266:. (Notably, Martin Carthy and Norma Waterson, who perform "Red Wine & Promises" together on the finished album, became engaged to one another during the recording sessions.) Consequently, Lal Waterson demoed a couple of her songs the very same year. Mike Waterson too contributed some of his songs to these preliminary sessions. Of this repertoire, versions of Lal's "Never the Same", "To Make You Stay" and "Red Wine and Promises", Mike's "Shady Lady" and their collaboration "The Scarecrow" survived as demo recordings. Most of them are performed solo by Lal Waterson on vocals and acoustic guitar, with occasional vocal harmonies or guitar parts by Mike Waterson. These recordings, plus other previously unissued songs of Lal's, were released on the CD/book combination
299:. The recording process took one week and was characterised by guitarist Martin Carthy as "loose and very anarchic, but with an iron discipline running through the whole thing". For instance, a postman – who might be Graham Gordon, who is credited in the liner notes – happened to deliver a package during the recording of "Magical Man" and was invited to join in with the chorus.
354:
349:
344:
339:
334:
481:
The AllMusic review by James
Christopher Monger commends the accompanying ensemble for its song-serving and of-a-piece playing; he describes the title track as "a pagan campfire singalong that manages to both intrigue and inspire while simultaneously ripping your heart out for no apparent reason," a
494:
reissue of dubious legal status (the legal status of this release was upheld as being genuine and legal following the 2017 Court Case) in 2000, the album had never received a proper re-release despite considerable interest of both the
Watersons and folk music listeners to see the album reissued.
453:
as "a curious response to the new directions in folk-rock that were taking place at the time." Young compares the album's alternating "shades and sunny intervals" with the unpredictability of
English weather – a balancing act resolved by the "triumphant sun" of the title track, which refers to
420:
analyses that at the time of release "Lal's complex, brooding tales particularly confused the diehards." He characterises her songs as "exceptionally durable" and highlights "The
Scarecrow" as a stand-out track, comparing the imagery of this song with the works of Swedish film director
400:
at that time was sparse and often negative. Technical and financial issues on the side of the record label resulted in a small edition of only 1000 functioning LP copies. Reactions by the folk scene ranged from astonishment to relative dismissal (for instance by
405:), especially given that the Waterson family was known for 'authentic' delivery of traditional folk songs rather than for contemporary, sometimes pop-inspired songwriting. Positive response came from fellow folk revival musicians such as
31:
439:
too stresses the remarkability of "The
Scarecrow"; additionally, he notices the "devastating picture of industrial poverty in "Never the Same" as well as the "drunken reminiscence of 'Red Wine and Promises.'"
373:
Seven of twelve songs are accompanied by acoustic guitars and occasional embellishments on cello, oboe and bass guitar; most of these songs feature intricate dual acoustic guitar arrangements by ex-
283:
songs had previously been conceived as poems which were only set to music later. Both Mike and Lal
Waterson's songs seem to have arisen from everyday life; for instance, allegedly, the song
236:
touring took a toll on the musicians, the group members decided to take up regular jobs in 1968. Mike
Waterson subsequently worked as a painter, Norma Waterson as a disc jockey on the
607:
Credits are specified in 2–3 rows for better overview: vocalists – rhythm section – additional instruments (where applicable). Composing credits appear in small font.
598:
By 2024 the album had arrived on popular streaming sites
Spotify and Tidal. It is unclear whether the family will receive any income from this source.
1638:
1798:
1607:
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claims to the rights in the album were upheld by the UK High Court, based on the fact that they purchased the Leader and
Trailer labels in 1990.
572:
comprises one disc of the re-mastered original album, and one disc of hitherto unreleased demos for the album. In August 2017, the re-release of
262:'s fondness of Lal Waterson's songs, which he happened to overhear in 1971 in the early stages of his relationship with Lal Waterson's sister
1556:
1113:
1142:
425:. Other authors describe "The Scarecrow" as "an achingly haunting ballad," with implications of child sacrifice, and a song "laced with
1474:
1354:
188:
scene. The album failed to make an impact on its original release, but it was subsequently championed by many musicians, including
393:
band, consisting of Ashley
Hutchings on electric bass guitar, Richard Thompson on electric guitar and Dave Mattacks on drums.
