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234:... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture ... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio ... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time.
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I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals ... Collies, I think, are
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at Oxford in 1891. He was narrowly defeated in the election for
President of the Royal Academy in 1896. His wife, Mary Alice Rivière (née Dobell; 1844–1931) whom he married in 1867, was a painter and exhibited briefly at the
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with four of his drawings (and an etching "The king drinks"), which complements the dozens of prints made after his work housed there, especially by
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lying down beside the slain dragon is a radical departure from the triumphant equestrian position in which this saint is traditionally depicted.
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295:(1869–1956), became a portraitist; another son (Evelyn) married the eminent psychoanalyst and translator of Sigmund Freud known as
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198:, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by
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221:, entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals:
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One or more of the preceding sentences incorporates text from a publication now in the
291:. The artist and his wife had seven children; five sons and two daughters. One of the sons,
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Department of Image
Collections, National Gallery of Art Library, Washington, DC
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Victorian Taste, The complete catalogue of paintings at Royal
Holloway College
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Early in his career, Rivière made some mark as an illustrator, beginning with
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Frederick
Smallfield, his sale, Christie's, London, 27 March 1896, lot 141.
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472:. Vol. 23 (11th ed.). Cambridge University Press. p. 387.
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Samuel
Armitage, his sale, Christie's, London, 13 June 1919, lot 155.
179:(1811–1888) was also a noted watercolourist, exhibiting works at the
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Paintings by Rivière are held by public institutions including the
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339:(1874; Chrysler Museum of Art, Norfolk, Virginia: 2011.9)
155:, but devoted much of his life to animal paintings.
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descent. He exhibited a variety of paintings at the
553:. Surrey: Royal Holloway College. pp. 126–27.
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167:(1806–1876), was for some years drawing-master at
607:Reynolds, Simon. "Riviere, Briton (1840–1920)".
349:'There's many a slip twixt the cup and the lip'
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279:in 1869–70. After his death she presented the
194:, and in 1857 he exhibited three works at the
478:, "Briton Riviere, R.A.: His Life and Work",
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709:Profile on Royal Academy of Arts Collections
613:(online ed.). Oxford University Press.
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143:– 20 April 1920 in London) was a British
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610:Oxford Dictionary of National Biography
528:"Pallas Athena and the Herdsman's Dogs"
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699:54 artworks by or after Briton Rivière
601:Briton Rivière, R.A; His Life and Work
409:Art Gallery of New South Wales, Sydney
264:Associate of the Royal Academy of Arts
123:– Rivière's depiction of an exhausted
754:People educated at Cheltenham College
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317:Royal Holloway, University of London
270:in 1881, and received the degree of
230:are also very restless, and so are
190:His first pictures appeared at the
185:Royal Birmingham Society of Artists
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769:20th-century English male artists
764:19th-century English male artists
644:"British Artists. Briton Riviere"
171:, and then an art teacher at the
690:Works by or about Briton Rivière
530:. The Metropolitan Museum of Art
495:, No. 256, Vol. V, 4 August 1897
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430:Ann Lauren: Biography of Rivière
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744:20th-century English painters
734:19th-century English painters
243:Rivière by J. P. Mayall from
627:UK public library membership
384:Daniel's Answer to the King
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313:Metropolitan Museum of Art
226:the most restless dogs ...
53:Philip Hermogenes Calderon
181:Royal Watercolour Society
120:St. George and the Dragon
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642:Dafforne, James (1878).
549:Chapel, Jeannie (1982).
365:Daniel in the Lions' Den
491:"How I paint animals",
469:Encyclopædia Britannica
619:10.1093/ref:odnb/35766
388:Manchester Art Gallery
321:Chrysler Museum of Art
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739:English male painters
597:Armstrong, Sir Walter
289:William Henry Simmons
277:Royal Academy of Arts
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177:Henry Parsons Rivière
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476:Sir Walter Armstrong
293:Hugh Goldwin Rivière
262:. He was elected an
173:University of Oxford
108:Paintings of animals
285:Frederick Stacpoole
272:Doctor of Civil Law
205:, and in 1864 by a
192:British Institution
139:(14 August 1840 in
759:Royal Academicians
369:Walker Art Gallery
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213:Sleeping Deerhound
169:Cheltenham College
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625:(Subscription or
603:, The Art Annual.
493:Chums Boys Annual
268:Royal Academician
218:Chums Boys Annual
183:, London and the
163:Briton's father,
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86:(1920-04-20)
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729:1920 deaths
724:1840 births
474:This cites
97:Nationality
718:Categories
629:required.)
480:Art Annual
417:References
404:Requiescat
228:greyhounds
125:St. George
66:1840-08-14
668:2152-243X
654:: 33–36.
159:Biography
676:20569177
599:(1891).
345:(c.1878)
343:Sympathy
337:War Time
149:Huguenot
692:at the
590:Sources
482:(1891).
457::
407:(1888;
386:(1890;
367:(1872;
100:British
703:Art UK
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508:. Tate
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351:(1881)
333:(1873)
145:artist
141:London
672:JSTOR
534:1 May
512:1 May
331:Argus
303:Works
259:Punch
705:site
664:ISSN
555:ISBN
536:2014
514:2014
319:and
309:Tate
287:and
81:Died
60:Born
656:doi
615:doi
466:".
147:of
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39:RA
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
