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The first written records of the Broder singers are the remarks of Jews passing through Brody, which was a trading center on a major route of travel ("a stopping point on the travels of
Russian Jewish merchants to and from the Leipzig fair."). These records are generally disapproving of the singing
101:. Some of Berl Broder's original songs, along with the works of his son and grandson who continued the tradition of secular Yiddish writing, can be found in his grandson Ber Margulies' book
61:, professional or semiprofessional songwriters and performers, who from at least the early 19th century sang and danced, often in comic disguises, and who performed short
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Dray doyres̀ lider fun Berl Broder (Margulies), feliṭonen fun Yom
Hatsyoni (YitsḥaḳMargulies), poemen un lider fun Ber Margulies (1957)
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71:(traditional wedding entertainers) and meshorerim (singers in cantors' choirs). They were among the first to publicly perform
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Later the term Broder Singer was applied to performers who had no connection with Brody.
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https://www.jewishvirtuallibrary.org/jsource/judaica/ejud_0002_0019_0_19780.html
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Among the most famous Broder singers were Berl
Margulis - better known as
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plays and wedding parties, and were an important precursor to
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Jewish itinerant performers in
Galicia, Romania, and Russia
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of songs when no religious occasion called for music.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
