEATDOWN DOCUMENTARY, VOL. II (2004)"
2506:"Vein: The Most Explosive Live Act In Hardcore Today"
1460:"Straight Edge: A Clear-Headed Hardcore Punk History"
1410:"SS DECONTROL: Comeback der 80er Hardcore-Punk-Band?"
194:, while other early bands to join the scene included
132:. The 2000s also saw mainstream successful of Boston
1821:"A Brief Overview of Boston Hardcore In Nine Albums"
1294:
American Hardcore (Second Edition): A Tribal History
174:
and the Neighbourhoods, and feeling enfranchised by
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1740:
1530:"7 BANDS LEADING MASSACHUSETTS HARDCORE'S NEW WAVE"
697:received significant commercial success with their
2631:Straight Edge A Clear-Headed Hardcore Punk History
2590:Straight Edge A Clear-Headed Hardcore Punk History
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2417:
1888:Straight Edge A Clear-Headed Hardcore Punk History
1799:Straight Edge A Clear-Headed Hardcore Punk History
1672:Straight Edge A Clear-Headed Hardcore Punk History
1291:Blush, Steven; Petros, George (October 19, 2010).
930:set, and was initiated by SSD vocalist Al Barile.
905:Straight Edge A Clear-Headed Hardcore Punk History
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563:review, Greg Prato wrote about the label's band
373:dominated the scene. At the same time, an early
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170:Disheartened by Boston's local punk bands like
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2091:, Albert Mudrian (ed.), Da Capo Press, p. 331.
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1957:"Why death is impossible in Defeater's world"
369:gained national attention during a time when
8:
2397:"Unearth Chart History (Independent Albums)"
2343:"Unearth Chart History (Heatseekers Albums)"
1578:
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1029:FSU members were present in bands including
1866:"The Hope Conspiracy Death Knows Your Name"
1212:: CS1 maint: numeric names: authors list (
939:recalling that "It was not uncommon to see
840:song "Two Weeks" peaked at number 9 on the
502:, being followed by a wave bands including
255:became highly influential. Their tracks on
46:. Beginning the early 1980s, bands such as
522:, called Boston bands American Nightmare,
259:exposed them to wide audiences, including
2286:Recording Industry Association of America
2268:Recording Industry Association of America
755:Recording Industry Association of America
2728:"Metal Special: The Black Dahlia Murder"
1585:"How Boston hardcore changed rock music"
1189:"How Boston hardcore changed rock music"
345:
1058:
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2323:from the original on 20 February 2021
1931:"Invasions of the Mind album credits"
72:. During the 1990s, the influence of
7:
1613:"5-10-15-20: Converge's Kurt Ballou"
813:peaked at numbers 6, 2 and 3 on the
731:chart. In 2004, Killswitch Engage's
2962:from the original on April 28, 2014
2795:American Hardcore: A Tribal History
2012:. Change The Record. Archived from
1408:Hereth, Simon (February 17, 2020).
1351:Schager, Nick (December 13, 2018).
1141:American Hardcore: A Tribal History
1100:American Hardcore: A Tribal History
943:in handkerchiefs, chains, and even
648:as well as international acts like
76:became prominent in the scene with
3035:"Boston Beatdown Volume II (2004)"
2944:from the original on July 5, 2019.
2178:"Killswitch Engage Chart History (
1047:All Ages: The Boston Hardcore Film
773:, which peaked at number 1 on the
92:becoming prominent figures in the
14:
2981:Binelli, Mark (August 23, 2007).
2911:from the original on July 7, 2019
2897:Seling, Megan (January 5, 2006).
2766:from the original on 30 July 2016
2756:"Interview mit Killswitch Engage"
1677:full Youth Crew revival happened.
743:, Killswitch Engage's 2004 album
338:also originated from this scene.
283:. Further outside of Boston were
27:'s 2019 reunion show outside the
2087:J. Bennett, "Who's That Girl?",
1722:Hamilton, Jake (April 8, 2015).
1379:"Gallery East heyday on display"
1253:"Interview: Carcass' Bill Steer"
753:were both certified gold by the
553:, and the rise in prominence of
3012:Federal Bureau of Investigation
1611:Breihan, Tom (7 January 2010).
1556:Kennelty, Greg (3 March 2023).
1435:"Music man – BCM – Spring 2004"
1066:Bastias, Steven (8 July 2019).
