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249:, and reviewed by artist Peter Dornauf. He wrote that everyday museum pieces had been transformed by 3D printing. The replacements "... present themselves as highly tactile yet prohibit touch because of their strange translucent ghostly nature." The work also raised questions. Holloway-Smith asked "Is something a sculpture if you print it out from a machine?" And Dornauf linked open sourcing the instructions to the issue of
269:"We have seen this with the boom in inner-city apartment living in the past decade. We saw it in the 19th century in the way the New Zealand Company sold a romanticised picture of New Zealand to prospective settlers before they'd visited the country. My project responds to this kind of marketing in the inner city and draws attention to its timelessness".
333:
As of
September 2024, the register on the web lists 403 works. Each work has a current status for the viewing public: accessible, hidden or lost (whereabouts unknown or destroyed). The public is invited to submit further works for registration and further information about selected works whose
320:
Public Art
Heritage Aotearoa New Zealand (PAHANZ) "... is a research initiative to find, document and protect 20th century public art heritage.", according to their website. At Massey University's Toi RauwhÄrangi College of Creative Arts, Holloway-Smith and Sue Elliott's research into the murals of
299:
Holloway-Smith picked one sculpture a week from the exhibition. She discussed copyright issues with the artist then got permission to create a 3D model of the sculpture and 3D print the model as a miniature. The miniatures were sufficiently transformed from the originals that
Holloway-Smith saw them
141:
The
Copyright Act 1994, s 92A read "Internet service provider must have policy for terminating accounts of repeat infringers". CFF believed it would force Internet service providers to disconnect customers who had been accused, but not convicted, of illegally downloading copyrighted content. It was
160:
Section 92A never came into force and was repealed by the
Copyright (Infringing File Sharing) Amendment Act 2011. CFF advocated for creative freedom on that act, other domestic law and international treaties. In July 2014, Holloway-Smith stepped down from CFF to start her PhD. Lacking a successor,
137:
The foundation sought to "... encourage, and promote New
Zealand artists' views on issues that have the potential to influence their collective creativity." through advocacy and education. It was launched, in December 2008, to oppose section 92 of the Copyright Act, due to come into force at the
264:
In 2011, Holloway-Smith produced a series of works exploring the possibility of settling Mars. As part of this project, she won a competition to erect a billboard on
Ghuznee Street, Wellington, advertising "Pioneer City" on Mars. The intention behind the work was to explore how the real estate
311:
was reviewed by art critic Mark Amery. He wrote that it was "... one smart project, charged in its complexity by contemporary issues of copyright, reproduction and future changes to the art market." It also won the Open Source in the Arts category at the New
Zealand Open Source Awards 2012.
108:
Holloway-Smith graduated from Massey
University with a Bachelor of Fine Arts (First Class Honours) in 2006. In 2014, she was awarded a scholarship to study for a PhD in Fine Art. Holloway-Smith completed her PhD at the university's Toi RauwhÄrangi College of Creative Arts (CoCA) in 2018.
304:
the original artist and work in acknowledgement. The miniatures were shown in the gallery's reading room and sold online. Again, the 3D printer instructions were gifted under a
Creative Commons license, this time Attribution-NonCommercial-ShareAlike (BY-NC-SA).
330:'s innovation fund to put the register on the web and establish a forum for those working with public art to share resources and best practice. The national register of 20th century public art was launched on the PAHANZ website in July 2023.
180:
Massey University commissioned Holloway-Smith to produce an artwork for permanent display on their Wellington campus. The university's College of Creative Arts building on Buckle Street used to belong to the
325:
developed into an informal register of public art. By the late 2010s, PAHANZ planned to make the register accessible through their website. In the early 2020s, the initiative received $ 300,000 from the
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to run 16ā23 February 2009, and organised online and paper petitions. On 19 February, Holloway-Smith led around 200 protestors at parliament. She handed the petitions to
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She describes herself as interested in "internet culture, 3-dimensional printing, open source art, and space colonisation." She edited the book
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end of February 2009. Holloway-Smith was a co-founder of Creative Freedom Foundation (CFF), and served as their director and spokesperson.