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1803:
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songs, plus other material from Lal and Mike Waterson's catalogue, and released these recordings on Topic Records as
240:
587:
The Domino Recording Company was found to be guilty of copyright infringement in relation to the 2017 re-issue of
247:, while Lal Waterson became a mother of two children and lived "with her extended family in a folk commune on the
1509:
1381:
565:
417:
1447:
1497:
More open-minded singers such as June Tabor and Anne Briggs hailed the emergence of a significant new writer
510:
1721:
1694:
1316:"Lal Waterson: Singer who in the Sixties revived interest in folk music with the family group she founded"
800:
295:
The definitive album sessions took place in May 1972, once again under the direction of producer and folk
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during their 1979 tour (first released in 1980 as a single with "The Bonny Black Hare" on the B-side)
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1513:
1608:"Lost 'folk noir' masterpiece Bright Phoebus from Waterson siblings is a chart hit 45 years on"
1552:
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185:
1576:
184:. It was recorded in May 1972 with musical assistance from various well-known members of the
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1548:
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959:
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861:
778:
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502:
The original Trailer Records LP is a much sought-after rarity which is sold at high prices.
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in 1965 to good critical acclaim. The album was produced by Tony Engle and was named "
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recordings appear on the following three compilation CDs: "Magical Man" on the 1996
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in 2013 which illustrates both Lal Waterson's graphic, lyrical and musical art.
193:
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115:
71:
1577:"Bright Phoebus album: the very definition of a cult classic, reissued at last"
579:
The "lovingly remastered" Domino release attracted uniformly positive reviews.
208:
was announced and shortly thereafter pulled from the market for legal reasons.
1412:
1086:
732:
659:
410:
244:
76:
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was announced in May 2017 with a complete set of remasters by David Suff and
1639:"Lal and Mike Waterson: Bright Phoebus review – folk masterpiece rereleased"
1572:
1479:
849:, Bernie Vickers (briefly a member of the Watersons in early 1972, prior to
390:
237:
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30:
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performance of "Rubber Band" was in discussion, but ultimately called off.
216:
Between 1965 and 1968 The Watersons, a four-piece family vocal group from
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204:. For years the album was difficult to obtain. In 2017, a re-release of
455:
665:
523:
Never The Same – Leave-Taking from the British Folk Revival 1970–1977
495:
Reasons for this included copyright issues and unavailability of the
463:
385:
guitarist Martin Carthy. The remaining five songs are carried by the
224:, singing old traditional folk songs and releasing their debut album
1777:
https://mainlynorfolk.info/watersons/songs/redwineandpromises.html
1722:"Yorkshire record label wins copyright battle against indie giant"
426:
38:
287:
occurred to Mike Waterson while standing on his ladder painting.
1492:
491:
482:
sentiment which according to Monger applies to the whole album.
220:, had made a name for themselves as an influential force in the
1355:"Bright Phoebus: the story of a lost British folk classic"
1257:"Reissue: Bright Phoebus – Songs by Lal and Mike Waterson"
1117:, 1971; Promise and the Monster, Swedish folk group, on
564:. The album was re-released in a variety of packages by
490:
Apart from a very basic, limited CD reissue in 1985 and
525:; and "Rubber Band" on the 2006 Castle Music double CD
517:; "Never the Same" and "To Make You Stay" on the 2005
226:
Frost and Fire: A Calendar of Ritual and Magical Songs
542:
Shining Bright – The Songs of Lal & Mike Waterson
1133:
Shining Bright: The Songs of Lal & Mike Waterson
1099:
Shining Bright: The Songs of Lal & Mike Waterson
576:
entered the UK Official Albums charts at number 21.
1545:
Electric Eden: Unearthing Britain's Visionary Music
909:Richard Thompson – acoustic guitar (left channel);
885:Richard Thompson – acoustic guitar (left channel);
806:Richard Thompson – acoustic guitar (left channel);
752:Richard Thompson – acoustic guitar (left channel);
725:Richard Thompson – acoustic guitar (left channel);
536:In 2002, various folk musicians re-interpreted the
121:
109:
99:
83:
70:
62:
54:
37:
23:
527:The Fairport Companion – Loose Chippings from the
1382:"Lal Waterson: Teach Me to Be a Summer's Morning"
1310:
1308:
1217:
1215:
1213:
169:Bright Phoebus: Songs by Lal & Mike Waterson
1538:
1536:
478:("The Magical Man") in the songs on the album.