1019:Federal Bureau of Investigation
721:. In 2002, Killswitch Engage's
353:are an influential band in the
2726:Tagat, Anurag (26 June 2014).
2562:"Icons of Rock: Wesley Eisold"
2307:. Vol. 116, no. 27.
2239:"Shadows Fall (Chart History)"
2035:Hill, Stephen (5 April 2017).
1775:Sfetcu, Nicolae (7 May 2014).
1251:Gamble, Billy (7 April 2014).
1:
2657:"Straight-edgers just say no"
2299:Christman, Ed (3 July 2004).
1464:Daily.redbullmusicacademy.com
2309:Nielsen Business Media, Inc.
1583:Hill, Stephen (March 2020).
1297:. Feral House. p. 278.
1232:. Feral House, 2004, pp. 47
1187:March 2020, Stephen Hill01.
377:developed in Boston, led by
2813:"Straight Edge" Hank Peirce
2754:Dario (22 September 2006).
1819:Blair, Ed (March 5, 2020).
829:peaked at number 16 on the
797:peaked at number 45 on the
791:200. The band's 2008 album
787:peaked at number 35 on the
623:writer Stephen Hill called
336:the Mighty Mighty Bosstones
3139:
2301:"Atreyu Gets Victory Plan"
2102:"Best Albums of the 2000s"
991:
918:
883:
781:200. Unearth's 2006 album
2930:Enzinna, Wes (May 2017).
1314:– via Google Books.
807:III: In the Eyes of Fire'
727:reached number 37 on the
619:emerging from the scene.
309:Manchester, New Hampshire
2368:"Unearth Chart History (
952:Boston Police Department
784:III: In the Eyes of Fire
389:after moving to Boston.
237:This Is Boston, Not L.A.
218:guitars, influence from
65:This Is Boston, Not L.A.
1747:Policastro, John Liam.
1506:Begnal, Anthony Allen.
760:Alive or Just Breathing
724:Alive or Just Breathing
472:'s music was routed in
420:. In a 2014 article by
385:, which was founded by
291:(which featured future
3057:"Punk Rock Fight Club"
2983:"Punk Rock Fight Club"
844:chart on 16 May 2009.
702:
480:
444:Somber Eyes to the Sky
358:
167:
32:
2899:"The Show Must Go On"
2698:Pappalardo, Anthony.
2064:"Jane Doe - Converge"
2010:"Interview: Defeater"
1031:Death Before Dishonor
842:Mainstream Rock Songs
693:
633:and touring with the
597:Post-World War II Era
574:Invasions of the Mind
468:
454:Above the Fall of Man
349:
285:Western Massachusetts
232:Modern Method Records
155:
22:
2805:those on the bottom.
2610:Alison "Mouse" Braun
2132:www.sputnikmusic.com
1148:. pp. 243–244.
1011:Friends Stand United
994:Friends Stand United
745:The End of Heartache
734:The End of Heartache
518:. A 2011 article by
361:In the early 1990s,
257:Cleanse the Bacteria
2733:Rolling Stone India
1990:. December 30, 2014
1703:. February 16, 2018
1281:Glasper 2009, p. 12
1005:In the late 1990s,
972:, where members of
894:at Irving Plaza in
670:Terrorizer Magazine
611:and Aaron Turner's
524:the Hope Conspiracy
431:melodic death metal
363:Only Living Witness
122:the Hope Conspiracy
29:Worcester Palladium
1955:Pearlman, Mischa.
898:. There, they met
820:The Fall of Ideals
815:Independent Albums
775:Heatseekers Albums
770:The Oncoming Storm
729:Heatseekers Albums
703:
660:. Blake Butler of
512:Modern Life Is War
490:American Nightmare
481:
470:American Nightmare
383:Hydra Head Records
359:
168:
144:and Shadows Fall.
114:American Nightmare
33:
3121:Culture of Boston
3033:Terweduwe, Hein.
2760:www.allschools.de
2219:on 19 August 2011
2108:. 2 December 2009
1226:Mudrian, Albert.
