553:, Jeremy Kay gave the film four out of five stars, calling it a "finely calibrated piece of work from one of the more talented US film-makers to emerge in recent years". Kay notes that while the story is predictable and nothing new, Doremus "makes it all utterly captivating" and "mines just the right amount of drama and spontaneous comedy from each moment and the foreshadowing is perfectly weighted". Kay also praises the acting performances: "Pearce is rarely disappointing, and as Keith, brings a deceptively shallow authority that Sophie can see right through. ... Jones impresses again and imbues Sophie with a wise head and a gently haunted manner that speaks to an almost prescient awareness of how all this is likely to end. Ryan and Davis have less to do but offer strong support. ... As the mother, Amy Ryan is warm and welcoming, while her daughter Lauren, played by newcomer Mackenzie Davis, is equally generous and invites Sophie into her circle of friends."
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plot points, but very little dialogue. ... Every take, the scene gets more and more distilled. The first take is 15 minutes, the second take is 10, and before you know it we get down to the two-minute scene we need. ... It is exhausting! But that's a great word to describe it: we exhaust every possibility until we realise what it needs to be, and when you get down to that point, the actors just don't care any more. There is no performing for the camera; there's just being, and you just gotta focus on being in the moment."
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about his previous life as a free and happy musician before Megan became pregnant and they were forced to retire to suburban life. On paper, this premise could easily be executed as bland and boring melodrama. Instead, Doremus steers the film with a delicate intimacy and maturity that wholly mesmerizes; every shot here is a gorgeous composition that serves the actors and story to great effect.
530:, Bryan Thompson called the film "an adult masterpiece that carries Doremusâs thoughtful and methodic style into something both beautiful and tragic". Thompson also praised the "subtle but beautiful performances by the film's cast", singling out Guy Pearce who is "particularly stellar" at creating the "complex and sympathetic" character of Keith.
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cello player in an orchestra and is applying for a permanent role. Keith finds his life frustrating, resents his job as a teacher, and his wife's dismissal of his music playing. He wants to move back to the city and work as a musician, but Megan refuses to consider this as she disliked the uncertainty of the income and the lifestyle.
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prepared a detailed outline for each scene without dialogue, and then rehearsed with the cast for several weeks while they improvised the words. Doremus explains: "I start with a 60-page outline that basically reads like a short story, filled with backstory, the emotional beats of the scene, subtext,
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Keith and Sophie embark on a platonic love affair, spending time together and talking about running away together. Lauren discovers this and reveals her knowledge to Sophie by attacking her while she is asleep in bed. Sophie panics after Lauren's attack and tells Keith she must leave. Keith tells her
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Following his performance, Keith meets up with Sophie. They load their things in the car and are smiling at each other in happiness. Suddenly Keith receives a text message from Megan telling him that something has happened to Lauren. He appears at the hospital where Megan tells him she does not know
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Sophie reveals to Keith that she is an accomplished musician and they bond over their mutual interest. While they are alone at the house, she tells Keith about the death of her uncle and that she wants to choose to play music. Sophie is unsure and has lost her purpose following her uncle's death, so
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Pearce offers a naiveté to the character that allows for an innocence and youthful longing that is both piteous and believable. Ryan is equally magnificent as the suffering wife whose obliviousness, or more likely denial, is honest despite its path towards destruction. I've already been vocal about
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completely wraps the viewer up in the emotions of its characters and doesn't let go for 97 captivating, intense, and ultimately heartbreaking minutes. ... The connection between Keith and Sophie grows stronger over the course of the film, and it's clear that Sophie represents everything Keith loved
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The family is to host a foreign exchange student from
England, Sophie, for one semester. When Sophie arrives, she is disappointed by the distance from Manhattan which she wanted to visit. Sophie's mother died when she was very young and she was raised by her uncle and aunt. Her uncle introduced her
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While pointing out that the film is as "predictable as melodrama comes", Thompson also believes the film "shines ... in the smaller moments". Thompson notes, "As Keith and Sophie explore their taboo relationship, the film can easily fall into the trap of cliché, but it skirts the edges thanks to a
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Doremus' films are known for their "intimate" style. His use of hand-held cameras, often right in the actors' faces, and his ability to draw out performances from his actors that are natural and unaffected, creates the illusion that we're "invading private moments" in the lives of the characters.