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won the Open Source in the Arts category at the New Zealand Open Source Awards. In 2012, the collection was shown at RAMP Gallery in
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whose origin was well known. Holloway-Smith gifted the 3D printer instructions for the collection from her official website under the
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tooth, and a giant snail shell. The rest were man made and, with one exception, generic and of unknown origin. They included a
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City Gallery exhibition explores Kiwi identity and Bronwyn Holloway-Smith's inquiry into digital NZ, Stuff, 5 March 2018
296:(2012) through which Holloway-Smith continued to raise awareness of copyright and produce art with 3D technologies.
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industry has aimed its marketing at people's aspirations, and how residential developments are sometimes utopian:
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Peter Dunne and Holloway-Smith face media outside Parliament House, NZ Internet Blackout protest, 19 February 2009
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which moved out to become Te Papa. Holloway-Smith imagined museum pieces that might have been lost in the move.
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The Southern Cross cable : a tour : art, the internet and national identity in Aotearoa-New Zealand
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interviewed Holloway-Smith at the protest, the first of many appearances over the next ten years.
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531:"CreativeFreedom.org.nz Launches with Campaign Against Guilt upon Accusation Laws in NZ"
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dubbed the guilt upon accusation law, and the foundation wanted it repealed.
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exhibition 24 Februaryā10 June. Running alongside the exhibition was
588:. Creative Freedom Foundation (CFF). 16 February 2009. Archived from
533:. Creative Freedom Foundation (CFF). 18 December 2008. Archived from
199:
195:
503:"10 questions with Bronwyn Holloway-Smith | Massey University Press"
586:"CFF Announce Internet Blackout Against Guilt upon Accusation Laws"
191:(2009) was a collection of ten replacement pieces produced with an
100:, and is co-director of Public Art Heritage Aotearoa New Zealand.
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1050:"Safeguarding 20th Century Artwork in Aotearoa from Disappearing"
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Wanted: The Search for the Modernist Murals of E. Mervyn Taylor
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WANTED: The search for the modernist murals of E. Mervyn Taylor
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906:"The Obstinate Object: Contemporary New Zealand Sculpture"
662:"Petition 2008/7 of Bronwyn Holloway-Smith and 148 Others"
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416:"Wellington Graduation Sees Four Staff Receive Doctorates"
390:"Holloway-Smith Steps Down As CFF Director (Open Letter)"
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The Obstinate Object: Contemporary New Zealand Sculpture
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3D printer. Three of the originals were from nature: a
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MP with over 10,000 virtual and 149 written signatures.
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1145:. Ministry for Culture and Heritage. 20 September 2023
856:. bartley + company art. 28 March 2011. Archived from
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612:"Protesters Want Copyright Provision Scrapped"
392:. Creative Freedom Foundation. Archived from
161:the trustees put the foundation into hiatus.
8:
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748:. Computerworld: New Zealand. Archived from
660:Holloway-Smith, Bronwyn (20 February 2009).
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1165:"Discovering and Protecting Our Public Art"
746:"3D Printer Deployed for the Cause of Art"
31:
20:
16:New Zealand artist and author (born 1982)
1256:Public Art Heritage Aotearoa New Zealand
1195:Public Art Heritage Aotearoa New Zealand
1117:Public Art Heritage Aotearoa New Zealand
1087:Public Art Heritage Aotearoa New Zealand
1025:Public Art Heritage Aotearoa New Zealand
782:"Glancing at the History of Digital Art"
710:"Search Results: Bronwyn Holloway-Smith"
388:Holloway-Smith, Bronwyn (11 July 2014).
316:Public Art Heritage Aotearoa New Zealand
92:is a New Zealand artist and author from
854:"A second public art billboard project"
343:
1001:. New Zealand Open Source Awards. 2012
806:. New Zealand Open Source Awards. 2010
447:(Doctoral thesis). Massey University.
360:. Auckland: Massey University Press.
354:Holloway-Smith, Bronwyn, ed. (2018).
96:. She holds a PhD in Fine Arts from
7:
633:McDonald, Greer (20 February 2009).
