260:
be cut, made a point of letting the musicians take turns and musical decisions. Alongside this, Cássia made her show for the press at the
Mistura Fina show house in Ipanema. Wanderson bought her a dress and a high shoe, which she threw away in the first song. In that period, until 1994, when it stopped being produced by the uncle, Cássia wore clothes with style more "marginalized" and without great preoccupations of style. On the same day, it was reported that Wanderson himself would be the producer of the debut album.
355:
350:
345:
340:
335:
267:'s claim was that Cassia had a pop repertoire and a better-looking image. Mayrton Bahia, however, believing in the potential of his young and rebellious figure, defended his style against the commercial department. "The record company did not believe her, wanted her to have good manners, she was more little girl," says Mayrton.
283:, which would be the opening theme of the eponymous soap opera, released in 1990. The recording, arranged by Cássia's own band, was not approved by the record company or the broadcaster, which considered it out of context. "Cássia was yelling," says Wanderson Clayton, who still holds the unreleased recording.
274:
The cover of the album, initially, would be signed by the artist André Peticov, but was not approved by the singer or by his uncle. So, we chose a photo taken at a show in São Paulo, made by Eliane Torino. For the back cover, Peticov gave another idea, this time approved: Cassia would literally kick
270:
The album counted on the participations of Frejat (that composed "Barraco") and
Peninha, in the percussions. As the musicians of the band had a strong jazz influence, the Baron Red guitarist proposed that they return to the musical origins of the performer, essentially sidewalks in rock. Despite the
259:
A band to accompany the singer was assembled (according to
Wanderson, the process was complicated by the enormous shyness of Cassia). With the band set up, the rehearsals of the opening ten tracks began in a studio at Cosme Velho. Mayrton, who believed that Cassia was a rough diamond that should not
243:
Immediately, he put her in a studio owned by a friend. From this first recording came 10 songs in voice and guitar, which would become part of the final repertoire. The bands surprised by the selected composers, the great majority belonging to the independent circuit. There were names like
Hermelino
29:
252:. After waiting for about six hours, he left the recording for Mayrton and left. When he got home, he got a call from him. When he returned to the office, Mayrton offered a three-disc deal with Cassia. With this, Cássia returned to Rio de Janeiro, and the production process of
368:
says, despite not selling well, it was "the aggressiveness of her low voice and the dry arrangements" on Eller's debut album that brought her national recognition. The controversial song "Rubens", expressing ambiguous sexuality, was censored.
247:
After editing the tape, Wanderson took it to Rio, where PolyGram headquarters were located. There he worked
Mayrton Bahia, producer of groups like Legião Urbana and who knew Wanderson of works with the 14 Bis in
244:
Neder, Bocato, Mário Manga and Arrigo Barnabé. During this period Cassia returned to
Brasilia, with no hope of success in her endeavor, while Wanderson tried to get money to mix the material in hand.
275:
the bucket. The photo was taken on Barra beach, where the singer spent some time repeating the act. Once the production was over, it was time to set the release. Initially,
578:
611:
235:
song on his guitar, which impressed him. From then on, Wanderson would try to make Cassia the "greatest singer in that country," according to his words.
752:
700:
220:. Until the end of the decade, Cássia made numerous presentations in local and music festivals, emphasizing by the serious and powerful vocal tone.
300:
in the following months. Initially, all eleven tracks recorded would have music videos, but due to tight budget, the idea had to be abandoned.
227:, where she could achieve greater professional projection. There she met her uncle, Wanderson Clayton, who worked as a producer for the
798:
964:
828:
693:
738:
667:
821:
969:
292:
686:
619:
777:
652:
216:
in the 1980s, and there he went through various musical experiences, in addition to making friends with
102:
791:
745:
28:
152:
449:
212:
in 1962 . After passing through several cities of the country during his life, he arrived in
759:
109:
709:
217:
177:
128:
41:
290:
were recorded. One, For While, the album's first single and its first hit, was aired on
432:
209:
189:
958:
464:
228:
181:
197:
97:
224:
866:
784:
644:
287:
276:
185:
57:
731:
297:
70:
65:
365:
327:
264:
213:
232:
193:
173:
36:
682:
678:
296:
in 1990. The other five were shown by the then newly released
271:
initial rejection of this idea, it was soon accepted by them.
249:
579:"Tio e produtor de Cássia Eller conta segredos da cantora"
279:
commissioned the label to release a version of the song
665:
Gdula, Steve (March 5, 2002). "Queen of the
Carnaval".