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Keith
Reynolds is a high school music teacher married to Megan and living in a small town an hour and half from New York City. He gave up a career as a musician following the arrival of their daughter Lauren, who is very nearly 18 and is a champion swimmer. In his spare time, he substitutes for a
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in the United States, opening in 18 theatres and grossing $ 15,324 (an average of $ 851 per theatre). The film's widest release was 41 theatres and it ended up making $ 89,661 domestically. Internationally, the film earned $ 481,079 and was re-released in South Korea in 2015, earning a further $
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Lauren, angry at her father and having been spurned by Aaron, a boy she has previously slept with, gets drunk and crashes her car. Meanwhile, Megan discovers Keith and Sophie's affair and their plan to run away. While she is smashing things around the house in anger, she gets a call telling her
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realism and honesty framed through fully formed characters and sequences that are quiet but speak volumes, building on relationships and emotion rather than story." Thompson concludes that despite the film's weaknessesâparticularly the last act crisis that "feels forced"âthe finer moments of
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Chitwood thought the entire cast was "fantastic", singling out Pearce who "turns in one of the best performances of his career". Chitwood concludes, "With impeccable performances, inspired direction, beautiful cinematography, and a devastating story,
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my admiration of Jones in the past, and the young actress shines again here ... The fact that Jones imbues a softness and delicacy to this self-assured eighteen-year-old only proves she's perhaps the best young actress currently working.
275:. It follows a high school music teacher who has an affair with a foreign exchange student from England who is his daughter's age, stemming from his disillusion with life and their shared love of music. It premiered at the
505:
In his review for
Collider.com, Adam Chitwood gave the film an Aâ rating, noting that it is "rare to find a film of this kind that is genuinely moving without feeling overly manipulative or sappy". Chitwood continued:
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to the piano, but has recently died, affecting Sophie badly. Sophie tells her aunt that she is not practicing her music because she does not know who she is playing for anymore.
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s plot never quite sparks the way it should, but it remains thoroughly watchable thanks to strong performances from
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marks one of the best family dramas in recent years and a promisingly mature leap forward for director Drake
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he will run away with her. They plan to meet in New York City after a performance, packing their things.
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the film has an approval rating of 56% based on reviews from 80 critics. The site's consensus states: "
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814:"Sundance Review: 'Breathe In' Is Beautiful and Tragic In Its Maturity"
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713:"Beathe In"
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474:received a
357:Hugo Becker
263:, starring
78:Mark Roybal
63:Produced by
41:Directed by
1248:2013 films
1242:Categories
1185:My Old Ass
1177:North Star
1097:Breathe In
1057:Like Crazy
932:Breathe In
916:Like Crazy
854:Breathe In
843:Breathe In
823:August 28,
749:Metacritic
697:August 28,
662:August 27,
605:BREATHE IN
557:References
542:Breathe In
521:Breathe In
511:Breathe In
500:Metacritic
493:Breathe In
472:Breathe In
461:Breathe In
446:Like Crazy
434:Like Crazy
430:Like Crazy
422:Like Crazy
410:Breathe In
400:Production
359:as Clément
347:as Sheldon
321:Guy Pearce
265:Guy Pearce
248:Breathe In
237:Box office
216:97 minutes
199:2014-03-28
184:2013-01-19
143:Production
90:Guy Pearce
51:Written by
24:Breathe In
1121:Labor Day
1033:Towelhead
1019:(founder)
908:Douchebag
483:Reception
329:as Sophie
240:$ 500,207
145:companies
124:Edited by
1228:Category
1201:Conclave
790:July 15,
757:June 10,
728:June 10,
623:April 3,
587:June 10,
395:as Aaron
333:Amy Ryan
273:Amy Ryan
229:Language
190:Sundance
132:Music by
100:Amy Ryan
83:Starring
948:Newness
467:Release
440:Filming
405:Casting
365:as Ryan
232:English
221:Country
197: (
182: (
1204:(2024)
1196:(2024)
1188:(2024)
1180:(2023)
1172:(2023)
1164:(2023)
1156:(2021)
1148:(2018)
1140:(2015)
1132:(2014)
1124:(2013)
1116:(2013)
1113:Trance
1108:(2013)
1105:Stoker
1100:(2013)
1092:(2012)
1084:(2012)
1076:(2012)
1068:(2011)
1060:(2011)
1052:(2009)
1044:(2007)
1036:(2007)
967:(2019)
959:(2018)
951:(2017)
943:(2015)
940:Equals
935:(2013)
927:(2012)
919:(2011)
911:(2010)
271:, and
188: (
1212:(TBA)
607:(15)"
496:'
848:IMDb
825:2013
792:2013
759:2020
751:.com
730:2020
699:2013
664:2013
625:2014
589:2020
315:Cast
283:Plot
956:Zoe
857:at
846:at
487:On
1244::
816:.
800:^
783:.
767:^
746:.
721:.
715:.
690:.
672:^
653:.
633:^
615:.
609:.
578:.
565:^
267:,
1000:e
993:t
986:v
887:e
880:t
873:v
827:.
794:.
761:.
732:.
701:.
666:.
627:.
603:"
591:.
201:)
192:)
186:)
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