1483:. No. 66302. 9 September 1998. p. 21
1345:
1343:
1341:
1339:
515:New Electric Muse: The Story of Folk into Rock
416:In the 1998 Guardian obituary of Lal Waterson
18:1972 studio album by Lal and Mike Waterson
8:
1251:
1249:
1046:with "Red Wine and Promises" on the B-side.
668:; Keith Nicholls – trombone; Richard Gold –
664:Sammy Rimmington – clarinet; Dennis Field –
331:
1514:"In the shadow of her sister: Lal Waterson"
1441:
1439:
1406:
1404:
1402:
466:. On the musical side he finds elements of
1695:"Lal & Mike Waterson – Bright Phoebus"
1042:"Rubber Band" was released as a single on
306:
29:
20:
1753:"Fairport Convention: Farewell, Farewell"
1667:"Lal & Mike Waterson: Bright Phoebus"
1448:"Lal & Mike Waterson: Bright Phoebus"
1446:Currin, Grayson Haver (11 August 2017).
232:Album of the Year". As several years of
1209:
822:Lal & Mike Waterson, Chris Collins
568:on 4 August. The double CD version of
312:
7:
1143:Emily Barker & the Red Clay Halo
1031:– bass guitar; Dave Mattacks – drums
962:– bass guitar; Dave Mattacks – drums
696:Richard Thompson – acoustic guitar (
913:– acoustic guitar (right channel);
470:("The Scarecrow," "Winifer Odd"),
273:The 1998 Lal Waterson obituary in
14:
1284:Schofield, Derek (22 June 2011).
1065:Interpretations by other artists
889:– acoustic guitar (right channel)
810:– acoustic guitar (right channel)
756:– acoustic guitar (right channel)
729:– acoustic guitar (right channel)
333:
268:Teach Me to Be a Summer's Morning
1019:Richard Thompson – lead guitar;
967:Red Wine & Promises (3:04),
954:Richard Thompson – lead guitar;
856:Richard Thompson – lead guitar;
853:), Graham Gordon – chorus vocals
773:Richard Thompson – lead guitar;
429:horror.“ In his September 1998
352:
347:
342:
337:
332:
1693:Wirth, Jim (4 September 2017).
1665:Guthrie, Sean (8 August 2017).
1324:. 11 September 1998. p. 31
1227:"Lal Waterson: obituary notice"
1799:Albums produced by Bill Leader
790:Child Among the Weeds (3:40),
1:
792:Lal Waterson, Chris Collins
505:Four of the original twelve
1529:– via Mainly Norfolk.
1411:Monger, James Christopher.
1332:– via Mainly Norfolk.
1242:– via Mainly Norfolk.
1189:, June Tabor, Grace Notes,
735:– oboe; Clare Deniz – cello
279:claims that Lal Waterson's
1820:
1053:obituary for Lal Waterson
1000:– lead and chorus vocals;
996:– lead and chorus vocals;
829:– lead and chorus vocals;
624:– lead and chorus vocals;
583:2017 re-release court case
458:- a different name of the
435:obituary for Lal Waterson
241:British Overseas Territory
897:To Make You Stay (2:12),
320:
317:
126:
28:
1286:"Mike Waterson obituary"
122:The Watersons chronology
1183:Red Wine & Promises
987:Bright Phoebus (2:54),
873:Never the Same (2:55),
686:Lal & Mike Waterson
148:For Pence and Spicy Ale
1049:In his September 1998
713:Fine Horseman (3:31),
684:The Scarecrow (3:49),
560:, and sleeve notes by
449:, Rob Young describes
396:Critical reception of
303:Material and reception
1169:Child Among the Weeds
1044:Transatlantic Records
389:of Ashley Hutchings'
1804:The Watersons albums
1512:(8 September 1998).
1225:(8 September 1998).
1185:has been covered by
1131:& The Blokes on
1075:: performed live by
820:Magical Man (2:47),
740:Winifer Odd (2:43),
615:Rubber Band (2:57),
474:("Rubber Band") and
308:Professional ratings
222:British folk revival
1543:Young, Rob (2011).
