457:, the goddess of dawn) who is in love with Céphale and wants him for herself. When L'Aurore believes Céphale has rejected her, she conjures up demons to cast a spell so Procris will believe Céphale has been unfaithful to her. The spell works but the goddess has a sudden change of heart and convinces Procris that Céphale has always been true to her. Procris finds Céphale and Borée engaged in a fight. When she tries to intervene, Céphale accidentally wounds her with an arrow, and she dies leaving her lover grief-stricken.
453:. Céphale, a warrior, and Procris, the daughter of the King of Athens, are in love but are yet to be married (in this the opera differs from Ovid where they are already man and wife). Borée, Prince of Thrace, is Céphale's rival for Procris's hand and the gods help him press his claim, particularly L'Aurore (
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was not a success and only ran for five or six performances before disappearing from the stage until a revival of interest in the work in the late 20th century. Wanda R. Griffiths, who has edited the opera, has proposed some reasons for this failure: the poor literary quality of the libretto, with
91:, who had died less than a decade before. But Jacquet de La Guerre added original touches of her own to the Lullian formula, such as a quiet conclusion in place of the expected final chorus.
111:. At the time, Catholic religious authorities were attacking opera as a "sensuous" form of entertainment. French national morale was also low as the result of a series of military defeats.
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Recueil des Opera, des
Ballets, & des plus belles Pièces en Musique, qui ont été représentées depuis dix ou douze ans jusques à présent devant sa Majesté très Chrestienne
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Chorus of
Athenian men and women; Thracians from Boreas's retinue; shepherds and shepherdesses; Loves, Players and attendants to Voluptuousness; Zephyr Gods; demons
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its confused plot; and the cultural climate of Paris in the 1690s, which was generally unfavourable to new operas. Parisian audiences looked to
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as their arbiter of taste and the king had lost interest in opera, probably under the influence of his religiously conservative wife
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Modern libretto (with
English translation) and score: Jacquet de La Guerre, Elisabeth-Claude,
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Cephale et
Procris, Tragédie mise en Musique par Mademoiselle De La Guerre
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Chorus of Nymphs from Flora's retinue; Fauns and forest divinities;
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The opera begins with a prologue celebrating the glory of King
473:, conducted by Daniela Dolci (ORF Alte Edition, 2008, 2 CDs)
549:(edited by Wanda R. Griffiths), Madison, A-R Editions, 1998
83:Unsurprisingly, the music shows the influence of
517:Period libretto (according to Paris's copy), in
315:Arcas, Cephalus's friend, in love with Dorine
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537:International Music Score Library Project
449:. The main opera (Acts I to V) is set in
261:Céphale (Cephalus), in love with Procris
588:Operas by Élisabeth Jacquet de La Guerre
568:Opera world premieres at the Paris Opera
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72:. The opera was first performed by the
130:Premiere cast, 17 March 1694
285:Erictée (Erechtheus), King of Athens
87:, the founder of the French genre of
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504:used in the original printed score.
388:A lady companion of Voluptuousness
603:Greek and Roman deities in fiction
295:Iphis, Nymph, Aurora's confidante
54:, is loosely based on the myth of
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52:Joseph-François Duché de Vancy
31:Élisabeth Jacquet de La Guerre
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593:Operas based on Metamorphoses
305:Dorine, Procris's confidante
378:La Volupté (Voluptuousness)
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481:Chœur de Chambre de Namur
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33:. It takes the form of a
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248:'s daughter, beloved of
422:Le Desespoir (Despair)
398:La Jalousie (Jealousy)
78:Théâtre du Palais-Royal
29:by the French composer
573:French-language operas
533:, Paris, Ballard, 1694
39:in five acts with an
583:Tragédies en musique
23:Cephalus and Procris
467:Céphale et Procris,
338:Two Athenian women
275:, Cephalus's rival
109:Madame de Maintenon
95:Performance history
89:tragédie en musique
85:Jean-Baptiste Lully
36:tragédie en musique
613:Aurora (mythology)
547:Cephale et Procris
477:Céphale et Procris
100:Céphale et Procris
80:on 17 March 1694.
18:Céphale et Procris
618:Athens in fiction
598:Flora (mythology)
500:According to the
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271:Borée, Prince of
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541:Gallica - B.N.F.
535:: Scores at the
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578:1694 operas
222:Main opera
74:Paris Opéra
62:as told in
41:allegorical
557:Categories
488:References
469:Soloists,
246:Erechtheus
227:L'Aurore (
201:A sea god
126:Voice type
608:Pan (god)
461:Recording
447:Louis XIV
403:baritenor
368:A pastor
341:sopranos
194:sopranos
137:Prologue
441:Synopsis
401:taille (
391:soprano
381:soprano
361:soprano
331:soprano
308:soprano
298:soprano
254:soprano
250:Cephalus
234:soprano
56:Cephalus
48:libretto
44:prologue
25:) is an
512:Sources
327:Minerva
242:Procris
214:Tritons
172:Nerée (
150:soprano
142:Flore (
76:at the
60:Procris
563:Operas
539:or at
455:Aurora
451:Athens
273:Thrace
229:Aurora
190:nymphs
174:Nereus
46:. The
502:clefs
425:bass
318:bass
288:bass
278:bass
144:Flora
122:Role
115:Roles
50:, by
27:opera
188:Two
164:bass
64:Ovid
58:and
159:Pan
66:'s
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