982:Punk Rock Pravada
737:, Shadows Fall's
711:Killswitch Engage
699:melodic metalcore
695:Killswitch Engage
686:Melodic metalcore
609:progressive music
539:positive hardcore
516:Killing the Dream
435:melodic metalcore
371:New York hardcore
330:. The members of
230:lyrics. In 1982,
138:Killswitch Engage
134:melodic metalcore
128:bands Mental and
126:positive hardcore
3128:
3095:
3094:
3092:
3090:
3080:
3074:
3073:
3071:
3069:
3052:
3046:
3045:
3043:
3041:
3030:
3024:
3023:
3021:
3019:
3004:
2998:
2997:
2995:
2993:
2987:Rollingstone.com
2978:
2972:
2971:
2969:
2967:
2952:
2946:
2945:
2927:
2921:
2920:
2918:
2916:
2894:
2888:
2887:
2885:
2883:
2869:Hughes, Josiah.
2866:
2857:
2856:
2854:
2852:
2843:. Archived from
2830:
2821:
2820:
2792:(October 2001).
2786:
2780:
2779:
2773:
2771:
2751:
2745:
2744:
2742:
2740:
2723:
2717:
2716:
2714:
2712:
2695:
2689:
2688:
2686:
2684:
2674:
2668:
2667:
2665:
2663:
2652:
2646:
2645:
2636:Jonathan Anastas
2626:
2620:
2619:
2585:
2579:
2578:
2576:
2574:
2557:
2551:
2550:
2548:
2546:
2529:
2523:
2522:
2520:
2518:
2501:
2495:
2494:
2492:
2490:
2474:
2468:
2467:
2465:
2463:
2449:
2443:
2442:
2440:
2438:
2433:. 1 October 2008
2430:Blabbermouth.net
2421:
2412:
2411:
2409:
2407:
2393:
2387:
2386:
2384:
2382:
2364:
2358:
2357:
2355:
2353:
2339:
2333:
2332:
2330:
2328:
2296:
2290:
2289:
2278:
2272:
2271:
2260:
2254:
2253:
2251:
2249:
2235:
2229:
2228:
2226:
2224:
2215:. Archived from
2212:Blabbermouth.net
2203:
2197:
2196:
2194:
2192:
2174:
2168:
2167:
2165:
2163:
2149:
2143:
2142:
2140:
2138:
2124:
2118:
2117:
2115:
2113:
2098:
2092:
2085:
2079:
2078:
2076:
2074:
2060:
2054:
2053:
2051:
2049:
2032:
2026:
2025:
2023:
2021:
2006:
2000:
1999:
1997:
1995:
1980:
1974:
1973:
1971:
1969:
1952:
1946:
1945:
1943:
1941:
1927:
1921:
1918:
1912:
1909:
1903:
1902:
1883:
1877:
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1874:
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1856:
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1847:
1844:
1838:
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1835:
1833:
1816:
1810:
1809:
1794:
1785:
1784:
1772:
1766:
1765:
1763:
1761:
1744:
1735:
1734:
1732:
1730:
1719:
1713:
1712:
1710:
1708:
1691:
1680:
1679:
1667:
1658:
1657:
1655:
1653:
1639:Martins, Jorge.
1636:
1630:
1629:
1627:
1625:
1608:
1602:
1601:
1599:
1597:
1580:
1569:
1568:
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1456:
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1449:
1447:
1445:
1431:
1425:
1424:
1422:
1420:
1414:Awayfromlife.com
1405:
1399:
1396:
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1389:
1387:
1385:
1374:
1368:
1367:
1365:
1363:
1348:
1342:
1341:
1339:
1337:
1322:
1316:
1315:
1313:
1311:
1288:
1282:
1279:
1273:
1272:
1270:
1268:
1259:. Archived from
1248:
1242:
1239:
1233:
1224:
1218:
1217:
1211:
1203:
1201:
1199:
1184:
1178:
1177:
1163:
1157:
1156:
1138:(October 2001).
1132:
1126:
1125:
1097:(October 2001).
1091:
1085:
1084:
1082:
1080:
1063:
1015:upstate New York
978:Dropkick Murphys
976:, Shadows Fall,
839:
750:As Daylight Dies
587:, a movement of
555:Bridge 9 Records
528:the Suicide File
499:Background Music
367:Sam Black Church
172:Mission of Burma
142:All That Remains
136:bands including
118:the Suicide File
3138:
3137:
3131:
3130:
3129:
3127:
3126:
3125:
3101:
3100:
3099:
3098:
3088:
3086:
3082:
3081:
3077:
3067:
3065:
3055:Binelli, Mark.