1353:(10 October 2013).
1162:The Queen of Hearts
1077:Fairport Convention
1027:– acoustic guitar;
1023:– acoustic guitar;
958:– acoustic guitar;
922:Shady Lady (3:18),
892:Clare Deniz – cello
860:– acoustic guitar;
777:– acoustic guitar;
761:Danny Rose (2:42),
704:– acoustic guitar (
529:Fairport Convention
375:Fairport Convention
309:
276:The Daily Telegraph
254:The realisation of
132:A Yorkshire Garland
79:, singer-songwriter
307:
1637:(6 August 2017).
1606:(8 August 2017).
1558:978-0-86547-856-5
1549:Faber & Faber
1195:Victoria Williams
1114:The Time Has Come
1068:
990:
982:– acoustic guitar
970:
925:
900:
876:
823:
803:– vocals (bridge)
793:
764:
743:
716:
687:
646:– rhythm guitar;
618:
608:
443:In his 2011 book
371:
370:
258:was propelled by
186:British folk rock
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1582:The Grizzly Folk
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1239:
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1191:Richard Thompson
1153:To Make You Stay
1147:Despite The Snow
1066:
1029:Ashley Hutchings
988:
968:
960:Ashley Hutchings
923:
915:Ashley Hutchings
898:
874:
862:Ashley Hutchings
821:
791:
779:Ashley Hutchings
762:
741:
714:
685:
648:Ashley Hutchings
644:Richard Thompson
616:
606:
552:A re-release of
472:musique concrète
379:Richard Thompson
357:
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1734:
1733:. December 2018
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1703:
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1575:(31 May 2017).
1571:
1570:
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1559:
1551:. p. 194.
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1321:Daily Telegraph
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1296:
1294:
1283:
1282:
1278:
1268:
1266:
1255:
1254:
1247:
1237:
1235:
1232:The Independent
1221:
1220:
1211:
1207:
1070:
1059:Top of the Pops
1051:The Independent
1040:
1016:– chorus vocals
951:– chorus vocals
864:– bass guitar;
781:– bass guitar;
650:– bass guitar;
640:– chorus vocals
604:
585:
550:
548:2017 re-release
488:
486:Release history
432:The Independent
353:
348:
343:
338:
305:
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249:Yorkshire Moors
214:
166:, fully titled
150:
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105:Trailer Records
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5:
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1757:Mainly Norfolk
1744:
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1685:
1657:
1626:
1595:
1564:
1557:
1532:
1501:
1475:"Lal Waterson"
1466:
1435:
1415:Bright Phoebus
1398:
1386:Mainly Norfolk
1373:
1335:
1304:
1276:
1245:
1208:
1206:
1203:
1139:Bright Phoebus
1069:
1063:
1057:claims that a
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1036:
1035:
1034:
1033:
1032:
1017:
1002:Norma Waterson
985:
984:
983:
977:
974:Norma Waterson
965:
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937:Norma Waterson
920:
919:
918:
907:
895:
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893:
890:
883:
871:
870:
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854:
851:Bright Phoebus
835:Norma Waterson
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630:Norma Waterson
603:
600:
593:Celtic Music's
589:Bright Phoebus
584:
581:
574:Bright Phoebus
570:Bright Phoebus
566:Domino Records
558:Marry Waterson
554:Bright Phoebus
549:
546:
538:Bright Phoebus
507:Bright Phoebus
487:
484:
451:Bright Phoebus
423:Ingmar Bergman
398:Bright Phoebus
387:rhythm section
369:
368:
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359:
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329:
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285:Bright Phoebus
281:Bright Phoebus
256:Bright Phoebus
213:
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206:Bright Phoebus
198:Richard Hawley
163:Bright Phoebus
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140:Bright Phoebus
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58:September 1972
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35:
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24:Bright Phoebus
17:
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1635:Empire, Kitty
