Knowledge (XXG)

Brian Robins

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364: 369: 75:, describes it as a "major contribution to a little-studied subject" that is "accessible" to the general reader; he praises the book for its "vivid picture" of the places where these forms were performed and particularly appreciates the focus on settings outside London. Christina Bashford, in a review for 38:
calls the publication a "significant event", though he doubts its claimed appeal to a wide audience; Temperley is critical of the meagre index of the 754-page work, which he describes as "seriously deficient", and calls attention to mistakes in the notes as well as deficiencies in the works list. A
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describes the project as a "monumental achievement", and praises Robins' "industry and indefatigable concern for detail", which he compares with that of the subject; Johnstone suggests that it would have been preferable to divide the material into two or three volumes, and also points out the
81:, describes the book as "carefully documented", praises its "thorough, nuanced" descriptions of large numbers of groups, and highlights some "striking vignettes"; she criticises many of the chapters for failing to discuss "broader social and cultural themes and meanings". 406: 176: 41: 425: 435: 399: 278: 71: 392: 430: 242: 54: 25: 308:
Bashford, C. (1 August 2008). "Catch and Glee Culture in Eighteenth-Century England. By Brian Robins".
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culture in 18th-century England was published in 2006. William Weber, in a review for
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He edited the voluminous journals of the 18th-century English amateur composer,
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The John Marsh Journals: The Life and Times of a Gentleman Composer (1752–1828)
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The John Marsh Journals: The Life and Times of a Gentleman Composer (1752-1828)
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The John Marsh Journals: The Life and Times of a Gentleman Composer (1752–1828)
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The John Marsh Journals: The Life and Times of a Gentleman Composer
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This article about a writer or poet from the United Kingdom is a
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inadequacies of the index. The edition was also reviewed in
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Peter Phillips (1999). "Sizeable Symphonist. Review:
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Catch and Glee Culture in Eighteenth-Century England
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Catch and Glee Culture in Eighteenth-Century England
28:, for publication in 1998. A review by the academic 400: 21:is an English nonfiction author and editor. 8: 165: 163: 126: 124: 407: 393: 303: 301: 207:(1752–1828) by Brian Robins, John Marsh". 39:long review by H. Diack Johnstone for the 177:Journal of the Royal Musical Association 42:Journal of the Royal Musical Association 267: 265: 120: 7: 360: 358: 170:H. Diack Johnstone (2000). "Review: 379:. You can help Knowledge (XXG) by 14: 367: 362: 236:Rachel Cowgill (2002). "Review: 272:William Weber (2009). "Review: 138:by Brian Robins, John Marsh". 1: 61:Robins' monograph study of 452: 357: 279:Journal of British Studies 72:Journal of British Studies 426:English music historians 238:The John Marsh Journals 110:(Pendragon Press; 1998) 436:British writer stubs 311:Music & Letters 141:Music & Letters 78:Music & Letters 35:Music & Letters 276:by Brian Robins". 174:by Brian Robins". 132:Nicholas Temperley 30:Nicholas Temperley 388: 387: 324:10.1093/ml/gcm104 210:The Musical Times 134:(1999). "Review: 49:The Musical Times 443: 409: 402: 395: 371: 366: 359: 354: 353: 351:Official website 336: 335: 305: 296: 295: 269: 260: 259: 233: 227: 226: 200: 194: 193: 167: 158: 157: 128: 451: 450: 446: 445: 444: 442: 441: 440: 416: 415: 414: 413: 349: 348: 345: 340: 339: 307: 306: 299: 271: 270: 263: 235: 234: 230: 202: 201: 197: 169: 168: 161: 130: 129: 122: 117: 87: 12: 11: 5: 449: 447: 439: 438: 433: 428: 418: 417: 412: 411: 404: 397: 389: 386: 385: 372: 356: 355: 344: 343:External links 341: 338: 337: 318:(3): 411–413. 297: 286:(1): 224–225. 261: 250:(3): 470–471. 228: 195: 184:(2): 306–314. 159: 148:(4): 628–629. 119: 118: 116: 113: 112: 111: 99: 98: 86: 83: 13: 10: 9: 6: 4: 3: 2: 448: 437: 434: 432: 431:Living people 429: 427: 424: 423: 421: 410: 405: 403: 398: 396: 391: 390: 384: 382: 378: 373: 370: 365: 361: 352: 347: 346: 342: 333: 329: 325: 321: 317: 313: 312: 304: 302: 298: 293: 289: 285: 281: 280: 275: 268: 266: 262: 257: 253: 249: 245: 244: 239: 232: 229: 224: 220: 216: 212: 211: 206: 199: 196: 191: 187: 183: 179: 178: 173: 166: 164: 160: 155: 151: 147: 143: 142: 137: 133: 127: 125: 121: 114: 109: 106: 105: 104: 103: 96: 92: 89: 88: 84: 82: 80: 79: 74: 73: 68: 64: 59: 57: 56: 51: 50: 44: 43: 37: 36: 31: 27: 22: 20: 16: 381:expanding it 374: 315: 309: 283: 277: 273: 247: 241: 237: 231: 217:(1867): 78. 214: 208: 204: 198: 181: 175: 171: 145: 139: 135: 107: 101: 100: 90: 85:Publications 76: 70: 60: 53: 47: 40: 33: 23: 19:Brian Robins 18: 17: 15: 243:Early Music 55:Early Music 420:Categories 115:References 26:John Marsh 332:0163002 292:5482998 223:1193908 97:; 2006) 95:Boydell 330:  290:  256:519319 254:  221:  190:250675 188:  152:  102:Edited 328:JSTOR 288:JSTOR 252:JSTOR 219:JSTOR 186:JSTOR 154:54999 150:JSTOR 63:catch 377:stub 67:glee 65:and 52:and 320:doi 240:". 215:140 182:125 32:in 422:: 326:. 316:89 314:. 300:^ 284:48 282:. 264:^ 248:30 246:. 213:. 180:. 162:^ 146:80 144:. 123:^ 58:. 408:e 401:t 394:v 383:. 334:. 322:: 294:. 258:. 225:. 192:. 156:. 93:(

Index

John Marsh
Nicholas Temperley
Music & Letters
Journal of the Royal Musical Association
The Musical Times
Early Music
catch
glee
Journal of British Studies
Music & Letters
Boydell


Nicholas Temperley
Music & Letters
JSTOR
54999


Journal of the Royal Musical Association
JSTOR
250675
The Musical Times
JSTOR
1193908
Early Music
JSTOR
519319

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