3054:
3053:
3049:
3039:
3037:
3032:
3031:
3027:
3017:
3015:
3014:. July 14, 2009
3006:
3005:
3001:
2991:
2989:
2980:
2979:
2975:
2965:
2963:
2954:
2953:
2949:
2929:
2928:
2924:
2914:
2912:
2896:
2895:
2891:
2881:
2879:
2868:
2867:
2860:
2850:
2848:
2832:
2831:
2824:
2816:
2811:
2806:
2802:. p. 249.
2788:
2787:
2783:
2769:
2767:
2753:
2752:
2748:
2738:
2736:
2725:
2724:
2720:
2710:
2708:
2697:
2696:
2692:
2682:
2680:
2676:
2675:
2671:
2661:
2659:
2654:
2653:
2649:
2639:
2629:Rettman, Tony.
2628:
2627:
2623:
2615:Jaime Sciarappa
2613:
2608:
2603:
2600:Jaime Sciarappa
2598:
2588:Rettman, Tony.
2587:
2586:
2582:
2572:
2570:
2559:
2558:
2554:
2544:
2542:
2532:Hill, Stephen.
2531:
2530:
2526:
2516:
2514:
2504:Fixell, Ethan.
2503:
2502:
2498:
2488:
2486:
2476:
2475:
2471:
2461:
2459:
2451:
2450:
2446:
2436:
2434:
2423:
2422:
2415:
2405:
2403:
2395:
2394:
2390:
2380:
2378:
2366:
2365:
2361:
2351:
2349:
2341:
2340:
2336:
2326:
2324:
2298:
2297:
2293:
2280:
2279:
2275:
2262:
2261:
2257:
2247:
2245:
2237:
2236:
2232:
2222:
2220:
2205:
2204:
2200:
2190:
2188:
2176:
2175:
2171:
2161:
2159:
2151:
2150:
2146:
2136:
2134:
2126:
2125:
2121:
2111:
2109:
2100:
2099:
2095:
2086:
2082:
2072:
2070:
2062:
2061:
2057:
2047:
2045:
2034:
2033:
2029:
2019:
2017:
2008:
2007:
2003:
1993:
1991:
1982:
1981:
1977:
1967:
1965:
1954:
1953:
1949:
1939:
1937:
1929:
1928:
1924:
1919:
1915:
1910:
1906:
1898:
1886:Rettman, Tony.
1885:
1884:
1880:
1870:
1868:
1864:
1863:
1859:
1854:
1850:
1845:
1841:
1831:
1829:
1818:
1817:
1813:
1805:
1797:Rettman, Tony.
1796:
1795:
1788:
1777:The Music Sound
1774:
1773:
1769:
1759:
1757:
1746:
1745:
1738:
1728:
1726:
1721:
1720:
1716:
1706:
1704:
1693:
1692:
1683:
1670:Rettman, Tony.
1669:
1668:
1661:
1651:
1649:
1646:Ultimate Guitar
1638:
1637:
1633:
1623:
1621:
1610:
1609:
1605:
1595:
1593:
1582:
1581:
1572:
1562:
1560:
1555:
1554:
1550:
1540:
1538:
1527:
1526:
1522:
1512:
1510:
1505:
1504:
1500:
1490:
1488:
1483:
1482:
1478:
1468:
1466:
1458:
1457:
1453:
1443:
1441:
1433:
1432:
1428:
1418:
1416:
1407:
1406:
1402:
1397:
1393:
1383:
1381:
1377:Sullivan, Jim.
1376:
1375:
1371:
1361:
1359:
1357:The Daily Beast
1350:
1349:
1345:
1335:
1333:
1324:
1323:
1319:
1309:
1307:
1305:
1290:
1289:
1285:
1280:
1276:
1266:
1264:
1263:on 12 July 2014
1250:
1249:
1245:
1241:Mudrian 38, 126
1240:
1236:
1225:
1221:
1204:
1197:
1195:
1193:Loudersound.com
1186:
1185:
1181:
1166:Carnes, Aaron.
1165:
1164:
1160:
1152:
1134:
1133:
1129:
1119:
1116:
1113:
1107:. p. 243.