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1604:Sherwin, Adam
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1265:. 31 May 2017
1264:
1263:
1262:Folk Radio UK
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1187:Tony Capstick
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1119:Feed the Fire
1116:
1115:
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1106:
1105:Fine Horseman
1102:
1100:
1096:
1092:
1088:
1084:
1083:The Scarecrow
1080:
1078:
1074:
1064:
1062:
1060:
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1052:
1047:
1045:
1037:
1030:
1026:
1025:Martin Carthy
1022:
1021:Mike Waterson
1018:
1015:
1014:Martin Carthy
1011:
1007:
1003:
999:
995:
994:Mike Waterson
992:
991:
989:Mike Waterson
986:
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980:Martin Carthy
978:
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956:Martin Carthy
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949:Martin Carthy
946:
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930:
929:Mike Waterson
927:
926:
924:Mike Waterson
921:
917:– bass guitar
916:
912:
911:Martin Carthy
908:
905:
902:
901:
896:
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887:Martin Carthy
884:
881:
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867:
866:Dave Mattacks
863:
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858:Martin Carthy
855:
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847:Martin Carthy
844:
840:
836:
832:
828:
827:Mike Waterson
825:
824:
819:
818:
817:
809:
808:Martin Carthy
805:
802:
801:Bob Davenport
798:
795:
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784:
783:Dave Mattacks
780:
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775:Martin Carthy
772:
769:
768:Mike Waterson
766:
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763:Mike Waterson
760:
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754:Martin Carthy
751:
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744:
739:
734:
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727:Martin Carthy
724:
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718:
717:
712:
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706:right channel
703:
702:Martin Carthy
699:
695:
692:
691:Mike Waterson
689:
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623:
622:Mike Waterson
620:
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617:Mike Waterson
614:
613:
612:
609:
602:Track listing
601:
599:
596:
594:
590:
582:
580:
577:
575:
571:
567:
563:
562:Pete Paphides
559:
555:
547:
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524:
520:
516:
512:
508:
503:
500:
498:
493:
485:
483:
479:
477:
473:
469:
468:chamber music
465:
461:
460:ancient Greek
457:
452:
448:
447:
446:Electric Eden
441:
438:
434:
433:
428:
424:
419:
414:
412:
408:
404:
399:
394:
392:
388:
384:
383:Steeleye Span
380:
376:
366:
364:
361:
360:
330:
328:
325:
324:
316:
313:Review scores
311:
302:
300:
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290:
288:
286:
282:
278:
277:
271:
269:
265:
261:
260:Martin Carthy
257:
252:
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246:
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231:
227:
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207:
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202:Jarvis Cocker
199:
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182:Mike Waterson
179:
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149:
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61:
57:
53:
49:
48:Mike Waterson
45:
40:
36:
32:
27:
22:
16:
1772:
1760:. Retrieved
1756:
1747:
1735:. Retrieved
1730:Celtic Music
1728:
1716:
1704:. Retrieved
1698:
1688:
1676:. Retrieved
1670:
1660:
1648:. Retrieved
1644:The Observer
1642:
1629:
1617:. Retrieved
1611:
1598:
1586:. Retrieved
1580:
1567:
1544:
1523:. Retrieved
1519:The Guardian
1517:
1516:. Obituary.
1510:Irwin, Colin
1504:
1496:
1491:– via
1485:. Retrieved
1478:
1477:. Obituary.
1469:
1457:. Retrieved
1451:
1426:. Retrieved
1420:
1414:
1389:. Retrieved
1385:
1376:
1364:. Retrieved
1360:The Guardian
1358:
1351:Rogers, Jude
1326:. Retrieved
1319:
1318:. Obituary.