1281:Academic staff of Massey University
147:first New Zealand Internet Blackout
14:
1296:Creative Commons-licensed authors
940:"The Stubbornness of Sculpture 2"
685:"Copyright Act Amendment Protest"
328:Ministry for Culture and Heritage
238:Attribution-ShareAlike license.
744:O'Neill, Rob (27 January 2010).
683:Smith, Emma (19 February 2009).
437:Holloway-Smith, Bronwyn (2018).
418:. Massey University. 7 June 2019
966:"The Thorny Issue of Copyright"
964:Freeman, Lynn (4 March 2012).
635:"Internet Law Change 'Unjust'"
479:. 18 July 2012. Archived from
183:National Museum of New Zealand
1:
938:Amery, Mark (10 April 2012).
780:Dornauf, Peter (6 May 2012).
300:as her works. She named them
273:A website was also produced.
1169:Rangahau: Research at Massey
1143:"Innovation Fund Recipients"
999:"2012 Winners and Finalists"
804:"2010 Winners and Finalists"
614:. Radio NZ. 19 February 2009
1286:People from Wellington City
1226:Ghosts in the Form of Gifts
560:"Copyright Act 1994, s 92A"
243:Ghosts in the Form of Gifts
189:Ghosts in the Form of Gifts
166:Ghosts in the Form of Gifts
125:Creative Freedom Foundation
47:1982 (age 41–42)
1317:
30:
1271:Massey University alumni
712:. Radio New Zealand. n.d
664:. New Zealand Parliament
477:"Bronwyn Holloway-Smith"
334:details are incomplete.
226:. The exception was the
1291:New Zealand printmakers
911:City Gallery Wellington
564:New Zealand Legislation
286:City Gallery Wellington
445:Massey Research Online
271:
177:
134:
90:Bronwyn Holloway-Smith
25:Bronwyn Holloway-Smith
1242:Whisper Down the Lane
1119:. n.d. Archived from
1113:"Public Art Register"
1089:. n.d. Archived from
882:. n.d. Archived from
507:www.masseypress.ac.nz
309:Whisper Down the Lane
294:Whisper Down the Lane
278:Whisper Down the Lane
267:
175:
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121:, published in 2018.
752:on 23 September 2015
1123:on 29 November 2019
1093:on 29 November 2019
860:on 1 September 2011
592:on 17 February 2009
537:on 18 December 2008
145:CFF called for the
178:
176:Replacement cicada
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1058:Radio New Zealand
974:Radio New Zealand
831:. EyeContact. n.d
689:Radio New Zealand
639:The Dominion Post
566:. 31 October 2008
483:on 13 August 2017
396:on 13 August 2017
155:Radio New Zealand
98:Massey University
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1199:. Retrieved
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1062:RNZ National
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1021:"Haere mai!"
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978:RNZ National
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942:. EyeContact
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784:. EyeContact
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864:27 November
512:13 December
453:10179/14941
228:Utah teapot
204:sperm whale
193:open design
151:Peter Dunne
59:New Zealand
56:Nationality
1265:Categories
1191:"Artworks"
1054:Afternoons
487:3 November
338:References
251:authorship
220:tapa cloth
94:Wellington
50:Lower Hutt
829:"Writers"
302:After ...
241:In 2010,
212:fish hook
104:Education
247:Hamilton
232:3D model
1175:10 June
1127:10 June
1097:10 June
1083:"About"
1031:10 June
1005:14 July
983:14 July
946:14 July
918:14 July
890:14 June
835:13 June
810:13 June
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716:19 June
694:14 June
668:16 June
645:16 June
618:16 June
596:17 June
570:17 June
541:17 June
458:15 June
422:15 June
400:15 June
74:Website
1244:(2012)
1236:(2011)
1228:(2009)
1201:6 June
1149:7 June
1067:6 June
364:
280:(2012)
260:(2011)
214:) and
200:cicada
196:RepRap
168:(2009)
113:Career
1197:. n.d
1027:. n.d
914:. n.d
218:, a
208:MÄori
1203:2024
1177:2024
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514:2018
489:2017
460:2024
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402:2024
362:ISBN
288:ran
224:adze
40:Born
449:hdl
216:poi
81:.nz
1267::
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928:^
908:.
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