1093:
1092:
1088:
1078:
1076:
1065:
1064:
1060:
1055:
1043:
1035:Blood for Blood
1033:, Ramallah and
1024:Boston Beatdown
996:
990:
923:
917:
888:
882:
877:
850:
837:
747:and 2006 album
688:
631:Capitol Records
605:
463:
418:Blood for Blood
414:the Rathskeller
344:
212:The Proletariat
178:after watching
150:
36:Boston hardcore
17:
12:
11:
5:
3136:
3135:
3132:
3124:
3123:
3118:
3113:
3103:
3102:
3097:
3096:
3075:
3047:
3025:
2999:
2973:
2947:
2922:
2889:
2858:
2822:
2781:
2746:
2718:
2690:
2669:
2647:
2621:
2580:
2552:
2524:
2496:
2469:
2444:
2413:
2388:
2359:
2334:
2291:
2273:
2255:
2230:
2198:
2169:
2144:
2119:
2093:
2080:
2055:
2027:
2016:on 6 July 2009
2001:
1975:
1947:
1922:
1913:
1904:
1878:
1857:
1848:
1839:
1826:Bandcamp Daily
1811:
1786:
1767:
1736:
1714:
1681:
1659:
1631:
1603:
1570:
1548:
1520:
1498:
1484:Niesel, Jeff.
1476:
1451:
1426:
1400:
1391:
1369:
1343:
1317:
1303:
1283:
1274:
1243:
1234:
1219:
1179:
1158:
1127:
1086:
1057:
1056:
1054:
1051:
1050:
1049:
1042:
1039:
992:Main article:
989:
986:
960:House of Blues
956:Flogging Molly
916:
913:
881:
878:
876:
873:
849:
846:
803:Oncoming Storm
740:The War Within
687:
684:
646:Misery Signals
604:
601:
595:family in the
462:
459:
407:Ten Yard Fight
343:
340:
242:Taang! Records
149:
146:
110:Ten Yard Fight
15:
13:
10:
9:
6:
4:
3:
2:
3134:
3133:
3122:
3119:
3117:
3116:Hardcore punk
3114:
3112:
3109:
3108:
3106:
3085:
3079:
3076:
3064:
3063:
3062:Rolling Stone
3058:
3051:
3048:
3036:
3029:
3026:
3013:
3009:
3003:
3000:
2988:
2984:
2977:
2974:
2961:
2957:
2951:
2948:
2943:
2939:
2938:
2933:
2926:
2923:
2910:
2906:
2905:
2900:
2893:
2890:
2878:
2877:
2872:
2865:
2863:
2859:
2847:on 2012-03-14
2846:
2842:
2841:
2840:Boston Herald
2836:
2833:Wedge, Dave.
2829:
2827:
2823:
2819:
2814:
2809:
2801:
2797:
2796:
2791:
2790:Blush, Steven
2785:
2782:
2778:
2765:
2762:(in German).
2761:
2757:
2750:
2747:
2735:
2734:
2729:
2722:
2719:
2707:
2706:
2701:
2694:
2691:
2679:
2673:
2670:
2658:
2655:Wedge, Dave.
2651:
2648:
2644:
2642:
2637:
2632:
2625:
2622:
2618:
2616:
2611:
2606:
2601:
2596:
2591:
2584:
2581:
2569:
2568:
2563:
2560:Maider, Ted.
2556:
2553:
2541:
2540:
2535:
2528:
2525:
2513:
2512:
2507:
2500:
2497:
2485:
2484:
2479:
2473:
2470:
2458:
2454:
2448:
2445:
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2402:
2398:
2392:
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2373:
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2322:
2318:
2314:
2310:
2306:
2302:
2295:
2292:
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2274:
2269:
2265:
2259:
2256:
2244:
2240:
2234:
2231:
2218:
2214:
2213:
2208:
2202:
2199:
2187:
2183:
2181:
2173:
2170:
2158:
2154:
2148:
2145:
2133:
2129:
2123:
2120:
2107:
2103:
2097:
2094:
2090:
2084:
2081:
2069:
2065:
2059:
2056:
2044:
2043:
2038:
2031:
2028:
2015:
2011:
2005:
2002:
1989:
1988:pitchfork.com
1985:
1979:
1976:
1964:
1963:
1958:
1951:
1948:
1936:
1932:
1926:
1923:
1917:
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1908:
1905:
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1828:
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1778:
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