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recalled how
Jackson encouraged him to stage one of his early projects, "Tribal Rites, or The Coming of the Great God-bird Nabuku to the Age of Horace Lee Lizer." "Though I've been involved in many projects since," Wolfe said, "this production was perhaps the most crucial to my evolution" as an
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Inner City's multi-cultural approach did not come without criticism from the black artistic community and the mainstream press, despite the fact that Inner City was also the largest producer of black theatre in Los
Angeles.
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When he enrolled in the High School of Music and Art, Jackson was able to escape the negative influences of his neighborhood and obtain a broader view of the world. He subsequently attended
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357:"Fifteenth Census of the United States (1930) [database on-line], Brooklyn, Kings County, New York, Enumeration District: 196, Page: 13B, Line: 93, household of Clarence Jackson"
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musical that was written by
Jackson. In the production, a black man and woman were cast as the parents of a Japanese daughter and a Chicano son. The following year, Jackson staged,
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Throughout his thirty years as executive director of the Inner City
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a musical dealing with civil rights. The production featuring a multi-ethnic cast was very popular with Los
Angeles audiences, if not with critics.
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in
Central Los Angeles. Unlike other arts organizations that catered to one ethnic group or another, Inner City operated under the concept of
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Bayete, Cynthia Cotton (April 1976). Johnson, John H. (ed.). "Annual
Roundup: Black Theater in America (Los Angeles section)".
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Clarence
Bernard Jackson was the only child of Clarence I. and Ruth R. (Brown) Jackson, who were both originally from
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and featured a
Chinese mother with her son played simultaneously by two actors, one black and the other Chicano.
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in Los
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and provided assistance to a wide variety of cultural institutions. This included
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In 1959, Jackson co-wrote (with James Hatch), the book and music for
382:"Virginia, Select Marriages, 1785-1940 [database on-line]"
440:(6). Chicago, Illinois: Johnson Publishing Company, Inc.: 75–77.
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He died on July 16, 1996. In the wake of his death, playwright
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and the Bilingual Foundation for the Arts, founded by
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456:"Recalling C. Bernard Jackson's Gift"
363:: The Generations Network. 1930-04-17
209:for Best Musical the following year.
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572:20th-century American businesspeople
481:"Inner City Center Faces the Future"
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267:writer. The production included
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454:Wolfe, George C. (1996-07-22).
512:Internet Off-Broadway Database
71:Arts administrator, playwright
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333:"A Trailblazer for Diversity"
331:Breslauer, Jan (1991-03-31).
479:Shirley, Don (1996-07-28).
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537:Writers from New York City
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127:Inner City Cultural Center
388:: The Generations Network
212:In the wake of the 1965
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407:"1961-1962 Obie Awards"
249:non-traditional casting
61:Los Angeles, California
216:, Jackson founded the
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485:The Los Angeles Times
460:The Los Angeles Times
337:The Los Angeles Times
261:Langston Hughes Said
299:for Best Musical –
230:El Teatro Campesino
508:C. Bernard Jackson
409:. Infoplease. 2007
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176:Brooklyn, New York
172:Bedford-Stuyvesant
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56:(1996-07-16)
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433:Black World
226:Luis Valdez
214:Watts Riots
174:section of
521:Categories
490:2010-12-10
465:2010-12-10
413:2010-12-10
392:2016-09-01
367:2016-09-01
342:2010-12-10
307:References
297:Obie Award
207:Obie Award
162:Background
113:Obie Award
68:Occupation
37:1927-11-04
257:Christmas
157:Biography
93:1959-1996
286:artist.
510:at the
201:opened
295:1962:
269:Hughes
232:, the
189:Career
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29:Born
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