606:
604:
602:
600:
881:
858:
808:
769:
716:
391:
380:
127:
108:
96:
79:
56:
48:
35:
21:
498:Arrigo Barnabé, Mário Manga (Mário Augusto Aydar)
694:
8:
332:
701:
687:
679:
307:
27:
18:
377:
570:
753:Com Você... Meu Mundo Ficaria Completo
313:
7:
639:
637:
612:"Revelações do tio de Cássia Eller"
14:
909:"Todo Amor que Houver nessa Vida"
417:Mário Manga (Mário Augusto Aydar)
334:
180:, released in 1990. It contained
16:1990 studio album by Cássia Eller
537:"Não Sei O Que Eu Quero Da Vida"
353:
348:
343:
338:
333:
618:(in Portuguese). Archived from
540:Arrigo Barnabé, Hermelino Neder
403:Itamar Assumpção, Marcus Miller
381:
184:of songs from artists such as
1:
484:Bocato (Itacyr Bocato Júnior)
655:. Retrieved 9 December 2011.
526:Cássia Eller, Márcio Faraco
470:John Lennon, Paul McCartney
400:"Já Deu Para Sentir (Tutu)"
986:
551:"Tutti Frutti" ((CD only))
286:To release the album, six
945:"Smells Like Teen Spirit"
547:
533:
519:
505:
491:
477:
459:
441:
424:
410:
396:
388:
385:
321:
318:
223:In 1988, Cássia moved to
208:Cássia Eller was born in
135:
26:
900:"Lanterna dos Afogados"
231:group. He showed him a
930:"Vá Morar com O Diabo"
924:"Quando A Maré Encher"
903:"Coroné Antonio Bento"
840:A Arte de Cássia Eller
770:Live albums and videos
172:is the debut album by
822:Participação Especial
622:on September 22, 2008
103:Universal Music Group
778:Cássia Eller ao Vivo
746:Veneno AntiMonotonia
309:Professional ratings
965:Cássia Eller albums
915:"Palavras ao Vento"
643:Neder, Alvaro.
310:
942:"Eu Sou Neguinha?"
445:"Que O Deus Venha"
308:
970:1990 debut albums
952:
951:
792:Cássia Rock Eller
561:
560:
450:Clarice Lispector
362:
361:
176:recording artist
165:
164:
161:
160:
120:Wanderson Clayton
977:
933:"Queremos Saber"
703:
696:
689:
680:
673:
672:
662:
656:
641:
632:
631:
629:
627:
608:
595:
594:
592:
590:
575:
495:"O Dedo De Deus"
452:, Roberto Frejat
383:
378:
364:Alvaro Neder of
358:
357:
356:
352:
351:
347:
346:
342:
341:
337:
336:
311:
281:Meu Bem, Meu Mal
137:
136:
31:
19:
985:
984:
980:
979:
978:
976:
975:
974:
955:
954:
953:
948:
918:"Luz dos Olhos"
912:"O Segundo Sol"
877:
854:
804:
765:
760:Dez de Dezembro
712:
707:
677:
676:
664:
663:
659:
642:
635:
625:
623:
610:
609:
598:
588:
586:
585:(in Portuguese)
577:
576:
572:
567:
562:
431:Jorge Salomão,
375:
354:
349:
344:
339:
306:
241:
206:
156:
147:
123:
92:
75:
44:
17:
12:
11:
5:
983:
981:
973:
972:
967:
957:
956:
950:
949:
947:
946:
943:
940:
937:
934:
931:
928:
925:
922:
921:"Partido Alto"
919:
916:
913:
910:
907:
904:
901:
898:
895:
892:
889:
888:"Por Enquanto"
885:
883:
879:
878:
876:
875:
870:
862:
860:
859:Extended plays
856:
855:
853:
852:
847:
845:Novo Millenium
842:
837:
832:
825:
818:
812:
810:
806:
805:
803:
802:
795:
788:
781:
773:
771:
767:
766:
764:
763:
756:
749:
742:
735:
728:
720:
718:
714:
713:
708:
706:
705:
698:
691:
683:
675:
674:
657:
645:Cássia Eller:
633:
596:
569:
568:
566:
563:
559:
558:
555:
552:
549:
545:
544:
541:
538:
535:
531:
530:
527:
524:
521:
517:
516:
513:
510:
509:"Por Enquanto"
507:
503:
502:
499:
496:
493:
489:
488:
485:
482:
479:
475:
474:
471:
468:
461:
457:
456:
453:
446:
443:
439:
438:
435:
433:Roberto Frejat
429:
426:
422:
421:
418:
415:
412:
408:
407:
404:
401:
398:
394:
393:
390:
387:
384:
376:
374:
371:
360:
359:
330:
324:
323:
320:
316:
315:
305:
302:
240:
237:
210:Rio de Janeiro
205:
202:
190:Paul McCartney
163:
162:
159:
158:
149:
140:
133:
132:
125:
124:
122:
121:
118:
114:
112:
106:
105:
100:
94:
93:
91:
90:
87:
83:
81:
77:
76:
74:
73:
68:
62:
60:
54:
53:
52:September 1990
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
982:
971:
968:
966:
963:
962:
960:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
897:"1º De Julho"
896:
893:
891:"Malandragem"
890:
887:
886:
884:
880:
874:
873:Cássia Eller
871:
869:
868:
864:
863:
861:
857:
851:
848:
846:
843:
841:
838:
836:
833:
831:
830:
826:
824:
823:
819:
817:
814:
813:
811:
807:
801:
800:
796:
794:
793:
789:
787:
786:
782:
780:
779:
775:
774:
772:
768:
762:
761:
757:
755:
754:
750:
748:
747:
743:
741:
740:
736:
734:
733:
729:
727:
726:
722:
721:
719:
717:Studio albums
715:
711:
704:
699:
697:
692:
690:
685:
684:
681:
670:
669:
661:
658:
654:
650:
648:
640:
638:
634:
621:
617:
613:
607:
605:
603:
601:
597:
584:
580:
574:
571:
564:
556:
553:
550:
546:
542:
539:
536:
532:
528:
525:
522:
518:
514:
511:
508:
504:
500:
497:
494:
490:
486:
483:
480:
476:
472:
469:
466:
465:Eleanor Rigby
462:
458:
454:
451:
447:
444:
440:
436:
434:
430:
427:
423:
419:
416:
413:
409:
405:
402:
399:
395:
379:
372:
370:
367:
331:
329:
326:
325:
317:
314:Review scores
312:
303:
301:
299:
295:
294:
289:
284:
282:
278:
272:
268:
266:
261:
257:
255:
251:
245:
238:
236:
234:
230:
226:
221:
219:
215:
211:
203:
201:
199:
195:
191:
187:
183:
179:
175:
171:
170:
155:
154:
150:
146:
145:
141:
139:
138:
134:
130:
126:
119:
117:Mayrton Bahia
116:
115:
113:
111:
107:
104:
101:
99:
95:
88:
85:
84:
82:
78:
72:
69:
67:
64:
63:
61:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
936:"No Recreio"
872:
865:
849:
844:
839:
834:
827:
820:
815:
809:Compilations
799:Acústico MTV
797:
790:
783:
776:
758:
751:
744:
739:Cássia Eller
737:
730:
725:Cássia Eller
724:
723:
710:Cássia Eller
668:The Advocate
666:
660:
647:Cássia Eller
646:
624:. Retrieved
620:the original
616:Jornal Livre
615:
587:. Retrieved
582:
573:
512:Renato Russo
363:
291:
288:music videos
285:
280:
273:
269:
262:
258:
254:Cássia Eller
253:
246:
242:
222:
218:Zélia Duncan
207:
198:Renato Russo
178:Cássia Eller
169:Cássia Eller
168:
167:
166:
151:
144:Cássia Eller
143:
142:
129:Cássia Eller
42:Cássia Eller
37:Studio album
22:Cássia Eller
927:"Relicário"
867:Veneno Vivo
785:Veneno Vivo
649:> Review
186:John Lennon
959:Categories
939:"All Star"
835:I Love MPB
732:O Marginal
565:References
298:MTV Brasil
293:Fantástico
263:At first,
204:Background
153:O Marginal
131:chronology
86:Portuguese
71:blues rock
850:Raridades
816:Millenium
523:"Lullaby"
428:"Barraco"
389:Writer(s)
304:Reception
239:Recording
225:São Paulo
174:Brazilian
894:"E.C.T."
653:AllMusic
626:April 4,
589:April 4,
481:"Otário"
448:Cazuza,
414:"Rubens"
366:Allmusic
328:allmusic
265:PolyGram
214:Brasilia
110:Producer
80:Language
49:Released
39: by
882:Singles
256:began.
233:Beatles
157:(1992)
148:(1990)
89:English
829:Perfil
557:
554:
543:
529:
515:
501:
487:
473:
455:
437:
420:
406:
392:Length
373:Tracks
322:Rating
319:Source
229:14 Bis
196:, and
194:Cazuza
182:covers
906:"Nós"
583:Terra
386:Title
277:Globo
98:Label
58:Genre
628:2018
591:2018
188:and
66:Rock
651:at
548:11.
534:10.
382:No.
250:EMI
961::
636:^
614:.
599:^
581:.
520:9.
506:8.
492:7.
478:6.
460:5.
442:4.
425:3.
411:2.
397:1.
200:.
192:,
702:e
695:t
688:v
671:.
630:.
593:.
467:"
463:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