1295:. Retrieved
1291:The Guardian
1289:
1279:
1267:. Retrieved
1260:
1236:. Retrieved
1230:
1223:Dallas, Karl
1199:The Unthanks
1182:
1181:
1176:
1173:Lady Maisery
1168:
1167:
1160:
1152:
1151:
1146:
1138:
1137:
1132:
1124:
1123:
1118:
1112:
1104:
1103:
1098:
1095:Dick Gaughan
1090:
1082:
1081:
1072:
1071:
1048:
1041:
998:Lal Waterson
969:Lal Waterson
933:Lal Waterson
904:Lal Waterson
899:Lal Waterson
880:Lal Waterson
875:Lal Waterson
850:
831:Lal Waterson
815:
797:Lal Waterson
747:Lal Waterson
742:Lal Waterson
720:Lal Waterson
715:Lal Waterson
698:left channel
626:Lal Waterson
610:
605:
597:
588:
586:
578:
573:
569:
553:
551:
541:
537:
535:
526:
522:
519:Honest Jon's
514:
511:Castle Music
506:
504:
501:
497:master tapes
489:
480:
476:country rock
450:
444:
442:
430:
415:
403:Ewan MacColl
397:
395:
372:
294:
284:
280:
274:
272:
267:
255:
253:
230:Melody Maker
225:
215:
205:
168:
167:
162:
161:
160:
147:
139:
138:
131:
39:Studio album
15:
1794:1972 albums
1672:The Quietus
1413:"Review of
1129:Billy Bragg
1109:Anne Briggs
1091:Abyssinians
1073:Rubber Band
1067:(selection)
1055:Karl Dallas
1010:Maddy Prior
945:Maddy Prior
843:Maddy Prior
674:Bill Leader
670:rubber band
638:Maddy Prior
531:Family Tree
437:Karl Dallas
418:Colin Irwin
407:Anne Briggs
297:Bill Leader
194:Arcade Fire
190:Billy Bragg
116:Bill Leader
1788:Categories
1762:9 November
1737:9 November
1706:9 November
1678:9 November
1669:. Review.
1650:9 November
1619:9 November
1588:9 November
1573:Wilks, Jon
1525:9 November
1487:9 November
1459:9 November
1428:9 November
1391:9 November
1366:9 November
1328:9 November
1297:9 November
1269:9 November
1238:9 November
1205:References
1125:Danny Rose
1087:June Tabor
799:– vocals;
733:Sue Harris
678:jew's harp
660:tambourine
513:triple CD
462:solar god
411:June Tabor
377:guitarist
245:Montserrat
243:island of
77:Folk music
1480:The Times
1453:Pitchfork
1038:Promotion
654:– drums;
391:Morris On
363:Pitchfork
291:Recording
238:Caribbean
234:folk club
218:Yorkshire
176:album by
174:folk rock
1422:AllMusic
1157:Offa Rex
1093:, 1983;
1006:Tim Hart
976:– vocals
941:Tim Hart
906:– vocals
882:– vocals
839:Tim Hart
816:Side B:
770:– vocals
749:– vocals
722:– vocals
693:– vocals
656:Tim Hart
634:Tim Hart
611:Side A:
327:Allmusic
111:Producer
66:May 1972
63:Recorded
55:Released
41: by
1179:, 2022
1165:, 2017
1149:, 2008
1135:, 2002
1121:, 2016
1101:, 2002
868:– drums
785:– drums
456:phoebus
381:and ex-
212:Preface
172:, is a
151:(1975)
144:(1972)
135:(1966)
1555:
1177:Tender
666:cornet
464:Apollo
367:8.5/10
321:Rating
318:Source
84:Length
1725:(PDF)
1700:Uncut
427:pagan
264:Norma
101:Label
72:Genre
1764:2021
1739:2021
1708:2021
1680:2021
1652:2021
1621:2021
1590:2021
1553:ISBN
1527:2021
1493:Gale
1489:2021
1461:2021
1430:2021
1393:2021
1368:2021
1330:2021
1299:2021
1271:2021
1240:2021
1197:and
591:and
492:CD-R
409:and
200:and
180:and
46:and
1175:on
1159:on
1145:on
1111:on
1097:on
1089:on
700:);
521:CD
251:".
178:Lal
44:Lal
1790::
1755:.
1727:.
1697:.
1641:.
1610:.
1579:.
1547:.
1535:^
1495:.
1450:.
1438:^
1419:.
1401:^
1384:.
1357:.
1338:^
1307:^
1288:.
1259:.
1248:^
1229:.
1212:^
1201:.
1193:,
1171::
1155::
1141::
1127::
1107::
1085::
1012:,
1008:,
1004:,
947:,
943:,
939:,
935:,
931:,
845:,
841:,
837:,
833:,
676:–
672:;
658:–
636:,
632:,
628:,
544:.
533:.
499:.
413:.
196:,
192:,
93:39
89:36
1766:.
1741:.
1710:.
1682:.
1654:.
1623:.
1613:i
1592:.
1561:.
1463:.
1432:.
1417:"
1395:.
1370:.
1301:.
1273:.
708:)
91::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
